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NAXOS Historical FRIEDMAN: Complete Recordings, Vol. 1 8.110684

℗ 2002 & © 2020 Naxos Rights US, Inc. Booklet notes in English Made in 74:57 ADD 8.110684 Playing Time 6 36943 16842 4 www.naxos.com 2:22 1:18 3:17 4:04 2:30 2:08 14:10 (1866–1924)

Op. 47, No. 3 flat major, 6:51 A MOSZKOWSKI (1854–1925) that he recorded six and a half decades a half decades six and recorded that he ‘Revolutionary’ Moritz (1809–1847) Fryderyk CHOPIN (1770–1827) Elle danse, Op. 10 Fryderyk CHOPIN 7 Op. 10, No. Étude in C major, Op. 34, No. 2 4:22 minor, A in Waltz 2:13 Op. 15, No. 1 Serenata, Scherzo in ’ ‘Raindrop Op. 33, No. 4 in , La Campanella tude in , Op. 10, No. 12 Op. 10, Étude in C minor, ‘Moonlight’ Sonata in C sharp minor, Op. 27, No. 2 Sonata in C sharp minor,

Op. 28, No. 15 in D flat major, Prelude 3:57 Ballade in Op. 33, No. 2 Mazurka in D major, 2:15 ™ ¢ $ % ^ & * ( )– £ ! @ #

Mazurkas s 2:25 3:58 3:42 3:04 2:09 1:22 2:49 2:50

Ignaz Friedman, 1940s (Private Collection) (1756–1791) s recorded legacy and none of it has been more discussed and discussed more been has it none of and legacy s recorded Ignaz Friedman, Piano A detailed track list can be found inside the booklet. detailed track A Cover image: K. 331 – major, A recordings are now legendary in the annals of piano playing. legendary in the annals now are recordings COMPLETE RECORDINGS, VOL. 1 VOL. RECORDINGS, COMPLETE (1685–1757) SCARLATTI Mazurka Producer and audio restoration engineer: Ward Marston • Booklet notes: Jonathan Summers Ward Producer and audio restoration engineer: Viennese Dance No. 1 Viennese in No. 11 Hark, Hark, the Lark Hark, Hark, the 63, No. 3 Op. Mazurka in C sharp minor, Op. 25, No. 6 1:50 Étude in G sharp minor, (1778–1837) Johann Nepomuk HUMMEL Fryderyk CHOPIN (1810–1849) Fryderyk CHOPIN Ignaz FRIEDMAN (1882–1948) / (1862–1918) Eduard GÄRTNER Wolfgang Amadeus Wolfgang MOZART (1797–1828) / Franz SCHUBERT (1811–1886) Franz LISZT III. Rondo alla turca Pastorale Rondo in E flat major Op. 33, No. 2 Mazurka in D major, Op. 28, No. 19 flat major, in E Prelude 1:18 Op. 64, No. 1 ‘Minute’ in D flat major, Waltz Domenico 0

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admired than the 30-odd minutes of Chopin ’ minutes than the 30-odd admired Ignaz Friedman was an immensely creative in his interpretations. He constantly constantly He interpretations. in his pianist creative an immensely was Friedman Ignaz be could playing His effects. pedal and pauses phrasing, accents, rubato, with experimented on less than The six hours captured his playing of tight. times quite at elastic or extremely Today repertoire. performing of a large only a fraction represent recording electrical ’ Friedman treasure and study ago. These

NAXOS Historical FRIEDMAN: Complete Recordings, Vol. 1 8.110684