Hypnerotomachia Poliphili and Its Annotators, 1499-1700
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Marginalia and Commentaries in the Papyri of Euripides, Sophocles and Aristophanes
Nikolaos Athanassiou Marginalia and Commentaries in the Papyri of Euripides, Sophocles and Aristophanes PhD thesis / Dept. of Greek and Latin University College London London 1999 C Name of candidate: Nikolaos Athanassiou Title of Thesis: Marginalia and commentaries in the papyri of Euripides, Sophocles and Aristophanes. The purpose of the thesis is to examine a selection of papyri from the large corpus of Euripides, Sophocles and Aristophanes. The study of the texts has been divided into three major chapters where each one of the selected papyri is first reproduced and then discussed. The transcription follows the original publication whereas any possible textual improvement is included in the commentary. The commentary also contains a general description of the papyrus (date, layout and content) as well reference to special characteristics. The structure of the commentary is not identical for marginalia and hy-pomnemata: the former are examined in relation to their position round the main text and are treated both as individual notes and as a group conveying the annotator's aims. The latter are examined lemma by lemma with more emphasis upon their origins and later appearances in scholia and lexica. After the study of the papyri follows an essay which summarizes the results and tries to incorporate them into the wider context of the history of the text of each author and the scholarly attention that this received by the Alexandrian scholars or later grammarians. The main effort is to place each papyrus into one of the various stages that scholarly exegesis passed especially in late antiquity. Special treatment has been given to P.Wurzburg 1, the importance of which made it necessary that it occupies a chapter by itself. -
V64-I1-16-Gavitt.Pdf
REVIEWS 45 To conclude, I would simply add that his epistemology leads him to deny agency to historical actors, as the above quotation suggests. Actors are seen as caught up in larger and more important sociopolitical systems. Turner speaks in terms of “value systems” (14), “sexual systems” (14), or “systems of labeling” (29). In his reading of the first chapter, he argues that the pre- 1660 church developed “a system of labeling that was deliberately inflexible and limited in scope, making no conceptual or linguistic distinction between different types of offence, or between casual sexual encounters and longer- term affairs” (28). Turner comes to this conclusion because he has arbitrarily limited his interpretation. He could have benefited from reading and engag- ing with literary and cultural criticism of the 1990s which discussed in depth issues of agency. Similarly, he could have benefited from engaging more directly with historians like Christopher Hill, David Underdown, and David Cressy, to name just three. Having limited himself to the consideration of (written) language and having conceived of language as abstract, dehumaniz- ing “systems,” Turner need not consider the way that immorality could be defined by individuals within local communities. Through gossip, general opprobrium, and social rituals like charivari, the community could define for itself what it considered immoral and what behavior it might find excusable. Dorothy Habel. The Urban Development of Rome in the Age of Alexander VII. Cambridge: Cambridge University Press, 2002. xxi + 223 illus. + 400 pp. $95.00. Review by PHILIP GAVITT, SAINT LOUIS UNIVERSITY. This carefully crafted and meticulously-written book assembles a wealth of visual and documentary evidence in support of its thesis that the Chigi Pope Alexander VII between 1655 and 1667 “opting to refashion Rome according to the architectural formulae of Eastern capital cities in antiquity … hoped through his building program to reclaim the heritage of the Church as an institution and of Rome as an idea” (5). -
Orientalium Linguarum Bibliotheca» in 17Th-Century Vienna: Sebastian Tengnagel and the Trajectories of His Manuscripts
Hülya Çelik - Chiara Petrolini* Establishing an «Orientalium linguarum Bibliotheca» in 17th-century Vienna: Sebastian Tengnagel and the trajectories of his manuscripts 1. «Insatiabilis cupiditas»: fragments of an apprenticeship n January 1630, Lucas Holstenius was on his way to Poland, where Cardinal Francesco Barberini had sent him to negotiate with King ISigismund and bring the red hat to Monsignore Santacroce, the papal nuncio in Warsaw. Stopping in Vienna, Holstenius had a long * Sections 1 and 2 of this contribution are written by Chiara Petrolini and 3 and 4 by Hülya Çelik. This article stems from the research project The Oriental Outpost of the Repu- blic of Letters. Sebastian Tengnagel (d. 1636), the Imperial Library in Vienna and Knowledge about the Orient, carried out by Hülya Çelik, Paola Molino, Chiara Petrolini, Claudia Römer, Thomas Wallnig, and funded by the Austrian Science Fund (FWF P-30511 – running from January 2018 to the end of 2021), see Oorpl 2018. The outcomes of the research will be extensively presented in a book cur- rently in preparation by the project team members, to be titled: Court Librarian Sebastian Tengnagel, Central European Christianity and Knowledge about the Orient, 1600–1640. A first version of this paper was presented at the conferen- ce Was wäre die Bibliothek ohne Bibliothekare? Die Wiener Hofbibliothek im Spannungsfeld von Macht und Öffentlichkeit, held by the Institute for Austrian Historical Research on 19–20 November 2018 in Vienna. Bibliothecae.it, 10 (2021), 1, 175-231 Saggi DOI <10.6092/issn.2283-9364/13081> Bibliothecae.it Hülya Çelik - Chiara Petrolini 10 (2021), 1, 176-231 Establishing an «Orientalium linguarum Bibliotheca» Saggi in 17th-century Vienna conversation with Emperor Ferdinand and then visited the Imperial Library. -
A Brief History of International Interlibrary Loan Teresa M
International Journal of Legal Information the Official Journal of the International Association of Law Libraries Volume 35 Article 7 Issue 3 Winter 2007 1-1-2007 Exchanging Books in Western Europe: A Brief History of International Interlibrary Loan Teresa M. Miguel Lillian Goldman Law Library, Yale University School of Law Follow this and additional works at: http://scholarship.law.cornell.edu/ijli The International Journal of Legal Information is produced by The nI ternational Association of Law Libraries. Recommended Citation Miguel, Teresa M. (2007) "Exchanging Books in Western Europe: A Brief History of International Interlibrary Loan," International Journal of Legal Information: Vol. 35: Iss. 3, Article 7. Available at: http://scholarship.law.cornell.edu/ijli/vol35/iss3/7 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in International Journal of Legal Information by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. Exchanging Books in Western Europe: A Brief History of International Interlibrary Loan TERESA M. MIGUEL ∗ I. Lending Practices during the Early Middle and Middle Ages Interlibrary Loan is not a new concept. The practice of lending and borrowing materials occurred as far back as the 8th century in Western Europe.1 An 8th century copy of St. Augustine’s De Trinitate in the Bodleian Library contains a page originally left blank at the end of the manuscript whereupon “an Anglo-Saxon hand of about the year 800 entered a small list of books.”2 Elias A. -
The Routledge Handbook of Neoplatonism the Alexandrian
This article was downloaded by: 10.3.98.104 On: 25 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Handbook of Neoplatonism Pauliina Remes, Svetla Slaveva-Griffin The Alexandrian classrooms excavated and sixth-century philosophy teaching Publication details https://www.routledgehandbooks.com/doi/10.4324/9781315744186.ch3 Richard Sorabji Published online on: 30 Apr 2014 How to cite :- Richard Sorabji. 30 Apr 2014, The Alexandrian classrooms excavated and sixth-century philosophy teaching from: The Routledge Handbook of Neoplatonism Routledge Accessed on: 25 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9781315744186.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 The Alexandrian classrooms excavated and sixth-century philosophy teaching Richard Sorabji It was announced in 2004 that the Polish archaeological team under Grzegorz Majcherek had identifi ed the surprisingly well-preserved lecture rooms of the sixth-century Alexandrian school.1 Th is was a major archaeological discovery.2 Although the fi rst few rooms had been excavated twenty-fi ve years earlier, identifi cation has only now become possible. -
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance April Oettinger Winston-Salem, North Carolina B.A., Colgate University, 1994 M.A., University of Virginia, 1996 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May2000 To my parents, ever supportive guides in my ongoing discovery of the forestand the trees; To Carrie, my companionon those early journeys through the Dark Forest; and To Max, my Poliphilo. 11 © Copyright by April Oettinger AllRights Reserved May2000 ill Acknowledgments I am indebted to numerous friendsand colleagues who have guided and enriched my journey at every turn. My advisors Paul Barolskyand David Summers first encouraged me to pursue my studies of the Polifilo; their unflagging support sustained me throughout, and their example continues to inspire me to follow in Poliphilo's path. My other readers, Francesca Fiorani and David Van Der Muelen provided valuable suggestions andadvice on patronage, dedications, and incunabula. I also wish to expressmy gratitude to Anne Schutte, Alistair Fowler, Deborah Parker, Martin Colker, and Terry Bellanger for stimulating conversations and generous advice, and Martin Colker and Thomas Govero for their assistance with the translations of Leonardo Grassi's dedication of the Polifiloand Ludovico Odassio's dedication of the Comucopiae. I am also grateful to Linda Carroll, Wendy Steadman Sheard, Patricia Fortini Brown, Wolfgang Wolters, Louisa Matthews, Anne Barriault,Norman Land, Ralph Lieberman, DeborahHoward, Jurgen Schultz, Ann Markam Schultz, and Mark SamuelsLasner forthought-provoking conversations at home and abroad. A Dupont Fellowship fromthe University of Virginia in 1998-1999 and a Fulbright Fellowship in 1999-2000 enabled me to continue my research in Italy, where I was fortunate to explore the holdings of several marvelous libraries. -
The Anglican Communion and the Globalization of Dissent Dissertation Written by Dr
Episcopal Dissidents, African Allies: The Anglican Communion and the Globalization of Dissent Dissertation written by Dr. Miranda K. Hassett [email protected] For the Department of Anthropology, University of North Carolina, Chapel Hill May 2004 Please do not cite in print without author’s consent. A revised and shortened version of this text is under contract for publication with Princeton University Press. Reproduced online through http://anglicanhistory.org, January 2006. 1 Abstract In recent years, conservative dissidents within the Episcopal Church in the United States have felt alienated by the Episcopal Church’s liberal policies, especially acceptance of homosexuality. In response, these Episcopal dissidents have increasingly sought and received help and support from Anglican bishops in the global South (Africa, Asia, and Latin America). In this dissertation, the development and dynamics of these transnational Anglican alliances are examined anthropologically, on the basis of ethnographic research with Anglican communities involved in such relationships in Uganda and the United States. These relationships are often explained, by both supporters and critics, through narratives of increased global conflict between liberal Northern Christianity and conservative Southern Christianity (with which conservative Northerners are said to have a natural affinity). This work questions such narratives, first, by presenting the situations, concerns, and motives of the Northern and Southern Anglicans involved and calling into question assumptions -
From the Aldine Press to Aldus @Sfu Showcasing Simon Fraser
FROM THE ALDINE PRESS TO ALDUS @ SFU Showcasing Simon Fraser University Library’s Aldines Online by Alessandra Bordini MA, University of Siena, 2007 Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Publishing in the Publishing Program Faculty of Communication, Art and Technology © Alessandra Bordini 2017 SIMON FRASER UNIVERSITY Spring 2017 Creative Commons Attribution-ShareAlike 4.0 International Public License approval name: Alessandra Bordini degree: Master of Publishing title of project: From the Aldine Press to Aldus@SFU: Showcasing Simon Fraser University Library’s Aldines Online supervisory committee: John W. Maxwell Senior Supervisor Associate Professor and Director Publishing Program, Simon Fraser University Mauve Pagé Supervisor Lecturer Publishing Program, Simon Fraser University Michael Joyce Supervisor Web and Data Services Developer SFU Library, Simon Fraser University date approved: January 25, 2017 ii abstract This report stems from a joint commemoration in 2015 of the fiftieth anniversary of the opening of Simon Fraser University and the five-hundredth anniversary of the death of pioneering Renaissance publisher and scholar Aldus Manutius. To mark these occasions, Publishing@SFU and SFU Library Special Collections joined forces to create a web-based resource comprising an outstanding selection of Aldines from the Wosk–McDonald collection, one of the largest such in North America. This report details the creation of Aldus@SFU, a prototype digital exhibition of the collection intended to be as widely accessible as possible on the Internet through ubiquitous technologies. Adopting a syncretic approach that emphasizes the continuous relationship between innovation and tradition, this report outlines and explores the key intersections between Aldus’ plan to popularize classical literature and the core mission of our project: to contribute to public knowledge by making SFU Aldines conveniently and freely available online via a flexible, mobile- optimized user interface. -
Durham E-Theses
Durham E-Theses Hieroglyphic Semantics in Late Antiquity WILDISH, MARK How to cite: WILDISH, MARK (2012) Hieroglyphic Semantics in Late Antiquity, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3922/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Hieroglyphic Semantics in Late Antiquity - 1 - Hieroglyphic Semantics in Late Antiquity Mark Wildish Department of Classics and Ancient History Thesis submitted for the Degree of Doctor of Philosophy in Classics at Durham University, in 2012. Mark Wildish - 1 - Hieroglyphic Semantics in Late Antiquity - 2 - This thesis is the result of my own work. All material from the published or unpublished work of others which is referred to in the thesis is credited to its authors. The thesis is approximately 70,000 words in length. Signed: (Mark Wildish) Date: Mark Wildish - 2 - Hieroglyphic Semantics in Late Antiquity - 3 - Abstract The primary aim of this thesis is the reconstruction of a development in the history of the philosophy of language, namely an understanding of hieroglyphic Egyptian as a language uniquely adapted to the purposes and concerns of late Platonist metaphysics. -
Jewish Experiences with Water in Ptolemaic and Roman Egypt
Waters of the Exodus: Jewish Experiences with Water in Ptolemaic and Roman Egypt by Nathalie LaCoste A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto © Copyright by Nathalie LaCoste 2016 Waters of the Exodus: Jewish Experiences with Water in Ptolemaic and Roman Egypt Nathalie LaCoste Doctor of Philosophy Department for the Study of Religion University of Toronto 2016 Abstract This study examines how the fluvial environment shaped the writing of Jewish narratives in Ptolemaic and Roman Egypt (300 BCE – 115 CE). It focuses on four texts that narrate the Exodus story and analyzes them in terms of how water in Egypt is described and how elements of the environment—such as the Nile or the Red Sea—are characterized in their retellings. I argue that the natural environment informed Jewish writings through the incorporation of new fluvial terminology, development of different conceptions of water, and the adoption of positive attitudes towards the environment. These features, found specifically in texts composed in Egypt, demonstrate the power of the environment to shape a foundational Jewish narrative. Previous studies on the Jews of Egypt have examined their lives in political, social, or economic terms, with little acknowledgement of the physical environment and its role in daily and religious life. By focusing on water, this work traces the emergence of distinct practices developed in response to the environment, such as the location of places of worship and emerging employment opportunities. Such characteristics distinguish the communities of Egypt from both other Jews and non-Jews. -
Texas A&M University RESEARCH FELLOWS
"A FIT SOULE": ITALIAN INFLUENCES UPON MILTON'S EVE A Senior Honors Thesis By MATTIE KATHERINE PENNEBAKER Submitted to the Office of Honors Programs & Academic Scholarships Texas A&M University In partial fulfillment of the requirements of the UNIVERSITY UNDERGRADUATE RESEARCH FELLOWS April 2000 Group: Humanities "A FIT SOULE": ITALIAN INFLUENCES UPON MILTON'S EVE A Senior Honors Thesis By MATTIE KATHERINE PENNEBAKER Submitted to the Office of Honors Programs & Academic Scholarships Texas A&M University In partial fulfillment of the requirements For the Designation of UNIVERSITY UNDERGRADUATE RESEARCH FELLOW Approved as to style and content by: Donald R. Dickson Edward A. Funkhouser (Fellows Advisor) (Executive Director) April 2000 Croup: Humanities ABSTRACT "A fit soule": Italian Influences Upon Milton's Eve. (April 2000) Mattie Katherine Pennebaker Department of English Texas A&M University Fellows Advisor: Dr. Donald R. Dickson Department of English Seventeenth-century England proved to be a dynamic atmosphere for John Milton's development as a poet. The Scientific Revolution, the rise of the middle class and the increasing conflict between country and crown culminated in extreme socio-political tension. This volatile environment led to the English Civil War and set the stage for revolutionary thought about woman's status in European society. The objective of this research project is to investigate not only misogynistic portrayals of women in art, but also positive portrayals of women and their influence on the artist John Milton and his stalwart character Eve, in Paradise Lost, during his continental tour in 1638-1639. I shall argue that Milton consciously fashioned an Eve who exercises free will with balanced qualities of strength and vulnerability in her persona. -
The Theater of Piety: Sacred Operas for the Barberini Family In
The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643) Virginia Christy Lamothe A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2009 Approved by: Tim Carter, chair Annegret Fauser Anne MacNeil John Nádas Jocelyn Neal © 2009 Virginia Christy Lamothe ALL RIGHTS RESERVED ii Abstract Virginia Christy Lamothe: “The Theater of Piety: Sacred Operas for the Barberini Family (Rome, 1632-1643)” (Under the direction of Tim Carter) In a time of religious war, plague, and reformation, Pope Urban VIII and his cardinal- nephews Antonio and Francesco Barberini sought to establish the authority of the Catholic Church by inspiring audiences of Rome with visions of the heroic deeds of saints. One way in which they did this was by commissioning operas based on the lives of saints from the poet Giulio Rospigliosi (later Pope Clement IX), and papal musicians Stefano Landi and Virgilio Mazzocchi. Aside from the merit of providing an in-depth look at four of these little-known works, Sant’Alessio (1632, 1634), Santi Didimo e Teodora (1635), San Bonifatio (1638), and Sant’Eustachio (1643), this dissertation also discusses how these operas reveal changing ideas of faith, civic pride, death and salvation, education, and the role of women during the first half of the seventeenth century. The analysis of the music and the drama stems from studies of the surviving manuscript scores, libretti, payment records and letters about the first performances.