DOCSLIB.ORG

2015 Exhibitions of XIX ART

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2015 EXHIBItiONS OF XIX ART US EXHIBITIONS ALABAMA Montgomery Museum of Fine Art The Grand Tour: Prints from Rome, Florence, Venice, Paris, and London Through November 23, 2014 Into the Light: American Works on Paper of the Nineteenth and Twentieth Centuries from the Montgomery Museum of Fine Arts • Through January 04, 2015 CALIFORNIA Los Angeles. The Getty Center J. M. W. Turner: Painting Set Free • February 24–May 24, 2015 Los Angeles. The Huntington Library, Art Collections and Botanical Gardens Henry Fuseli’s The Three Witches • Through March 30, 2015 Highlights of American Drawings and Watercolors from The Huntington’s Art Collections Through Jan. 5, 2015 Samuel F.B. Morse’s Gallery of the Louvre and the Art of Invention Jan. 24-May 4, 2015 Palm Springs Art Museum in Palm Desert A Grand Adventure: American Art of the West Through January 4, 2015. Pasadena. Norton Simon Museum Manet's The Railway on Loan from the National Gallery of Art, Washington December 05, 2014 - March 02, 2015 Sacramento. Crocker Art Museum Toulouse-Lautrec and La Vie Moderne: Paris 1880–1910 February 1 – April 26, 2015 Santa Barbara Museum of Art Daumier Reveals All: Inside the Artist’s Studio Opens September 14, 2014 Stanford. Cantor Arts Center, Stanford University Daumier on Art and the Theatre Through March 16, 2015 Shop, Gallery, Studio: The Art World in the 17th and 18th Centuries Through March 16, 2015 CONNECTICUT Fairfield. The Bellarmine Museum of Art Gari Melchers: An American Impressionist at Home and Abroad March 5 - May 22, 2015 New Haven. Yale Center for British Art Sculpture Victorious: Art in an Age of Invention, 1837–1901 Through November 30, 2014 Picture Talking: James Northcote and the Fables Through December 14, 2014 Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain Through December 14, 2014 DELAWARE Delaware Art Museum Oscar Wilde’s Salomé: Illustrating Death and Desire • February 7, 2015 - May 10, 2015 FLORIDA Gainesville. Samuel P. Harn Museum of Art, University of Florida Monet and American Impressionism • February 03, 2015 - May 24, 2015 Orlando. Charles Hosmer Morse Museum of American Art Lullaby and Goodnight—Children’s Literature from the Morse Collection Through January 11, 2015 Lifelines—Forms and Themes of Art Nouveau Ongoing GEORGIA Athens. Georgia Museum of Art The Nightmare Transported into Art: Odilon Redon’s “St. Anthony” November 01, 2014 - January 25, 2015 Atlanta. High Museum of Art American Encounters: Anglo-American Portraiture in an Era of Revolution Through January 18, 2015 Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection Through January 11, 2015 Savannah. Telfair Academy & Owens Thomas House Romantic Spirits: Nineteenth-Century Paintings from the Johnson Collection Through February 15, 2015 HAWAII Honolulu Museum of Art Encounters with Hawai‘i: Art in an Age of Exploration, 1778–1820 Through February 08, 2015 ILLINOIS Art Institute of Chicago Temptation: The Demons of James Ensor • November 23, 2014– January 25, 2015 INDIANA Notre Dame. Snite Museum of Art Rock-Paper . Lithographs from the Permanent Collection, Part I Through November 16, 2014 IOWA Ames. Brunnier Art Museum, Iowa State University Beauty Through Experiment: The Ceramics of Wedgwood • Through July 31, 2015 Sophisticated Simplicity of the Victorian Era: Selections from the Iowa Quester Glass Collection Through July 31, 2015 Cedar Rapids Museum of Art Shadows of History: Photographs of the Civil War from the Collection of Julia J. Norrell Through January 18, 2015 MAINE Waterville. Colby Museum of Art, Colby College Whistler in the World: The Lunder Collection of James McNeill Whistler at the Colby College Museum of Art • September 15, 2015 - January 10, 2016 Brunswick. Bowdoin College Museum of Art Collaborations and Collusions: Artists’ Networks from the Nineteenth Century to the Present November 6, 2014 - February 8, 2015 MARYLAND Baltimore Museum of Art Lessons Learned: American Schoolgirl Embroideries • November 23, 2014–May 2015 MASSACHUSETTS Andover. Addison Gallery of American Art, Phillips Academy Dwight Tryon and American Tonalism • Through January 4, 2015 Museum of Fine Arts, Boston Truth and Beauty: Pictorialist Photography • Through February 22, 2015 Goya; Order and Disorder Through January 19, 2015 MICHIGAN Flint Institute of Arts Beauty, Passion, and Bliss: 19th-Century Masterworks from the Dahesh Museum of Art May 16, 2015 - August 16, 2015 MISSOURI Nelson-Atkins Museum of Art Across the Indian Country: Photographs by Alexander Gardner, 1867–68 Through January 11, 2015 NEW JERSEY Jane Voorhees Zimmerli Art Museum at Rutgers University Sports and Recreation in France, 1840-1900 • Through January 11, 2015 Meiji Photographs: A Historic Friendship between Japan and Rutgers Through December 31, 2014 NEW MEXICO Albuquerque Museum Gods and Heroes: Masterpieces from the École des Beaux-Arts, Paris Through January 4, 2015 NEW YORK Albany Institute of History and Art Nineteenth-Century American Sculpture: Erastus Dow Palmer and His Protégés Launt Thompson, Charles Calverley, and Richard Park. Ongoing. The Hudson River School and the Nineteenth-Century Landscape. Ongoing: Robert Hewson Pruyn: An Albanian in Japan, 1862–1865. • Ongoing. Ithaca. The Johnson Museum of Art, Cornell University Cast and Present: Replicating Antiquity in the Museum and the Academy January 24, 2015 – July 20, 2015 New York City. The Drawing Center Portraits from the École des Beaux-Arts Paris April 10, 2015 - June 28, 2015 New York City, The Frick Collection Enlightenment and Beauty: Sculptures by Houdon and Clodion Through April 5, 2015 New York City, The Grolier Club Evermore: The Persistence of Poe Through November 22, 2014 New York City, Metropolitan Museum of Art Early American Guitars: The Instruments of C.F. Martin Through December 7, 2014 Making Pottery Art: The Robert A. Ellison Jr. Collection of French Ceramics (ca. 1880–1910) Through March 15, 2015 Death Becomes Her: A Century of Mourning Attire Through February 1, 2015 Madame Cézanne • November 19, 2014– March 15, 2015 Morgan Library and Museum The Untamed Landscape: Théodore Rousseau and the Path to Barbizon Through January 18, 2015 Sky Studies: Oil Sketches from the Thaw Collection • Through December 28, 2014. New-York Historical Society The Works: Salon Style at the New-York Historical Society • Through February 08, 2015 OHIO Cincinnati. Taft Museum of Art Paris Night & Day: Masterworks of Photography from Atget to Man Ray Through January 11, 2015 Wild West to Gilded Age: American Treasures from the Santa Barbara Museum of Art February 6, 2015–May 24, 2015 Enduring Spirit: Edward Curtis and the North American Indians June 12–September 20, 2015 PENNSYLVANIA Harrisburg, State Museum of Pennsylvania A Fondness for Birds: Pennsylvania's Alexander Wilson. • No end date provided. Philadelphia Museum of Art Discovering the Impressionists: Paul Durand-Ruel and the New Painting June 24, 2015 - September 13, 2015 Represent: 200 Years of African-American Art January 10, 2015 - April 5, 2015 Philadelphia, Pennsylvania Academy of Fine Arts The Artist's Garden: American Impressionism and the Garden Movement, 1887-1920 February 13 - May 24, 2015 Pittsburgh. Frick Art & Historical Center Charles Courtney Curran: Seeking the Ideal Through February 1, 2015 Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography February 21–April 19, 2015 University Park. Palmer Museum, Pennsylvania State University Hidden Mother January 6–April 26, 2015 Francisco Goya: Los Caprichos February 3–May 10, 2015 TENNESSEE Knoxville. McClung Museum of Natural History and Culture, University of Tennessee The Flora and Fauna of Catesby, Mason, and Audubon August 29, 2014–ongoing Memphis Brooks Museum of Art Wood Engravings by Thomas Bewick (1753- 1828) • Through November 1, 2014. TEXAS Dallas. Meadows Museum of Art Goya: A Lifetime of Graphic Invention • Through March 1, 2015 Treasures from the House of Alba: 500 Years of Art and Collecting April 18, 2015– August 16, 2015 Houston. Menil Collection Becoming Modern: Nineteenth-Century French Drawings from The Morgan Library & Museum and the Menil Collection • February 27, 2015- June 14, 2015 Museum of Fine Arts, Houston Silver: An American Art—Selections from the Museum of Fine Arts, Houston Through February 15, 2015 Shadows on the Wall: Cameraless Photography from 1851 to Today Through November 30, 2015 Monet and the Seine: Impressions of a River • Through February 1, 2015 San Antonio. McNay Art Museum Intimate Impressionism: French Painting from the National Gallery of Art Through January 4, 2015 Manet to Gauguin • Through January 4, 2015 UTAH Salt Lake City. Utah Museum of Fine Arts The British Passion for Landscape: Masterpieces from National Museum Wales August 29, 2015 - December 13, 2015 VERMONT Shelburne Museum of Art Homefront & Battlefield: Quilts and Context in the Civil War • Through January 4, 2015. VIRGINIA Abingdon. William King Museum An American Turning Point: The Civil War in Virginia • Through February 1, 2015 Norfolk. Chrysler Museum of Art America’s Eden: Thomas Cole and The Voyage of Life • Through January 15, 2015. Williamsburg. DeWitt Wallace Decorative Arts Museum Birds, Bugs, and Plants: Observing tvvhe Natural World in the 18th Century February 21, 2015 through 2016. WASHINGTON Bellingham. Whatcom Museum Mingled Visions: Images from The North American Indian by Edward Curtis February 27, 2015 - May 10, 2015 Seattle. Frye Art Museum Pan: A Graphic Arts Capsule of Europe 1895- 1900
Recommended publications
  • Annual Conference September 10-12, 2018 • Salt Lake City

    Annual Conference September 10-12, 2018 • Salt Lake City

    Annual Conference September 10-12, 2018 • Salt Lake City museums a catalyst belonging for Entry Douglas Ballroom Elevator Main Entry Opening Session | Keynote Session | Poster Session from Hotel parking → Meals | Breaks Sponsor Tables | Silent Auction Gender Gender Neutral Neutral Restroom Restroom Information University Guest House Meeting Rooms Alpine Concurrent Sessions Bonneville Concurrent Sessions Contents City Creek Ensign At-a-Glance Schedule ............................. 1 Key Information ....................................... 2 Concurrent Sessions Conversation Tables UMA Mission & Board ............................. 3 Explore Salt Lake City ............................ 4 Welcome Letters .................................... 5 Schedule Details ..................................... 7 Men’s Women’s Award Recipients .................................. 16 Restroom Restroom Silent Auction ....................................... 18 Museum Advocacy .............................. 19 Resources .......................................... 20 Notes Pages ......................................... 21 At-a-Glance Monday, September 10, 2018 8:00 am – 11:00 am Field Trips see page 7 11:15 am – 12:00 pm General Session CE EDOP Conference 101 Alpine 12:00 pm – 1:00 pm Break Explore local lunch spots with your colleagues local restaurants 12:00 pm – 5:30 pm Auction Silent Auction Bidding Douglas Ballroom 1:00 pm – 1:15 pm General Session Welcome Remarks Douglas Ballroom 1:15 pm – 2:15 pm Opening Session CE EDOP A Conversation About Belonging Douglas
  • AN ANALYTICAL STUDY of P. A. RENOIRS' PAINTINGS Iwasttr of Fint Girt

    AN ANALYTICAL STUDY of P. A. RENOIRS' PAINTINGS Iwasttr of Fint Girt

    AN ANALYTICAL STUDY OF P. A. RENOIRS' PAINTINGS DISSERTATION SU8(N4ITTED IN PARTIAL FULFILMENT OF THE REQUIfJIMENTS FOR THE AWARD OF THE DEGREE OF iWasttr of fint girt (M. F. A.) SABIRA SULTANA '^tj^^^ Under the supervision of 0\AeM'TCVXIIK. Prof. ASifl^ M. RIZVI Dr. (Mrs) SIRTAJ RlZVl S'foervisor Co-Supei visor DEPARTMENT OF FINE ART ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1997 Z>J 'Z^ i^^ DS28S5 dedicated to- (H^ 'Parnate ALIGARH MUSLIM UNIVERSITY CHAIRMAN DEPARTMENT OF FINE ARTS ALIGARH—202 002 (U.P.), INDIA Dated TO WHOM IT MAY CONCERN This is to certify that Sabera Sultana of Master of Fine Art (M.F.A.) has completed her dissertation entitled "AN ANALYTICAL STUDY OF P.A. RENOIR'S PAINTINGS" under the supervision of Prof. Ashfaq M. Rizvi and co-supervision of Dr. (Mrs.) Sirtaj Rizvi. To the best of my knowledge and belief the work is based on the investigations made, data collected and analysed by her and it has- not been submitted in any other university or Institution for any degree. Mrs. SEEMA JAVED Chairperson m4^ &(Mi/H>e& of Ins^tifHUion/, ^^ui'lc/aace' cm^ eri<>ouruae/riefity: A^ teacAer^ and Me^^ertHs^^r^ o^tAcsy (/Mser{xUlafi/ ^rof. £^fH]^ariimyrio/ar^ tAo las/y UCM^ accuiemto &e^£lan&. ^Co Aasy a€€n/ kuid e/KHc^ tO' ^^M^^ me/ c/arin^ tA& ^r€^b<ir<itlan/ of tAosy c/c&&erla6iafi/ and Aasy cAecAe<l (Ao contents' aMd^yormM/atlan&^ arf^U/ed at in/ t/ie/surn^. 0A. Sirta^ ^tlzai/ ^o-Su^benn&o^ of tAcs/ dissertation/ Au&^^UM</e^m^o If^fi^^ oft/us dissertation/, ^anv l>eAo/den/ to tAem/ IhotA^Jrom tAe/ dee^ o^nu^ l^eut^.
  • Art Access Utah

    Art Access Utah

    THURSDAY 19 MAY 2016 6-9 PM 14TH ANNUAL FUNDRAISER & EXHIBITION Art Access 2016 ANNUAL REPORT OCTOBER 1, 2015 - SEPTEMBER 30, 2016 Dear Friends of Art Access, Another busy year has passed and Art Access provide the perfect means for people to tell their continues to do what it does so well – connecting stories, articulate their identities, and explore their people through the storytelling inherent in the personal creativeness. We believe the arts are a creation and appreciation of art. universal vehicle for drawing out our similarities, celebrating our differences, and ultimately Art Access is creative in responding to community connecting us to each other. We are committed to needs as they are identified and in adapting telling and hearing the stories of all of us through programs to serve unique populations. Each the literary, visual, and performing arts. program is evaluated for both the financial and social return on investment. It is the social return By engaging the public in educational and artful that keeps us motivated. experiences in our galleries and in the wider community, Art Access continues to make a For example, here are a few comments we significant contribution to the cultural life of our received this year: community. “My students grew tremendously through the year All this is accomplished in partnership with by participating in these activities. I truly believe many other organizations and individuals. We they are better human beings, in touch with are fortunate to have a dedicated staff who feelings and better able to express themselves feel passionately about the Art Access mission with confidence.” – Classroom teacher and work diligently to maintain the quality and accessibility of programs.
  • A Field Awaits Its Next Audience

    A Field Awaits Its Next Audience

    Victorian Paintings from London's Royal Academy: ” J* ml . ■ A Field Awaits Its Next Audience Peter Trippi Editor, Fine Art Connoisseur Figure l William Powell Frith (1819-1909), The Private View of the Royal Academy, 1881. 1883, oil on canvas, 40% x 77 inches (102.9 x 195.6 cm). Private collection -15- ALTHOUGH AMERICANS' REGARD FOR 19TH CENTURY European art has never been higher, we remain relatively unfamiliar with the artworks produced for the academies that once dominated the scene. This is due partly to the 20th century ascent of modernist artists, who naturally dis­ couraged study of the academic system they had rejected, and partly to American museums deciding to warehouse and sell off their academic holdings after 1930. In these more even-handed times, when seemingly everything is collectible, our understanding of the 19th century art world will never be complete if we do not look carefully at the academic works prized most highly by it. Our collective awareness is growing slowly, primarily through closer study of Paris, which, as capital of the late 19th century art world, was ruled not by Manet or Monet, but by J.-L. Gerome and A.-W. Bouguereau, among other Figure 2 Frederic Leighton (1830-1896) Study for And the Sea Gave Up the Dead Which Were in It: Male Figure. 1877-82, black and white chalk on brown paper, 12% x 8% inches (32.1 x 22 cm) Leighton House Museum, London Figure 3 Frederic Leighton (1830-1896) Elisha Raising the Son of the Shunamite Woman 1881, oil on canvas, 33 x 54 inches (83.8 x 137 cm) Leighton House Museum, London -16- J ! , /' i - / .
  • Salt Lake City, Utah $753,855,000 Airport Revenue Bonds, Series 2018A (AMT) $96,695,000 Airport Revenue Bonds, Series 2018B (Non-AMT)

    Salt Lake City, Utah $753,855,000 Airport Revenue Bonds, Series 2018A (AMT) $96,695,000 Airport Revenue Bonds, Series 2018B (Non-AMT)

    NEW ISSUE-BOOK-ENTRY ONLY Ratings: See “RATINGS” herein. In the opinion of Kutak Rock LLP, Bond Counsel to the City, under existing laws, regulations, rulings and judicial decisions and assuming the accuracy of certain representations and continuing compliance with certain covenants, interest on the Series 2018 Bonds is excluded from gross income for federal income tax purposes, except for interest on any Series 2018A Bond for any period during which such Series 2018A Bond is held by a “substantial user” of the facilities financed or refinanced by the Series 2018A Bonds, or a “related person” within the meaning of Section 147(a) of the Internal Revenue Code of 1986, as amended (the “Code”). Bond Counsel is further of the opinion that (a) interest on the Series 2018A Bonds constitutes an item of tax preference for purposes of the federal alternative minimum tax imposed on individuals, and for taxable years beginning before January 1, 2018, on corporations, by the Code, and (b) interest on the Series 2018B Bonds is not a specific preference item for purposes of the federal alternative minimum tax. Bond Counsel notes that no federal alternative minimum tax applies to corporations for taxable years beginning on and after January 1, 2018. Bond Counsel is further of the opinion that, under the existing laws of the State of Utah, as presently enacted and construed, interest on the Series 2018 Bonds is exempt from State of Utah individual income taxes. See “TAX MATTERS” herein. $850,550,000 SALT LAKE CITY, UTAH $753,855,000 Airport Revenue Bonds,
  • Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes

    Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes

    site / non-site CÉZANNE site / non-site Guillermo Solana Museo Thyssen-Bornemisza, Madrid February 4 – May 18, 2014 Fundación Colección Acknowledgements Thyssen-Bornemisza Board of Trustees President The Museo Thyssen-Bornemisza Hervé Irien José Ignacio Wert Ortega wishes to thank the following people Philipp Kaiser who have contributed decisively with Samuel Keller Vice-President their collaboration to making this Brian Kennedy Baroness Carmen Thyssen-Bornemisza exhibition a reality: Udo Kittelmann Board Members María Alonso Perrine Le Blan HRH the Infanta Doña Pilar de Irina Antonova Ellen Lee Borbón Richard Armstrong Arnold L. Lehman José María Lassalle Ruiz László Baán Christophe Leribault Fernando Benzo Sáinz Mr. and Mrs. Barron U. Kidd Marina Loshak Marta Fernández Currás Graham W. J. Beal Glenn D. Lowry HIRH Archduchess Francesca von Christoph Becker Akiko Mabuchi Habsburg-Lothringen Jean-Yves Marin Miguel Klingenberg Richard Benefield Fred Bidwell Marc Mayer Miguel Satrústegui Gil-Delgado Mary G. Morton Isidre Fainé Casas Daniel Birnbaum Nathalie Bondil Pia Müller-Tamm Rodrigo de Rato y Figaredo Isabella Nilsson María de Corral López-Dóriga Michael Brand Thomas P. Campbell Nils Ohlsen Artistic Director Michael Clarke Eriko Osaka Guillermo Solana Caroline Collier Nicholas Penny Marcus Dekiert Ann Philbin Managing Director Lionel Pissarro Evelio Acevedo Philipp Demandt Jean Edmonson Christine Poullain Secretary Bernard Fibicher Earl A. Powell III Carmen Castañón Jiménez Gerhard Finckh HSH Prince Albert II of Monaco Giancarlo Forestieri William Robinson Honorary Director Marsha Rojas Tomàs Llorens David Franklin Matthias Frehner Alejandra Rossetti Peter Frei Katy Rothkopf Isabel García-Comas Klaus Albrecht Schröder María García Yelo Dieter Schwarz Léonard Gianadda Sir Nicholas Serota Karin van Gilst Esperanza Sobrino Belén Giráldez Nancy Spector Claudine Godts Maija Tanninen-Mattila Ann Goldstein Baroness Thyssen-Bornemisza Michael Govan Charles L.
  • Alfred Eisenstaedt About an Artist

    Alfred Eisenstaedt About an Artist

    Christian Dior (Stephen Jones), Top Hat, fall 2000. In “Paris, Capital of Fashion,” Fashion Institute of Technology, NY Fall 2019 1 ReflectingReflecting onon EqualityEquality “To start, museums should prioritize hiring curators from Inequality has run unchecked through our society, and through our museums. Are all interests of the viewing public, academic programs that invest in diversity. Donors need to more diverse than ever before, represented in the trustee’s choice support artists and academics of every background; the people of purchases? Exhibitions? Activities and programs? Is diversity entrusted with analyzing and exhibiting the American story a recognized imperative in the hiring and firing of staff? Are ought to reflect the future, or risk not being a part of it.” certain elements of the population locked out of institutions be- Things are improving: “…educational and curatorial depart- cause of the high price of admission and because of an unfamil- ments have grown more racially diverse since 2014. More than iarity with the institution’s ethos? a quarter of museum education positions are now held by people In a New York Times op-ed article by Darren Walker, president of color.” These new curators have been the creators of some of of the Ford Foundation, the subject of equality was reviewed. the most well attended and popular exhibitions. Many organi- The headline trumpeted: “Museums Need to Reflect Equality.” zations and governments that support museums are demanding evidence of the museum’s hiring practices. Many grant-making “I believe that museums have the responsibility to hold a entities also are asking proof of diversity.
  • Maler Der Frühen Moderne 8. September 2017 Bis 28. Januar 2018

    Maler Der Frühen Moderne 8. September 2017 Bis 28. Januar 2018

    FERDINAND HODLER Maler der frhen Moderne 8. September 2017 bis 28. Januar 2018 Medienkonferenz: Donnerstag, 7. September 2017, 11 Uhr Inhalt 1. Allgemeine Informationen Seite 2 2. Informationen zur Ausstellung Seite 4 3. Biografie Ferdinand Hodler Seite 6 4. Wandtexte Seite 10 5. Publikation Seite 15 6. Rahmenprogramm zur Ausstellung (Auswahl) Seite 16 7. Laufende und kommende Ausstellungen Seite 23 Leiter Unternehmenskommunikation / Pressesprecher Sven Bergmann T +49 228 9171–204 F +49 228 9171–211 [email protected] Allgemeine Informationen Dauer 8. September 2017 bis 28. Januar 2018 Intendant Rein Wolfs Kaufmnnischer Geschftsfhrer Dr. Bernhard Spies Kuratorin Dr. Monika Brunner Ausstellungskuratorin Dr. Angelica Francke Leiter Unternehmenskommunikation / Sven Bergmann Pressesprecher Publikation / Presseexemplar 35 € / 17 € ffnungszeiten Dienstag und Mittwoch: 10 bis 21 Uhr Donnerstag bis Sonntag: 10 bis 19 Uhr Feiertags: 10 bis 19 Uhr Freitags fr angemeldete Gruppen und Schulklassen ab 9 Uhr geffnet Montags geschlossen Eintritt regulr / ermigt / Familienkarte 10 € / 6,50 € / 16 € Happy-Hour-Ticket 7 € fr alle Ausstellungen Dienstag und Mittwoch: 19 bis 21 Uhr Donnerstag bis Sonntag: 17 bis 19 Uhr (nur für Individualbesucher) ffentliche Turnusfhrungen Mittwochs: 18 Uhr Sonn- und feiertags: 14 Uhr 3 € / ermigt 1,50 €, zzgl. Eintritt Kinderfhrungen Sonn- und feiertags, 14 Uhr Teilnahme frei mit Eintrittskarte Audioguide 4 € / ermßigt 3 € Deutsch und Englisch Audiodeskription fr Blinde: 2 € Mediaguide in Gebrdensprache: 2 € Knstlerische Konzeption und Produktion des Audioguides durch Linon Verkehrsverbindungen U-Bahn-Linien 16, 63, 66 und Bus- Linien 610, 611 und 630 bis Heussallee / Museumsmeile Parkmglichkeiten Parkhaus Emil-Nolde-Strae Navigation: Emil-Nolde-Strae 11, 53113 Bonn Presseinformation (dt. / engl.) www.bundeskunsthalle.de/presse Informationen zum Programm T +49 228 9171–243 und Anmeldung zu F +49 228 9171–244 Gruppenfhrungen [email protected] Allgemeine Informationen (dt.
  • Chapter 17 University of Utah Part 1 Educational Telecommunications

    Chapter 17 University of Utah Part 1 Educational Telecommunications

    Utah Code Chapter 17 University of Utah Part 1 Educational Telecommunications 53B-17-101 Legislative findings on public broadcasting and telecommunications for education. The Legislature finds and determines the following: (1) The University of Utah's Dolores Dore' Eccles Broadcast Center is the statewide public broadcasting and telecommunications facility for education in Utah. (2) The center shall provide services to citizens of the state in cooperation with higher and public education, state and local government, and private industry. (3) Distribution services provided through the center shall include KUED - TV, KUER - FM, and KUEN - TV. (4) KUED - TV and KUER - FM are licensed to the University of Utah. (5) The Utah Education and Telehealth Network's broadcast entity, KUEN - TV, is licensed to the Utah Board of Higher Education and, together with UETN, is operated on behalf of the state's systems of public and higher education. (6) All the entities referred to in Subsection (3) are under the administrative supervision of the University of Utah, subject to the authority and governance of the Utah Board of Higher Education. (7) This section neither regulates nor restricts a privately owned company in the distribution or dissemination of educational programs. Amended by Chapter 365, 2020 General Session 53B-17-101.5 Definitions. As used in this part: (1) "Board" means the Utah Education and Telehealth Network Board. (2) "Education Advisory Council" means the Utah Education Network Advisory Council created in Section 53B-17-107. (3) "Digital resource" means a digital or online library resource, including a database. (4) "Digital resource provider" means an entity that offers a digital resource to customers for license or sale.
  • 250 Years Later: Swiss Art Takes Center Stage on the Day Christie’S Turns 250 5 December 2016

    250 Years Later: Swiss Art Takes Center Stage on the Day Christie’S Turns 250 5 December 2016

    PRESS RELEASE | ZURICH FOR IMMEDIATE RELEASE | 8 NOVEMBER 2016 250 YEARS LATER: SWISS ART TAKES CENTER STAGE ON THE DAY CHRISTIE’S TURNS 250 5 DECEMBER 2016 Zurich – Christie’s Zurich has the privilege to be one of the company’s two salerooms to stage an auction on the actual day that Christie’s turns 250. On 5 December 1766 James Christie, the founder of today’s world leading art business, held his first auction in London, offering an array of objects – from 4 irons to 4 Indian glass panels. Within a couple of months James Christie revolutionised the auction business by staging the first ever stand-alone painting auction on 20 March 1767. This tradition will continue on 5 December 2016, when Christie’s will present 80 works of Swiss Art – a category which has held stand-alone auctions for 25 years in Zurich. After setting a new world auction record for Le Corbusier (1887-1965) when selling the sculpture La Femme, for over CHF 3 million in Zurich two years ago, Hans-Peter Keller and his Swiss Art team are delighted to present Le Corbusier’s Ozon, Opus I, realized in 1947. Ozon, was the small village in the French Pyrenees, Le Corbusier and his wife moved to, when the Germans marched into Paris in 1940. Here, he continued to develop the form and lines of the female body and integrated the findings into his work – not only in his sculptures but also into his drawings, paintings and his architecture projects. Opus I is a clear reference to the organ Le Corbusier was most fascinated by, the human ear, which developed its own dynamism throughout the artist’s oeuvre (estimate: CHF 400,000- 600,000).
  • Claude Monet : Seasons and Moments by William C

    Claude Monet : Seasons and Moments by William C

    Claude Monet : seasons and moments By William C. Seitz Author Museum of Modern Art (New York, N.Y.) Date 1960 Publisher The Museum of Modern Art in collaboration with the Los Angeles County Museum: Distributed by Doubleday & Co. Exhibition URL www.moma.org/calendar/exhibitions/2842 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Museum of Modern Art, New York Seasons and Moments 64 pages, 50 illustrations (9 in color) $ 3.50 ''Mliili ^ 1* " CLAUDE MONET: Seasons and Moments LIBRARY by William C. Seitz Museumof MotfwnArt ARCHIVE Claude Monet was the purest and most characteristic master of Impressionism. The fundamental principle of his art was a new, wholly perceptual observation of the most fleeting aspects of nature — of moving clouds and water, sun and shadow, rain and snow, mist and fog, dawn and sunset. Over a period of almost seventy years, from the late 1850s to his death in 1926, Monet must have pro duced close to 3,000 paintings, the vast majority of which were landscapes, seascapes, and river scenes. As his involvement with nature became more com plete, he turned from general representations of season and light to paint more specific, momentary, and transitory effects of weather and atmosphere. Late in the seventies he began to repeat his subjects at different seasons of the year or moments of the day, and in the nineties this became a regular procedure that resulted in his well-known "series " — Haystacks, Poplars, Cathedrals, Views of the Thames, Water ERRATA Lilies, etc.
  • GÜNTER KONRAD Visual Artist Contents

    GÜNTER KONRAD Visual Artist Contents

    GÜNTER KONRAD visual artist contents CURRICULUM VITAE 4 milestones FRAGMENTS GET A NEW CODE 7 artist statement EDITIONS 8 collector‘s edition market edition commissioned artwork GENERAL CATALOG 14 covert and discovered history 01 - 197 2011 - 2017 All content and pictures by © Günter Konrad 2017. Except photographs page 5 by Arne Müseler, 80,81 by Jacob Pritchard. All art historical pictures are under public domain. 2 3 curriculum vitae BORN: 1976 in Leoben, Austria EDUCATION: 2001 - 2005 Multi Media Art, FH Salzburg DEGREE: Magister (FH) for artistic and creative professions CURRENT: Lives and works in Salzburg as a freelance artist milestones 1999 First exhibition in Leoben (Schwammerlturm) 2001 Experiments with décollages and spray paintings 2002 Cut-outs and rip-it-ups (Décollage) of billboards 2005 Photographic documentation of décollages 2006 Overpaintings of décollages 2007 Photographic documentation of urban fragments 2008 Décollage on furniture and lighting 2009 Photographic documentation of tags and urban inscriptions 2010 Combining décollages and art historical paintings 2011 First exhibition "covert and discovert history" in Graz (exhibition hall) 2012 And ongoing exhibitions and pop-ups in Vienna, Munich, Stuttgart, | Pörtschach, Wels, Mondsee, Leoben, Augsburg, Nürnberg, 2015 Purchase collection Spallart 2016 And ongoing commissioned artworks in Graz, Munich, New York City, Salzburg, Serfaus, Singapore, Vienna, Zirl 2017 Stuttgart, Innsbruck, Linz, Vienna, Klagenfurt, Graz, Salzburg commissioned artworks in Berlin, Vienna, Tyrol, Obertauern, Wels 2018 Augsburg, Friedrichshafen, Innsbruck, Linz, Vienna, Klagenfurt, Graz, Salzburg, Obertauern, commissioned artworks in Linz, Graz, Vienna, Tyrol, OTHERS: Exhibition at MAK Vienna Digital stage design, Schauspielhaus Salzburg Videoscreenings in Leipzig, Vienna, Salzburg, Graz, Cologne, Feldkirch Interactive Theater Performances, Vienna (Brut) and Salzburg (Schauspielhaus), organizer of Punk/Garage/Wave concerts..