Mirador, Guatemala
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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
CATALOG Mayan Stelaes
CATALOG Mayan Stelaes Palos Mayan Collection 1 Table of Contents Aguateca 4 Ceibal 13 Dos Pilas 20 El Baúl 23 Itsimite 27 Ixlu 29 Ixtutz 31 Jimbal 33 Kaminaljuyu 35 La Amelia 37 Piedras Negras 39 Polol 41 Quirigia 43 Tikal 45 Yaxha 56 Mayan Fragments 58 Rubbings 62 Small Sculptures 65 2 About Palos Mayan Collection The Palos Mayan Collection includes 90 reproductions of pre-Columbian stone carvings originally created by the Mayan and Pipil people traced back to 879 A.D. The Palos Mayan Collection sculptures are created by master sculptor Manuel Palos from scholar Joan W. Patten’s casts and rubbings of the original artifacts in Guatemala. Patten received official permission from the Guatemalan government to create casts and rubbings of original Mayan carvings and bequeathed her replicas to collaborator Manuel Palos. Some of the originals stelae were later stolen or destroyed, leaving Patten’s castings and rubbings as their only remaining record. These fine art-quality Maya Stelae reproductions are available for purchase by museums, universities, and private collectors through Palos Studio. You are invited to book a virtual tour or an in- person tour through [email protected] 3 Aguateca Aguateca is in the southwestern part of the Department of the Peten, Guatemala, about 15 kilometers south of the village of Sayaxche, on a ridge on the western side of Late Petexbatun. AGUATECA STELA 1 (50”x85”) A.D. 741 - Late Classic Presumed to be a ruler of Aguatecas, his head is turned in an expression of innate authority, personifying the rank implied by the symbols adorning his costume. -
Download/Attachments/Dandelon/Ids/ DE SUB Hamburg2083391e82e43888c12572dc00487f57.Pdf Burtner, J
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Tourism and Territory in the Mayan World Permalink https://escholarship.org/uc/item/5727x51w Author Devine, Jennifer Ann Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Tourism and Territory in the Mayan World By Jennifer Ann Devine A dissertation submitted in partial satisfaction for the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gillian Hart, Co-Chair Professor Michael Watts, Co-Chair Professor Jake Kosek Professor Rosemary Joyce Fall 2013 Abstract Tourism and Territory in the Mayan World by Jennifer Ann Devine Doctor of Philosophy in Geography University of California, Berkeley Professor Gillian Hart, Co-Chair Professor Michael Watts, Co-Chair In post Peace Accords Guatemala, tourism development is engendering new claims and claimants to territory in a climate of land tenure insecurity and enduring inequality. Through ethnographical research, this dissertation explores the territoriality of tourism development through the empirical lens of an archaeological site called Mirador in the Maya Biosphere Reserve. I develop a process-based understanding of territoriality to analyze tourism related struggles over identity, boundary making, land use, heritage claims, and territorial rule at the frontier of state power. In theorizing tourism’s territoriality, I argue that -
Foundation for Maya Cultural and Natural Heritage
Our mission is to coordinate efforts Foundation for Maya Cultural and provide resources to identify, and Natural Heritage lead, and promote projects that protect and maintain the cultural Fundación Patrimonio Cultural y Natural Maya and natural heritage of Guatemala. 2 # nombre de sección “What is in play is immense” HSH Prince Albert II of Monaco he Maya Biosphere Reserve is located in the heart of the Selva Maya, the Maya Jungle. It is an ecological treasure that covers one fifth of Guatemala’s landmass (21,602 Tsquare kilometers). Much of the area remains intact. It was established to preserve—for present and future generations— one of the most spectacular areas of natural and cultural heritage in the world. The Maya Biosphere Reserve is Guatemala’s last stronghold for large-bodied, wide-ranging endangered species, including the jaguar, puma, tapir, and black howler monkey. It also holds the highest concentration of Maya ruins. Clockwise from bottomleft José Pivaral (President of Pacunam), Prince Albert II of Monaco (sponsor), Mel Gibson (sponsor), Richard Hansen (Director of Mirador The year 2012 marks the emblematic change of an era in the ancient calendar of the Maya. This Archaeological Project) at El Mirador momentous event has sparked global interest in environmental and cultural issues in Guatemala. After decades of hard work by archaeologists, environmentalists, biologists, epigraphers, and other scientists dedicated to understanding the ancient Maya civilization, the eyes of the whole Pacunam Overview and Objectives 2 world are now focused on our country. Maya Biosphere Reserve 4 This provides us with an unprecedented opportunity to share with the world our pressing cause: Why is it important? the Maya Biosphere Reserve is in great danger. -
The Realities of Looting in the Rural Villages of El Petén, Guatemala
FAMSI © 1999: Sofia Paredes Maury Surviving in the Rainforest: The Realities of Looting in the Rural Villages of El Petén, Guatemala Research Year : 1996 Culture : Maya Chronology : Contemporary Location : Petén, Guatemala Site : Tikal Table of Contents Note to the Reader Introduction Purpose, Methodology, and Logistics Geographical Setting Rainforest Products and Seasonal Campsites Who are the Looters? Magic and Folklore Related to Looting Voices in the Forest Tombs with Riches, Tombs with Magic Glossary of local words Local Knowledge about Maya Art and History Local Classification of Precolumbian Remains Local Re-Utilization of Archaeological Objects Destruction vs. Conservation. What are the Options? Cultural Education in Guatemala The Registration of Archaeological Patrimony Acknowledgements List of Figures Sources Cited Abbreviations Note to the Reader The present article is intended to be used as an informational source relating to the role of local villagers involved in the process of looting. For reasons of privacy, I have used the letters of the Greek alphabet to give certain individuals fictitious names. Words that refer to local mannerisms and places related to the topic, which are in the Spanish or Maya languages, are written in italics. The names of institutions are in Spanish as well, and abbreviations are listed at the end of the article. The map is shown below. Submitted 02/01/1997 by : Sofia Paredes Maury 2 Introduction This study was supported in part by funds from the Foundation for the Advancement of Mesoamerican Studies, Inc. (FAMSI, Crystal River, FL). It is an introductory research that focuses on the extraction and commercialization of Precolumbian artifacts by the rural villagers of El Petén, and the role of the community and site museums in Guatemala. -
Cultural Development of the Monumental Epicenter of the Maya City of Naranjo-Sa'aal
Contributions to the Archaeology Of Tikal, Naranjo-Sa’aal, Yaxha, and Nakum Northeast Region of Peten, Guatemala Cultural Development of the Monumental Epicenter of the Maya City of Naranjo-Sa’aal, Northeast Peten,Guatemala Vilma Fialko Instituto de Antropología e Historia de Guatemala Departamento de Conservación y Rescate de Sitios Arqueológicos Prehispánicos Introduction 1,026 residential groups have been mapped, representing more than 5,000 structures, most The Institute of Anthropology and History of the of them very badly looted. It is considered that Ministry of Culture of Guatemala has been carrying the hinterland of Naranjo surpasses 400 square out extensive archaeological and conservation kilometers (Fialko 2009; Fialko et al. 2007). interventions at the ancient Maya city of Naranjo, 4. The restoration process of 13 iconic temples located in the Yaxha-Nakum-Naranjo National and palaces located in the Principal Plaza, Central Park, Northeast Peten (Figure 1) Acropolis (Royal Palace), and West Acropolis, Archaeological research started in 2002 is still in progress in order to guarantee their under the direction of archaeologist Vilma Fialko, conservation and promote touristic visits (Fialko with the purpose of obtaining a broad view of 2012). the evolutionary process of the ancient Maya kingdom of Naranjo-Sa’aal. After an evaluation of the great extent of the city and its complexity, the An Overview of Naranjo-Sa’aal activities have covered several phases and areas of Naranjo is located in the watershed of two large river intervention, briefly mentioned below: basins: the Holmul River (north) and the Mopan 1. Documentation of the extensive looting in River (southeast) (Figure 3). -
Maya Ruins of Tikal & Copan
PREVIEWCOPY Introduction Note to customers previewing this guidebook If you are previewing this guidebook in advance of purchase, please check out our enhanced preview, which will give you a deeper look at this guidebook. Travel guidebooks for the ultra curious, Approach Guides reveal a destination’s essence by exploring a compelling aspect of its cultural heritage: art, architecture, history, food or wine. The Maya religious centers of Tikal and Copán are one of Mesoamerica’s cultural treasures, the re- mains of a great civilization that prospered for 2,000 years (peaking from 600-800 CE) and created some of the most impressive art and architecture in the New World. Still infused with their historical magic, they are yours to discover. What’s in this guidebook • Background. We start off by providing some critical background information — focusing on cosmology and the role of the dynastic ruler — that makes sense of the forms and symbols of the unique Maya aesthetic. • Tours of Tikal and Copán. Following our tradition of being the most valuable resource for culture-focused travelers, we then turn our attention to two of the most spectacular Maya cities: Guatemala’s Tikal and Honduras’ Copán. For each city, we start by introducing the dis- tinctive features of its art and architecture, isolating key features and concepts that you will see again and again as you make your way through the site. The tours walk you through the highlights, aided by high-resolution images and a discussion that ties it all together. • Bonus site: Quiriguá. As a special bonus, we also profile the smaller Maya site of Quiriguá, an ideal addition to your existing Tikal and/or Copán itinerary. -
Tikal Project 1112 Finding Aid Prepared by Jody Rodgers
Tikal Project 1112 Finding aid prepared by Jody Rodgers. Last updated on March 02, 2017. University of Pennsylvania, Penn Museum Archives 2/4/13 Tikal Project Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 8 Controlled Access Headings..........................................................................................................................8 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Financial.................................................................................................................................................22 Field notebooks......................................................................................................................................23 -
UNIVERSITY of CALIFORNIA, SAN DIEGO the Architecture of Power
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Architecture of Power and Sociopolitical Complexity in Northwestern Yucatan during the Preclassic Period A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Anthropology by Nancy Peniche May Committee in charge: Professor Geoffrey E. Braswell, Chair Professor Guillermo D. Algaze Professor Thomas E. Levy 2010 The Thesis of Nancy Peniche May is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2010 iii DEDICATION To my parents, brother and nephews. To the memory of my grandfather. iv TABLE OF CONTENTS Signature page….….……………………………………………………………..… iii Dedication……………………………………………………………………….… iv Table of contents…………………………………………………………………... v List of figures…..………………………………………………………………..… vii Acknowledgements………………………………………………………………... ix Abstract………………………………………………………………………....… x Introduction…...………………………………………………………………….... 1 1. Architecture of power and its relation to social and political complexity…….… 5 1.1 Architecture of power…………………………………………………..... 5 1.2 Architecture of power in state societies: Palaces as elite residences and public spaces.……………………………………………………………….……..… 8 1.3 Architecture of power in chiefdom societies: Chiefly residences and public buildings…………………….……………………………………………….. 15 2. Preclassic evidence from the Northern Maya Lowlands..………………………. 26 2.1 Introduction...…………………………………………………………..... 26 2.2 Evidence of Preclassic occupation in northern -
Reflections on the Codex Style and the Princeton Vessel
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume X, No. 1, Summer 2009 Reflections on the Codex Style and 1 the PrincetonVessel ERIK VELÁSQUEZ GARCÍA In This Issue: Instituto de Investigaciones Estéticas, UNAM It was early in the 1970s that the academic “codex style” to designate this group of community became aware of a number clay containers of unknown origin. Reflections on the of Maya vessels of uncertain provenance Manufacture of these ceramics has Codex Style and the that quickly came to be recognized for a been dated to AD 672-731 (Reents-Budet Princeton Vessel particular style. This was characterized et al. 1997). Based on type and variety, the by scenes and glyphic texts executed with tradition is grouped under the category by dark lines on cream-colored backgrounds, of Zacatal Cream-polychrome (Hansen et Erik Velásquez García the pictorial space usually framed by red al. 1991:225; López and Fahsen 1994:69), bands on the edges of the vessels (Fig- with a distribution in the Peten and south- PAGES 1-16 ures 1–9, 12, 14). This lent them a certain ern Campeche. Codex-style vessels are resemblance to Maya manuscripts of the characterized by the high quality of their Color version available Late Postclassic. Accordingly, Michael D. clays and firing techniques, as well as the at www.mesoweb.com/ Coe (1973: 91) conjectured that their paint- use of carbonate temper (Reents-Budet pari/journal/Codex.html ers were also the authors of the bark pa- and Bishop 1987:780, 783; Hansen et al.