TTP-Wedding-Brochure.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
View 2019 Edition Online
Emmanuel Emmanuel College College MAGAZINE 2018–2019 Front Court, engraved by R B Harraden, 1824 VOL CI MAGAZINE 2018–2019 VOLUME CI Emmanuel College St Andrew’s Street Cambridge CB2 3AP Telephone +44 (0)1223 334200 The Master, Dame Fiona Reynolds, in the new portrait by Alastair Adams May Ball poster 1980 THE YEAR IN REVIEW I Emmanuel College MAGAZINE 2018–2019 VOLUME CI II EMMANUEL COLLEGE MAGAZINE 2018–2019 The Magazine is published annually, each issue recording college activities during the preceding academical year. It is circulated to all members of the college, past and present. Copy for the next issue should be sent to the Editors before 30 June 2020. News about members of Emmanuel or changes of address should be emailed to [email protected], or via the ‘Keeping in Touch’ form: https://www.emma.cam.ac.uk/members/keepintouch. College enquiries should be sent to [email protected] or addressed to the Development Office, Emmanuel College, Cambridge CB2 3AP. General correspondence concerning the Magazine should be addressed to the General Editor, College Magazine, Dr Lawrence Klein, Emmanuel College, Cambridge CB2 3AP. Correspondence relating to obituaries should be addressed to the Obituaries Editor (The Dean, The Revd Jeremy Caddick), Emmanuel College, Cambridge CB2 3AP. The college telephone number is 01223 334200, and the email address is [email protected]. If possible, photographs to accompany obituaries and other contributions should be high-resolution scans or original photos in jpeg format. The Editors would like to express their thanks to the many people who have contributed to this issue, with a special nod to the unstinting assistance of the College Archivist. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 3, winter 2013 Editorial – Fears and Hopes Patrick O’Sullivan 3 William Morris and Robert Browning Peter Faulkner 13 Two Williams of one medieval mind: reading the Socialist William Morris through the lens of the Radical William Cobbett David A. Kopp 31 Making daily life ‘as useful and beautiful as possible’: Georgiana Burne-Jones and Rottingdean, 1880–1904 Stephen Williams 47 William Morris: An Annotated Bibliography 2010–2011 David and Sheila Latham 66 Reviews. Edited by Peter Faulkner Michael Rosen, ed, William Morris, Poems of Protest (David Goodway) 99 Ingrid Hanson, William Morris and the Uses of Violence, 1856–1890 (Tony Pinkney) 103 The Journal of Stained Glass, vol. XXXV, 2011, Burne-Jones Special Issue. (Peter Faulkner) 106 the journal of william morris studies . winter 2013 Rosie Miles, Victorian Poetry in Context (Peter Faulkner) 110 Talia SchaVer, Novel Craft (Phillippa Bennett) 112 Glen Adamson, The Invention of Craft (Jim Cheshire) 115 Alec Hamilton, Charles Spooner (1862–1938) Arts and Crafts Architect (John Purkis) 119 Clive Aslet, The Arts and Crafts Country House: from the archives of Country Life (John Purkis) 121 Amy Woodhouse-Boulton, Transformative Beauty. Art Museums in Industrial Britain; Katherine Haskins, The Art Journal and Fine Art Publishing in Vic- torian England, 1850–1880 (Peter Faulkner) 124 Jonathan Meades, Museum without walls (Martin Stott) 129 Erratum 133 Notes on Contributors 134 Guidelines for Contributors 136 issn: 1756–1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Morris Society. -
Download Our Exhibition Catalogue
CONTENTS Published to accompany the exhibition at Foreword 04 Two Temple Place, London Dodo, by Gillian Clarke 06 31st january – 27th april 2014 Exhibition curated by Nicholas Thomas Discoveries: Art, Science & Exploration, by Nicholas Thomas 08 and Martin Caiger-Smith, with Lydia Hamlett Published in 2014 by Two Temple Place Kettle’s Yard: 2 Temple Place, Art and Life 18 London wc2r 3bd Museum of Archaeology and Anthropology: Copyright © Two Temple Place Encountering Objects, Encountering People 24 A catalogue record for this publication Museum of Classical Archaeology: is available from the British Library Physical Copies, Metaphysical Discoveries 30 isbn 978-0-9570628-3-2 Museum of Zoology: Designed and produced by NA Creative Discovering Diversity 36 www.na-creative.co.uk The Sedgwick Museum of Earth Sciences: Cover Image: Detail of System According to the Holy Scriptures, Muggletonian print, Discovering the Earth 52 plate 7. Drawn by Isaac Frost. Printed in oil colours by George Baxter Engraved by Clubb & Son. Whipple Museum of the History of Science, The Fitzwilliam Museum: University of Cambridge. A Remarkable Repository 58 Inside Front/Back Cover: Detail of Kitagawa Utamaro (1753-1806), Komei bijin mitate The Polar Museum: Choshingura junimai tsuzuki (The Choshingura drama Exploration into Science 64 parodied by famous beauties: A set of twelve prints). The Fitzwilliam Museum, University of Cambridge. Whipple Museum of the History of Science: Thinking about Discoveries 70 Object List 78 Two Temple Place 84 Acknowledgements 86 Cambridge Museums Map 87 FOREWORD Over eight centuries, the University of Cambridge has been a which were vital to the formation of modern understandings powerhouse of learning, invention, exploration and discovery of nature and natural history. -
2019/20 Exhibitions
2020/21 EXHIBITIONS (list updated on 25 February) National Gallery, London Young Bomberg and the Old Masters (until 1 March) (Free) https://www.nationalgallery.org.uk/exhibitions/young-bomberg-and-the-old-masters Nicolaes Maes: Dutch Master of the Golden Age (until 31 May) (Free) https://www.nationalgallery.org.uk/exhibitions/nicolaes-maes-dutch-master-of-the-golden-age Titian: Love, Desire, Death (16 March – 14 June) https://www.nationalgallery.org.uk/exhibitions/titian-love-desire-death Artemisia Gentileschi (4 April – 26 July) https://www.nationalgallery.org.uk/exhibitions/artemisia Sin (15 April – 5 July) (Free) https://www.nationalgallery.org.uk/exhibitions/sin Raphael (3 October – 24 January 2021) https://www.nationalgallery.org.uk/exhibitions/the-credit-suisse-exhibition-raphael Dürer’s Journeys: Travels of a Renaissance Artist (13 February 2021 – 16 May 2021) https://www.nationalgallery.org.uk/exhibitions/durers-journeys-travels-of-a-renaissance-artist National Portrait Gallery, London (will be closed from June 2020 for three years for revamp!) Cecil Beaton’s Bright Young Things (12 March – 7 June) https://www.npg.org.uk/whatson/exhibitions/2019/cecil-beatons-bright-young-things/ David Hockney: Drawing from Life (27 February – 28 June) https://www.npg.org.uk/whatson/exhibitions/2019/david-hockney-drawing-from-life/ BP Portrait Award (21 May – 28 June) https://www.npg.org.uk/whatson/bp-portrait-award-2020/exhibition/ Royal Academy Picasso and Paper (until 13 April) https://www.royalacademy.org.uk/exhibition/picasso-and-paper Léon -
Location, Location, Location by Pam Horack Page 15
Nancy Drew: Location, Location, Location by Pam Horack Page 15 Nancy’s World (to me) In real estate, the mantra is “Location, Location, Location”. As in a story, the right setting can be an effective plot device and can be used to evoke specific feelings. The Nancy Drew books often used a location to create the backdrop for the mysterious and adventurous. As a child, I was able to use my grandparents’ home as a true reference for many of the Nancy Drew settings, thus bringing the stories to life and turning me into Nancy Drew Green’s Folly, located in Halifax County, Virginia, was home to my maternal grandparents. As my mother was raised there, our family visited frequently. The estate has served many functions through the years: county courthouse, a racetrack, a farm, and currently an 18-hole golf course, which was originally developed by my grandfather, John G. Patterson, Jr. As a child with a vivid imagination, my senses were aroused by mysterious features of the old home. This was the world of my childhood and it made a natural location for many of my adventures with Nancy Drew. As many of the Nancy Drew stories involved large old estates, my mind easily substituted the real world for the fictitious. There seemed to be too many coincidences and similarities for it to be otherwise. I found my imagination using Green’s Folly as the backdrop for the following stories: 1. The Hidden Staircase 2. The Mystery at Lilac Inn 3. The Sign of the Twisted Candles 4. -
APTG GOES to the TOWER on 4 March Over Three Dozen Members of Twenty Different Travel Trade Organisations Came to See the Ceremony of the Keys As Guests of APTG
APTG GOES TO THE TOWER On 4 March over three dozen members of twenty different travel trade organisations came to see the Ceremony of the Keys as guests of APTG. They were hosted by a dozen guides, allowing us to share a very fine evening at the Tower and giving us a chance to show our special relationship with HRP and the Yeoman Warders. We funded drinks in the Yeoman Warders’ Club and each guide was given an up to date briefing before the event. This meant we could take the opportunity to explain the breadth of our knowledge, skills and languages combined with the ease of booking via the GuideLondon website. This is one of the ways your Branch Council is bringing work opportunities to APTG members. The evening was an uplifting experience and Yeoman Warder John Donald was a witty and knowledgeable host. The Ceremony was carried out by Gurkhas, commanded there for the first time by a female officer. The final, perfect ending came when the salute was taken by the Constable of the APTG Chair Nick Hancock and Yeoman Warder John Donald Tower General Sir Nicholas Houghton who, in his final words, made specific mention of guides being guests that night. Truly we have friends in high places! Over £300 was raised by the THE TOWER COMES TO APTG raffle for YW chosen charities and Nick Hancock gave an Yeoman Warder and Tower extra £250 from the Guild and APTG. Ravenmaster Chris Skaife (left) gave an entertaining presentation to APTG members MEMBERS OPEN MEETINGS before the March Members’ The next Members Open Meeting will be on Tuesday 9 Open Meeting at the Unite April at 6:30 pm in the Unite Office, WC1X 8TN. -
The Great Hall of BMA House
Br Med J (Clin Res Ed): first published as 10.1136/bmj.289.6460.1738 on 22 December 1984. Downloaded from 1738 BRITISH MEDICAL JOURNAL VOLUME 289 22-29 DECEMBER 1984 The Great Hall of BMA House Since last August the Great Hall at BMA has been undergoing reconstruction that will eventually turn the lower part into a new library and the upper part into a suite ofcommittee rooms (see "BMJ" 5 November 1983, p 1367). The scheme has been drawn up by the BMA's architect, Ivan Nellist, who talked to7ane Smith, a "BMJ" staffeditor, about the scheme and its progress. JANE SMITH: What do you think of Lutyens's work? the needs of the user and the nature of the building. At its simplest IVAN NELLIST: I admire it. Viewed from the outside much of it is you might think that several floors of offices could have been extremely fine, but on the inside it often leaves a lot to be desired "slotted in" to the Great Hall. That would not have been very for the users-mainly because he designed on such a monumental successful, even if the structure had been strong enough to take scale. Although some of the interior spaces are excellent, in others several floors. For example, the edges of floors would have you find unaccountable things: bits where you go upstairs and appeared against the very large windows overlooking the courtyard downstairs again, dead ends, and so on. -hardly a happy solution. SMITH: So what challenges did these problems present when you So the type of solution we have adopted is probably the best. -
Unbound: Visionary Women Collecting Textiles
Published to accompany the exhibition CONTENTS Unbound: Visionary Women Collecting Textiles Two Temple Place, London 25th January – 19th April 2020 Foreword 04 Unbound: Visionary Women Collecting Textiles has been curated Introduction 06 by June Hill and emerging curator Lotte Crawford, with support from modern craft curator and writer Amanda Game and Collectors and Collecting 11 Jennifer Hallam, an arts policy specialist. Stitched, Woven and Stamped: Women’s Collections as Material History 32 Published in 2020 by Two Temple Place 2 Temple Place Further Reading 54 London WC2R 3BD Bankfield Museum 56 Copyright © Two Temple Place Leeds University Library Special Collections 58 A catalogue record for this publication Chertsey Museum 60 is available from the British Library Crafts Study Centre, University for the Creative Arts 62 ISBN 978-0-9570628-9-4 Compton Verney Art Gallery & Park 64 Designed and produced by: NA Creative The Whitworth, University of Manchester 66 www.na-creative.co.uk Cartwright Hall Art Gallery 68 Object List 70 Unbound: Visionary Women Collecting Textiles is produced by The Bulldog Trust in partnership with: Acknowledgements 81 Bankfield Museum; Cartwright Hall Art Gallery, Bradford Museums and Galleries; Chertsey Museum; Compton Verney Art Gallery & Park; Crafts Study Centre, University for the Creative Arts; Leeds University Library Special Collections and Galleries and the Whitworth, University of Manchester. 02 03 FOREWORD An exhibition is nothing without its spectacular objects and for those we would like to thank our partner organisations: Bankfield Museum; Charles M. R. Hoare, Chairman of Trustees, -Cartwright Hall Art Gallery; Chertsey Museum; Compton Verney The Bulldog Trust Art Gallery & Park; Crafts Study Centre, University for the Creative Arts; Leeds University Library Special Collections; and the Whitworth, University of Manchester, for loaning so generously from their collections and for their collaboration. -
AGM PAPE RS 2016, B Irmin Gham
AGM PAPERS 2016, Birmingham 1 From the Communications Officer, Dr Stuart Eagles The Eyrie, 90 Water Road, Reading, Berks, RG30 2NN Email: [email protected] AGM PAPERS 2016 Contents • a letter from the Master regarding the revised Articles 2 • the Master’s Report (Clive Wilmer) 3 • the Curator’s Report (Hannah Brignell) 9 • the RUSKIN in SHEFFIELD Report (Ruth Nutter) 18 • the minutes of last year’s AGM 22 • publications list [26] • list of Companions (October 2016) [27] The AGM schedule, agenda and booking form are at the end of this document. Please return the booking form to Martin Green, the Guild’s Administrator, as directed. You MUST book for the AGM and Companions’ Dinner no later than Thursday, 27rd October. Please also find elsewhere on the website • the revised Articles of Association; • the Annual Financial Statement. The AGM will be hosted by the Birmingham and Midland Institute. They will also host this year’s Companions’ Dinner, in the Dickens Room. The cost is £25 per head which includes a two-course hot buffet and wine/juice. For those wishing to stay in Birmingham overnight, I have included a short list of hotels on the AGM schedule. On Sunday morning, Andy Foster, editor of the Pevsner Architectural Guide to Birmingham will join Companion Annie Creswick Dawson to show us some of the city-centre buildings influenced by Ruskin, including some decorated by Annie’s great-grandfather, Benjamin Creswick. We look forward to seeing you there. Front Cover: Birmingham and Midland Institute and (below) some of the volumes of the Library Edition of Ruskin’s Works in their collection. -
Denver International Airport Breaks Ground on Phase 2 of the Great Hall Project
[email protected] 24/hr. Media Line: 720-583-5758 [email protected] FOR IMMEDIATE RELEASE Denver International Airport Breaks Ground on Phase 2 of the Great Hall Project DENVER – July 7, 2021 – Today, Denver International Airport (DEN) Chief Executive Officer Kim Day was joined by Alan Salazar, Chief of Staff for Mayor Michael B. Hancock; Larry Nau, TSA Federal Security Director, Colorado; and Derek Hoffine, Hensel Phelps Vice President and District Manager for a groundbreaking ceremony for Phase 2 of the Great Hall Project. The primary focus of Phase 2 is to enhance security by building a new security checkpoint on Level 6 in the northwest corner of the Jeppesen Terminal. “The new security checkpoint will have improved technology and a new queuing concept that will provide more effective and efficient security,” said Day. “These improvements combined with the new ticketing pods being constructed as part of Phase 1 will ultimately allow us to build a terminal for the future with enhanced security, increased capacity, improved operational efficiency and an elevated passenger experience.” All Phase 2 work will be done in in mid-2024. However, the new checkpoint is scheduled to open by early 2024. Passengers will then have access to the new checkpoint on Level 6 as well as the north checkpoint and the existing A-bridge checkpoint. Additionally, the new checkpoint on Level 6 creates a future opportunity to activate the vacated south security space on Level 5 with new concessions and improved meeter/greeter amenities. “As DEN continues to grow, it is critical that we invest in the airport and prepare for the future. -
Need Help Planning Your JBU Event? the Information Below Is a Great
Need help planning your JBU event? The information below is a great place to get started. This document helps detail the following: How to submit an Event Request Form (ERF) How to reserve a room on Outlook How to reserve Simmons Great Hall For further information or questions please contact the Events office at [email protected] EVENT REQUEST FORM PROCESS All meetings and events should be scheduled through the Office of University Events. Contact the office to determine room availability and submit a completed event request form available at https://requests.jbu.edu/events/ . It is important to fill out an Event Request Form (ERF) if you need anything besides a room for your event (ie. Tables, trash cans, etc.). ERFs are REQUIRED for reserving a table in Walker Student Center or Kresge Dining Hall. ERFs are found on the EagleNet home page under My EagleNet Resources. The link is called “Event Request Form.” Fill out the form completely, including all information for Facilities Services, Technology (AVL), Catering, Work Requests, and Additional Requests for the Events Offic Note: Any trashcan needs for outdoors are listed under “Work Requests.” If you need to edit any ERFs that you have submitted, please email the Events Office at [email protected] instead of submitting a new ERF. Only the Events Office has the administrative privileges to edit ERFs previously submitted by JBU faculty, staff, and students. Submitting a new ERF causes confusion for the Events Office because there would be two ERFs for the same event with different information. Event Request Forms should be submitted at least six (6) days prior to your event. -
Conservatory / Garden Gate Grand Salon / Great Hall
MANOR HOUSE COLLECTION CONSERVATORY / GARDEN GATE GRAND SALON / GREAT HALL 4 MANOR HOUSE 5 contents 8 EDITOR’S NOTE From our establishment in 1957, Tune in to a new twist on a classic tale. we have become one of the oldest exclusive manufacturers of commercial flooring in the 12 United States. As one of the CONSERVATORY A mid-size pattern featuring slight and graceful arches. largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance 22 and expansive industry knowledge. GARDEN GATE Most importantly, our focus has Classic scrolls form this traditional pattern. always been on people... ensuring them that our products deliver 32 GRAND SALON the highest levels of BEAUTY, This large pattern strikes a balance between traditional and PERFORMANCE and modern appeal with smart color and contrast. DEPENDABILITY. 42 GREAT HALL A tailored woven texture that fits any occasion. COLORLINE OVERVIEW 52 COORDINATING PALETTE 53 CORPORATE PROGRAMS 55 PRODUCT DETAILS 56 (cover) Great Hall Devon, broadloom. PRODUCT FLEXIBILITIES 57 MANOR HOUSE 7 editor’s note I’ve never been one to become absorbed in any type of television programing. Now that’s not (right) Great Hall Yorkshire, monolithic and to say that as a kid I didn’t stay glued to Saturday morning cartoons or cheesy primetime Grand Salon Yorkshire. sitcoms. It’s just that for me, television lost its luster when reality shows took to the air with their ridiculously unrealistic premises. And as popularity of cable dramas grew, I actually prided myself on not being able to add to the morning discussions in the office about the prior night’s episode of biker fights or unexpected mob hits.