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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Used Vinyl ––– New Arrivals –––5Th–5Th September 2019
USED VINYL ––– NEW ARRIVALS –––5TH–5TH SEPTEMBER 2019 REFCODE ARTIST TITLE RRP LP/12 8946 ABLE TASMANS HEY SPINNER - ROUGH 49.95 LP 476 BAEZ JOAN BEST OF JOAN C BAEZ 9.95 LP 530965 BASIL TONI MICKEY 12 INCH 14.95 LP 488831 BEACH BOYS LITTLE DEUCE COUPE - MONO 12.95 LP 401314 BEACH FOSSILS BEACH FOSSILS 29.95 LP 790 BEATLES ESSENTIAL BEATLES - NZ 14.95 LP 315156 BEATLES SGT PEPPERS - AUSTRALIAN GATEFOLD 39.95 LP STEREO REISSUE 287789 BEATLES YELLOW SUBMARINE - NZ BLACK 34.95 LP PARLOPHONE 338634 BECK MELLOW GOLD - US FIRST PRESS REISSUE 99.95 LP 296389 BERRY CHUCK JOHNNY B GOODE 19.95 LP 263114 BERRY CHUCK BEST OF THE BEST OF CHUCK BERRY 19.95 LP 539645 BIG F BIG F 11.95 LP 454313 BLACK ANGELS INDIGO MEADOW 35.95 LP 396465 BLOOD SWEAT AND TEARS BLOOD SWEAT AND TEARS GREATEST 11.95 LP HITS - US 15810 BLUR BLUR - 2LP EU REISSUE 39.95 LP 93956 BLUR PARKLIFE - 2012 2LP EU RSISSUE 45.95 LP 487562 BLUR MODERN LIFE IS RUBBISH - 2LP EU 39.95 LP REISSUE 222764 BRASS CONSTRUCTION BRASS CONSTRUCTION - USA 14.95 LP 539567 BROWN JAMES HELL - 1997 REISSUE (2LP) 35.95 LP 539554 BROWN JAMES LIVE AND LOWDOWN AT THE APOLLO VOL 19.95 LP 1 469945 BROWN JAMES LOVE POWER PEACE - LIVE IN PARIS 1971 69.95 LP 1000 BROWNE JACKSON FOR EVERYMAN - US 14.95 LP 104921 BUGGLES AGE OF PLASTIC 12.95 LP 9952 BYRDS TURN TURN TURN 17.95 LP 403464 CHASE AND STATUS NO MORE IDOLS 49.95 12 431899 CLASH GIVE EM ENOUGH ROPE - 2013 US REISSUE 29.95 LP 510106 COCKER JOE MAD DOGS AND ENGLISHMEN - 2LP - UK 33.95 LP 207894 COMMUNARDS DONT LEAVE ME THIS WAY 12 INCH 9.95 LP 1292 CRAY ROBERT -
John Barlycorn Must Die
“Ti ricordi di Syd?”. Traffic – John Barlycorn must die 10 Marzo 2015 Traffic – John Barlycorn must die Stevie Winwood sta al rock come il monolite sta al film 2001 Odissea nello Spazio, oppure se volete, come quel vecchio amaro che “ci sta sempre bene” Da quando il rock è stato etichettato come tale, il grande musicista, l’inconfondibile vocalist e soprattutto il genio compositore, è sempre stato presente nei momenti migliori. Dall’inizio ancora in età di acne giovanile appena quindicenne con lo Spencer Davis Group per i quali scrisse, suono e cantò “Gimme some lovin”, fino agli hit-single degli anni di fine secolo scorso. Tutto attraverso una serie incredibile di iniziative e collaborazioni. Dal supergruppo del Blind Faith con Eric Clapton, Ginger Baker e Rich Grech, agli Air Force One, all’Hendrix di Electric Ladyland, a Lou Reed, Shawn Philips, Amagazin Blondel, Jade Warrior, Stomu Yamashta. Il musicista di Briminghan, scrive però la storia del rock con il gruppo dei Traffic, del quale ne era ovviamente mente ispirata e leader incontrastato. Dieci album complessivi dal 1967 (Mr Fantasy) al 1994 (Far from home), Partendo da Mr fantasy con l’intramontabile title track e passando attraverso grandi capolavori i quali “Shoot out of the fantasy factory”, il live “On the road” ma soprattutto il sognante “When the eagle flies” del 1974 e il folk-progressive di “John Barlycon must die” pubblicato nel 1970. Essendo inizialmente previsto come un album solo, Winwood si trovò a suonare praticamente tutti gli strumenti salvo i fiati, strumenti per iquali non aveva all’epoca specifica dimestichezza. -
The Daily Egyptian, April 22, 1974
Southern Illinois University Carbondale OpenSIUC April 1974 4-22-1974 The aiD ly Egyptian, April 22, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_April1974 Volume 55, Issue 147 Recommended Citation , . "The aiD ly Egyptian, April 22, 1974." (Apr 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in April 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ~. .. 113gyptian The eclectic world of Darwin Payne 'Magazine Southern Illinois University Quiet ' Renaissance man' at work In SID theater By Julie TiloDe see is London , a place many find Staff Writer refreshingly " small-town." New York, despite Payne's a version to A university is often that proverbial it, still has Broadway to lure the young backyard where really important things stage designer. But Payne contends that are overlooked. Important things, and a newcomer's chances aren't very good important people. Tucked away into there, since the union is very exclusive each departmental nook of the campus and Broadway just doesn 't provide that are men and women whose outstanding much work .,. reputations aren't recognized by the The west coast. with its film and community outside, and sometimes television industries. offers more job inside, that department. opportunities for the designer. But Darwin Pa yne is a case in pOint. Payne is qwck to note the difference in Payne . an associate professor of the kind of work available in those theater. has an established national media. -
Muscle Shoals Sound Records
WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them. -
By John Milward
By John Milward ... HE WORD TRAFFIC IS FREQUENTLY FOLLOWED BY JAM. FOR shedding with Winwood were guitarist Dave Mason, the British rock band Traffic, the musical jam ses drummer Jim Capaldi and the horn-blowing Chris Woovd. sion began in the spring of 1967 at a country cot The resulting album, Mr. Fantasy, fit right into a year that tage in Berkshire, England. As the quartet wrote saw the release of Sgt. Pepper and the rise of San Francisco and rehearsed, member Steve Winwood’s soulful psychedelic bands Jefferson Airplane and Grateful Dead. voice and wailing organ could be heard on the ra And the song “Dear Mr. Fantasy” was a monster jam of key dio via “Gimme Some Lovin’ ” and “I’m a Man,” monster hits boards and guitars that could go on pretty much forever. from his previous band, the Spencer Davis Group. Now wood- In 1994, two decades after the original band broke up, Winwood and Capaldi re-formed Traf- Above: Jim Capaldi, fic and toured with the king of the jam Dave Mason, Chris bands, the Grateful Dead, who played Wood and Steve “Dear Mr. Fantasy” when Traffic did Winwood (from le ft) not. In 2002, Winwood attended the annual gathering of jam bands, the Bonnaroo Music Festival, and sat in with Widespread Panic and the String Cheese Inci dent, making his “long strange trip” slightly more typical than that of his buddies, the Dead. His journey was that of a gifted singer and musician. By expanding rock’s instrumental palette, Traffic broke new ground in popular music. -
Digital Radio Makes Billions of Dollars a Year from Airplay of Music Made Before Feb
Jenn Bostic Kevin Gates MC Taylor Phil Cook Sarah McLachlan Dear Congress, Pass The Jennifer Warnes Kris Kristofferson Melissa Etheridge Phil Everly (Estate) Sergio Mendes Jerry Douglas Laura Ballance Michael Feinstein Punch Brothers Shelby Lynne Jim Morrison (Estate) Laura Veirs Michelle Phillips Randy Newman Stelth Alexander Jim Peterik Lee Loughnane Michelle Branch Ray Manzarek (Estate) Steve Cropper Jimi Hendrix Lights Mick Hucknall Ray Parker Jr. Steve Earle (Experience Hendrix) Digital radio makes billions of dollars a year from airplay of music made before Feb. 15, 1972. Yet, because of an Linda Ronstadt Miles Davis (Estate) R.E.M. Steve Miller Classics Act Jimmy Page Lindsey Stirling Muddy Waters (Estate) Rhett Miller Stone Temple Pilots ambiguity in state and federal copyright laws, artists and copyright owners who created that music receive nothing Joe Cocker (Estate) Lizz Wright Nat King Cole (Estate) Rhiannon Giddens Superchunk Joel Rafael for the use of their work. The CLASSICS Act (H.R. 3301 S. 2393) would correct this inequity and fi nally ensure that Loretta Lynn Neil Diamond Rick Wakeman Suzanne Vega John Densmore musicians and vocalists who made those timeless songs fi nally get their due. Lucifer’s Friend Neil Young Robbie Robertson Syd Barrett (Estate) John Doe Mac McAnally Nick Mason Robby Krieger T Bone Burnett We urge Congress to pass the CLASSICS Act and other pro-artist reforms quickly. John Fogerty Mac McCaughan Nils Lofgren Robert Lamm Taj Mahal John Lee Hooker (Estate) Abdul “Duke” Fakir Boney James Chromeo Dionne Warwick Grateful Dead Majid Al Maskati Noddy Holder Robert Plant The Both John Leventhal Aimee Mann Bonnie Raitt Chuck Jackson Dolly Parton Hal Willner “Mama” Cass Elliot (Estate) Otis Redding (Estate) Rodney Crowell the John R Cash Trust John McCrea Alan Price Booker T. -
Country Goes Cable California Retailers Weather Storms New Trends in Store Fixtures Salute to Meltillis
NEWSPAPER $3.00 BOOSTING SALES WITH GRAMMY AWARDS COUNTRY GOES CABLE CALIFORNIA RETAILERS WEATHER STORMS NEW TRENDS IN STORE FIXTURES SALUTE TO MELTILLIS \ s I I Mel Tlllls A ZSifi ^nniud Convention April 10-14, 1983 Fontainebleau Hilton Hotel Miami Beach, Florida 9. 10. THE CONVENTION CROSSWORD PUZZLE ACROSS 1. The trade association for marketing music Industry unveiled at NARM "Spotlight" speakers 13. Luncheon honoring NARM officers 14. NARM Markets 1 7. Performers at luncheons and dinners 19. Exhibit area highlights 20. Inform via broadcast and print media 23. Host of spectacular luncheon show 24. Merchandiser of the Year Award 25. More about this promotion alternative 26. Super industry marketing campaign 27. Convention climax 29. Outstanding new opportunity 30. Mid-day Convention showtime 32. What happens at NARM 33. Convention meeting place " 34. In Ireland, "Gift 28. DOWN31. 2. NARM Music 3. Convention eye-openers 4. New participants 5. What NARM members do best 6. Honored at NARM Awards Banquet 7. NARM's newest market expansion program 8. Special interest Convention schedule 11. Tennis, golf and running on Miami Beach 12. Product line getting first-time Convention program 15. Key to retailer's success 16. Relax here after Convention business day 18. Awarded at Foundation Dinner 21. Hot topic of Convention program 22. "Class" topic fora Convention program Profound packaging opportunity Software and games NARM MARKETS MUSIC” CONVENTION THEME "NARM Markets Music" encompasses in a short but dising of specialty product (children's and classical). An very meaningful phrase, the focus of the program for exciting new dimension is added to the Convention the 1983 NARM Convention. -
Patterson Hood Looks Back to Move Forward on His New Best Release, Murdering Oscar (And Other Love Songs)
ONE YEAR ISSUE! FREE! METRIC • ASHER ROTH • CYCLE OF PAIN THE GINGER ENVELOPE • ST. VINCENT • CAGE THE ELEPHANT • MATTHEW SWEET CARS CAN BE BLUE • EELS • AND MORE! FOR FANS OF MUSIC & THOSE WHO MAKE IT ISSUE 8 TEN QUESTIONS WITH...311 THE UNDYING ROCK Father OPERA GIRLS IN ATHENS ROCK... Knows LITERALLY NIC CAGE: A STAR’S Best: TREK Patterson Hood PLUS! ULTIMATE Looks Back to MUSICIAN’S Move Forward GEAR GUIDE ATHFEST TURNS 13: OUR 2009 GUIDE 13th annual 4 days of music, art, camping & loving le: Profi SWOP 13th annual No overlapping sets, 35 Headlining Bands, 40+ Hours of music, All Ages, rain or Shine, Even Better VIP section, Microbrews, Kids area, Family camping, Drum circles, Food & Craft vendors & much much more! Ad Name: Full Flavor Closing Date: 1.7.9 Trim: 8.25 x 10.75 Item #: PSE20089386 QC: RR Bleed: 8.75 x 11.25 Job/Order #:594830-199138 Pub: Athens Blur Live: 7.5 x 10 cover story Father Knows (14) Athens legend and Drive By-Truck- ers frontman Patterson Hood looks back to move forward on his new Best release, Murdering Oscar (And Other Love Songs). —Alec Wooden (41) (45) After 19 years, 311 continues Athens’ homegrown music to uplift spirits with reggae- and arts festival continues infused rock on the first to get stronger with each album in nearly four years. passing year. tenquestions with311 — Nicole Black No — Alec Wooden Mystery About it: (51) (45) Ten bands beat the new singles craze and prove the concept album is back on the rise. turns — Natalie B. -
Traffic Shoot out at the Fantasy Factory Mp3, Flac, Wma
Traffic Shoot Out At The Fantasy Factory mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Shoot Out At The Fantasy Factory Country: UK Released: 1993 Style: Pop Rock, Classic Rock MP3 version RAR size: 1967 mb FLAC version RAR size: 1888 mb WMA version RAR size: 1687 mb Rating: 4.5 Votes: 803 Other Formats: AHX MPC VOC AIFF RA DMF AUD Tracklist Hide Credits Shoot Out At The Fantasy Factory A1 6:01 Written-By – Capaldi*, Winwood* Roll Right Stones A2 13:44 Written-By – Capaldi*, Winwood* Evening Blue B1 5:16 Written-By – Capaldi*, Winwood* Tragic Magic B2 6:40 Written-By – Wood* (Sometimes I Feel So) Uninspired B3 7:31 Written-By – Capaldi*, Winwood* Companies, etc. Recorded At – Strawberry Hill Studios Mastered At – Sterling Sound Pressed By – Capitol Records Pressing Plant, Jacksonville Credits Cover, Illustration – Tony Wright Engineer – Jerry Masters, Steve Melton Performer – Chris Wood , David Hood, Jim Capaldi, Rebop Kwaku Baah, Roger Hawkins, Steve Winwood Photography By – Tommy Wright Producer – Steve Winwood Notes 1977-80 Night/Day labels. Capitol Jacksonville pressing indicated by JW and ( ) in run outs. Die-Cut cover issued with custom inner sleeve in same shape with star artwork. Recorded at Strawberry Hills Studios, Jamaica Barcode and Other Identifiers Matrix / Runout (Side A runout): STERLING ILPS 1 9224 JW1 ( ) Matrix / Runout (Side B runout): STERLING ILPS 2 9224 JW1 #1 ( ) Other versions Category Artist Title (Format) Label Category Country Year Shoot Out At The Island ILPS 9224, ILPS 9224, Traffic Fantasy -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
Hits Local Store Plicated Because of the Number of Firms at the Present Time Jasper Is Involved in Yweight by the United Farm Workers Union Instead Involved
Special report for es t Major suits involved in Duncan Hall project By BILL PATERSON since denied the charge and recently Clara County Superior Court charging I with negligent and careless workman- Jaspei with ailing to complete lowest bid of a sub-contractor if that con- Slate First of two parts wrote a letter to the Spartan Daily defen- subcontractors with responsibility for a ship. payments for labor and materials. tractor qualifies under slate regulations," team A number of construction companies ding the materials used. six -week delay in the project's com- Hearings have been set for Feb. 22 and According to the contract between he added. its next are suing one another following their Jasper claimed the shelves were pletion. 23. amording to jasper's attorney ES. Jasper and the California Slate Board of "In public buildings you run into these part ans work on the recently completed $8.8 overloaded. Earlier, Dr. Young said that The complaint cited the subcontractors Wilson. Trustees, jasper agreed to complete the problems more so than in private o State million phase It of the San Jose State such was not the case. with abandoning the project before its A number of the subcontractors named Duncan Hall project by lune 1. 1972. It buildings 18. Feb. University Duncan Hall Science Building. Gilbert Friel, a representative of the completion and in the case of one firm, in jasper's suit have filed cross-com- was also stated in the contract Jasper Wilson said he expected a long Slate This is in wake of an investigation OAC in Oakland.