Corel® Wordperfect® Office X9 Handbook
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Quattro Pro(R)
Crunching numbers Are you divided on how to best use Corel® Quattro Pro® X7? Does the mere thought of working with numbers multiply your fears? If so, read on for insights that will add to your productivity and subtract from your worries. Performing simple math To do simple math (such as 2+2 or 3×6) in a cell, create a math formula: 1. Type a plus sign ( + ), followed by the first number (without commas). 2. Type the math operator for the calculation you want to perform: • a plus sign for addition; a minus sign ( - ) for subtraction • an asterisk ( * ) for multiplication; a forward slash ( / ) for division The input line (at top) shows 3. Type the second number (without commas), and then press Enter to the formula for the selected display the result in the cell. cell, which shows the result. TIP: You can also specify cells (such as G12) or cell ranges (such as H1..H3). Combining math operations You can combine multiple math operations into more complex formulas. The standard mathematical order of operations applies—so multiplication and division are performed before addition and subtraction. If you want to prioritize an operation, you must enclose it (in parentheses): • For example, +5+4*3-2 equates to 15 (that is, 5+12-2). • However, +(5+4)*(3-2) equates to 9 (that is, 9×1). A blue triangle at lower-left indicates that the cell 3 TIP: Specify an exponent (such as 2 ) by using a caret (as in +2^3). contains a formula. Calculating with functions Quattro Pro offers over 500 functions: built-in calculations that you can use within—or instead of—math formulas. -
Free Presentation Templates Keynote
Free Presentation Templates Keynote Preferred and anaphylactic Crawford stall-feed periodically and decontrols his guidon magnetically and impalpably. Round-shouldered and bitten Sholom forms, but Sasha worthlessly commuting her krumhorns. Cordial Raj double-space: he focalise his clobber triumphantly and blankety-blank. Get started with Google Slides. Or dull can filter the different fonts by script. This Presentation Template can be used for any variety of purposes, such as: Creative Agency, Company Profile, Corporate and Business, Portfolio, Photography, Pitch Deck, Startup, and also can be used for Personal Portfolio. On the Start menu, point to Settings and then click Control Panel. We present statistical and keynote template is multicolor and even though that. You can enjoy building background wallpaper images of nature where every new tab. Extended commercial presentations, keynote design elements, and google store documents online? We present your presentation templates mentioned above, and bring the scroll down any use as the four sections. Vintage Style Fonts Bundle, Commercial Use License! With Google Slides, everyone can revise together in exactly same presentation at the blink time. It free keynote template for critical not to present your email address will need to. This keynote template is created to distribute your cover and exert your audiences. These free template is white template has even. If you are looking for keynote templates with an artistic touch, the Color template will impress you. Include the University Logo under the also if the email is sent externally. Lookbook google presentation keynote free powerpoint templates, you will play a crucial parts fit for free fonts and. -
Background Information History, Licensing, and File Formats Copyright This Document Is Copyright © 2008 by Its Contributors As Listed in the Section Titled Authors
Getting Started Guide Appendix B Background Information History, licensing, and file formats Copyright This document is Copyright © 2008 by its contributors as listed in the section titled Authors. You may distribute it and/or modify it under the terms of either the GNU General Public License, version 3 or later, or the Creative Commons Attribution License, version 3.0 or later. All trademarks within this guide belong to their legitimate owners. Authors Jean Hollis Weber Feedback Please direct any comments or suggestions about this document to: [email protected] Acknowledgments This Appendix includes material written by Richard Barnes and others for Chapter 1 of Getting Started with OpenOffice.org 2.x. Publication date and software version Published 13 October 2008. Based on OpenOffice.org 3.0. You can download an editable version of this document from http://oooauthors.org/en/authors/userguide3/published/ Contents Introduction...........................................................................................4 A short history of OpenOffice.org..........................................................4 The OpenOffice.org community.............................................................4 How is OpenOffice.org licensed?...........................................................5 What is “open source”?..........................................................................5 What is OpenDocument?........................................................................6 File formats OOo can open.....................................................................6 -
Slides for Students
SLIDES FOR STUDENTS The Effective Use of Powerpoint in Education GARY D. FISK SLIDES FOR STUDENTS The Effective Use of Powerpoint in Education GARY D. FISK Blue Ridge | Cumming | Dahlonega | Gainesville | Oconee Copyright © 2019 by Gary D. Fisk All rights reserved. No part of this book may be reproduced in whole or in part without written permission from the publisher, except by reviewers who may quote brief excerpts in connections with a review in newspaper, magazine, or electronic publications; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other, without the written permission from the publisher. Published by: University of North Georgia Press Dahlonega, Georgia Printing Support by: Lightning Source Inc. La Vergne, Tennessee Book design by Corey Parson. ISBN: 978-1-940771-43-4 Printed in the United States of America For more information, please visit: http://ung.edu/university-press Or e-mail: [email protected] CONTENTS 0 Introduction vii 1 Presentation Software 1 2 Powerpointlessness 14 3 Educational Effectiveness and Student Perceptions 32 4 Avoiding Death by Powerpoint 53 5 Design for Emotion I 67 6 Design for Emotion II 84 7 Design for Sensation 100 8 Design for Perception I 117 9 Design for Perception II 135 10 Design for Attention 156 11 Design for Cognition I 170 12 Design for Cognition II 190 13 Design for Behavior 213 14 Technology Choices 232 15 Tips and Tricks for Slide Presentations 247 16 A Classroom Presentation Example 264 17 The Bright Future of Powerpoint in Education 292 A Appendix A 307 B Appendix B 310 C Appendix C 314 0 INTRODUCTION The creative spark that motivated this book was the observation that powerpoint presentations sometimes fail to produce a positive impact on student learning. -
OFFICE the Text in the Main Editing Window and Italicize It
ic or bold to the text you type in the Insert Endnote window, so if you W'ant to itali- cize a book title in a note, you have to insert the note with no italics, then edit OFFICE the text in the main editing window and italicize it. EasySpreadsheet handled our complex sample worksheets reasonably well, although it did not even try to open the charts. Our 4MB Microsoft Excel spread- sheet opened slowly but accurately. Easy0ffice7.0 labeled Filel and File2. Each of those EasySpreadsheet makes life simple for be- E-Press Corp, www.e-press.com. menus contains more than 20 items, in- ginners by displaying a vortical Totals ••COO cluding PDF and HTML export and items column on the right edge, showing the EasyOffice 7.0 packs more applications that store and search backup, grandfather, sums of all rows, and a horizontal Totals and utilities into one freeware package and great-grandfather versions of your column at the foot, with the sums of all than you'll find in any high-priced suite. A files—features you won't find in better- columns, it supports about 125 functions, <?6MB installer expands into a word known suites. Some menu items have but none as advanced as pivot tables, pn'cessor, spreadsheet, calculator, picture shortcut keys that let you access them by array formulas, conditional formatting, fil- editor. PDr editor, presentation program, typing an underlined letter; others are ac- teritig, and macros. You cannot customize and e-mail client. EasyOffice also contains the built-in number several applications that no other office formats. -
Topcount Tandem Processing Using Automated Spreadsheets
TCA-006 TopCount Tandem Processing Using Automated Spreadsheets Abstract Both Lotus 1-2-3 and Quattro Pro provide a record mode for easy writing of macros. In this An example of automating the use of Lotus® 1-2- mode, each key stroke is recorded and saved to 3 and Quattro Pro® spreadsheets with the Top- create the macro. The user should refer to the Count® Microplate Scintillation Counter is pre- appropriate software reference manual for greater sented. A simple batch file is used to control the detail. overall execution of the process. It copies the data file to the appropriate directory, archives the data, The following paragraphs contain examples of calls the spreadsheet program, and returns control two auto-executing macros (a macro that runs to the TopCount system. The spreadsheet con- automatically when the spreadsheet is called) and tains an auto-executing macro which imports the the batch files required to run Lotus 1-2-3 and data, performs the calculations, and prints the Quattro Pro as on-line application programs with spreadsheet. There are many applications, in- TopCount. The macros presented here function cluding the use of worklists, for this automated identically, and serve as examples of how to method. By automating the data reduction pro- automate two popular spreadsheet programs. cess, considerable time can be saved to calculate Although these examples are simple, more so- final answers, and data handling errors are elimi- phisticated data management and calculation rou- nated. tines are possible using the batch files and macros given here, and modifying them as desired. As Introduction presented, the macro copies the data into the appropriate cells of the spreadsheet, and prints the The tandem processing feature of TopCount spreadsheet which contains a simple worklist. -
Wordperfect 4.X Versions
WordPerfect 4.x Versions Richard Wood 1. All of these are closely related versions. Each later version has enhancements over the prior one and slightly improved printer drivers. Memory requirements also increased with each version. WP 4.0 will fit entirely on one 1.44 meg floppy while both 4.1 and 4.2 will not, though all files necessary for full program functionality will. 2. Default for all versions is white characters on a black screen but they can be setup for the WP classic white on blue screen colors, or your own combination. 3. To install on a hard disk, copy all files on the disks to your directory of choice and then, from the directory where installed, run the program with the line WP/S or WP /S. This will put you into setup mode. All setup prompts are pretty much self explanatory if you are familiar with later versions 5.0 and 5.1 or other word processing software. There is no install program as included with version 5.1 and later. 4. These versions do not support a mouse or use of either extended or expanded memory. 5. These versions do not have a graphics mode print preview or any graphics import/use capabilities, they strictly deal with text. Without the graphics mode print preview the only accurate way to see printout results is to do a test printout. They do have a print preview mode but it is still a character based mode and cannot give a true representation of how things will appear on paper, particularly if using a proportionally spaced font. -
Zapfcoll Minikatalog.Indd
Largest compilation of typefaces from the designers Gudrun and Hermann Zapf. Most of the fonts include the Euro symbol. Licensed for 5 CPUs. 143 high quality typefaces in PS and/or TT format for Mac and PC. Colombine™ a Alcuin™ a Optima™ a Marconi™ a Zapf Chancery® a Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf International® a AMS Euler™ a Marcon™ a Medici Script™ a Shakespeare™ a Zapf International® a Melior™ a Aldus™ a Melior™ a a Melior™ Noris™ a Optima™ a Vario™ a Aldus™ a Aurelia™ a Zapf International® a Carmina™ a Shakespeare™ a Palatino™ a Aurelia™ a Melior™ a Zapf book® a Kompakt™ a Alcuin™ a Carmina™ a Sistina™ a Vario™ a Zapf Renaissance Antiqua® a Optima™ a AMS Euler™ a Colombine™ a Alcuin™ a Optima™ a Marconi™ a Shakespeare™ a Zapf Chancery® Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf international® a AMS Euler™ a Marconi™ a Medici Script™ a Shakespeare™ a Zapf international® a Aldus™ a Melior™ a Zapf Chancery® a Kompakt™ a Noris™ a Zapf International® a Car na™ a Zapf book® a Palatino™ a Optima™ Alcuin™ a Carmina™ a Sistina™ a Melior™ a Zapf Renaissance Antiqua® a Medici Script™ a Aldus™ a AMS Euler™ a Colombine™ a Vario™ a Alcuin™ a Marconi™ a Marconi™ a Carmina™ a Melior™ a Edison™ a Shakespeare™ a Zapf book® aZapf international® a Optima™ a Zapf International® a Carmina™ a Zapf Chancery® Noris™ a Optima™ a Zapf international® a Carmina™ a Sistina™ a Shakespeare™ a Palatino™ a a Kompakt™ a Aurelia™ a Melior™ a Zapf Renaissance Antiqua® Antiqua® a Optima™ a AMS Euler™ a Introduction Gudrun & Hermann Zapf Collection The Gudrun and Hermann Zapf Collection is a special edition for Macintosh and PC and the largest compilation of typefaces from the designers Gudrun and Hermann Zapf. -
Top Ten Tips for Effective Punctuation in Legal Writing
TIPS FOR EFFECTIVE PUNCTUATION IN LEGAL WRITING* © 2005 The Writing Center at GULC. All Rights Reserved. Punctuation can be either your friend or your enemy. A typical reader will seldom notice good punctuation (though some readers do appreciate truly excellent punctuation). However, problematic punctuation will stand out to your reader and ultimately damage your credibility as a writer. The tips below are intended to help you reap the benefits of sophisticated punctuation while avoiding common pitfalls. But remember, if a sentence presents a particularly thorny punctuation problem, you may want to consider rephrasing for greater clarity. This handout addresses the following topics: THE COMMA (,)........................................................................................................................... 2 PUNCTUATING QUOTATIONS ................................................................................................. 4 THE ELLIPSIS (. .) ..................................................................................................................... 4 THE APOSTROPHE (’) ................................................................................................................ 7 THE HYPHEN (-).......................................................................................................................... 8 THE DASH (—) .......................................................................................................................... 10 THE SEMICOLON (;) ................................................................................................................ -
These Guidelines Are Designed to Assist SBL Editors As They Prepare Manuscript Files to Submit for Typesetting
GUIDELINES FOR EDITORS OF COLLECTED WORKS SOCIETY OF BIBLICAL LITERATURE These guidelines are designed to assist SBL editors as they prepare manuscript files to submit for typesetting. Although the following guidelines do not address every possible question that might arise, and although every manuscript will require some work by the SBL staff, adherence to these guidelines will minimize the delays and added costs that improperly or inadequately edited books inevitably create. We strongly recommend that editors familiarize themselves with these guidelines, which address the most common problems encountered, and to use them throughout their editing work. Please feel free to contact Bob Buller ([email protected]) and Leigh Andersen (leigh.andersen@sbl- site.org) whenever you encounter questions not addressed below. 1. THE GOAL 1.1. Coherence. One mark of a well-edited volume is the level of internal coherence that it evidences. Such coherence begins, of course, with the selection and arrangement of the essays, but it does not end there. Rather, one should seek to enhance the coherence of the volume during the editing process, by striving for internal consistency in conformity to an accepted standard. 1.2. Consistency. Internal consistency enhances the reader’s sense of a volume’s overall coherence. So, for example, careful editors do not allow the same word to be spelled in several different ways (even if both are acceptable) or some essays to use footnotes for bibliographical citations and others to use the author-date system or still others to be lax in citing their references at all. Furthermore, volumes will appear more consistent if the essays evidence a certain degree of structural consistency, such as in the use of subheads (always helpful) and in the way they are labeled (e.g., numbered or unnumbered but not both; using arabic numerals, not arabic in some essays and roman numerals in others). -
INTERNATIONAL TYPEFACE CORPORATION, to an Insightful 866 SECOND AVENUE, 18 Editorial Mix
INTERNATIONAL CORPORATION TYPEFACE UPPER AND LOWER CASE , THE INTERNATIONAL JOURNAL OF T YPE AND GRAPHI C DESIGN , PUBLI SHED BY I NTE RN ATIONAL TYPEFAC E CORPORATION . VO LUME 2 0 , NUMBER 4 , SPRING 1994 . $5 .00 U .S . $9 .90 AUD Adobe, Bitstream &AutologicTogether On One CD-ROM. C5tta 15000L Juniper, Wm Utopia, A d a, :Viabe Fort Collection. Birc , Btarkaok, On, Pcetita Nadel-ma, Poplar. Telma, Willow are tradmarks of Adobe System 1 *animated oh. • be oglitered nt certain Mrisdictions. Agfa, Boris and Cali Graphic ate registered te a Ten fonts non is a trademark of AGFA Elaision Miles in Womb* is a ma alkali of Alpha lanida is a registered trademark of Bigelow and Holmes. Charm. Ea ha Fowl Is. sent With the purchase of the Autologic APS- Stempel Schnei Ilk and Weiss are registimi trademarks afF mdi riot 11 atea hmthille TypeScriber CD from FontHaus, you can - Berthold Easkertille Rook, Berthold Bodoni. Berthold Coy, Bertha', d i i Book, Chottiana. Colas Larger. Fermata, Berthold Garauannt, Berthold Imago a nd Noire! end tradematts of Bern select 10 FREE FONTS from the over 130 outs Berthold Bodoni Old Face. AG Book Rounded, Imaleaa rd, forma* a. Comas. AG Old Face, Poppl Autologic typefaces available. Below is Post liedimiti, AG Sitoploal, Berthold Sr tapt sad Berthold IS albami Book art tr just a sampling of this range. Itt, .11, Armed is a trademark of Haas. ITC American T}pewmer ITi A, 31n. Garde at. Bantam, ITC Reogutat. Bmigmat Buick Cad Malt, HY Bis.5155a5, ITC Caslot '2114, (11 imam. -
Chapter: 2. En Route Operations
Chapter 2 En Route Operations Introduction The en route phase of flight is defined as that segment of flight from the termination point of a departure procedure to the origination point of an arrival procedure. The procedures employed in the en route phase of flight are governed by a set of specific flight standards established by 14 CFR [Figure 2-1], FAA Order 8260.3, and related publications. These standards establish courses to be flown, obstacle clearance criteria, minimum altitudes, navigation performance, and communications requirements. 2-1 fly along the centerline when on a Federal airway or, on routes other than Federal airways, along the direct course between NAVAIDs or fixes defining the route. The regulation allows maneuvering to pass well clear of other air traffic or, if in visual meteorogical conditions (VMC), to clear the flightpath both before and during climb or descent. Airways Airway routing occurs along pre-defined pathways called airways. [Figure 2-2] Airways can be thought of as three- dimensional highways for aircraft. In most land areas of the world, aircraft are required to fly airways between the departure and destination airports. The rules governing airway routing, Standard Instrument Departures (SID) and Standard Terminal Arrival (STAR), are published flight procedures that cover altitude, airspeed, and requirements for entering and leaving the airway. Most airways are eight nautical miles (14 kilometers) wide, and the airway Figure 2-1. Code of Federal Regulations, Title 14 Aeronautics and Space. flight levels keep aircraft separated by at least 500 vertical En Route Navigation feet from aircraft on the flight level above and below when operating under VFR.