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AM3043 - New York Stories | Readinglists@Leicester 09/25/21 AM3043 - New York Stories | readinglists@leicester AM3043 - New York Stories View Online Catherine Morley [1] Adam Begley 1997. Don DeLillo: ‘Americana’, ‘Mao II’, and ‘Underworld’. Southwest Review . 82, 4 (1997). [2] Adam Begley Don DeLillo, The Art of Fiction No. 135. [3] Adam Thurschwell 2007. Writing and Terror: Don DeLillo on the Task of Literature After 9/11. Law and Literature. 19, 2 (2007), 277–302. [4] Adrienne Johnson Gosselin 1996. Beyond the Harlem Renaissance: The Case for Black Modernist Writers. Modern Language Studies. 26, 4 (1996), 37–45. [5] Ahlin, L. 2006. The ‘New Negro’ in the old world: culture and performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen. Dept. of English, Centre for Languages and Literature, Lund University. [6] Alexander, E. 1990. Isaac Bashevis Singer: a study of the short fiction. Twayne Publishers. 1/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [7] Alison M. Kelly 2002. I’m Nobody! Who are you?": horror through anonymity in American Psycho. Journal of Evolutionary Psychology. 2002, 2002 (2002). [8] Allan Gurganus 1994. How do you introduce Paul Auster in three minutes? The Review of Contemporary Fiction. 14, 1 (1994). [9] Allentuck, M. and Moore, H.T. 1969. The achievement of Isaac Bashevis Singer. Southern Illinois University Press. [10] Allison, A. 1996. Isaac Bashevis Singer: children’s stories and childhood memoirs. Twayne Publisher. [11] Anderson, C.R. 1977. Person, place, and thing in Henry James’s novels. Duke University Press. [12] Anderson, P.A. 2001. Deep river: music and memory in Harlem Renaissance thought. Duke University Press. [13] Andrews, W.L. 1994. Classic fiction of the Harlem Renaissance. Oxford University Press. [14] 2/40 09/25/21 AM3043 - New York Stories | readinglists@leicester Annesley, J. 1998. Blank fictions: consumerism, culture, and the contemporary American novel. Pluto Press. [15] Annesley, J. 2008. Fictions of globalization. Continuum. [16] Ann O. Gebhard 1993. The Emerging Self: Young-Adult and Classic Novels of the Black Experience. The English Journal. 82, 5 (1993), 50–54. [17] Anthony Dawahare 2006. The Gold Standard of Racial Identity in Nella Larsen’s ‘Quicksand and Passing’. Twentieth Century Literature. 52, 1 (2006), 22–41. [18] Auerbach, J. 1989. The romance of failure: first-person fictions of Poe, Hawthorne, and James. Oxford University Press. [19] Auster, P. 1997. Hand to mouth: a chronicle of early failure. Faber & Faber. [20] Auster, P. The New York Trilogy. [21] Auster, P. 1996. The red notebook and other writings. Faber and Faber. [22] 3/40 09/25/21 AM3043 - New York Stories | readinglists@leicester Auster, P. et al. 2002. True tales of American life. Faber. [23] BABBETTE INGLEHART 1975. DAUGHTERS OF LONELINESS: ANZIA YEZIERSKA AND THE IMMIGRANT WOMAN WRITER. Studies in American Jewish Literature (1975-1979). 1, 2 (1975), 1–10. [24] Baker, H.A. 1988. Afro-American poetics: revisions of Harlem and the Black aesthetic. University of Wisconsin Press. [25] Baker, H.A. 1984. Blues, ideology, and Afro-American literature: a vernacular theory. University of Chicago Press. [26] Baker, H.A. 1987. Modernism and the Harlem renaissance. University of Chicago Press. [27] Baker, H.A. 1974. Singers of daybreak: studies in Black American literature. Howard University Press. [28] Balshaw, M. 1999. New Negroes, new women: The gender politics of the Harlem renaissance. Women: A Cultural Review. 10, 2 (Jun. 1999), 127–138. DOI:https://doi.org/10.1080/09574049908578383. [29] Balshaw, M. and Kennedy, L. 2000. Urban space and representation. Pluto Press. 4/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [30] Barnett, Louise K Jamesian Feminism: Women in ‘Daisy Miller’. Studies in Short FictionStudies in Short Fiction. 16, 4. [31] Barone, D. 1995. Beyond the red notebook: essays on Paul Auster. University of Pennsylvania Press. [32] Barry Lewis 1994. The strange case of Paul Auster. The Review of Contemporary Fiction. 14, 1 (1994). [33] Bashevis Singer, I. Shadows on the Hudson. [34] Bashevis Singer, I. Shadows on the Hudson. [35] Baskin, J.R. 1994. Women of the word: Jewish women and Jewish writing. Wayne State University Press. [36] Bassett, J.E. 1992. Harlem in review: critical reactions to Black American writers, 1917-1939. Susquehanna University Press. [37] Baudrillard, J. and Baudrillard, J. 2003. The spirit of terrorism, and other essays. Verso. 5/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [38] Bayor, R.H. and Meagher, T.J. 1997. The New York Irish. Johns Hopkins University Press. [39] Beach, J.W. 1960. American fiction, 1920-1940: John Dos Passos, Ernest Hemingway, William Faulkner, Thomas Wolfe, Erskine Caldwell, James T. Farrell, John P. Marquand [and] John Steinbeck. Russell & Russell. [40] Becker, G.J. 1974. John Dos Passos. Frederick Ungar. [41] Belkind, A. 1971. Dos Passos, the critics, and the writer’s intention. Southern Illinois University Press. [42] Bell, M. 1991. Meaning in Henry James. Harvard University Press. [43] Bellringer, A.W. 1988. Henry James. Macmillan. [44] Berland, A. 1981. Culture and conduct in the novels of Henry James. Cambridge University Press. [45] Bernstein, R. ‘Shadows on the Hudson’: Dark Side of Isaac Bashevis Singer. [46] 6/40 09/25/21 AM3043 - New York Stories | readinglists@leicester Bilton, A. 2002. Bret Easton Ellis. An introduction to contemporary American fiction. Edinburgh University Press. [47] Bloom, H. 2004. Paul Auster. Chelsea House. [48] Bochner, J. and Edwards, J.D. 1999. American modernism across the arts. P. Lang. [49] Bone, R. 1975. Down home: the history of Afro-American short fiction from its beginning to the end of the Harlem renaissance. Putnam’s sons. [50] Bontemps, A. 1972. The Harlem Renaissance remembered: essays. Dodd, Mead. [51] Booth, W.C. 1991. The rhetoric of fiction. Penguin. [52] Bradbury, N. 1979. Henry James, the later novels. Clarendon Press. [53] Bradley, J.R. 1999. Henry James and homo-erotic desire. Macmillan. [54] Brooker, P. 2002. Modernity and metropolis: writing, film, and urban formations. Palgrave. 7/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [55] Brooker, P. 1996. New York fictions: modernity, postmodernism, the new modern. Longman. [56] Brown, M. 2007. Paul Auster. Manchester University Press. [57] Candice M. Jenkins 2005. Decoding Essentialism: Cultural Authenticity and the Black Bourgeoisie in Nella Larsen’s Passing. MELUS. 30, 3 (2005), 129–154. [58] Carr, V.S. 2004. Dos Passos: a life. Northwestern University Press. [59] Carter, P.L. 2006. The Penumbral Spaces of Nella Larsen’s Passing : Undecidable bodies, mobile identities, and the deconstruction of racial boundaries. Gender, Place and Culture: A Journal of Feminist Geography. 13, 3 (Jun. 2006), 227–246. DOI:https://doi.org/10.1080/09663690600700972. [60] Caruth, C. 1996. Unclaimed experience: trauma, narrative, and history. Johns Hopkins University Press. [61] Casey, J.G. 1998. Dos Passos and the ideology of the feminine. Cambridge University Press. [62] 8/40 09/25/21 AM3043 - New York Stories | readinglists@leicester Chapman, S.S. 1989. Henry James’s portrait of the writer as hero. St. Martin’s Press. [63] Charles Baxter 1994. The bureau of missing persons: notes on Paul Auster’s fiction. The Review of Contemporary Fiction. 14, 1 (1994). [64] Cheryl A. Wall 2001. Histories and Heresies: Engendering the Harlem Renaissance. Meridians. 2, 1 (2001), 59–76. [65] Christian, B. 1980. Black women novelists: the development of a tradition, 1892-1976. Greenwood Press. [66] Clarke, R.A. 2004. Against all enemies: inside America’s war on terror. Free Press. [67] Clark, M. 1987. Dos Passos’s early fiction, 1912-1938. Susquehanna University Press. [68] Clenora Hudson-Weems 1989. The Tripartite Plight of African-American Women as Reflected in the Novels of Hurston and Walker. Journal of Black Studies. 20, 2 (1989), 192–207. [69] Cohen, A. and Matson, C. 2002. An eye for an eye makes the whole world blind: poets on 9/11. Regent Press. 9/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [70] Cohen, J. et al. 1994. Generation Ecch!. Simon & Schuster. [71] Cortanze, G. 2009. New York de Paul Auster. Livre de Poche. [72] Cowart, D. 2003. Don DeLillo: the physics of language. University of Georgia Press. [73] Crockatt, R. 2007. After 9/11: cultural dimensions of American global power. Routledge. [74] David J. Viera 1984. Wastelands and Backlands: John Dos Passos’ Manhattan Transfer and Graciliano Ramos' Angústia. Hispania. 67, 3 (1984), 377–382. [75] David L. Blackmore 1992. ‘That Unreasonable Restless Feeling’: The Homosexual Subtexts of Nella Larsen’s Passing. African American Review. 26, 3 (1992), 475–484. [76] David L. Vanderwerken 1977. Manhattan Transfer: Dos Passos’ Babel Story. American Literature. 49, 2 (1977), 253–267. [77] Davis, R.G. 1962. John Dos Passos. University of Minnesota P. 10/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [78] Davis, T.M. 1994. Nella Larsen, novelist of the Harlem Renaissance: a woman’s life unveiled. Louisiana State University Press. [79] Dearborn, M.V. 1989. Anzia Yezierska and the Making of an Ethnic American Self. The invention of ethnicity. Oxford University Press. [80] Dearborn, M.V. 1988. Love in the Promised Land: the story of Anzia Yezierska and John Dewey. Free Press. [81] Dearborn, M.V. 1986. Pocahontas’s daughters: gender and ethnicity in American culture. Oxford University Press. [82] DeCurtis, R. 1991. "An Outsider in this Society”: An Interview with Don DeLillo. Introducing Don DeLillo. Duke University Press. [83] Delia Caparoso Konzett 1997. Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska’s Hungry Hearts. American Literature. 69, 3 (1997), 595–619. [84] DeLillo, D. Falling Man. [85] DeLillo, D. In the Ruins of the Future. 11/40 09/25/21 AM3043 - New York Stories | readinglists@leicester [86] DeLillo, D. The Power of History. [87] DeLillo, D.
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