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ANIMALS FOR HOLLYWOOD PHONE: 661.257.0630 FAX: 661.269.2617 BEAUTIFUL BOY OLD MAN AND THE GUN ONCE UPON A TIME IN VENICE DARK TOWER HOME AGAIN PUPSTAR 1 & 2 THE HATEFUL EIGHT 22 JUMP STREET THE CONJURING 2 PEE-WEE’S BIG HOLIDAY DADDY’S HOME WORLD WAR Z GET HARD MORTDECAI 96 SOULS THE GREEN MILE- WALKING THE PURGE: ANARCHY DON’T WORRY, HE WON’T GET THE MILE FAR ON FOOT THE LONE RANGER DUE DATE THE FIVE YEAR ENGAGEMENT ZERO DARK THIRTY THE CONGRESS MURDER OF A CAT THE DOGNAPPER OBLIVION HORRIBLE BOSSES CATS AND DOGS 2 – THE SHUTTER ISLAND POST GRAD REVENGE OF KITTY GALORE THE DARK KNIGHT RISES YOU AGAIN THE LUCKY ONE HACHIKO FORGETTING SARAH MARSHALL TROPIC THUNDER MAD MONEY OVER HER DEAD BODY THE HEARTBREAK KID UNDERDOG STUART LITTLE THE SPIRIT REXXX – FIREHOUSE DOG THE NUMBER 23 IN THE VALLEY OF ELAH YEAR OF THE DOG CATS AND DOGS MUST LOVE DOGS CATWOMAN BLADES OF GLORY STUART LITTLE 2 PIRATES OF THE CARIBBEAN P I RA T ES O F THE CARIBBEAN PIRATES OF THE CARIBBEAN – - THE CURSE OF THE – DEAD MAN’S CHEST WORLD’S END BLACK PEARL CHEAPER BY THE DOZEN 2 THE DEPARTED EVERYTHING IS ILLUMINATED THE PACIFIER ALABAMA MOON RUMOR HAS IT NATIONAL TREASURE ELIZABETHTOWN ALONE WITH HER PETER PAN THE GREEN MILE TROY WALK THE LINE THE HOLIDAY RAISING HELEN MOUSE HUNT CHRISTMAS WITH THE CRANKS OPEN RANGE BATMAN AND ROBIN THE MEXICAN PAULIE BUDDY KATE AND LEOPOLD WILLARD Animals for Hollywood - ph. 661.257.0630 e-mail: [email protected] pg. -
Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin
Irish Communication Review Volume 11 Issue 1 Article 8 January 2009 Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin Pat Brereton Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Technology and New Media Commons Recommended Citation Brereton, Pat (2009) "Hollywood Representations of Irish Journalism: a Case Study of Veronica Guerin," Irish Communication Review: Vol. 11: Iss. 1, Article 8. doi:10.21427/D78X34 Available at: https://arrow.tudublin.ie/icr/vol11/iss1/8 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License HOLLYWOOD REPRESENTATIONS OF IRISH JOURNALISM : A Case Study of Veronica Guerin Pat Brereton THIS PAPER EMANATES FROM an interest in how the journalist profession is repre - sented on film. This discussion is framed, broadly, by an effort to gauge the perfor - mative nature of journalists, from ‘hard-boiled’ press hacks to egomaniacal TV reporters, while situating the vocation within conventional media studies, which priv - ileges political and ethical indicators like ‘the Fourth Estate’ or as ‘Public Watchdog’. Most recently in the Guardian , Stephen Armstrong presented an overview of how journalists are portrayed on film ( May ), while focusing on an ITV series Midnight Man , where the journalist starring James Nesbitt ends up literally on a rub - bish heap looking for a story. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Eat the Rude. Serielle Verfahren und die Ästhetisierung kannibalistischer Gewalt in der TV-Serie Hannibal“ verfasst von / submitted by Kristina Höch, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 582 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Theater-, Film- und Medientheorie degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. habil. Ramón Reichert 1 Für meine Eltern. Ihr habt es erst möglich gemacht. Danke für absolut alles! Ihr seid die Besten! Danke Dani, dass du all die Jahre immer für mich da warst. Für all die Zeit, die du in wirre Schachtelsätze investiert hast, für deine aufmunternden Worte und die vielen Care Pakete mit Nervenfutter. Danke Andre, dass du meine Launen ertragen hast und immer an meiner Seite warst, vor allem dann, wenn mich Laptop und Drucker fast in den Wahnsinn getrieben hätten. Danke Johnny, dass du mir bei vielen Kinobesuchen und guten Gesprächen neue Perspektiven eröffnet hast. Ein großer Dank gilt auch Herrn Mag. Dr. habil. Ramón Reichert, der mich durch den Schreibprozess begleitet und mit hilfreichen Tipps und konstruktiver Kritik unterstützt hat. 2 3 Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. -
NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn ..................................................................... -
English Department School of Teacher Training and Education Muhammadiyah University of Surakarta 2010
VERONICA’S MOTIVATION TO SAVE THE NATION REFLECTED IN JOEL SCHUMACHER’S VERONICA GUERIN (2003): AN INDIVIDUAL PSYCHOLOGICAL APPROACH RESEARCH PAPER Submitted as Partial Fulfillment of Requirement For Getting Bachelor Degree of Education In English Department by: PRASETYO LUKMONO PUTRO A 320 060 071 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 0 1 CHAPTER I INTRODUCTION A. Background of the Study Veronica Guerin (2003) is produced by Jerry Bruckheimer, while Joel Schumacher is a Director. It is written by Carol Doyle and Mary Agnes Donoghue. It was produced by Touchstone Picture and distributed by Buena Vista Pictures. The duration of the movie is 98 minutes, and it is used English language. Here are the cast of the actors and actrees, Cate Blanchett as Veronica Guerin, Gerard McSorley as John Gilligan, Ciarán Hinds as John Traynor, Brenda Fricker as Bernie, GuerinBarry Barnes as Graham Turley, Simon O'Driscoll as Cathal Turley, Don Wycherley as Chris Mulligan, Alan Devine as Gerry Hutch. It was released at two countries, at July 11th 2003 in Ireland and at October 17th 2003 in USA, this movie got $9,439,660 for its selling. Joel Schumacher was born in New York USA on August 29 1939. He was a son from Marian and Francis Schumacher. His mother was a Swedish and his father was a Baptist from Knoxville, Tennessee who died when Joel was four years old. Schumacher studied at Parsons the New School for Design and The Fashion Institute of Technology in New York. After first working in the fashion industry, he realized his true love was in filmmaking. -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
Andrew Laws Production Designer
Andrew Laws Production Designer Agents Film & TV Sue Greenleaves, Vanessa Jones & Cara McKenzie Assistants Wendy Watts & Eliza Burrows-McGill Commercials Rachael Taylor Co-represented by ICM – Los Angeles FEATURE FILM / TELEVISION DATE PRODUCTION (ROLE) COMPANY PROJECT DETAILS 2018 WARRIOR Cinemax / HBO Dirs: Assaf Bernstein, David Petrarca, Lin Oeding, Loni Peristere & Kevin Tancharoen Prod: Jonathan Tropper 2016 AMERICAN ASSASSIN Nick Wechsler Productions / Di Bonaventura Dir: Michael Cuesta Pictures / CBS Films / Lionsgate Prods: Lorenzo di Bonaventura & Nick Wechsler 2016 OFFICE CHRISTMAS PARTY Amblin Partners / Reliance Entertainment / Dirs: Josh Gordon & Will Speck DreamWorks Prods: Guymon Casady, Daniel Rappaport & Scott Stuber 2014 THE LAST FACE River Road Entertainment / Lionsgate Dir: Sean Penn Prods: Billy Gerver, Matt Palmieri & Bill Pohlad 2013 THE GUNMAN StudioCanal Dir: Pierre Morel Prods: Ron Halpern, Sean Penn & Andrew Rona 2012 JACK RYAN: SHADOW RECRUIT Skydance Media / Di Bonaventura Pictures / Dir: Kenneth Branagh Paramount Pictures Prods: David Barron, Mark Vahradian, Mace Neufeld & Lorenzo di Bonaventura 2012 ZERO HOUR ABC Studios Dir: Pierre Morel Prods: Lorenzo di Bonaventura, Dan McDermott & Paul Scheuring 2011 WHAT TO EXPECT WHEN Phoenix Pictures / Lionsgate Dir: Kirk Jones YOU'RE EXPECTING Prods: Mike Medavoy, Arnold Messer & David Thwaites INDEPENDENT TALENT GROUP LTD 40 WHITFIELD STREET LONDON W1T 2RH TEL: +44 (0)20 7636 6565 FAX: +44 (0)20 7323 0101 REGISTERED IN ENGLAND NUMBER 4338525 EMPLOYMENT AGENCY, REGISTERED OFFICE 40 WHITFIELD STREET LONDON W1T 2RH 2010 MOSCOW Buckaroo / Skydance / Paramount Project suspended Dir: Jack Bender Prods: Lorenzo di Bonaventura, Joshua Donen & Mace Neufeld 2010 THE RITE Contrafilm / New Line Cinema Dir: Mikael Håfström Prods: Beau Flynn & Tripp Vinson 2009 I LOVE YOU, MAN The Montecito Picture Company / De Line Dir: John Hamburg Pictures / DreamWorks Prods: John Hamburg & Donald De Line 2008 YES MAN Heyday Films / Warner Bros Dir: Peyton Reed Prods: David Heyman & Richard D. -
Walking Wounded
Walking Wounded: Cinematic Representations of Masculine, Post-Modern Anxiety in the Urban Space Penelope Eate B. Soc. Sc. (Hons) Thesis submitted for the degree of Doctor of Philosophy Department of Gender, Work and Social Inquiry, School of Social Sciences University of Adelaide February, 2012 TABLE OF CONTENTS Abstract ..................................................................................................................................... v Declaration ............................................................................................................................... vi Acknowledgements .................................................................................................................. vii INTRODUCTION __________________________________________ 1 CHAPTER ONE Going Nowhere: Urban Strolling as Masculine Anxiety In and Out of the Nineteenth Century __________________________________________ 18 Introduction .............................................................................................................................. 18 The Physiology of the Urban Sketcher.................................................................................... 19 Flânerie as Crisis ...................................................................................................................... 20 Detecting Dissent in Edgar Allan Poe‟s „The Man of The Crowd‟ (1845) ......................... 22 The Politics of Location: Gender and Public Space ............................................................. -
Reporteando En El Celuloide: Representación Del
PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ FACULTAD DE CIENCIAS Y ARTES DE LA COMUNICACIÓN Reporteando en el celuloide: representación del periodista a través de tres géneros del periodismo en personajes de tres películas del cine peruano entre los años 1993-2016 Tesis para optar el Título de Licenciado en Periodismo que presenta el Bachiller: DIEGO AMADO OLIVAS ARANA NOMBRE DEL ASESOR: MELVIN LEDGARD PARRO LUGAR Y FECHA Lima, Marzo 2017 A mis padres, María Jesús y Hoower Fausto. A mi prometida, Ania. ÍNDICE INTRODUCCIÓN CAPÍTULO 1: Planteamiento del Tema 1.1. Planteamiento de la investigación 1 1.2. Objetivos de la investigación 2 1.3. Hipótesis 3 1.4. Justificación 3 CAPÍTULO 2: Conceptos, contextos y fundaciones 2.1 Marco Teórico-Contextual 4 2.1.1 La representación en el cine 5 2.1.2 Periodistas y periodismo en el cine mundial 8 2.1.3 Periodistas y periodismo en el cine peruano 11 2.1.4 La construcción de personajes periodistas 29 2.1.5 La ética y el perfil del periodista 32 2.2 Estado del Arte 37 CAPÍTULO 3: Diseño Metodológico 3.1 Tipo de investigación 42 3.2 Objetos de análisis (las películas y las escenas escogidas) 43 3.2.1 Reportaje a la Muerte (1993): ficha técnica, premios 43 3.2.2 Tinta Roja (2000): ficha técnica, premios 44 3.2.3 La Última Noticia (2016): ficha técnica, premios 45 3.3 Escenas seleccionadas 45 3.4 Técnicas e instrumentos de investigación 46 CAPÍTULO 4: Panorama del periodismo peruano en los tiempos de las películas: historia, contextos y espacios 4.1 Periodismo televisivo (Reportaje a la Muerte) 48 4.1.1 Las -
Was Macht Das Amerikanische Kino Mit Dogma 95?
Dogmen 7 Andreas Sudmann Julien Donkey-Boy, Tigerland, Traffi c – Was macht das amerikanische Kino mit Dogma 95? Während Dogma 95 für seine dänischen Urheber - Lars von Trier, Thomas Vinter- berg, Søren Kragh Jacobsen und Kristian Levring - von vorneherein nie mehr als den Status eines zeitlich begrenzten Projekts hatte, handelt es sich dennoch um ein Pamphlet, das sein Bekenntnis zur Keuschheit mit großer avantgardistischer Geste ausdrücklich zur Nachahmung empfahl. Und tatsächlich konnte die Avantgarde, die, wenngleich sie auch nichts Avantgardistisches zu bieten hatte, bis dato einen Einfl uss gewinnen, der weit über das Kino hinaus, die ästhetischen Praktiken in solch unterschiedlichen kulturellen Feldern wie Literatur,1 Computerspiele2 oder Theater3 inspiriert.4 Weltweit sind dem Sendungsbewusstsein der Dänen über 30 Filmregisseure offi ziell gefolgt.5 Die Anzahl der inoffi ziellen, an Dogma angelehnten ist unüberschaubar. So beispielsweise: Doris Dörries Erleuchtung garantiert, Andreas Dresens Die Polizistin und Halbe Treppe, Hans Weingartners Das weisse Rau- schen, Lou Yes Suzhou River, Ken Loachs Bread and Roses, Spike Lees Bam- boozled, Mira Nairs Monsoon Wedding oder Ethan Hawkes Chelsea Walls. Und, die meisten offi ziellen Dogma-Filme wurden in Amerika gedreht, wobei die ame- rikanischen Adepten von Dogma 95 bis auf Harmony Korine6 weitgehend unbe- kannt und häufi g Debütanten sind. Entgegen weitverbreiteten Gerüchten haben weder Martin Scorsese noch Steven Spielberg Dogma-Filme gedreht. Aber Joel Schumacher, dessen Namen man gemeinhin mit Sommer-Blockbustern wie Bat- man Forever, The Client oder St. Elmo’s Fire verbindet, hat sich bei Tigerland von Dogma 95 inspirieren lassen und dies auch ausdrücklich betont, ebenso wie Steven Soderbergh bei Traffi c. -
The New-Brutality Film
New Brutality final.Qrk 20/7/05 9:14 am Page 1 Gormley The 1990s saw the emergence of a new kind of American Paul Gormley cinema, which this book calls the ‘new-brutality film.’ Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white The New-Brutality Film Hollywood cinema by miming the power of African-American and particularly hip-hop culture. The book uses several films as Race and Affect in Contemporary Hollywood Cinema case-studies to chart these developments: • Falling Down both appropriates of the political black rage of the ‘hood film and is a transition point between the white postmodern blockbuster and the new-brutality film. Paul Gormley is Senior Lecturer and Course Tutor The New-BrutalityFilm • Gangsta films like Boyz N the Hood and Menace II Society for Media Studies in the provided the inspiration for much of the new-brutality film’s School of Cultural and mimesis of African-American culture. Innovation Studies at the University of East London. • The films of Quentin Tarantino (including Reservoir Dogs and He has published articles on Pulp Fiction) are new-brutality films that attempt to reanimate contemporary Hollywood the affective power of Hollywood cinema. -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3