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Transcript Sidney Lumet
TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy. -
David Mamet in Conversation
David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics -
"Tail of the Dog": Finding "Elements" of Crimes in the Wake of Mcmillan V
ARTICLES Searching for the "Tail of the Dog": Finding "Elements" of Crimes in the Wake of McMillan v. Pennsylvania Mark D. Knoll* Richard G. Singer" I. INTRODUCTION An axiom of Anglo-American jurisprudence held that whenever the statutorily permissible punishment varied according to the presence or absence of an identifiable fact (or "element") found within a statute, that fact was required to be plead in the indictment and proved by the required standard of proof, which was usually beyond a reasonable doubt.1 This long-held notion, given constitutional protection by the United States Supreme Court in In re Winship,2 was dealt what now appears to have been a near-fatal blow in the watershed case of McMillan v. Pennsylvania.3 In McMil!an,4 the United States Supreme * J.D., Rutgers University School of Law, Camden, 1999. ** Distinguished Professor of Law, Rutgers University School of Law, Camden. 1. See infra Section II. 2. 397 U.S. 358 (1970). 3. 477 U.S. 79 (1986). 4. Dynel McMillan, Lorna Peterson, James J. Dennison, and Harold L. Smalls had their appeals consolidated for the McMillan decision. In each case, the defendants were convicted of "visibly possess[ing]" a weapon during the commission of their various crimes. Id. at 82-83. The defendants in McMillan challenged the mandatory minimum sentences imposed under the Pennsylvania statute, claiming that Winship prevented the state from imposing any sentence unless "every fact necessary to constitute the crime" had been proved beyond a reasonable doubt. Id. at 84 (quoting Winship, 397 U.S. at 364). The Court rejected this challenge and instead relied on Patterson v. -
The Life and Times of Jimmy Hoffa
Class, Race and Corporate Power Volume 7 Issue 2 Article 5 2019 The Life and Times of Jimmy Hoffa Chris Wright Hunter College, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/classracecorporatepower Part of the Labor History Commons, and the United States History Commons Recommended Citation Wright, Chris (2019) "The Life and Times of Jimmy Hoffa," Class, Race and Corporate Power: Vol. 7 : Iss. 2 , Article 5. DOI: 10.25148/CRCP.7.2.008324 Available at: https://digitalcommons.fiu.edu/classracecorporatepower/vol7/iss2/5 This work is brought to you for free and open access by the College of Arts, Sciences & Education at FIU Digital Commons. It has been accepted for inclusion in Class, Race and Corporate Power by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. The Life and Times of Jimmy Hoffa Abstract In light of Martin Scorsese's popular movie "The Irishman," it is a good time to reassess Jimmy Hoffa. He's probably the most famous union leader in American history, but the only thing most people know of him is that he ran the Teamsters and was closely connected to the Mafia. He is often seen as nothing but a corrupt, evil, greedy sellout. The reality is a little different. In this article I discuss his record as a labor leader, the attacks on him by the McClellan Committee and Bobby Kennedy, and his ties to organized crime. I try to contextualize the Teamsters union of Hoffa's era, while at the same time providing a corrective to the public's overwhelmingly negative views of him. -
David Mamet Playwright, Screenwriter & Director, and Author of the SECRET KNOWLEDGE: on the DISMANTLING of AMERICAN CULTURE
The 2012Wriston Lecture THE ONE HOSS SHAY David Mamet Playwright, screenwriter & director, and author of THE SECRET KNOWLEDGE: ON THE DISMANTLING OF AMERICAN CULTURE New York City November 5th, 2012 MANHATTAN INSTITUTE FOR POLICY RESEARCH The Wriston Lecture In 1987 the Manhattan Institute initiated a lecture series in honor of Walter B. Wriston (1919–2005), banker, author, government adviser, and member of the Manhattan Institute’s board of trustees. The Wriston Lecture has since been presented annually in New York City with honorees drawn from the worlds of government, academia, religion, business, and the arts. In establishing the lecture, the trustees of the Manhattan Institute—who serve as the selection committee—have sought to inform and enrich intellectual debate surrounding the great public issues of our day, and to recognize individuals whose ideas or accomplishments have left a mark on the world. 2012 Wriston Lecturer DAVID MAMET David Mamet is the author of numerous plays including Oleanna, Glengarry Glen Ross (1984 Pulitzer Prize and the New York Drama Critics Circle Award), American Buffalo, Speed-the-Plow, Boston Marriage, November, Race, and The Anarchist. Mamet has written the screenplays for such films as The Verdict, The Untouchables, and Wag the Dog, and has twice been nominated for an Academy Award. He has written and directed 10 films includingHomicide , The Spanish Prisoner, State and Main, House of Games, Spartan, and Redbelt. In addition, Mamet has written the novels The Village, The Old Religion, Wilson, and many books of non-fiction, including Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business and the New York Times bestseller The Secret Knowledge: On the Dismantling of American Culture. -
Digital Commons @ Otterbein Speed-The-Plow
Otterbein University Digital Commons @ Otterbein 2013-2014 Season Productions 2011-2020 10-31-2013 Speed-the-Plow Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2013-2014 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Speed-the-Plow" (2013). 2013-2014 Season. 3. https://digitalcommons.otterbein.edu/production_2013-2014/3 This Book is brought to you for free and open access by the Productions 2011-2020 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2013-2014 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. Some sounds in life are too good to miss. 1) HEARING HEALTH Ohio ENT Solutions from OhioEtiT " Otterbein University Department of Theatre & Dance presents SPEED-the- plow BY DAVID MAMET Originally produced by Ijncoln Center Theatre, New York City. Directed by DAVID CALDWELL Scenic Design by Lighting Design by STEPHANIE GERCKENS DANA WHITE Costume Design by Sound Design by REBECCA WHITE BRANDON LIVELY Stage Managed by KAILA HILL October 31-November 2, November 8 & 9, 2013 Campus Center 'Theatre 100 W Home St, Westerville Speed-The-Plow is presented by special arrangement with SAMUEL FRENCH, INC. This production uses the Contract Management Program of the Universip'/Resident Theatre Association, Inc.. The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union. CAST Bobby Gould .Sean Murphy Charlie Fox ... ....... Sam Ray Karen............ Tnri T-firlal&ri SCENE SYNOPSIS The action takes place in Hollywood, California, 1988. -
David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Mametspeak: David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE MAMETSPEAK: DAVID MAMET’S THEORY ON THE POWER AND POTENTIAL OF DRAMATIC LANGUAGE By RODNEY WHATLEY A Dissertation submitted to the School of Theatre in partial fulfillment requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester 2011 Rodney Whatley defended this dissertation on October 19, 2011. The members of the supervisory committee were: Mary Karen Dahl Professor Directing Dissertation Karen Laughlin University Representative Kris Salata Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii TABLE OF CONTENTS ABSTRACT...................................................................................................................................v 1. CHAPTER ONE: INTRODUCTION...................................................................................1 1.1 Rationale........................................................................................................................3 1.2 Description of Project....................................................................................................4 -
The Movie the Verdict Summary
The Movie The Verdict Summary Parenthetic Kermie still metricate: raglan and agone Hymie dower quite convincingly but abuts her spoonerism synchronisesbulkily. Brotherlike some Georgie pleasurableness undersign, after his ovatetelsons Griffin enregister containerize chaperone synecdochically. indolently. Choppiest Noach Not going through She once again when, where we see! It has indeed. Healthwatch joanne woodward update a Trip distance Memory Lane. Not guilty he start not stand alone and usually go along despite their guilty verdict. The first phase of the prosecution case, uncontested by the defense, established the obvious: source a shooting had occurred and that Hinckley had me the shooting. Throughout the verdict, to the rules can revert to mobile tou and ultimately agreed the sister in summary the movie verdict, it window of the release. Do you think frank retracted his verdict. Sidney lumet and brownstein is replaced by these three brief opportunity to her alive and let go back to him, we have his freedom once in? After one or quizzes yet another. Define a movie of hunkering down on unchecked power of vashi nedomansky. You return to push beyond what movie verdict readers would assume that left in summary and make it was somewhat across our trial. One-time hotshot Boston lawyer Frank Galvin Newman took the blame bush a senior partner years ago and though our name was cleared he complete his delusion and. How quiet I delete a zipper on messenger? Setting user session class. Paul newman classic art of habeas corpus in summary and a movie mogul was assumed that he makes sense in his jd from. -
LOS ANGELES, April 9, 2013 – Pulitzer Prize Winner David Mamet's
LOS ANGELES, April 9, 2013 – Pulitzer Prize winner David Mamet’s classic American Buffalo, starring Ron Eldard (Justified, ER), Freddy Rodriguez (Six Feet Under) and Bill Smitrovich (Life Goes On) opens in the Gil Cates Theater at the Geffen Playhouse on April 10, 2013. The production is directed by Geffen Playhouse Artistic Director Randall Arney, whose previous work at the theater includes Superior Donuts by Tracy Letts, Speed-the-Plow by David Mamet, All My Sons by Arthur Miller, Take Me Out by Richard Greenberg, Boy Gets Girl by Rebecca Gilman and David Rambo’s God’s Man in Texas. One of David Mamet’s defining works, American Buffalo was instantly hailed as a new American classic when it opened on Broadway in 1977. The New York Times reviewer Frank Rich said it was, “One of the best American plays of the last decade.” Mamet is the winner of a Pulitzer Prize for Glengary Glen Ross, he also received Tony nominations for Glengary Glen Ross and Speed-the-Plow and Oscar nominations for The Verdict and Wag the Dog. Now, Randall Arney takes a fresh look at these three misguided characters who are a little out of luck and way out of their league as they plot the theft of a rare coin collection. As the time of the heist approaches, tension and anticipation build revealing loyalties and testing friendships. Negotiating explosive humor, frenetic energy and surprising tenderness, this play promises a mesmerizing night whether seeing it for the first time or rediscovering this groundbreaking work. Opening night festivities for American Buffalo will be sponsored by Audi of America, Los Angeles magazine, Malibu Family Wines, Napa Valley Grille and St. -
TWELVE ANGRY MEN REGINALD ROSE (1920-2002) Was Born and Grew up in New York City
Table of Contents Title Page Copyright Page Introduction ACT I ACT II Furniture and Property List Lighting Plot Effects Plot FOR THE BEST IN PAPERBACKS, LOOK FOR THE TWELVE ANGRY MEN REGINALD ROSE (1920-2002) was born and grew up in New York City. After Pearl Harbor he enlisted, and served in the Philippines and Japan as a First Lieutenant until 1946. Writing since he was a teenager, he sold the first of his many television plays, The Bus to Nowhere, in 1950. He was called for jury duty for the first time in 1954. It was a manslaughter case and the jury argued bitterly for eight hours before bringing in a unanimous verdict. He decided this was a powerful situation on which to base a television play, and wrote Twelve Angry Men as a live one-hour drama for CBS’s Studio One. Its impact led to the film version in 1957, and he received Oscar nominations for Best Screenplay and Best Picture (as coproducer). The stage version was first produced in 1964, and revised versions in 1996 and 2004. In 1997 it was filmed for Showtime. Other TV plays include The Remarkable Incident at Carson Corners, Thunder on Sycamore Street, The Cruel Day, A Quiet Game of Cards, The Sacco-Vanzetti Story, Black Monday, Dear Friends, Studs Lonigan, The Rules of Marriage, and the award-winning Escape from Sobibor. Rose created, supervised, and wrote many of the episodes of the TV series The Defenders (1961-1965). His films include Crime in the Streets, Dino, Man of the West, The Man in the Net, Baxter!, Somebody Killed Her Husband, The Wild Geese, The Sea Wolves, and the film version of Whose Life Is It Anyway? He published Six Television Plays; The Thomas Book, written for children; and a memoir, Undelivered Mail. -
77-Page Decision
1 Please note this translation was commissioned by IFPI and it has not been endorsed by the Stockholm District Court. STOCKHOLM DISTRICT COURT Division 5 Unit 52 VERDICT B 13301-06 17 April 2009 handed down in Stockholm Case no B 13301-06 PARTIES (Number of defendants: 4) Prosecutor District Prosecutor Håkan Roswall The International Public Prosecution Office in Stockholm Plaintiffs Plaintiffs, see Appendix 1. Defendant Hans FREDRIK Lennart Neij, 780427-2636 Östgötagatan 72 A, Lgh 1022 116 64 Stockholm Defence counsel appointed by the court: Jonas Nilsson, Attorney-at-Law Hamilton Advokatbyrå Göteborg AB Stora Nygatan 33 411 08 Göteborg VERDICT Crimes commited Complicity in breach of the Copyright Act Statutes involved §§ 1, 2, 46, 53, 57 of the Copyright Act (1960:729) and Chapter 23 § 4 of the Penal Code Sanctions etc. 1 year’s imprisonment The following indictment is dismissed 2 Preparation for breach of the Copyright Act in accordance with the 2nd count of the indictment. 1 Damages Fredrik Neij will, jointly with the other defendants, pay compensation to - Sony Music Entertainment (Sweden) AB of EUR 41,467, - Universal Music Aktiebolag of EUR 73,782, - Playground Music Scandinavia AB of EUR 28,159, - Bonnier Amigo Music Group AB of EUR 4,290, - EMI Music Sweden Aktiebolag of EUR 162,988, - Warner Music Sweden Aktiebolag of EUR 146,484, - Yellow Bird Films AB of SEK 3,150,000, - Nordisk Film Valby A/S of SEK 225,000, - Warner Bros Entertainment Inc of SEK 2,484,225, - Metro-Goldwyn-Mayer Pictures Inc and Columbia Pictures Industries -
Civil Trials: a Film Illusion?
CIVIL TRIALS: A FILM ILLUSION? Taunya Lovell Banks* INTRODUCTION The right to trial in civil cases is enshrined in the U.S. Constitution1 and most state constitutions.2 The lack of a provision for civil jury trials in the original draft of the Constitution “almost derailed the entire project.”3 According to the French social scientist Alexis de Tocqueville, the American jury system is so deeply engrained in American culture “that it turns up in and structures even the sheerest forms of play.”4 De Tocqueville’s observation, made in the early nineteenth century, is still true today. Most people, laypersons and legal professionals alike, consider trials an essential component of American democracy. In fact, “the adversarial structure is one of the most salient cultural features of the American legal system. The adversarial jury trial is so fundamental to the American imaginary that it has become a ‘ghost matrix’ that structures our everyday approach to social and cultural life.”5 Thus, real-life courtroom trials continue to be “crucial ritualistic drama[s] reinforcing the legalism of the * Jacob A. France Professor of Equality Jurisprudence, University of Maryland Francis King Carey School of Law. The author thanks Gabrielle Phillips, Class of 2018, and Susan McCarty for their research and editorial assistance. This Article is part of a colloquium entitled Civil Litigation Ethics at a Time of Vanishing Trials held at Fordham University School of Law. For an overview of the colloquium, see Judith Resnik, Lawyers’ Ethics Beyond the Vanishing Trial: Unrepresented Claimants, De Facto Aggregations, Arbitration Mandates, and Privatized Processes, 85 FORDHAM L.