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Emmanuel Emmanuel College College MAGAZINE 2018–2019 Front Court, engraved by R B Harraden, 1824 VOL CI MAGAZINE 2018–2019 VOLUME CI Emmanuel College St Andrew’s Street Cambridge CB2 3AP Telephone +44 (0)1223 334200 The Master, Dame Fiona Reynolds, in the new portrait by Alastair Adams May Ball poster 1980 THE YEAR IN REVIEW I Emmanuel College MAGAZINE 2018–2019 VOLUME CI II EMMANUEL COLLEGE MAGAZINE 2018–2019 The Magazine is published annually, each issue recording college activities during the preceding academical year. It is circulated to all members of the college, past and present. Copy for the next issue should be sent to the Editors before 30 June 2020. News about members of Emmanuel or changes of address should be emailed to [email protected], or via the ‘Keeping in Touch’ form: https://www.emma.cam.ac.uk/members/keepintouch. College enquiries should be sent to [email protected] or addressed to the Development Office, Emmanuel College, Cambridge CB2 3AP. General correspondence concerning the Magazine should be addressed to the General Editor, College Magazine, Dr Lawrence Klein, Emmanuel College, Cambridge CB2 3AP. Correspondence relating to obituaries should be addressed to the Obituaries Editor (The Dean, The Revd Jeremy Caddick), Emmanuel College, Cambridge CB2 3AP. The college telephone number is 01223 334200, and the email address is [email protected]. If possible, photographs to accompany obituaries and other contributions should be high-resolution scans or original photos in jpeg format. The Editors would like to express their thanks to the many people who have contributed to this issue, with a special nod to the unstinting assistance of the College Archivist. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 3, winter 2013 Editorial – Fears and Hopes Patrick O’Sullivan 3 William Morris and Robert Browning Peter Faulkner 13 Two Williams of one medieval mind: reading the Socialist William Morris through the lens of the Radical William Cobbett David A. Kopp 31 Making daily life ‘as useful and beautiful as possible’: Georgiana Burne-Jones and Rottingdean, 1880–1904 Stephen Williams 47 William Morris: An Annotated Bibliography 2010–2011 David and Sheila Latham 66 Reviews. Edited by Peter Faulkner Michael Rosen, ed, William Morris, Poems of Protest (David Goodway) 99 Ingrid Hanson, William Morris and the Uses of Violence, 1856–1890 (Tony Pinkney) 103 The Journal of Stained Glass, vol. XXXV, 2011, Burne-Jones Special Issue. (Peter Faulkner) 106 the journal of william morris studies . winter 2013 Rosie Miles, Victorian Poetry in Context (Peter Faulkner) 110 Talia SchaVer, Novel Craft (Phillippa Bennett) 112 Glen Adamson, The Invention of Craft (Jim Cheshire) 115 Alec Hamilton, Charles Spooner (1862–1938) Arts and Crafts Architect (John Purkis) 119 Clive Aslet, The Arts and Crafts Country House: from the archives of Country Life (John Purkis) 121 Amy Woodhouse-Boulton, Transformative Beauty. Art Museums in Industrial Britain; Katherine Haskins, The Art Journal and Fine Art Publishing in Vic- torian England, 1850–1880 (Peter Faulkner) 124 Jonathan Meades, Museum without walls (Martin Stott) 129 Erratum 133 Notes on Contributors 134 Guidelines for Contributors 136 issn: 1756–1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Morris Society. -
A Field Awaits Its Next Audience
Victorian Paintings from London's Royal Academy: ” J* ml . ■ A Field Awaits Its Next Audience Peter Trippi Editor, Fine Art Connoisseur Figure l William Powell Frith (1819-1909), The Private View of the Royal Academy, 1881. 1883, oil on canvas, 40% x 77 inches (102.9 x 195.6 cm). Private collection -15- ALTHOUGH AMERICANS' REGARD FOR 19TH CENTURY European art has never been higher, we remain relatively unfamiliar with the artworks produced for the academies that once dominated the scene. This is due partly to the 20th century ascent of modernist artists, who naturally dis couraged study of the academic system they had rejected, and partly to American museums deciding to warehouse and sell off their academic holdings after 1930. In these more even-handed times, when seemingly everything is collectible, our understanding of the 19th century art world will never be complete if we do not look carefully at the academic works prized most highly by it. Our collective awareness is growing slowly, primarily through closer study of Paris, which, as capital of the late 19th century art world, was ruled not by Manet or Monet, but by J.-L. Gerome and A.-W. Bouguereau, among other Figure 2 Frederic Leighton (1830-1896) Study for And the Sea Gave Up the Dead Which Were in It: Male Figure. 1877-82, black and white chalk on brown paper, 12% x 8% inches (32.1 x 22 cm) Leighton House Museum, London Figure 3 Frederic Leighton (1830-1896) Elisha Raising the Son of the Shunamite Woman 1881, oil on canvas, 33 x 54 inches (83.8 x 137 cm) Leighton House Museum, London -16- J ! , /' i - / . -
Download Our Exhibition Catalogue
CONTENTS Published to accompany the exhibition at Foreword 04 Two Temple Place, London Dodo, by Gillian Clarke 06 31st january – 27th april 2014 Exhibition curated by Nicholas Thomas Discoveries: Art, Science & Exploration, by Nicholas Thomas 08 and Martin Caiger-Smith, with Lydia Hamlett Published in 2014 by Two Temple Place Kettle’s Yard: 2 Temple Place, Art and Life 18 London wc2r 3bd Museum of Archaeology and Anthropology: Copyright © Two Temple Place Encountering Objects, Encountering People 24 A catalogue record for this publication Museum of Classical Archaeology: is available from the British Library Physical Copies, Metaphysical Discoveries 30 isbn 978-0-9570628-3-2 Museum of Zoology: Designed and produced by NA Creative Discovering Diversity 36 www.na-creative.co.uk The Sedgwick Museum of Earth Sciences: Cover Image: Detail of System According to the Holy Scriptures, Muggletonian print, Discovering the Earth 52 plate 7. Drawn by Isaac Frost. Printed in oil colours by George Baxter Engraved by Clubb & Son. Whipple Museum of the History of Science, The Fitzwilliam Museum: University of Cambridge. A Remarkable Repository 58 Inside Front/Back Cover: Detail of Kitagawa Utamaro (1753-1806), Komei bijin mitate The Polar Museum: Choshingura junimai tsuzuki (The Choshingura drama Exploration into Science 64 parodied by famous beauties: A set of twelve prints). The Fitzwilliam Museum, University of Cambridge. Whipple Museum of the History of Science: Thinking about Discoveries 70 Object List 78 Two Temple Place 84 Acknowledgements 86 Cambridge Museums Map 87 FOREWORD Over eight centuries, the University of Cambridge has been a which were vital to the formation of modern understandings powerhouse of learning, invention, exploration and discovery of nature and natural history. -
TTP-Wedding-Brochure.Pdf
Weddings Contents 01 About Two Temple Place 02 Lower Gallery 03 Great Hall 04 Library 05 Upper Gallery 06 Capacities & Floorplans 07 Our Suppliers 08 Information 09 Contact Us 01 About Two Temple Place Exclusively yours for the most memorable day of your life. Two Temple Place is a hidden gem of Victorian architecture and design, and one of London’s best-kept secrets. Commissioned by William Waldorf Astor for his London office and pied-a-terre in 1895, this fully-licensed, riverside mansion is now one of London’s most intriguing and elegant wedding venues. Say `I do’ in one of our three licensed ceremony rooms and enjoy every aspect of your big day, from ceremony to wedding breakfast and dancing all under one roof. Sip champagne in Astor’s private Library; surprise your guests with a journey through our secret door; dine in splendour in the majestic Great Hall or dance the night away in the grand Lower Gallery. With a beautiful garden forecourt which acts as a suntrap in the summer months for celebratory drinks and canapés, whatever the time of year Two Temple Place is endlessly flexible and packed with individual charm and character. Let our dedicated Events team and our experienced approved suppliers guide you through every aspect of the planning process, ensuring an unforgettable day for you and your guests. All funds generated from the hire of Two Temple Place support the philanthropic mission of The Bulldog Trust, registered charity 1123081. 02 Lower Gallery Walk down the aisle in the Lower Gallery with its high ceilings and stunning wood panelling as sunlight streams through the large ornate windows. -
2019/20 Exhibitions
2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon -
Kensington and Chelsea
Kensington Open House London and Chelsea Self-Guided Itinerary Nearest station: Highstreet Kensington Leighton House Museum, 12 Holland Park Rd, Kensington, London W14 8LZ Originally the studio home of Lord Leighton, President of the Royal Academy, the house is one of the most remarkable buildings of 19C. The museum houses an outstanding collection of high Victorian art, including works by Leighton him- self. Directions: Walk south-west on Kensington High St/A315 towards Wrights Ln > Turn right onto Melbury Rd > Turn left onto Holland Park Rd 10 min (0.5 mi) 18 Stafford Terrace, Kensington, London W8 7BH From 1875, the home of the Punch cartoonist Edward Linley Sambourne, his wife Marion, their two children and their live-in servants. The house is recognised as the best surviving example of a late Victorian middle-class home in the UK. Directions: Walk north-east on Holland Park Rd towards St Mary Abbots Terrace > Turn right onto Melbury Rd > Turn left onto Kensington High St/A315 > Turn left onto Phillimore Gardens > Turn right onto Stafford Terrace 8 min (0.4 mi) Kensington Palace Gardens, London This wide open street runs alongside Kensington Gardens and features stereotypical architecture of the area. Large family homes line the street, most are now occupied by Embassies or other cultural companies. Page 1 Open House London Directions: Walk north-east on Stafford Terrace towards Argyll Rd > Turn right onto Argyll Rd > Turn left onto Kensington High St/A315 > Turn left onto Kensington Palace Gardens 14 min (0.7 mi) Embassy of Slovakia, Kensington, London W8 4QY Modern Brutalist-style building awarded by RIBA in 1971. -
British Design History Itinerary 2017
WINTERTHUR PROGRAM IN AMERICAN MATERIAL CULTURE EAMC 607, British Design History, 1530-1930 U.K. itinerary (short version) January 14-28, 2017 Saturday, January 14: Depart Philadelphia Sunday, January 15: Arrive London • Central London walking tour with Angus Lockyer, School for Oriental and African Studies, University of London: Southwark, City of London • Victoria & Albert Museum: Tour of Cast Room, self-guided tour of British Galleries Monday, January 16: London • East End walking tour with Angus Lockyer: Spitalsfields, Shoreditch, Hoxton • Geoffrye Museum: Tour of collections and Almshouse with Eleanor John, Director of Collections, Learning and Engagement, and Adam Bowett, Independent Furniture Historian; furniture study session with staff Tuesday, January 17: London • Hampton Court Palace: Tour of historic kitchens with Marc Meltonville, Historic Royal Palaces, Food Historian, Historic Kitchens Team; tour of King’s apartments with Sebastian Edwards, Deputy Chief Curator and Head of Collections, Historic Royal Palaces; self-guided tour of gardens Wednesday, January 18: London • St. Paul’s Cathedral: Self-guided tour • Goldsmiths’ Company: Tour of rooms Eleni Bide, Librarian; archives session; introduction to hallmarking with Eleni Bide • Museum of London: Self-guided tour of History of London galleries; exhibition “Fire! Fire!” • Wallace Collection. Collections tour with Dr. Helen Jacobsen, Senior Curator; furniture studio conservation tour with Jurgen Huber, Senior Furniture Conservator Thursday, January 19: Surrey and London • Polesden Lacey, Surrey: Garden tour with Jamie Harris, Head Gardner; “Unseen Spaces” tour with Caroline Williams, Senior Steward • Buckingham Palace: Guided tour with Desmond Shawe-Taylor, Surveyor of the Queen’s Pictures, The Royal Collection • Dennis Severs’ House: ‘Silent Night’ tour and discussion with curator David Milne Friday, January 20: London • Westminster Abbey: Self-guided tour. -
APTG GOES to the TOWER on 4 March Over Three Dozen Members of Twenty Different Travel Trade Organisations Came to See the Ceremony of the Keys As Guests of APTG
APTG GOES TO THE TOWER On 4 March over three dozen members of twenty different travel trade organisations came to see the Ceremony of the Keys as guests of APTG. They were hosted by a dozen guides, allowing us to share a very fine evening at the Tower and giving us a chance to show our special relationship with HRP and the Yeoman Warders. We funded drinks in the Yeoman Warders’ Club and each guide was given an up to date briefing before the event. This meant we could take the opportunity to explain the breadth of our knowledge, skills and languages combined with the ease of booking via the GuideLondon website. This is one of the ways your Branch Council is bringing work opportunities to APTG members. The evening was an uplifting experience and Yeoman Warder John Donald was a witty and knowledgeable host. The Ceremony was carried out by Gurkhas, commanded there for the first time by a female officer. The final, perfect ending came when the salute was taken by the Constable of the APTG Chair Nick Hancock and Yeoman Warder John Donald Tower General Sir Nicholas Houghton who, in his final words, made specific mention of guides being guests that night. Truly we have friends in high places! Over £300 was raised by the THE TOWER COMES TO APTG raffle for YW chosen charities and Nick Hancock gave an Yeoman Warder and Tower extra £250 from the Guild and APTG. Ravenmaster Chris Skaife (left) gave an entertaining presentation to APTG members MEMBERS OPEN MEETINGS before the March Members’ The next Members Open Meeting will be on Tuesday 9 Open Meeting at the Unite April at 6:30 pm in the Unite Office, WC1X 8TN. -
Unbound: Visionary Women Collecting Textiles
Published to accompany the exhibition CONTENTS Unbound: Visionary Women Collecting Textiles Two Temple Place, London 25th January – 19th April 2020 Foreword 04 Unbound: Visionary Women Collecting Textiles has been curated Introduction 06 by June Hill and emerging curator Lotte Crawford, with support from modern craft curator and writer Amanda Game and Collectors and Collecting 11 Jennifer Hallam, an arts policy specialist. Stitched, Woven and Stamped: Women’s Collections as Material History 32 Published in 2020 by Two Temple Place 2 Temple Place Further Reading 54 London WC2R 3BD Bankfield Museum 56 Copyright © Two Temple Place Leeds University Library Special Collections 58 A catalogue record for this publication Chertsey Museum 60 is available from the British Library Crafts Study Centre, University for the Creative Arts 62 ISBN 978-0-9570628-9-4 Compton Verney Art Gallery & Park 64 Designed and produced by: NA Creative The Whitworth, University of Manchester 66 www.na-creative.co.uk Cartwright Hall Art Gallery 68 Object List 70 Unbound: Visionary Women Collecting Textiles is produced by The Bulldog Trust in partnership with: Acknowledgements 81 Bankfield Museum; Cartwright Hall Art Gallery, Bradford Museums and Galleries; Chertsey Museum; Compton Verney Art Gallery & Park; Crafts Study Centre, University for the Creative Arts; Leeds University Library Special Collections and Galleries and the Whitworth, University of Manchester. 02 03 FOREWORD An exhibition is nothing without its spectacular objects and for those we would like to thank our partner organisations: Bankfield Museum; Charles M. R. Hoare, Chairman of Trustees, -Cartwright Hall Art Gallery; Chertsey Museum; Compton Verney The Bulldog Trust Art Gallery & Park; Crafts Study Centre, University for the Creative Arts; Leeds University Library Special Collections; and the Whitworth, University of Manchester, for loaning so generously from their collections and for their collaboration. -
AGM PAPE RS 2016, B Irmin Gham
AGM PAPERS 2016, Birmingham 1 From the Communications Officer, Dr Stuart Eagles The Eyrie, 90 Water Road, Reading, Berks, RG30 2NN Email: [email protected] AGM PAPERS 2016 Contents • a letter from the Master regarding the revised Articles 2 • the Master’s Report (Clive Wilmer) 3 • the Curator’s Report (Hannah Brignell) 9 • the RUSKIN in SHEFFIELD Report (Ruth Nutter) 18 • the minutes of last year’s AGM 22 • publications list [26] • list of Companions (October 2016) [27] The AGM schedule, agenda and booking form are at the end of this document. Please return the booking form to Martin Green, the Guild’s Administrator, as directed. You MUST book for the AGM and Companions’ Dinner no later than Thursday, 27rd October. Please also find elsewhere on the website • the revised Articles of Association; • the Annual Financial Statement. The AGM will be hosted by the Birmingham and Midland Institute. They will also host this year’s Companions’ Dinner, in the Dickens Room. The cost is £25 per head which includes a two-course hot buffet and wine/juice. For those wishing to stay in Birmingham overnight, I have included a short list of hotels on the AGM schedule. On Sunday morning, Andy Foster, editor of the Pevsner Architectural Guide to Birmingham will join Companion Annie Creswick Dawson to show us some of the city-centre buildings influenced by Ruskin, including some decorated by Annie’s great-grandfather, Benjamin Creswick. We look forward to seeing you there. Front Cover: Birmingham and Midland Institute and (below) some of the volumes of the Library Edition of Ruskin’s Works in their collection. -
How Earl's Court Became a Crucible for the British Women's Rights Movement
thecourt Suffragette How Earl’s Court became a crucible for the British women’s rights movement ART /// Film /// F OOD /// CHELSEA ART FAIR EARL’S COURT FESTIVAL THE o’S SIMPLE ITALIAN Is 21. Director Ben Cooper 2016 is going to be another Promises rustic neighbourhood Keeping explains just what makes it bumper year for film in fun at The Indigo Hotel in different to other fairs your area Barkston Gardens Life Local thecourt CV O ER STORY Freeing Half the Human Race As people around the world celebrate International Women’s Day on March 8, Cristina Juan takes a look back on the part Earl’s Court played in the ART women’s political movement, and for a very famous resident. Emmeline Pankhurst speaking at a Trafalgar Square rally in 1916 It seems only fitting that Emmeline Pankhurst is buried at Brompton “We women suffragists have a great mission - Cemetery. Arguably the most vocal of the militant wing of the women’s the greatest mission the world has ever known. voting rights movement in the It is to free half the human race, and through that early 1900s, she had always skirted freedom save the rest” around Earl’s Court. She lived on Russell Square with her husband for memoirs. She especially mentions the militant suffrage activism in support a long period of time, but her final tri-coloured badges that she designed of the war against Germany. She also years were spent with her daughter, herself (she was an artist) and whose called on women to work in munitions Christabel, at 50 Clarendon Road huge sales raised a significant amount factories and asked for humanitarian in Notting Hill.