Battleground : the Media
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Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
Chris Riddell Hans Christian Andersen Awards 2016 UK Illustrator Nomination PHOTO : JO RIDDELL PHOTO
Chris Riddell Hans Christian Andersen Awards 2016 UK Illustrator Nomination PHOTO : JO RIDDELL PHOTO 1 Chris Riddell Biography Chris Riddell A Critical Appreciation Chris Riddell was born in South Africa. His father Richard Platt. This book and the earlier Castle Diary Chris Riddell is highly regarded in the UK and well as young readers’ chapter books, he addresses was an Anglican clergyman and his parents were involved him in detailed historical research, which internationally as a visual commentator and an audience that is often neglected: readers active in the anti-apartheid movement. His family he deployed in typically boisterous, characterful narrator; an artist and illustrator in command of who are still young enough to enjoy illustrations returned to Britain when Chris was a year old and and humorous style. Perhaps his most demanding a range of forms and genres varying from political supporting a narrative, but also old enough to he spent his childhood moving from parish to illustration project to date followed in 2004 with satire and cartoon to picture books, graphic novels engage with more sophisticated subject matter. parish. His interest in drawing began then and was his illustrations to Martin Jenkins’ adaptation of and cross-over forms. His broad understanding of Chris Riddell’s biggest virtue, however, is not that encouraged at secondary school. He remembers, Gulliver’s Travels, a classic whose combination visual communication, coupled with his classical he satisfies the expectations of theoretical analysis, “I had a wonderfully idiosyncratic art teacher, Jack of satire and fantasy played to his strengths as drawing ability and extended frame of reference, but that he can do so whilst communicating with Johnson, a painter who’d also been a newspaper an illustrator and earned him the second Kate has earned him the respect of broad and diverse and convincingly addressing his audience. -
Greenp Eace.Org /Kochindustries
greenpeace.org/kochindustries Greenpeace is an independent campaigning organization that acts to expose global environmental problems and achieve solutions that are essential to a green and peaceful future. Published March 2010 by Greenpeace USA 702 H Street NW Suite 300 Washington, DC 20001 Tel/ 202.462.1177 Fax/ 202.462.4507 Printed on 100% PCW recycled paper book design by andrew fournier page 2 Table of Contents: Executive Summary pg. 6–8 Case Studies: How does Koch Industries Influence the Climate Debate? pg. 9–13 1. The Koch-funded “ClimateGate” Echo Chamber 2. Polar Bear Junk Science 3. The “Spanish Study” on Green Jobs 4. The “Danish Study” on Wind Power 5. Koch Organizations Instrumental in Dissemination of ACCF/NAM Claims What is Koch Industries? pg. 14–16 Company History and Background Record of Environmental Crimes and Violations The Koch Brothers pg. 17–18 Koch Climate Opposition Funding pg. 19–20 The Koch Web Sources of Data for Koch Foundation Grants The Foundations Claude R. Lambe Foundation Charles G. Koch Foundation David H. Koch Foundation Koch Foundations and Climate Denial pg. 21–28 Lobbying and Political Spending pg. 29–32 Federal Direct Lobbying Koch PAC Family and Individual Political Contributions Key Individuals in the Koch Web pg. 33 Sources pg. 34–43 Endnotes page 3 © illustration by Andrew Fournier/Greenpeace Mercatus Center Fraser Institute Americans for Prosperity Institute for Energy Research Institute for Humane Studies Frontiers of Freedom National Center for Policy Analysis Heritage Foundation American -
Inkwell Management London 2017
InkWell Management London 2017 TABLE OF CONTENTS Fiction Peter Blauner .................................................. Proving Ground ........................................................................ 9 Mary Clyde ..................................................... No Morning Sun ....................................................................... 10 Rene Denfeld .................................................. The Child Finder ...................................................................... 11 Owen Egerton ................................................ Hollow ....................................................................................... 12 Katherine Heiny ............................................. Standard Deviation ................................................................... 13 Elin Hilderbrand ............................................ The Identicals ............................................................................ 14 Lia Hills ........................................................... The Crying Place ....................................................................... 15 Eloisa James .................................................... Wilde in Love............................................................................. 16 Wendy James .................................................. The Golden Child ....................................................................... 17 Jarett Kobek .................................................... The Future Won’t Be Long ....................................................... -
Media Literacy and News Credibility
Available online at www.jmle.org The National Association for Media Literacy Education’s Journal of Media Literacy Education 2:1 (2010) 37 - 46 Media Literacy and News Credibility: Does knowledge of media ownership increase skepticism in news consumers? Seth Ashley, Mark Poepsel, Erin Willis School of Journalism, University of Missouri at Columbia, Columbia, MO, USA Abstract This study explores how increased knowledge of media ownership may affect judgments of credibility in responding to print news. An experiment was conducted with 80 undergraduate journalism students. Subjects were randomly exposed to either an informational article about the pros and cons of consolidation in media ownership or poetry. Then subjects read and analyzed four news stories, analyzing each using a credibility scale that includes judgments of truth, superficiality, general accuracy and completeness. Results show statistically significant differences in judgments of general accuracy and superficiality, suggesting that exposure to informa- tional print about media ownership may promote modest increases in critical responses to news media. Keywords: Media Ownership, Political Economy, Media Literacy, News Media, Journalism As Marshall McLuhan famously pointed One aspect of media literacy focuses on struc- out, humans live in constructed media environments tural characteristics of media industries, including me- as unconsciously as fish in water. Therefore, it can dia ownership and media economics. Some suggest that be difficult to see that media constructions of real- it is helpful for news consumers to know who owns ity sometimes offer incomplete or inaccurate por- the media companies that produce news (McChesney trayals of the world we live in. The growing field 1999, 2004; Silverblatt 2001; Potter 1998). -
Hello, Dear Enemy! Picture Books for Peace and Tolerance: an International Selection
DOCUMENT RESUME ED 460 339 CS 013 281 AUTHOR Scharioth, Barbara, Ed.; Weber, Jochen, Ed. TITLE Hello, Dear Enemy! Picture Books for Peace and Tolerance: An International Selection. INSTITUTION International Youth Library, Munich (Germany). PUB DATE 1998-03-00 NOTE 36p.; In cooperation with International Board on Books for Young People (IBBY). Supported by the German Federal Ministry for Family, Senior Citizens, Women, and Youth, the Bavarian Ministry of Education, Culture, Science, and Arts, the City of Munich, and'the Association of the Friends of the International Youth Library. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Childrens Literature; Elementary Education; Foreign Countries; Global Approach; *Peace; *Picture Books; *Reading Material Selection; Stranger Reactions; Violence; *War; World Problems IDENTIFIERS Peace Education; *Tolerance ABSTRACT This catalog presents descriptions of over 41 children's picture books from 19 countries that formed an exhibition sent worldwide to promote and help maintain peace. The majority of the books do not deal directly with the horrors of war but rather deal with its preconditions: intolerance, xenophobia, prejudice against being different, misuse of power, oppression, and violence against people and property. Titles are arranged alphabetically by illustrator and the books are listed under their country of origin. (Contains author and illustrator name and subject indexes.) (RS) Reproductions supplied by EDRS are the best that can be made from the original document. !he 11c9 dear enemy! Picture Books for Peace nd 'Mem c PERMISSION TO REPRODUCE AND DISSEMINATE THIS MATERIAL HAS A erratkm al Selection BEEN GRANTED BY U.S. DEPARTMENT OF EDUCAIION Office o4 Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) (1104document has been reproduced as TO THE EDUCATIONAL RESOURCES received from the person or organization INFORMATION CENTER (ERIC) originating it. -
CITIZEN JOURNALISM and the INTERNET by Nadine Jurrat April 2011
REFERENCE SERIES NO. 4 MAPPING DIGITAL MEDIA: CITIZEN JOURNALISM AND THE INTERNET By Nadine Jurrat April 2011 Citizen Journalism and the Internet —An Overview WRITTEN BY Nadine Jurrat1 Citizen journalists have become regular contributors to mainstream news, providing information and some of today’s most iconic images, especially where professional journalists have limited access or none at all. While some hail this opportunity to improve journalism, others fear that too much importance is placed on these personal accounts, undermining ethical standards and, eventually, professional journalism. Th is paper summarizes recent discussions about citizen journalism: its various forms and coming of age; its role in international news; the opportunities for a more democratic practice of journalism; the signifi cance for mass media outlets as they struggle for survival; the risks that unedited citizens’ contributions may pose for audiences, mainstream media, and citizen journalists themselves. Th e paper ends with a call for a clearer defi nition of ‘citizen journalism’ and for further ethical, legal and business training, so that its practitioners continue to be taken seriously by professional media and audiences alike. 1. Nadine Jurrat is an independent media researcher. Mapping Digital Media Th e values that underpin good journalism, the need of citizens for reliable and abundant information, and the importance of such information for a healthy society and a robust democracy: these are perennial, and provide compass-bearings for anyone trying to make sense of current changes across the media landscape. Th e standards in the profession are in the process of being set. Most of the eff ects on journalism imposed by new technology are shaped in the most developed societies, but these changes are equally infl uencing the media in less developed societies. -
Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin
Irish Communication Review Volume 11 Issue 1 Article 8 January 2009 Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin Pat Brereton Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Technology and New Media Commons Recommended Citation Brereton, Pat (2009) "Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin," Irish Communication Review: Vol. 11: Iss. 1, Article 8. doi:10.21427/D78X34 Available at: https://arrow.tudublin.ie/icr/vol11/iss1/8 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License HOLLYWOOD REPRESENTATIONS OF IRISH JOURNALISM : A Case Study of Veronica Guerin Pat Brereton THIS PAPER EMANATES FROM an interest in how the journalist profession is repre - sented on film. This discussion is framed, broadly, by an effort to gauge the perfor - mative nature of journalists, from ‘hard-boiled’ press hacks to egomaniacal TV reporters, while situating the vocation within conventional media studies, which priv - ileges political and ethical indicators like ‘the Fourth Estate’ or as ‘Public Watchdog’. Most recently in the Guardian , Stephen Armstrong presented an overview of how journalists are portrayed on film ( May ), while focusing on an ITV series Midnight Man , where the journalist starring James Nesbitt ends up literally on a rub - bish heap looking for a story. -
Veronica Guerin Presskit
Touchstone Pictures Presents was reporting on would make,” he continues. Veronica Guerin “That bravery and courage ultimately made an PRODUCTION INFORMATION enormous difference to her country—without her, it would be a different place.” In the mid-1990s, Dublin was nothing short One of Ireland’s top journalists during the of a war zone, with a few powerful drug lords 1990s, Guerin’s stories focused her nation’s battling for control. Their most fearsome opponent attention on the rising problem of heroin use in was not the police but the courageous journalist Dublin. Painting a vivid picture of a dangerous Veronica Guerin (CATE BLANCHETT), who covered world that perhaps many in the country had not the crime beat with unmatched intensity. As she yet focused upon, Guerin became the sworn investigated and exposed the “pushers,” enemy of the city’s underworld, ultimately balancing her home and family against her galvanizing the anti-drug forces and leading to responsibility to her readers and her country, she stronger drug laws in Ireland. “I like to tell stories became a national folk heroine to the people of about individuals who make a difference in the Ireland. Based on a true story, this powerful, world and are role models for future generations,” emotional film from producer Jerry Bruckheimer, Bruckheimer continues. “To me, that’s Veronica producer of “Pearl Harbor” and “Black Hawk Guerin. She is one of those people who changed Down,” and director Joel Schumacher (“Phone Ireland and the way people thought about drugs Booth,” “Bad Company,” “A Time to Kill,” and criminals. -
A Case Study of Memri's
AL GHANNAM, ABDULAZIZ G., Ph.D., December 2019 TRANSLATION STUDIES IDEOLOGY IN MEDIA TRANSLATION: A CASE STUDY OF MEMRI’S TRANSLATIONS (294 PP.) Dissertation Advisor: Brian James Baer Translation is an invaluable tool for communicating between cultures and for bridging the “knowledge gap.” Based on this fact, the Middle East Media Research Institute (MEMRI) claims that the purpose of its translations of media content from the Middle East, mainly the Arabic-speaking world, is to bridge the knowledge gap that exists between the West and Middle Eastern countries. Although MEMRI’s stated goal is a generous and worthy one, its translations have attracted criticism from major translation scholars such as Mona Baker (2005, 2006, 2010a) and journalists such as Brian Whitaker (2002, 2007), as well as scholars from history and political studies. The main criticism regarding MEMRI’s translations revolves around the question of selectivity, or which texts are chosen for translation. However, no study to date has provided comprehensive evidence to support or refute that charge, which this study aims to do. This study focuses on English translations of texts and video clips that were found in the Saudi Arabia translation archive, published and available online on MEMRI’s website. By investigating all the Saudi media sources (e.g., newspapers, TV channels, Twitter, YouTube, etc.) from which MEMRI makes its selection of texts for translation, this study provides statistical evidence as to whether MEMRI’s translations are representative of what is being circulated in the source culture (Saudi Arabia) media. Supporting evidence is sought in MEMRI’s approach to the translation of titles and in its translation of video clips (subtitling). -
Can Trust and Quality Save Journalism? the Wake-Up Call Conference • August 9, 2005 • San Antonio
A WAKE-UP CALL: Can Trust and Quality Save Journalism? The Wake-Up Call Conference • August 9, 2005 • San Antonio This conference is the centerpiece of a one-year Restoring the Trust project developed in partnership with the Robert D. Fowler Distinguished Chair in Communication at Kennesaw State University and the Reynolds School of Journalism at the University of Nevada-Reno in consultation with the PJNet and the AEJMC’s Civic Journalism and Community Journalism interest groups. The Journalism and the Public: Restoring the Trust project is underwritten in part by the Ethics and Excellence in Journalism Foundation. Final report Edited by Donica Mensing, Merlyn Oliver and Leonard Witt Design by Alex Newman Table of Contents An Introduction: Do We Trust Our Audiences? Thirteen Percent of Americans Cole Campbell Prefer Ethnic to Mainstream Media Dean, Reynolds School of Journalism, Alice Tait University of Nevada, Reno 1 Central Michigan University 29 The Audience Can Save Quality Immigrants Have a Different Definition Journalism, If Asked to Help of What’s News Leonard Witt Alejandro Manrique Robert D. Fowler Distinguished Chair in Managing editor, Rumbo de San Antonio 31 Communications, Kennesaw State University 2 Is There A Need For Mainstream Media? The Wake-Up Call: Are the George White Mass News Media in a Death Spiral? Assistant director, UCLA Center Phil Meyer for Communications and Community 33 Knight Chair in Journalism, University of North Carolina at Chapel Hill. 5 Small Papers Have a Big Place on the News Media Spectrum Expanding The Definition of News Media Trust Daily Encounters with Readers Reinforce Trust A Jay Rosen-Led Conversation Peggy Kuhr Jay Rosen Knight Chair in Journalism, University of Kansas 35 ProfessorNew York University with Neil Chase, Charles Lewis and Dan Gillmor. -
Sample Pages
Express Yourself* By Thomas Kunkel American Journalism Review, December 2006/January 2007 “No man but a blockhead ever wrote, except for money.” — Samuel Johnson Sam, you were the original Dr. J, and your social observations were so spot-on that you occupy almost 10 pages in my “Oxford Dictionary of Quotations.” Still, were you alive today, I’ll bet you’d be blogging away at the DailyDoc or some such, and probably for no more money than the millions of other “blockheads” out there who are writing their noggins off. As a card-carrying media professional, I empathize with my brethren and sistren fretting at the notion of all those semi-pros and amateurs traducing our heretofore exclusive right to decide What’s Important. Who let that happen? I mean, wasn’t somebody supposed to be guarding the door? But, really, this must qualify as the least surprising phenomenon going. From our cave days humans have indulged a desire to let others know that we are here, that we matter. From there it’s not much of a leap to “We want to be heard,” and the Internet is proving to be the greatest megaphone ever devised. Ironically, from a news standpoint, the rise of all-comers journalism is really just a circling back to our roots. We often forget that the very term stems from “jour- nal,” and what are blogs and MySpace pages but contemporary journals? As Tom Rosenstiel and Bill Kovach reminded us in their fine book “The Ele- ments of Journalism,” this is precisely how modern news got its start.