Reimagining the Interior Architecture of Albanian Hammam Baths Architecture of Albanian Hammam Baths

Total Page:16

File Type:pdf, Size:1020Kb

Reimagining the Interior Architecture of Albanian Hammam Baths Architecture of Albanian Hammam Baths 2020//Berlin International University of Applied Sciences 2020//Berlin International University of Applied Sciences REIMAGINING THE INTERIOR REIMAGINING THE INTERIOR ARCHITECTURE OF ALBANIAN HAMMAM BATHS ARCHITECTURE OF ALBANIAN HAMMAM BATHS Identifying design strategies in the adaptive reuse of Bazaar’s Hammam Identifying design strategies in the adaptive reuse of Bazaar’s Hammam Master of Arts in Interior Design Master of Arts in Interior Design Master thesis/ Spring Semester 2020/Bora Stafa Master thesis/ Spring Semester 2020/Bora Stafa . Yüksel Pögün-Zander, PhD Advisor: Prof. Yüksel Pögün-Zander, PhD Second Examiner: Prof. Sigurd Larsen Second Examiner: Prof. Sigurd Larsen REIMAGINING THE INTERIOR ARCHITECTURE OF ALBANIAN HAMMAM BATHS Identifying design strategies in the adaptive reuse of Bazaar’s Hammam By Bora Stafa Submitted in partial fulfillment of the requirements for the degree of Master in Interior Design At Berlin International University of Applied Sciences The author hereby grants Berlin International University of Applied Sciences (BI) permission to place this thesis in the library, reproduce and distribute copies of this thesis, in whole or in part, for educational purposes. Any original of the thesis will not be available for borrowing. ______________________________________________________________________ The author hereby legally declares that he/she has completely written the attached thesis on their own and has not used any other tools than those explicitly mentioned in it. In all instances where the author has borrowed content created by other authors, either directly or in para- phrase, it has been explicitly marked in the thesis as such. This thesis has not been presented, fully or in part, to another examination authority, or been published anywhere. (The above declaration has legal value both internally at Berlin International University and externally under German public law as an „Eidesstattliche Erklärung“.) Signature of the Author: Date of Submission: 26.08.2020 ACKNOWLEDGMENTS I am very grateful to my family for the continuous support and encouragement throughout my endeavor and I would like to express my deepest gratitude to my university and my beloved professors and mentors for sharing their knowledge and the continuous support in every step I took. Finally, many thanks to my friends and colleagues for inspiring and challenging me in a positive way throughout this journey. ABSTRACT This research thesis explores the architecture of hammam typology and proposes a strategy of adaptive reuse to save these buildings upon a specific region, in Albania. Hammam structures, which used to combine daily and sacred life by providing water to support body and soul, should be regarded as gems of cultural heritage that reconnect people to their past but also to their future. After the introduction aiming to present the reader with the research aim and methodology; a short historic architectural overview is done. Two of the most representative cases of Albanian Hammam typologies still exist, in the city of Elbasan, although abandoned and forgotten in time. The research addresses two consequences of the historical heritage hammam’s development. Firstly, the way in which hammam’s heritage has been leftover and is being demolished; Secondly, the need to rebuild heritage and community without any loss of identity in the city. The research leads to a design project exemplifying the adaptive re-use approach, when dealing with a historical structure, witnessing cultural values. Remodeling and alterations are necessary to result in new possibilities of saving these structures from degradation and complete demolition. The attempt of the research as well as the project, is to re-imagine the interior qualities of hammam in the present time. TABLE OF CONTENT 1. INTRODUCTION …………………….………………………….....………....page 6 1.1 Research topic and its context 1.2 Research Aim & Objectives 1.3 Methodology Approach 2. HISTORIC ARCHITECTURAL OVERVIEW…………………….……...….page 8 2.1 The architecture of Hamam in Islamic culture. Past and Present 2.2 Historical background of the Hammam in Elbasan 2.3 Comparative analyses of existing structures. Form, function and building phases. 2.4 Conclusions 3. TOWARDS THE INTERIOR APPROACH OF HAMAM REUSE…….…...page16 3.1 Restorations and Adaptive Reuse Definitions 3.2 Relevant Approaches in Adaptive Reuse 3.3 The Architectural Palimpsest, as a theoretical Insight towards Adaptive Reuse Strategies 3.4 Case Studies_ Evaluating Best Practices 3.4.1 Merida Museum of Roman Art, by Raphaël Moneo 3.4.2 Neues Museum in Berlin, Germany, David Chipperfield 3.4.3 Carlo Scarpa, Castelvecchio Museum 3.5 Observations 4. REIMAGINING THE INTERIOR ARCHITECTURE OF HAMMAM BATHS…….........................................................................….page 30 4.1 Current state of the building 4.2 Reasons for change 4.2.1 Requirements 4.2.2 New use 4.3 Design strategies to maintain the historic character 4.4 Project intervention as an illustrative example and part of the Research. Graphic illustration from the project. 5. CONCLUSION…………………………........…………………………...……page 62 Approaches applicable to other hammam architypes References “ Marco enters a city; he sees someone in a square living a life or an instant that could be his; he could now be in that man’s place, if he had stopped in time, long ago; or if, long ago, at a crossroads, instead of taking one road he had taken the opposite one, and after long wandering he had come to be in the place of that man in the square. By now, from that real or hypothetical past of his, he is excluded; he cannot stop; he must go on to another city, where another of his pasts awaits him, or something perhaps that had been a possible future of his and is now someone else’s present. Futures not achieved are only branches of the past: dead branches.” - Italo Calvino, Invisible Cities 1. INTRODUCTION 1.1 Research topic and its context Geographically, the city of Elbasan is situated in the Shkumbini river valley in the heart of the country. The city was built on the remains of the ancient Scampi’s city, a fortified Centre situated on the Via Ignatia, the road which was the extension of the Appian Way, who connected the harbor of Durazzo to the city of Byzantium. During the Ottoman Empire, Roman castle was fortified and was given the name Kala, once a military origin standpoint, while today it represents only the historical quarter considering that the city outgrew its borders by time. From an important commercial center during the Ottoman invasion, the city underwent significant interventions of modernization, establishing itself as a military outpost in the politics of expansion of the boundaries of the Ottoman Empire towards the West. In fact, in 1466 the fortification of Elbasan was reconstructed by the Ottoman sultan Mehmet II on the ancient Roman plant in the configuration that is seen today. Among other cultural monuments, the two existing hammams, date back to the Ottoman Empire and even earlier, Roman Empire. Economically, the region is a popular touristic destination, mainly interested in visiting the castle quarter, also known as Kala quarter. The research looks into the case of Albanian hammam architecture and what adaptive reuse strategies can be implemented to save the abandoned structures of the Hammams in the region. The two hammams, Bazaar’s Hammam and Kala’s Hammam, which represent two of the last existing models in the city of Elbasan, dating back to the mid-sixteenth century, are outstanding among the monuments built during the Ottoman Empire. Turks built thousands of hammams for health purposes within the borders of the Ottoman empires. As well as in Turkish history, these buildings formed a very unique public culture experience in Albanian history. Most of these buildings are now neglected or abandoned due to multiple reasons, mostly social economic factors. In 2006, the two hammam structures were subjects of an architectural survey performed by a group of ten civil engineering and architecture students of the University of Pisa, Italy, in collaboration with the Institution of Culture Monuments in Albania. Foremost, the reader will be introduced to the context of the research project in this particular site in Albania. 1.2 Research Aim and Research questions In order to search for the fate of the lost hammam culture in the area, the historical background of Albanian hammams, is initially researched. Adaptive reuse strategies and conservation strategies are evaluated, through comparative case studies; to gain new insights on historical buildings reuse. 6 The research aim will be conducted by using the new concept of adaptive re-use to conserve cultural heritage in its context. Adaptive Reuse has become increasingly important in contemporary architectural practice. The reasons for this range from the economical need for less costly architecture, to the ever-increasing awareness of the benefits of our architectural heritage. Different literature reviews highlight that in historic centers, adaptive reuse of the existing buildings is frequently a reoccurring practice. Since the historic center is often the heart of the city, the possibility for new construction is limited so the relocation of a new program in historic abandoned buildings such as hammam, is a good opportunity which interacts well with the community and the touristic attraction element. From the heritage sector point of view, a new use for the existing structure is desirable in order to avoid a degradation of the building itself and the loss of identity of the city to which it belongs. The research aim is to formulate a new concept about hammam´s reuse in particular, from an interior architectural perspective; so that the particular relation between the existing building and the new interior intervention, can be identified. The way towards the new concept, includes the two main research questions listed below; - Firstly, what are the general characteristics of hammam architecture? - Secondly, are there any possibilities/opportunities to restore and reuse hammams? Reusing a historical building is never an easy challenge, so the answers to these questions will derive through the research methodology.
Recommended publications
  • Harem Fantasies and Music Videos: Contemporary Orientalist Representation
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient.
    [Show full text]
  • Architecture and Urbanism in the Middle East
    Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo).
    [Show full text]
  • Developing a Sustainability Plan for Hammams in Morocco
    Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects 2020-03-05 Developing a Sustainability Plan for Hammams in Morocco Alyssa Joy Sousa Worcester Polytechnic Institute Brian Preiss Worcester Polytechnic Institute Nathan S. Kaplan Worcester Polytechnic Institute Payton Bielawski Worcester Polytechnic Institute Rebekah Jolin Vernon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Sousa, A. J., Preiss, B., Kaplan, N. S., Bielawski, P., & Vernon, R. J. (2020). Developing a Sustainability Plan for Hammams in Morocco. Retrieved from https://digitalcommons.wpi.edu/iqp-all/5619 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. Developing a Sustainability Plan for Hammams in Morocco An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by Payton S. Bielawski Nathan S. Kaplan Brian C. Preiss Alyssa J. Sousa Rebekah J. Vernon Date: 8 March 2020 Report Submitted to: Mr. Abdelhadi Bennis Association Ribat Al-Fath Professor Laura Roberts Professor Mohammed El Hamzaoui Worcester Polytechnic Institute This report represents work of WPI undergraduate
    [Show full text]
  • Revitalization of the Bazaar Neighborhood in Tehran
    REVITALIZATION OF THE BAZAAR NEIGHBORHOOD IN TEHRAN BY PARDIS MOINZADEH THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign , 2014 Urbana, Illinois Adviser: P Professor D. Fairchild Ruggles Abstract The word “bazaar” comes from an ancient word “wazaar” meaning market. The word “baza” has been used in other countries such as Turkey, Arabic countries and India as well.1 Bazaars are historic market places that provide trade services as well as other functions. Their historic buildings are renowned for their architectural aesthetics, and in old cities such as Tehran (Iran) they are considered the centerpiece of activities with architectural, cultural, historical, religious, and commercial values. However, during the past 400 years, they have undergone social and environmental changes. The neighborhood of the Tehran Bazaar has in recent decades become degraded, which has consequently decreased the social value of the historic Bazaar. The ruined urban condition makes it impossible for contemporary visitors to have a pleasurable experience while visiting the Bazaar, although that was historically their experience. As Tehran began to grow, much of the trade and finance in the city has moved to the newly developed section of the city, diminishing the importance of the bazaars. Today, shoppers and residents living in the Bazaar neighborhood inhabit dilapidated buildings, while customers and tourists—when they go there at all—experience a neighborhood that lacks even the most basic urban amenities such as sidewalks, drainage, benches, trees and lighting. This design study required a number of investigations.
    [Show full text]
  • Bazaars and Bazaar Buildings in Regency and Victorian London’, the Georgian Group Journal, Vol
    Kathryn Morrison, ‘Bazaars and Bazaar Buildings in Regency and Victorian London’, The Georgian Group Journal, Vol. XV, 2006, pp. 281–308 TEXT © THE AUTHORS 2006 BAZAARS AND BAZAAR BUILDINGS IN REGENCY AND VICTORIAN LONDON KATHRYN A MORRISON INTRODUCTION upper- and middle-class shoppers, they developed ew retail or social historians have researched the the concept of browsing, revelled in display, and Flarge-scale commercial enterprises of the first discovered increasingly inventive and theatrical ways half of the nineteenth century with the same of combining shopping with entertainment. In enthusiasm and depth of analysis that is applied to the devising the ideal setting for this novel shopping department store, a retail format which blossomed in experience they pioneered a form of retail building the second half of the century. This is largely because which provided abundant space and light. Th is type copious documentation and extensive literary of building, admirably suited to a sales system references enable historians to use the department dependent on the exhibition of goods, would find its store – and especially the metropolitan department ultimate expression in department stores such as the store – to explore a broad range of social, economic famous Galeries Lafayette in Paris and Whiteley’s in and gender-specific issues. These include kleptomania, London. labour conditions, and the development of shopping as a leisure activity for upper- and middle-class women. Historical sources relating to early nineteenth- THE PRINCIPLES OF BAZAAR RETAILING century shopping may be relatively sparse and Shortly after the conclusion of the French wars, inaccessible, yet the study of retail innovation in that London acquired its first arcade (Royal Opera period, both in the appearance of shops and stores Arcade) and its first bazaar (Soho Bazaar), providing and in their economic practices, has great potential.
    [Show full text]
  • Moorish Architectural Syntax and the Reference to Nature: a Case Study of Algiers
    Eco-Architecture V 541 Moorish architectural syntax and the reference to nature: a case study of Algiers L. Chebaiki-Adli & N. Chabbi-Chemrouk Laboratoire architecture et environnement LAE, Ecole polytechnique d’architecture et d’urbanisme, Algeria Abstract The analogy to nature in architectural conception refers to anatomy and logical structures, and helps to ease and facilitate knowledge related to buildings. Indeed, several centuries ago, since Eugène Violet-le-Duc and its relationship to the botanic, to Phillip Steadman and its biological analogy, many studies have already facilitated the understanding and apprehension of many complex systems, about buildings in the world. Besides these morphological and structural aspects, environmental preoccupations are now imposing themselves as new norms and values and reintroducing the quest for traditional and vernacular know-how as an alternative to liveable and sustainable settlements. In Algiers, the exploration of traditional buildings, and Moorish architecture, which date from the 16th century, interested many researchers who tried to elucidate their social and spatial laws of coherence. An excellent equilibrium was in effect, set up, by a subtle union between local culture and environmental adaptability. It is in continuation of André Ravéreau’s architectonics’ studies that this paper will make an analytical study of a specific landscape, that of a ‘Fahs’, a traditional palatine residence situated at the extra-mural of the medieval historical town. This ‘Fahs’ constitutes an excellent example of equilibrated composition between architecture and nature. The objective of this study being the identification of the subtle conjugation between space syntax and many elements of nature, such as air, water and green spaces/gardens.
    [Show full text]
  • The Change of the Hospital Architecture from the Early Part of 20Th Century to Nowadays: an Example of Konya
    New Trends and Issues Proceedings on Humanities and Social Sciences Volume 4, Issue 11, (2017) 23-34 ISSN:2547-8818 www.prosoc.eu Selected Paper of 6th World Conference on Design and Arts (WCDA 2017), 29 June – 01 July 2017, University of Zagreb, Zagreb – Croatia The Change of the Hospital Architecture from the Early Part of 20th Century to Nowadays: An Example of Konya Dicle Aydin a*, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Esra Yaldiz b, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Suheyla Buyuksahin c, Department of Architecture, Selcuk University, 42075 Konya, Turkey. Suggested Citation: Aydin, D., Yaldiz, E. & Buyuksahin, S. (2017). The change of the hospital architecture from the early part of 20th century to nowadays: an example of Konya. New Trends and Issues Proceedings on Humanities and Social Sciences. [Online]. 4(11), 23-34. Available from: www.prosoc.eu Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract The hospitals that served in the name of ‘darussifa’ in Seljuk Empire period in Anatolia continued their service during Ottoman Empire period. The health institutions in different areas in Ottoman period were replaced by ‘Gureba hospitals’ in 19th century. The change in Anatolia was realised, after the declaration of the Republic and with the development of its economy, and lived in every area; hospital buildings were constructed first as ‘Gureba hospitals’ then as ‘country hospitals’ in Anatolia cities like Konya after the big cities like İstanbul, Ankara and İzmir.
    [Show full text]
  • Historical Analysis of the Role of Bazaar on the Formation of Iranian
    Armanshahr Architecture & Urban Development, 12(26), 89-101, Spring 2019 ISSN: 2008-5079 / EISSN: 2538-2365 DOI: 10.22034/AAUD.2019.89058 Historical Analysis of the Role of Bazaar on the Formation of Iranian Islamic Urban Forms; Case Study: Shiraz, Iran Ali Reza Sadeghia, Mehdi Khakzandb*, Sina Jangjooc a Assistant Professor of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. b Assistant Professor of Architecture, Department of Architecture, Faculty of Architecture & Urban Planning, Iran University of Science & Technology, Tehran, Iran. c M.A. of Urban Planning, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. Received 06 November 2018; Revised 27 February 2019; Accepted 09 June 2019; Available Online 19 June 2019 ABSTRACT: Iranian Islamic city is a physical entity that represents social, cultural and political mechanisms in the Iranian territory where forms, elements, and rules governing the interaction of the inhabitants and the environment are based on the Islamic worldview. Physical, functional, and spatial centers constitute the main form of the city. Also, Bazaar is one of the main elements of traditional Islamic- Iranian cities which has been originally developed for the fulfilment of commercial and manufacturing functions. The present study attempts to analyze these important factors in the formation process of Bazaar structure, as an important factor shaping the ancient Islamic Iranian cities, and to investigate the relationship of these changes with the changes of the urban community. In order to investigate the role of Bazaar in the integrity of the physical form and the main structure of historic cities of Iran in the present study, a combination of descriptive, historical, and comparative research method was used through reviewing texts, sources and visual documents, and the analysis of the evolution of urban Bazaars in shaping the form of ancient Islamic Iranian cities.
    [Show full text]
  • Patterns of Complexity: Art and Design of Morocco and Tunisia 2011 2
    Patterns of Complexity: The Art and Design of Morocco and Tunisia Fulbright-Hays Seminar Abroad Curriculum Project 2011 Sue Uhlig, Continuing Lecturer in Art and Design at Purdue University Religious Diversity in the Maghreb From June 12 to July 21, 2011, I was one of sixteen post-secondary educators who participated in the Fulbright-Hays Seminars Abroad program to Morocco and Tunisia. During those six weeks, we were immersed in the culture of the two North African countries, visiting significant historical and cultural attractions, attending lectures daily, tasting regional cuisine, and taking Arabic language classes for the first two weeks. The topic of the seminar was “Religious Diversity in the Maghreb: Morocco and Tunisia,” so lectures were focused primarily on Islamic topics, such as Moroccan Islam and Sufism, with some topics covering Judaism. We were treated to two musical performances, one relating to Judeo-Spanish Moroccan narrative songs and the other by Gnawa musicians. Visits to Christian churches, Jewish museums and synagogues, and Islamic mosques rounded out the religious focus. The group was in Morocco for a total of four weeks and Tunisia for two. In Morocco, we visited the cities of: Rabat* Casablanca* Sale Beni Mellal* Fes* Azilal Volubilis Amezray* Moulay Idriss Zaouia Ahansal Sefrou Marrakech* Ifrane In Tunisia, we visited the following cities: Tunis* Monastir Carthage Mahdia* Sidi Bou Said El Jem La Marsa Sfax Kairouan Kerkennah Islands* Sousse* Djerba* * cities with an overnight stay For more information, you may contact me at [email protected]. I also have my photos from this seminar on Flickr. http://www.flickr.com/photos/25315113@N08/ Background Being an art educator, teaching art methods classes to both art education and elementary education majors, as well as teaching a large lecture class of art appreciation to a general student population, I wanted to focus on the art and design of Morocco and Tunisia for this curriculum project.
    [Show full text]
  • The Central Islamic Lands
    77 THEME The Central Islamic 4 Lands AS we enter the twenty-first century, there are over 1 billion Muslims living in all parts of the world. They are citizens of different nations, speak different languages, and dress differently. The processes by which they became Muslims were varied, and so were the circumstances in which they went their separate ways. Yet, the Islamic community has its roots in a more unified past which unfolded roughly 1,400 years ago in the Arabian peninsula. In this chapter we are going to read about the rise of Islam and its expansion over a vast territory extending from Egypt to Afghanistan, the core area of Islamic civilisation from 600 to 1200. In these centuries, Islamic society exhibited multiple political and cultural patterns. The term Islamic is used here not only in its purely religious sense but also for the overall society and culture historically associated with Islam. In this society not everything that was happening originated directly from religion, but it took place in a society where Muslims and their faith were recognised as socially dominant. Non-Muslims always formed an integral, if subordinate, part of this society as did Jews in Christendom. Our understanding of the history of the central Islamic lands between 600 and 1200 is based on chronicles or tawarikh (which narrate events in order of time) and semi-historical works, such as biographies (sira), records of the sayings and doings of the Prophet (hadith) and commentaries on the Quran (tafsir). The material from which these works were produced was a large collection of eyewitness reports (akhbar) transmitted over a period of time either orally or on paper.
    [Show full text]
  • Restoration of Amiriya Madrasa Rada, Yemen
    2Q6LWH5HYLHZ5HSRUW <(0 E\$\ú̧O7NHO<DYX] 5HVWRUDWLRQRI$PLUL\D0DGUDVD 5DGD<HPHQ &RQVHUYDWRU 6HOPDDO5DGL &OLHQW *HQHUDO2UJDQL]DWLRQRI$QWLTXLWLHV0XVHXPVDQG0DQXVFULSWV 'HVLJQ RQJRLQJ &RPSOHWHG RQJRLQJ Restoration of Amiriya Madrasa Rada, Yemen I. Introduction The Amiriya Madrasa was built by the last sultan of the Tahirid Dynasty at the beginning of the sixteenth century. It is quite a large madrasa, including several spaces that were probably private living spaces alongside a masjid and teaching rooms. The decoration, structure and form of the spaces are rich and varied. Extensive stucco decoration in qudad plaster and gypsum covers the walls and domes alongside tempera paintings. The dangerous condition of the madrasa first prompted interventions to deal with the structural elements of the building, such as the walls and roof. This was mostly finished by 1987. Cleaning and restoration of the stucco decoration continues to the present day, with a team of experts form Italy restoring the paintings. The whole project is financed by contributions from the Yemeni and Dutch governments. The project started in 1982 and completion is planned for the end of 2004. The masjid will then be opened for use by the inhabitants of Rada, and the rest of the building will become a museum under the Yemeni Government Organization for Antiquities, Museums and Manuscripts (GOAMM). II. Contextual Information A. Historical background Yemen’s earliest history, dating from the Stone and Bronze ages, has only recently been studied. For many years the region of Yemen was governed by a series of local rulers and the periods of their reigns overlap. Islam came to Yemen during the time of the Prophet.
    [Show full text]
  • Hammam Catalog 2021
    Hammam Catalog 2021 About us Our Expertise Aromen Hammam specializes Hammam education in the traditional Hammam ritual. By sharing our passion and expertise, we aim to enable spas to integrate Hammam treatments into Scrubs their services and create unforgettable wellness experiences for their guests. Treatments With our estabilished Aromen Hammam Method we merge tradition and innovation to exceed today’s spa guest’s expectations, while Hydration respecting the ancient bathing ritual. We stand for high-quality service and put in the work to strongly support the spa Hydrolats, Floral water and wellness industry. We do this by offering carefully crafted, natural, and regionally authentic products that support Herbs optimal physical and mental wellbeing, for both spa and home purposes. CO2 extracts We provide educational programmes for Accessories professional therapists. And we offer services tailored to the needs of Steam bath essence our clients. The ritual of hammam Historically, the hammam is a place where people come together to enjoy social contact, celebrate important milestones in their life and experience a relaxing and purifying purifying routine for their skin. Until this day, the practise of visiting a hammam is very present in daily life and much appreciated by visitors. Although hammam is often called a Turkish steam bath, hammams are not exclusively Turkish experiences as variations have also emerged in other Arabic societies, most significantly in Morocco. Based on centuries of tradition and beauty secrets, all natural products are used to pamper the skin and massages wash away the tensions that builds up in the body, resulting in a complete state of physical and mental wellbeing.
    [Show full text]