UNIVERSITY of CALIFORNIA, SAN DIEGO the Architecture of Power
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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
1 May Mo' Chahk, 181 Acanceh, 78 Accession, 92, 133, 140, 142–144
Cambridge University Press 978-0-521-66972-6 - The Classic Maya Stephen D. Houston and Takeshi Inomata Index More information INDEX 1 May Mo’ Chahk, 181 Altun Ha, 107, 286, 310 Andrews, Anthony, 317 Acanceh, 78 Andrews, Wyllys, 75, 84 accession, 92, 133, 140, 142–144, 174, 198, 203, Aoyama, Kazuo, 122, 260, 262, 281 262, 303, 307 Arroyo de Piedra, 41 Adams, R. E. W., 107, 243 artist, 154, 257, 260, 263–266, 268–270, 276, agriculture, xiii, 3, 10, 15, 71, 74, 99, 103, 104, 278, 283. See also scribe 230, 233–239, 248, 288 atol, 219, 241 aguada, 245 axis mundi, 22 Aguateca, 3, 24, 25, 111, 114, 115, 123, 134, 137, 141, 143, 145, 158, 159, 178, 200, Bahlaj Chan K’awiil, 110, 137 204–206, 225, 231, 236, 239, 246, 247, bajos, 10, 74, 94, 96, 233, 235, 236, 243 260–263, 265, 266, 268, 275, 277, 283, bak’tun, 289, 300, 304 285, 295, 299–302, 306 bakab, 134, 141 abandonment of, 115, 295, 296, 298, 300–302, Balakbal, 106 305, 309 Balberta, 251 defensive walls at, 24, 25 balche, 222 floor assemblages at, 143, 204, 262, 266, 270, Ball, Joseph, 276 272, 285 ballcourt, 70, 94, 116, 134, 189, 214, 259 palace of, 256 ballgame, 72, 259 rulers of, 137, 261, 296 Barton Ramie, 68, 76, 310 scribe-artists at, 265 bean, 219, 229, 242, 248 Structure L8–8 at, 114, 115 Becan, 24, 96, 102, 114, 287 ajaw, 91, 102, 132, 135, 136, 140, 144, 146, 161, Bilbao, 100 169, 172, 174, 188 Bird Jaguar, 111. -
1 May Mo' Chahk, 181 Acanceh, 78 Accession, 92, 133, 140, 142–144
Cambridge University Press 978-0-521-66006-8 — The Classic Maya Stephen D. Houston , Takeshi Inomata Index More Information INDEX 1 May Mo’ Chahk, 181 Altun Ha, 107, 286, 310 Andrews, Anthony, 317 Acanceh, 78 Andrews, Wyllys, 75, 84 accession, 92, 133, 140, 142–144, 174, 198, 203, Aoyama, Kazuo, 122, 260, 262, 281 262, 303, 307 Arroyo de Piedra, 41 Adams, R. E. W., 107, 243 artist, 154, 257, 260, 263–266, 268–270, 276, agriculture, xiii, 3, 10, 15, 71, 74, 99, 103, 104, 278, 283. See also scribe 230, 233–239, 248, 288 atol, 219, 241 aguada, 245 axis mundi, 22 Aguateca, 3, 24, 25, 111, 114, 115, 123, 134, 137, 141, 143, 145, 158, 159, 178, 200, Bahlaj Chan K’awiil, 110, 137 204–206, 225, 231, 236, 239, 246, 247, bajos, 10, 74, 94, 96, 233, 235, 236, 243 260–263, 265, 266, 268, 275, 277, 283, bak’tun, 289, 300, 304 285, 295, 299–302, 306 bakab, 134, 141 abandonment of, 115, 295, 296, 298, 300–302, Balakbal, 106 305, 309 Balberta, 251 defensive walls at, 24, 25 balche, 222 floor assemblages at, 143, 204, 262, 266, 270, Ball, Joseph, 276 272, 285 ballcourt, 70, 94, 116, 134, 189, 214, 259 palace of, 256 ballgame, 72, 259 rulers of, 137, 261, 296 Barton Ramie, 68, 76, 310 scribe-artists at, 265 bean, 219, 229, 242, 248 Structure L8–8 at, 114, 115 Becan, 24, 96, 102, 114, 287 ajaw, 91, 102, 132, 135, 136, 140, 144, 146, 161, Bilbao, 100 169, 172, 174, 188 Bird Jaguar, 111. -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
Chichen Itza 6 Tourism YUCATAN | 7 Location Yucatan Is Located in Southeastern Mexico, in the GEOGRAPHY Northern Part of the Yucatan Peninsula
SALES CATALOGUE Y U C ATA N THE BEGINNING OF A NEW BAKTUN WELCOME TO YUCATaN The beginnings and origin of who we are today was born in the land of the Maya, the Mayab, with the ancient Maya civilization to which we belong and whose ancient heritage fills us with pride. Humanity in the 21st century searches to reconnect with ourselves, to become reconciled with nature and learn from their peers. We are on a quest to encounter ancient civilizations, new landscapes, new seas, new traditions, new experiences... In YUCATAN we offer the possibility of communion by virtue of our extraordinary heritage, where we have the opportunity to learn, preserve, share and enjoy the cultural, natural and tourist wealth that we possess. At the start of a new Baktun, or long-count cycle in the Maya calendar, we offer a myriad of options for recreation, leisure, knowledge, reflection, peace, health, adventure, andcoexistence throughout the length and width of the Yucatan... YUCATAN is land of origins: It is a land where everything begins anew. It is a prodigious land within the reach of travelers from the world over who seek to know and live among a culture that is more live than ever: The Maya Culture. We are heirs of this great wealth, which we should, want and wish to share with all of you and future generations. WELCOME TO YUCATAN Rolando Rodrigo Zapata Bello Governor of the State of Yucatan MAYAN MUSEUM OF MERIDA 2 Tourism YUCATAN | 3 CREDITS Rolando Zapata Bello Governor of the State of Yucatan Saul M. -
Physical Expression of Sacred Space Among the Ancient Maya
Trinity University Digital Commons @ Trinity Sociology & Anthropology Faculty Research Sociology and Anthropology Department 1-2004 Models of Cosmic Order: Physical Expression of Sacred Space Among the Ancient Maya Jennifer P. Mathews Trinity University, [email protected] J. F. Garber Follow this and additional works at: https://digitalcommons.trinity.edu/socanthro_faculty Part of the Anthropology Commons, and the Sociology Commons Repository Citation Mathews, J. P., & Garber, J. F. (2004). Models of cosmic order: Physical expression of sacred space among the ancient Maya. Ancient Mesoamerica, 15(1), 49-59. doi: 10.1017/S0956536104151031 This Article is brought to you for free and open access by the Sociology and Anthropology Department at Digital Commons @ Trinity. It has been accepted for inclusion in Sociology & Anthropology Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Ancient Mesoamerica, 15 (2004), 49–59 Copyright © 2004 Cambridge University Press. Printed in the U.S.A. DOI: 10.1017/S0956536104151031 MODELS OF COSMIC ORDER Physical expression of sacred space among the ancient Maya Jennifer P. Mathewsa and James F. Garberb aDepartment of Sociology and Anthropology, Trinity University, One Trinity Place, San Antonio, TX 78212, USA bDepartment of Anthropology, Texas State University, San Marcos, TX 78666, USA Abstract The archaeological record, as well as written texts, oral traditions, and iconographic representations, express the Maya perception of cosmic order, including the concepts of quadripartite division and layered cosmos. The ritual act of portioning and layering created spatial order and was used to organize everything from the heavens to the layout of altars. -
Where Nomads Go Need to Know to Need
Art & Cities Nature 1 Welcome Culture & Towns & Wildlife Adventure Need to Know worldnomads.com Where Nomads Go Nomads Where your way from coast to coast. the curl at Puerto Escondido, and eat the curl at Puerto Escondido, an ancient pyramid at Muyil, shoot Dive with manatees in Xcalak, climb MEXICO 2 worldnomads.com World Nomads’ purpose is to challenge Contents travelers to harness their curiosity, be Adam Wiseman WELCOME WELCOME 3 brave enough to find their own journey, and to gain a richer understanding of Essential Mexico 4 Spanning almost 760,000mi² (2 million km²), with landscapes themselves, others, and the world. that range from snow-capped volcanos to dense rainforest, ART & CULTURE 6 and a cultural mix that’s equally diverse, Mexico can’t be How to Eat Mexico 8 contained in a handful of pages, so we’re not going to try. The Princess of the Pyramid 14 Think of this guide as a sampler plate, or a series of windows into Mexico – a selection of first-hand accounts from nomads Welcome The Muxes of Juchitán de Zaragoza 16 who’ve danced at the festivals, climbed the pyramids, chased Beyond Chichén Itzá 20 the waves, and connected with the locals. Meeting the World’s Authority Join our travelers as they kayak with sea turtles and manta on Mexican Folk Art 24 rays in Baja, meet the third-gender muxes of Juchitán, CITIES & TOWNS 26 unravel ancient Maya mysteries in the Yucatán, and take a Culture Mexico City: A Capital With Charisma 28 crash course in mole-making in Oaxaca. -
Proyectos Costa Maya and Ciudad Caucel: Archaeological Survey of Northwestern Yucatán
FAMSI © 2008: Anthony P. Andrews and Fernando Robles Castellanos Proyectos Costa Maya and Ciudad Caucel: Archaeological Survey of Northwestern Yucatán: Ceramic and Lithic Analysis With the assistance of: Teresa Ceballos Gallareta and Nancy Peniche May Middle Preclassic Majan Red Vessel. Research Year: 2007 Culture: Maya Chronology: Middle Preclassic to Modern Location: State of Yucatán, Northwest Corner of Yucatán Peninsula, México Sites: Tzemé, Xtobo, Xcopté, Caucel, Xanilá, Anicabil Table of Contents Abstract Resumen Introduction: Project Summary and Update Ceramic Analysis Summary Xanilá Ceramic Complex (~1000-800/700 BCE–250 CE) Anicabil Ceramic Complex (~250-550 CE) Cehpech Horizon (550-1100 CE) Western Tases Horizon (1100-1542 CE) Lithic Analysis Summary Summary and Conclusions Acknowledgements List of Figures List of Tables Sources Cited Submitted 03/16/2008 by: Anthony P. Andrews New College of Florida Sarasota, Florida 34243 [email protected] Fernando Robles Castellanos Centro INAH Yucatán Instituto Nacional de Antropología e Historia Mérida, Yucatán, México Abstract This report presents an overview of the results of the Costa Maya and Ciudad Caucel Projects obtained up to the end of 2007, as well as summaries of the results of the analysis of ceramics and lithic artifacts from both projects. The conclusions briefly discuss some of the implications of the research, and their contribution to our understanding of the development of civilization in the northern Maya Lowlands. Resumen Este reporte presenta un bosquejo de los resultados de los Proyectos Costa Maya y Ciudad Caucel obtenidos hasta fines de 2007, y resúmenes de los resultados del análisis de la cerámica y de los artefactos líticos de ambos proyectos. -
Foundation for Maya Cultural and Natural Heritage
Our mission is to coordinate efforts Foundation for Maya Cultural and provide resources to identify, and Natural Heritage lead, and promote projects that protect and maintain the cultural Fundación Patrimonio Cultural y Natural Maya and natural heritage of Guatemala. 2 # nombre de sección “What is in play is immense” HSH Prince Albert II of Monaco he Maya Biosphere Reserve is located in the heart of the Selva Maya, the Maya Jungle. It is an ecological treasure that covers one fifth of Guatemala’s landmass (21,602 Tsquare kilometers). Much of the area remains intact. It was established to preserve—for present and future generations— one of the most spectacular areas of natural and cultural heritage in the world. The Maya Biosphere Reserve is Guatemala’s last stronghold for large-bodied, wide-ranging endangered species, including the jaguar, puma, tapir, and black howler monkey. It also holds the highest concentration of Maya ruins. Clockwise from bottomleft José Pivaral (President of Pacunam), Prince Albert II of Monaco (sponsor), Mel Gibson (sponsor), Richard Hansen (Director of Mirador The year 2012 marks the emblematic change of an era in the ancient calendar of the Maya. This Archaeological Project) at El Mirador momentous event has sparked global interest in environmental and cultural issues in Guatemala. After decades of hard work by archaeologists, environmentalists, biologists, epigraphers, and other scientists dedicated to understanding the ancient Maya civilization, the eyes of the whole Pacunam Overview and Objectives 2 world are now focused on our country. Maya Biosphere Reserve 4 This provides us with an unprecedented opportunity to share with the world our pressing cause: Why is it important? the Maya Biosphere Reserve is in great danger. -
Population Estimates at the Ancient Maya City of Chunchucmil, Yucatán, Mexico
Population Estimates at the Ancient Maya City of Chunchucmil, Yucatán, Mexico Aline Magnoni Department of Anthropology Tulane University New Orleans, Louisiana, USA [email protected] Abstract This paper seeks to show how GIS has become an essential tool for the recording,����������������������������������������������������������������� storing, processing, and visualization of the archaeo- logical data collected by Pakbeh Regional Economy Project at the ancient Maya city of Chunchucmil (Yucatán, Mexico). Chunchucmil, located in an agriculturally poor region but at the edge of several ecological zones, grew to become one of the most densely settled cities of the Maya area during the Classic Period (AD 400-650) thriving on commerce and trade. At the apogee of Chunchucmil, people chose to settle close to each other in residential groups delimited by boundary walls over an area of at least 25 km2. In a site where we have recorded more than 6,000 structures, GIS has enormously facilitated calculations for structure and population estimates making GIS an indispensable tool for analysis of such an extensive database. 1 Introduction The Prehispanic Mayan city of Chunchucmil, Yucatán, Curtis et al. 1996; Whitmore et al. 1996). Despite these lim- Mexico, grew to become one of the most densely settled cit- itations, the site of Chunchucmil became a major popula- ies of the Maya area during the middle of the Classic Period tion center during the middle of the Classic Period with one (AD 400-650). Since the first report of Chunchucmil in the of the highest population densities recorded for the Maya archaeological literature in the late 1970s (Vlcek et al. -
28 La Arquitectura De Las Ciudades Mayas Del Área
Lorenzo Vidal, Cristina y Gaspar Muñoz Cosme 1997 La arquitectura de las ciudades Mayas del área Puuc, Yucatán. En X Simposio de Investigaciones Arqueológicas en Guatemala, 1996 (editado por J.P. Laporte y H. Escobedo), pp.360-376. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital) 28 LA ARQUITECTURA DE LAS CIUDADES MAYAS DEL ÁREA PUUC, YUCATÁN Cristina Vidal Lorenzo Gaspar Muñoz Cosme La serranía Puuc es una cadena de suaves elevaciones que nace cerca de Peto y se dirige hacia el noroeste hasta Maxcanu, desde donde discurre en dirección suroeste para morir en la costa de Campeche, formando así una "V" invertida con el ápice en Maxcanu (Figura 1). Asimismo, denominamos Puuc al área arqueológica comprendida en esta serranía, la cual incluye decenas de espectaculares sitios arqueológicos que, a su vez, pueden dividirse en dos sectores principales: este y oeste (Figura 2). El primero y más famoso en términos generales, abarca desde Uxmal al norte hasta Ichpich al sur, mientras que el segundo, más destruido y menos conocido, cubre desde Oxkintok en Yucatán hasta Yakal Chuc en Campeche, siendo en este sector donde se encuentran los casos más antiguos conocidos en la región que se remontan al Clásico Temprano (Gendrop 1983:141). Por último, el término Puuc tiene una tercera lectura ya que es también el estilo arquitectónico que exhibe la mayoría de las construcciones de las ciudades Mayas concentradas en esta zona arqueológica. Este estilo tiene sus orígenes en el Clásico Tardío y alcanzó su máximo florecimiento en la zona durante el Clásico Terminal; sus manifestaciones más espectaculares las hallamos en las ciudades del corazón del área Puuc: Uxmal, Sayil, Labna, Kabah, Xlapak, etc.