Kobie. Redescubriendo El Arte Parietal Paleolítico

Total Page:16

File Type:pdf, Size:1020Kb

Kobie. Redescubriendo El Arte Parietal Paleolítico 2017 Bilbao 2017 KOBIE • Serie Anejo • 16 2017 Anejo • 16 k o b i e Anejo obieREDESCUBRIENDO EL ARTE 16 k PARIETAL PALEOLÍTICO Últimas novedades sobre los métodos y las técnicas de investigación REDESCUBRIENDO EL ARTE ParIETAL PALEOLÍTICO. ÚLTIMAS NOVEDADES SOBRE LOS MÉTODOS Y LAS TÉCNICAS DE INVESTIGACIÓN Diego Garate Maidagan (Dir.) - Mikel Unzueta Portilla (Coord.) Con la participación de: Arantza Aranburu Artano, Jean Clottes, Inés Domingo Sainz, Carole Fritz, César González Sainz, Antonio Hernanz Gismero, Eneko Iriarte Avilés, Sally K. May, María Ángeles Medina Alcaide, Patrick Paillet, José Manuel Pereira Uzal, Olivia Rivero Vila, José Luis Sanchidrián Torti, Georges Sauvet, Claire Smith, Gilles Tosello, Valentín Villaverde Bonilla ANEJO 16 Bilbao 2017 2 KOBIE. SERIE ANEJO Nº16 ZUZENDARIA - DIRECTOR Andoni Iturbe Amorebieta KOORDINATZAILEA - COORDINADOR - MANAGING EDITOR Mikel Unzueta Portilla. ® Revista KOBIE Portada: Labores de georeferenciación y restitución tridimensional de la cueva de Isturitz (Pirineos Atlánticos, Francia). Autor: Diego Garate Kultura Ondarearen Zerbitzua. Bizkaiko Foru Aldundia Servicio de Patrimonio Cultural. Diputación Foral de Bizkaia María Díaz de Haro, 11 - 6ª planta. 48013 Bilbao (Bizkaia) KOBIE DIGITALA - KOBIE DIGITAL - DIGITAL KOBIE e-mail: [email protected] Kobie aldizkariaren (1969-2017) sail eta edizio monografiko guztiak eskura daude helbide honetan: http://www.bizkaia.eus/kobie Teléfonos La Revista Kobie (1969-2017) puede ser consultada, en todas sus series y ediciones monográficas, Intercambio: 0034.94.4067723 acudiendo a la dirección: http://www.bizkaia.eus/kobie Coordinador: 0034.94.4066957 All series and monographic editions of Kobie Magazine (1969-2017) can be looked ur in the following e-mail address: http://www.bizkaia.eus/kobie Depósito Legal: ISBN: Título clave: ISSN: ARGITARAZLEA - EDITOR BI-1340 - 1970 978-84-7752-470-X. KOBIE 0214 - 7971 MAQUETACIÓN E IMPRESIÓN: Flash Composition SL www.flashcomposition.com SERIE ANEJO Nº16. BIZKAIKO FORU ALDUNDIA-DIPUTACIÓN FORAL DE BIZKAIA. obie AÑO 2017. BILBAO. ISSN 0214-7971 k KOBIE. SERIE ANEJO Nº16 3 SUMARIO Introduction: du relevé à l’interprétation Introducción: del calco a la interpretación Por Jean Clottes ............................................................................................................................................................................. 7 El soporte rocoso del arte parietal paleolítico The rocky support of Paleolithic Cave Art Por Arantza Aranburu Artano y Eneko Iriarte Aviles ......................................................................................................................... 9 La prospección arqueológica de las cuevas con arte paleolítico. Una propuesta metodológica Archaeological survey in the decorated cave with Palaeolithic art: a methodolody proposal Por José Luis Sanchidrián Torti y María Ángeles Medina Alcaide ...................................................................................................... 27 Nuevas perspectivas en la documentación gráfica de arte rupestre New perspectives in rock art recording Por José Manuel Pereira Uzal .......................................................................................................................................................... 41 L’art préhistorique: de la recherche à la médiation El arte prehistórico: de la investigación a la mediación Por Carole Fritz y Gilles Tosello ....................................................................................................................................................... 51 Les thèmes de l’art pariétal paléolithique Los temas en el arte parietal paleolítico Por Patrick Paillet ........................................................................................................................................................................... 67 Los recursos técnicos en el arte paleolítico: una aproximación desde las cadenas operativas The technical resources in the Paleolithic art: an approach from the operative sequence Por Olivia Rivero Vilá ...................................................................................................................................................................... 85 Pictorial matter. Physicochemical studies of prehistoric pictorial materials Materia pictórica. Estudios fisicoquímicos de materiales pictóricos prehistóricos Por Antonio Hernanz Gismero......................................................................................................................................................... 101 El análisis de la forma en las representaciones zoomorfas paleolíticas. Criterios y aplicaciones Analysis of form in Palaeolithic zoomorphic representation. Criteria and applications Por Valentín Villaverde Bonilla ........................................................................................................................................................ 115 Sobre la organización de las decoraciones parietales paleolíticas. Impresiones a partir de Santimamiñe, Armintxe y otros conjuntos rupestres de Bizkaia About the organization of Paleolithic cave art. Some impressions of Santimamiñe, Armitxe and other parietal sets from Biscay Por César González Sainz ............................................................................................................................................................... 135 Más allá de la imagen: el arte parietal paleolítico en su contexto arqueológico Beyond the image: the Paleolithic parietal art in its archeological context Por Diego Garate Maidagan ........................................................................................................................................................... 149 Etnoarqueología y arte rupestre en el siglo XXI: de la analogía directa a la redefinición del método arqueológico Ethnoarchaeology and rock art in the 21st century: from direct analogy to the redefinition of the archaeological method Por Inés Domingo Sanz, Sally K. May y Claire Smith ........................................................................................................................ 163 Arqueología y cronología: un trabajo en progreso Archaeology and chronology: a work in progress Por Georges Sauvet ........................................................................................................................................................................ 181 SERIE ANEJO Nº16. BIZKAIKO FORU ALDUNDIA-DIPUTACIÓN FORAL DE BIZKAIA. AÑO 2017. BILBAO. ISSN 0214-7971 obie k 4 KOBIE. SERIE ANEJO Nº16 Ongi etorri “Paleolitoko horma-artea berraurkitzen. Les damos la bienvenida al Workshop Ikerketa-metodoei eta -teknikei buruzko azken “Redescubriendo el Arte Parietal Paleolítico. Últimas berritasunak” Workshopera novedades sobre los métodos y las técnicas de investigación” Azken bi hamarkadetan zehar, Bizkaiko Foru Aldundia Lurralde La Diputación Foral de Bizkaia, a lo largo de las dos últimas honetako monumentu eta leku arkeologiko nagusiak décadas, está llevando a cabo una labor de reestudio y puesta berraztertzen eta eguneratzen ari da. al día de los principales monumentos y lugares arqueológicos Eginkizun aurreratuenetako bat aztarnategi arkeologikoen de este Territorio. berrikuspena eta indusketa izan da, joan den mendeko lehen Una de las labores más avanzadas ha sido la revisión y erdialdean Telesforo de Aranzadik, Enrique de Egurenek, José re-excavación de los yacimientos arqueológicos en cueva, que Miguel Barandiaranek eta beste batzuek induskatu zituzten en la primera mitad del siglo pasado fueron excavados por haitzuloetan, horiek osatzen baitute Euskal Arkeologiaren Telesforo de Aranzadi, Enrique de Eguren, José Miguel de oinarri zientifikoa. Barandiaran y otros, y que constituyen la base científica de la Berrikusteko ahalegin horretan, eta gaur topaketa honetan Arqueología Vasca. parte hartzen duten tokiko ikerlarien talde bikain batean En este afán de revisión, y apoyados por una excelente oinarrituz, Paleolitoko horma-arteri dagozkion grabatutako nómina de investigadores locales, que participan hoy en este edo margotutako adierazpenak eskaintzen dituzten haitzuloen encuentro, hemos ampliado el registro de nuevas cuevas con erregistroa zabaldu dugu. Horrela, El Rincón, Antoliñako koba, manifestaciones grabadas o pintadas de arte parietal Askondo, Lumentxa, Morgota, Ondaro, Bolinkoba, Abittaga, paleolítico. Así, hoy, podemos citar los hallazgos artísticos Atxurra edo Armintxe haitzuloetan egindako aurkikuntza hechos en las cuevas de El Rincón, Antoliñako koba, Askondo, artistikoak aipa genitzake; gainera, Ventalaperra, Arenaza eta Lumentxa, Morgota, Ondaro, Bolinkoba, Abittaga, Atxurra o Santimamiñe haitzuloetan dagoeneko ezagunak ziren Armintxe, y la ampliación de los registros iconográficos ya erregistro ikonografikoak handitu ditugu. conocidos en Ventalaperra, Arenaza y Santimamiñe. Topaketa honek bi alderdi hauek bateratzea du helburu: Este encuentro pretende aunar dos aspectos: por un lado, batetik, historiaurreko artearekin lotutako azterketa profundizar en el conocimiento de las nuevas técnicas de arkeologikorako teknika berriak hobeto ezagutzea, eta, estudio arqueológico con relación al arte prehistórico y, por bestetik, azken urteetan Kantauri itsasoko ekialdean egin otro, difundir los hallazgos artísticos realizados en el entorno diren aurkikuntza artistikoak hedatzea. del Cantábrico oriental en los últimos años. Ondare-aberastasuna Bizkaiko horma-artea kaltetu gabe En aras de acercar la
Recommended publications
  • Lehman Caves Management Plan
    National Park Service U.S. Department of the Interior Great Basin National Park Lehman Caves Management Plan June 2019 ON THE COVER Photograph of visitors on tour of Lehman Caves NPS Photo ON THIS PAGE Photograph of cave shields, Grand Palace, Lehman Caves NPS Photo Shields in the Grand Palace, Lehman Caves. Lehman Caves Management Plan Great Basin National Park Baker, Nevada June 2019 Approved by: James Woolsey, Superintendent Date Executive Summary The Lehman Caves Management Plan (LCMP) guides management for Lehman Caves, located within Great Basin National Park (GRBA). The primary goal of the Lehman Caves Management Plan is to manage the cave in a manner that will preserve and protect cave resources and processes while allowing for respectful recreation and scientific use. More specifically, the intent of this plan is to manage Lehman Caves to maintain its geological, scenic, educational, cultural, biological, hydrological, paleontological, and recreational resources in accordance with applicable laws, regulations, and current guidelines such as the Federal Cave Resource Protection Act and National Park Service Management Policies. Section 1.0 provides an introduction and background to the park and pertinent laws and regulations. Section 2.0 goes into detail of the natural and cultural history of Lehman Caves. This history includes how infrastructure was built up in the cave to allow visitors to enter and tour, as well as visitation numbers from the 1920s to present. Section 3.0 states the management direction and objectives for Lehman Caves. Section 4.0 covers how the Management Plan will meet each of the objectives in Section 3.0.
    [Show full text]
  • La Question De La Visibilité De L'art Pariétal Paléolithique Européen
    Année universitaire 2017.-2018. LA QUESTION DE LA VISIBILITÉ DE L’ART PARIÉTAL PALÉOLITHIQUE EUROPÉEN : APPORTS MÉTHODOLOGIQUES INTERDISCIPLINAIRES APPLIQUÉS AU REGISTRE ANIMALIER DU ROC-AUX- SORCIERS (ANGLES-SUR-L’ANGLIN, FRANCE) Présenté par Juliette Boudier--Blet Sous la direction de Camille Bourdier, Maîtresse de conférences en art préhistorique à l’Université Toulouse Jean Jaurès, TRACES, UMR5608 et Alexandra Severac-Cauquil, Maîtresse de conférences à l’Université Paul Sabatier, Centre de Recherche Cerveau et Cognition, UMR5549, CNRS Mémoire présenté le 22/06/2018. devant le jury du Master Mémoire de Master 2 mention Histoire, Arts et Archéologie Spécialité Arts et Cultures de la Préhistoire et de la Protohistoire : Europe, Afrique REMERCIEMENTS Je tiens tout d’abord à remercier mes deux directrices, Camille Bourdier pour son suivi durant les deux ans de ce Master, ses conseils, son implications sans faille ainsi que ses encouragements qui m’ont permis de réaliser mon rêve ; et Alexandra Severac-Cauquil, qui a accepté avec enthousiasme la curieuse demande d’une étudiante en archéologie préhistorique désireuse de croiser son champ d’étude avec les neurosciences. Merci à toutes les deux de votre temps, conseils et relectures avisées. Je remercie également Emmanuel Demoulin pour l’accès au Parc de la Préhistoire, ainsi que Jacques Azéma ; Olivier Huard pour les photographies de la grotte des Combarelles I, Camille Bourdier pour celles de Cap Blanc et Bertrand Defois, directeur du développement touristique et culturel du centre de préhistoire du Pech Merle, pour le prêt de la lampe à graisse expérimentale. J’ai une pensée pour Monique Veyret, guide de la grotte des Combarelles, qui m’a appris à lire les gravures et a contribué à me plonger dans cette passion dévorante qu’est l’art pariétal paléolithique.
    [Show full text]
  • Junior Cave Scientist Cave and Karst Program Activity Book Ages 5 – 12+
    National Park Service U.S. Department of the Interior Geologic Resources Division Junior Cave Scientist Cave and Karst Program Activity Book Ages 5 – 12+ Name: Age: Explore • Learn • Protect 1 Become a Junior Cave Scientist Caves and karst landscapes are found throughout the United States. These features are important as part of our Nation's geologic heritage. In this book, you will explore a fascinating and fragile underground world, learn about the values of caves and karst landscapes, and complete fun educational activities. Explore magnificent and beautiful caves. You will find an amazing underground world just beneath your feet! Learn about caves and karst systems and the work that cave scientists do. Protect our natural environments and the things that make caves and karst areas special. To earn your badge, complete at least activities. (Your Age) Activities in this book are marked with an age indicator. Look for the symbols below: Flashlight Lantern Helmet and Headlamp Ages 5 - 7 Ages 8 – 11 Ages 12 and Older Put a check next to your age indicator on each page that you complete. I received this book from: After completing the activities, there are two ways to receive your Junior Cave Scientist badge: • Return the completed book to a ranger at a participating park, or 2 • Visit go.nps.gov/jrcavesci What are Speleo-Fact: Mammoth Cave is the longest cave in world with over 405 miles (652 km) of connected passageways. Caves and Karst? Caves are naturally occurring voids, cavities, interconnected passageways, or alcoves in the earth. Caves preserve fossils, minerals, ecosystems, and records of past climates.
    [Show full text]
  • Durham Research Online
    Durham Research Online Deposited in DRO: 04 August 2017 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Fazenda, Bruno and Scarre, Chris and Till, Rupert and Jim¡enezPasalodos, Raquel and Rojo Guerra, Manuel and Tejedor, Cristina and Onta£n¡onPeredo, Roberto and Watson, Aaron and Wyatt, Simon and Garc¡a Benito, Carlos and Drinkall, Helen and Foulds, Frederick (2017) 'Cave acoustics in prehistory : exploring the association of Palaeolithic visual motifs and acoustic response.', Journal of the Acoustical Society of America., 142 (3). pp. 1332-1349. Further information on publisher's website: https://doi.org/10.1121/1.4998721 Publisher's copyright statement: c 2017 Author(s). All article content, except where otherwise noted, is licensed under a Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/). Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom
    [Show full text]
  • The Janus-Faced Dilemma of Rock Art Heritage
    The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion Mélanie Duval, Christophe Gauchon To cite this version: Mélanie Duval, Christophe Gauchon. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion. Conservation and Management of Archaeological Sites, Taylor & Francis, In press, 10.1080/13505033.2020.1860329. hal-03078965 HAL Id: hal-03078965 https://hal.archives-ouvertes.fr/hal-03078965 Submitted on 21 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Duval Mélanie, Gauchon Christophe, 2021. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion, Conservation and Management of Archaeological Sites, doi.org/10.1080/13505033.2020.1860329 Authors: Mélanie Duval and Christophe Gauchon Mélanie Duval: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France; * Rock Art Research Institute GAES, University of Witwatersrand, Johannesburg, South Africa. Christophe Gauchon: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France.
    [Show full text]
  • Explanatory Index of Proper Names Other Than Authors Cited
    Quest: An African Journal of Philosophy / Revue Africaine de Philosophie , 24 (2010), 1-2D 1-398 E:planatory inde: of proper names other than authors cited 0xhaustive listing of all proper names other than those of authors cited. 6or names mar2ed with UU also see Inde7 of Authors Cited . Some entries have underlying con- cepts explained under V.v. ( Vuod videre , Esee there=)8 for many other entries this index sei:es the opportunity of explaining details that could not be accommodated in the main text. 1hen a boo2 title is listed, it appears in italic , followed by the author=s name (if any) between parentheses. Inly capitalised text has been processed 9 thus e.g. ECatalyst= is listed but not the many occurrences of Ecatalyst=, Ecatalytic=, etc. Due to last-minute text additions a few page references may be off by 1. identity, 53 227n, 291n8 ,ssyrian ,baris, ,ncient Gree2 Achsenzeit , see ,xial ,ge traces in 9 , 1298 ,rab shaman, 112, 114, 114n ,cragas, 1098 cf. ,grigen- influence on sub- ,b2ha:oids, linguistico- tum Saharan 9, 758 9 and ethnic cluster in the ,dam, Biblical figure, 135 ,ncient Near 0ast, 73, ,ncient 3editerranean, ,donai, .ord, 1608 cf. 1298 9 and North ,mer- 233 ,idoneus ica, 9, 118, 265, 2748 9 ,boriginal ,ustralian, 91, ,egean, Sea and region, and 0urope, 808 and 0ast 1928 cf. Dur2heimUU 115, 141, 151, 175, 294, ,sia, 9 and ,sia, 35, 90, ,braham, Biblical figure, 273n8 9 -,natolian, 226 275, 280, 186n8 1est 162 ,ether, 103-104, 117-118, ,frica, 74, 268, 2818 ,bri du 6acteur, 5pper 130, 137-139, 152, 180- Central ,frica, espe- Palaeolithic site, 189 181, 154n, 165n, 184n8 cially South 9 , 5, 8, 17- ,byss, ,bysmal, 122, ,ether and Day, chil- 18, 31, 43, 62, 64, 70, 164, 236, 101n8 cf.
    [Show full text]
  • 5 Years on Ice Age Europe Network Celebrates – Page 5
    network of heritage sites Magazine Issue 2 aPriL 2018 neanderthal rock art Latest research from spanish caves – page 6 Underground theatre British cave balances performances with conservation – page 16 Caves with ice age art get UnesCo Label germany’s swabian Jura awarded world heritage status – page 40 5 Years On ice age europe network celebrates – page 5 tewww.ice-age-europe.euLLING the STORY of iCe AGE PeoPLe in eUROPe anD eXPL ORING PLEISTOCene CULtURAL HERITAGE IntrOductIOn network of heritage sites welcome to the second edition of the ice age europe magazine! Ice Age europe Magazine – issue 2/2018 issn 2568­4353 after the successful launch last year we are happy to present editorial board the new issue, which is again brimming with exciting contri­ katrin hieke, gerd­Christian weniger, nick Powe butions. the magazine showcases the many activities taking Publication editing place in research and conservation, exhibition, education and katrin hieke communication at each of the ice age europe member sites. Layout and design Brightsea Creative, exeter, Uk; in addition, we are pleased to present two special guest Beate tebartz grafik Design, Düsseldorf, germany contributions: the first by Paul Pettitt, University of Durham, cover photo gives a brief overview of a groundbreaking discovery, which fashionable little sapiens © fumane Cave proved in february 2018 that the neanderthals were the first Inside front cover photo cave artists before modern humans. the second by nuria sanz, water bird – hohle fels © urmu, director of UnesCo in Mexico and general coor­­­di nator of the Photo: burkert ideenreich heaDs programme, reports on the new initiative for a serial transnational nomination of neanderthal sites as world heritage, for which this network laid the foundation.
    [Show full text]
  • Biblio LASCARBX 2019
    BIBLIO LABELISÉE LABEX SCIENCES ARCHÉOLOGIQUES DE BORDEAUX 2019 Ouvrages ou chapitres d’ouvrages 1. Aumard, S., Ben Amara, A., Büttner, St., Cantin, N., Zink, A. (2019) - Les premières tuiles plates en Auxerrois (XIIe-XIIIe siècles) : approche typologique et archéométrique. In Thuillier F. Les terres cuites architecturales en France du Moyen-Âge à l’époque contemporaine : recherches sur les tuileries et les productions tuilières, Mergoil, Archéologie Moderne Contemporaine, 978-2-35518-091-0. ⟨hal-02093829⟩ 2. Benech, C., Cantin, N., Languille, M.-A., Mazuy, A., Robinet, L., Zazzo, A. (2019) - Instrumentation portable. Quels enjeux pour l'archéométrie ? Editions des Archives contemporaines, Sciences archéologiques, 9782813003294. ⟨10.17184/eac.2468⟩. ⟨hal-02378878⟩ 3. Berthon, W. Révész, L., Tihanyi, B., Dutour, O., Coqueugniot, H., Palfi, G. (2019) - The identification of horse riding through the analysis of entheseal changes: methodological considerations. The Talking Dead. New results from Central and Eastern European Osteoarchaeology. Proceedings of the First Conference of the Török Aurél Anthropological Association from Târgu Mures. ⟨halshs-02162438⟩ 4. Biron, C., Daniel, Fl., Le Bourdon, Gw., Chapoulie, R., Servant. L. (2019) - Characterisation of organic colourants in ukiyo-e prints by Fourier transform near infrared fibre optics reflectance spectroscopy. Proceedings of the 18th International Conference on Near Infrared Spectroscopy, IM Publications Open LLP, 15-22. ⟨hal-02168466⟩ 5. Blanchard, Ph., Livet, J., Bessou, M., Schotsmans E. (2019) - Nous avons vu le Christ ! Analyses et étude d'une tombe de religieuse du XXe s. In Weydert, N. Tzortzis, S., Richier, A., Lanteri, L., Guy, H. Rencontre autour de nos aïeux : La mort de plus en plus proche.
    [Show full text]
  • Bibliography
    Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza­ Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P.
    [Show full text]
  • Prehistoric Art As Prehistoric Culture Studies in Honour of Professor Rodrigo De Balbín-Behrmann
    Prehistoric Art as Prehistoric Culture Studies in Honour of Professor Rodrigo de Balbín-Behrmann edited by Primitiva Bueno-Ramírez and Paul G. Bahn Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 222 2 ISBN 978 1 78491 223 9 (e-Pdf) © Archaeopress and the individual authors 2015 Cover: “Galería de los Antropomorfos” Tito Bustillo cave, Asturias, Spain. Photos by Rodrigo de Balbín All rights reserved. No part of this book may be reproduced, stored in retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com Contents List of Figures and Tables �������������������������������������������������������������������������������������������������������������������������������������iii List of contributors �����������������������������������������������������������������������������������������������������������������������������������������������v Prehistoric Art as Prehistoric Culture ������������������������������������������������������������������������������������������������������������������ vii Primitiva Bueno-Ramírez and Paul Bahn ‘Science’ versus Archaeology: Palaeolithic Rock Art at the beginning of the 21st century ��������������������������������������1 José-Javier Alcolea-González and César González-Sainz
    [Show full text]
  • Dating Aurignacian Rock Art in Altxerri B Cave (Northern Spain)
    Journal of Human Evolution 65 (2013) 457e464 Contents lists available at ScienceDirect Journal of Human Evolution journal homepage: www.elsevier.com/locate/jhevol Not only Chauvet: Dating Aurignacian rock art in Altxerri B Cave (northern Spain) C. González-Sainz a, A. Ruiz-Redondo a,*, D. Garate-Maidagan b, E. Iriarte-Avilés c a Instituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Avenida de los Castros s/n, 39005 Santander, Spain b CREAP Cartailhac-TRACES-UMR 5608, University de Toulouse-Le Mirail, 5 allées Antonio Machado, 31058 Toulouse Cedex 9, France c Laboratorio de Evolución Humana, Dpto. CC. Históricas y Geografía, University de Burgos, Plaza de Misael Bañuelos s/n, Edificio IþDþi, 09001 Burgos, Spain article info abstract Article history: The discovery and first dates of the paintings in Grotte Chauvet provoked a new debate on the origin and Received 29 May 2013 characteristics of the first figurative Palaeolithic art. Since then, other art ensembles in France and Italy Accepted 2 August 2013 (Aldène, Fumane, Arcy-sur-Cure and Castanet) have enlarged our knowledge of graphic activity in the early Available online 3 September 2013 Upper Palaeolithic. This paper presents a chronological assessment of the Palaeolithic parietal ensemble in Altxerri B (northern Spain). When the study began in 2011, one of our main objectives was to determine the Keywords: age of this pictorial phase in the cave. Archaeological, geological and stylistic evidence, together with Upper Palaeolithic radiometric dates, suggest an Aurignacian chronology for this art. The ensemble in Altxerri B can therefore Radiocarbon dating Cantabrian region be added to the small but growing number of sites dated in this period, corroborating the hypothesis of fi Cave painting more complex and varied gurative art than had been supposed in the early Upper Palaeolithic.
    [Show full text]
  • Homo Aestheticus’
    Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared.
    [Show full text]