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Kobie. Redescubriendo El Arte Parietal Paleolítico

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2017 Bilbao 2017 KOBIE • Serie Anejo • 16 2017 Anejo • 16 k o b i e Anejo obieREDESCUBRIENDO EL ARTE 16 k PARIETAL PALEOLÍTICO Últimas novedades sobre los métodos y las técnicas de investigación REDESCUBRIENDO EL ARTE ParIETAL PALEOLÍTICO. ÚLTIMAS NOVEDADES SOBRE LOS MÉTODOS Y LAS TÉCNICAS DE INVESTIGACIÓN Diego Garate Maidagan (Dir.) - Mikel Unzueta Portilla (Coord.) Con la participación de: Arantza Aranburu Artano, Jean Clottes, Inés Domingo Sainz, Carole Fritz, César González Sainz, Antonio Hernanz Gismero, Eneko Iriarte Avilés, Sally K. May, María Ángeles Medina Alcaide, Patrick Paillet, José Manuel Pereira Uzal, Olivia Rivero Vila, José Luis Sanchidrián Torti, Georges Sauvet, Claire Smith, Gilles Tosello, Valentín Villaverde Bonilla ANEJO 16 Bilbao 2017 2 KOBIE. SERIE ANEJO Nº16 ZUZENDARIA - DIRECTOR Andoni Iturbe Amorebieta KOORDINATZAILEA - COORDINADOR - MANAGING EDITOR Mikel Unzueta Portilla. ® Revista KOBIE Portada: Labores de georeferenciación y restitución tridimensional de la cueva de Isturitz (Pirineos Atlánticos, Francia). Autor: Diego Garate Kultura Ondarearen Zerbitzua. Bizkaiko Foru Aldundia Servicio de Patrimonio Cultural. Diputación Foral de Bizkaia María Díaz de Haro, 11 - 6ª planta. 48013 Bilbao (Bizkaia) KOBIE DIGITALA - KOBIE DIGITAL - DIGITAL KOBIE e-mail: [email protected] Kobie aldizkariaren (1969-2017) sail eta edizio monografiko guztiak eskura daude helbide honetan: http://www.bizkaia.eus/kobie Teléfonos La Revista Kobie (1969-2017) puede ser consultada, en todas sus series y ediciones monográficas, Intercambio: 0034.94.4067723 acudiendo a la dirección: http://www.bizkaia.eus/kobie Coordinador: 0034.94.4066957 All series and monographic editions of Kobie Magazine (1969-2017) can be looked ur in the following e-mail address: http://www.bizkaia.eus/kobie Depósito Legal: ISBN: Título clave: ISSN: ARGITARAZLEA - EDITOR BI-1340 - 1970 978-84-7752-470-X. KOBIE 0214 - 7971 MAQUETACIÓN E IMPRESIÓN: Flash Composition SL www.flashcomposition.com SERIE ANEJO Nº16. BIZKAIKO FORU ALDUNDIA-DIPUTACIÓN FORAL DE BIZKAIA. obie AÑO 2017. BILBAO. ISSN 0214-7971 k KOBIE. SERIE ANEJO Nº16 3 SUMARIO Introduction: du relevé à l’interprétation Introducción: del calco a la interpretación Por Jean Clottes ............................................................................................................................................................................. 7 El soporte rocoso del arte parietal paleolítico The rocky support of Paleolithic Cave Art Por Arantza Aranburu Artano y Eneko Iriarte Aviles ......................................................................................................................... 9 La prospección arqueológica de las cuevas con arte paleolítico. Una propuesta metodológica Archaeological survey in the decorated cave with Palaeolithic art: a methodolody proposal Por José Luis Sanchidrián Torti y María Ángeles Medina Alcaide ...................................................................................................... 27 Nuevas perspectivas en la documentación gráfica de arte rupestre New perspectives in rock art recording Por José Manuel Pereira Uzal .......................................................................................................................................................... 41 L’art préhistorique: de la recherche à la médiation El arte prehistórico: de la investigación a la mediación Por Carole Fritz y Gilles Tosello ....................................................................................................................................................... 51 Les thèmes de l’art pariétal paléolithique Los temas en el arte parietal paleolítico Por Patrick Paillet ........................................................................................................................................................................... 67 Los recursos técnicos en el arte paleolítico: una aproximación desde las cadenas operativas The technical resources in the Paleolithic art: an approach from the operative sequence Por Olivia Rivero Vilá ...................................................................................................................................................................... 85 Pictorial matter. Physicochemical studies of prehistoric pictorial materials Materia pictórica. Estudios fisicoquímicos de materiales pictóricos prehistóricos Por Antonio Hernanz Gismero......................................................................................................................................................... 101 El análisis de la forma en las representaciones zoomorfas paleolíticas. Criterios y aplicaciones Analysis of form in Palaeolithic zoomorphic representation. Criteria and applications Por Valentín Villaverde Bonilla ........................................................................................................................................................ 115 Sobre la organización de las decoraciones parietales paleolíticas. Impresiones a partir de Santimamiñe, Armintxe y otros conjuntos rupestres de Bizkaia About the organization of Paleolithic cave art. Some impressions of Santimamiñe, Armitxe and other parietal sets from Biscay Por César González Sainz ............................................................................................................................................................... 135 Más allá de la imagen: el arte parietal paleolítico en su contexto arqueológico Beyond the image: the Paleolithic parietal art in its archeological context Por Diego Garate Maidagan ........................................................................................................................................................... 149 Etnoarqueología y arte rupestre en el siglo XXI: de la analogía directa a la redefinición del método arqueológico Ethnoarchaeology and rock art in the 21st century: from direct analogy to the redefinition of the archaeological method Por Inés Domingo Sanz, Sally K. May y Claire Smith ........................................................................................................................ 163 Arqueología y cronología: un trabajo en progreso Archaeology and chronology: a work in progress Por Georges Sauvet ........................................................................................................................................................................ 181 SERIE ANEJO Nº16. BIZKAIKO FORU ALDUNDIA-DIPUTACIÓN FORAL DE BIZKAIA. AÑO 2017. BILBAO. ISSN 0214-7971 obie k 4 KOBIE. SERIE ANEJO Nº16 Ongi etorri “Paleolitoko horma-artea berraurkitzen. Les damos la bienvenida al Workshop Ikerketa-metodoei eta -teknikei buruzko azken “Redescubriendo el Arte Parietal Paleolítico. Últimas berritasunak” Workshopera novedades sobre los métodos y las técnicas de investigación” Azken bi hamarkadetan zehar, Bizkaiko Foru Aldundia Lurralde La Diputación Foral de Bizkaia, a lo largo de las dos últimas honetako monumentu eta leku arkeologiko nagusiak décadas, está llevando a cabo una labor de reestudio y puesta berraztertzen eta eguneratzen ari da. al día de los principales monumentos y lugares arqueológicos Eginkizun aurreratuenetako bat aztarnategi arkeologikoen de este Territorio. berrikuspena eta indusketa izan da, joan den mendeko lehen Una de las labores más avanzadas ha sido la revisión y erdialdean Telesforo de Aranzadik, Enrique de Egurenek, José re-excavación de los yacimientos arqueológicos en cueva, que Miguel Barandiaranek eta beste batzuek induskatu zituzten en la primera mitad del siglo pasado fueron excavados por haitzuloetan, horiek osatzen baitute Euskal Arkeologiaren Telesforo de Aranzadi, Enrique de Eguren, José Miguel de oinarri zientifikoa. Barandiaran y otros, y que constituyen la base científica de la Berrikusteko ahalegin horretan, eta gaur topaketa honetan Arqueología Vasca. parte hartzen duten tokiko ikerlarien talde bikain batean En este afán de revisión, y apoyados por una excelente oinarrituz, Paleolitoko horma-arteri dagozkion grabatutako nómina de investigadores locales, que participan hoy en este edo margotutako adierazpenak eskaintzen dituzten haitzuloen encuentro, hemos ampliado el registro de nuevas cuevas con erregistroa zabaldu dugu. Horrela, El Rincón, Antoliñako koba, manifestaciones grabadas o pintadas de arte parietal Askondo, Lumentxa, Morgota, Ondaro, Bolinkoba, Abittaga, paleolítico. Así, hoy, podemos citar los hallazgos artísticos Atxurra edo Armintxe haitzuloetan egindako aurkikuntza hechos en las cuevas de El Rincón, Antoliñako koba, Askondo, artistikoak aipa genitzake; gainera, Ventalaperra, Arenaza eta Lumentxa, Morgota, Ondaro, Bolinkoba, Abittaga, Atxurra o Santimamiñe haitzuloetan dagoeneko ezagunak ziren Armintxe, y la ampliación de los registros iconográficos ya erregistro ikonografikoak handitu ditugu. conocidos en Ventalaperra, Arenaza y Santimamiñe. Topaketa honek bi alderdi hauek bateratzea du helburu: Este encuentro pretende aunar dos aspectos: por un lado, batetik, historiaurreko artearekin lotutako azterketa profundizar en el conocimiento de las nuevas técnicas de arkeologikorako teknika berriak hobeto ezagutzea, eta, estudio arqueológico con relación al arte prehistórico y, por bestetik, azken urteetan Kantauri itsasoko ekialdean egin otro, difundir los hallazgos artísticos realizados en el entorno diren aurkikuntza artistikoak hedatzea. del Cantábrico oriental en los últimos años. Ondare-aberastasuna Bizkaiko horma-artea kaltetu gabe En aras de acercar la
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  • Dating Aurignacian Rock Art in Altxerri B Cave (Northern Spain)

    Dating Aurignacian Rock Art in Altxerri B Cave (Northern Spain)

    Journal of Human Evolution 65 (2013) 457e464 Contents lists available at ScienceDirect Journal of Human Evolution journal homepage: www.elsevier.com/locate/jhevol Not only Chauvet: Dating Aurignacian rock art in Altxerri B Cave (northern Spain) C. González-Sainz a, A. Ruiz-Redondo a,*, D. Garate-Maidagan b, E. Iriarte-Avilés c a Instituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Avenida de los Castros s/n, 39005 Santander, Spain b CREAP Cartailhac-TRACES-UMR 5608, University de Toulouse-Le Mirail, 5 allées Antonio Machado, 31058 Toulouse Cedex 9, France c Laboratorio de Evolución Humana, Dpto. CC. Históricas y Geografía, University de Burgos, Plaza de Misael Bañuelos s/n, Edificio IþDþi, 09001 Burgos, Spain article info abstract Article history: The discovery and first dates of the paintings in Grotte Chauvet provoked a new debate on the origin and Received 29 May 2013 characteristics of the first figurative Palaeolithic art. Since then, other art ensembles in France and Italy Accepted 2 August 2013 (Aldène, Fumane, Arcy-sur-Cure and Castanet) have enlarged our knowledge of graphic activity in the early Available online 3 September 2013 Upper Palaeolithic. This paper presents a chronological assessment of the Palaeolithic parietal ensemble in Altxerri B (northern Spain). When the study began in 2011, one of our main objectives was to determine the Keywords: age of this pictorial phase in the cave. Archaeological, geological and stylistic evidence, together with Upper Palaeolithic radiometric dates, suggest an Aurignacian chronology for this art. The ensemble in Altxerri B can therefore Radiocarbon dating Cantabrian region be added to the small but growing number of sites dated in this period, corroborating the hypothesis of fi Cave painting more complex and varied gurative art than had been supposed in the early Upper Palaeolithic.
  • Homo Aestheticus’

    Homo Aestheticus’

    Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared.