Used Vinyl ––– New Arrivals –––5Th–5Th September 2019
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
John Barlycorn Must Die
“Ti ricordi di Syd?”. Traffic – John Barlycorn must die 10 Marzo 2015 Traffic – John Barlycorn must die Stevie Winwood sta al rock come il monolite sta al film 2001 Odissea nello Spazio, oppure se volete, come quel vecchio amaro che “ci sta sempre bene” Da quando il rock è stato etichettato come tale, il grande musicista, l’inconfondibile vocalist e soprattutto il genio compositore, è sempre stato presente nei momenti migliori. Dall’inizio ancora in età di acne giovanile appena quindicenne con lo Spencer Davis Group per i quali scrisse, suono e cantò “Gimme some lovin”, fino agli hit-single degli anni di fine secolo scorso. Tutto attraverso una serie incredibile di iniziative e collaborazioni. Dal supergruppo del Blind Faith con Eric Clapton, Ginger Baker e Rich Grech, agli Air Force One, all’Hendrix di Electric Ladyland, a Lou Reed, Shawn Philips, Amagazin Blondel, Jade Warrior, Stomu Yamashta. Il musicista di Briminghan, scrive però la storia del rock con il gruppo dei Traffic, del quale ne era ovviamente mente ispirata e leader incontrastato. Dieci album complessivi dal 1967 (Mr Fantasy) al 1994 (Far from home), Partendo da Mr fantasy con l’intramontabile title track e passando attraverso grandi capolavori i quali “Shoot out of the fantasy factory”, il live “On the road” ma soprattutto il sognante “When the eagle flies” del 1974 e il folk-progressive di “John Barlycon must die” pubblicato nel 1970. Essendo inizialmente previsto come un album solo, Winwood si trovò a suonare praticamente tutti gli strumenti salvo i fiati, strumenti per iquali non aveva all’epoca specifica dimestichezza. -
By John Milward
By John Milward ... HE WORD TRAFFIC IS FREQUENTLY FOLLOWED BY JAM. FOR shedding with Winwood were guitarist Dave Mason, the British rock band Traffic, the musical jam ses drummer Jim Capaldi and the horn-blowing Chris Woovd. sion began in the spring of 1967 at a country cot The resulting album, Mr. Fantasy, fit right into a year that tage in Berkshire, England. As the quartet wrote saw the release of Sgt. Pepper and the rise of San Francisco and rehearsed, member Steve Winwood’s soulful psychedelic bands Jefferson Airplane and Grateful Dead. voice and wailing organ could be heard on the ra And the song “Dear Mr. Fantasy” was a monster jam of key dio via “Gimme Some Lovin’ ” and “I’m a Man,” monster hits boards and guitars that could go on pretty much forever. from his previous band, the Spencer Davis Group. Now wood- In 1994, two decades after the original band broke up, Winwood and Capaldi re-formed Traf- Above: Jim Capaldi, fic and toured with the king of the jam Dave Mason, Chris bands, the Grateful Dead, who played Wood and Steve “Dear Mr. Fantasy” when Traffic did Winwood (from le ft) not. In 2002, Winwood attended the annual gathering of jam bands, the Bonnaroo Music Festival, and sat in with Widespread Panic and the String Cheese Inci dent, making his “long strange trip” slightly more typical than that of his buddies, the Dead. His journey was that of a gifted singer and musician. By expanding rock’s instrumental palette, Traffic broke new ground in popular music. -
Bobby Mcferrin Simple Pleasures Full Album Zip
Bobby McFerrin, Simple Pleasures Full Album Zip Bobby McFerrin, Simple Pleasures Full Album Zip 1 / 2 Elton John: Reg Strikes Back • Elton's 22nd gold album! ... Bobby McFerrin: Simple Pleasures • Don't Worry Be Happy, etc. ... take up to one full year to do it. ... City Zip COMPACT Telephone ( )_ Area Code Signature Limited to new members, .... Simple Pleasures is the fourth studio album by American singer and musician Bobby McFerrin. It was his commercial breakthrough album, containing the hit .... Don't Worry, Be Happy" is the opening tune of a collection of multi tracked songs on which all the voices are Bobby McFerrin's. Five originals including the title .... Elton John: Reg Strikes Back • Elton's 22nd gold album! ... Bobby McFerrin: Simple Pleasures • Don't Worry Be Happy, etc. ... Savings with every CD you buy at regular Club prices, effective with your first full-price purchase! ... ROCK 5 □ CLASSICAL (PLEASE PRINT) Apt. Zip Telephone ( A Signature YDTAD (BU) Limited to .... Bobby McFerrin – Simple Pleasures. Simple Pleasures (CD, Album) album cover ... CD, Album. Country: ... Tracklist Hide Credits ... 4, Simple Pleasures, 2:09.. Bobby McFerrin, Simple Pleasures Full Album Zip- adds ... Bonnie Raitt, Herbie Hancock, Bobby McFerrin, The Neville Brothers, Eddie Palmieri, .... Simple Pleasures is the fourth studio album by American singer and musician Bobby McFerrin. It was his commercial breakthrough album, .... Simple Pleasures is the fourth studio album by American singer and musician Bobby McFerrin. It was his commercial breakthrough album, containing the hit .... Bobby McFerrin - Simple Pleasures (1988) ... download: uploaded yandex 4shared gett mediafire solidfiles mega zalivalka filecloudio anonfiles ... -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Polygram 1983-1992
AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT -
The Pride of New Orleans
DOWNBEAT 76th Annual Readers Poll Winners! 76TH 76TH A NNUAL REA NNUAL D E R S POLL POLL S W INNE Trombone R S // Tr OM B ONE ONE SHORTY S HO R TY // The Pride of A HMA D JAMAL New Orleans // E S P Poll Winners E R ANZA ANZA Ahmad Jamal Sp HALL OF FaME AL D ING Esperanza Spalding // B R A D Brad Mehldau M EHL D AU Miles Davis Jeff Beck COMPLETE RESULTS INSIDE! Rudresh DECEMBER 2011 U.K. £3.50 Mahanthappa BLINDFOLD TEST D E C EM Holiday B E R 2 011 Gift Guide DOWNBEAT.COM DECEMBER 2011 VOLUME 78 – NuMBER 12 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 | Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT -
October 1988
Cover Photo by Lynn Goldsmith FEATURES 18 JON FARRISS As the drummer for the popular Australian group INXS, Jon Farriss is more concerned with groove than flash, and he is a master at using electronics to enhance his sound. by Teri Saccone CHARLIE 24 MORGAN Well-known in the London studios for many years, Charlie Morgan became visible to the public as a result of his recording and live work with Elton John. He discusses the demands of the studio and recalls memorable sessions. by Simon Goodwin Photo by Jaeger Smith Kotos ALBERT 28 BOUCHARD His drumming with Blue Oyster Cult helped define the heavy metal style, but these days, Albert Bouchard is as likely to be writing or producing as he is to be playing drums. Here, he traces his career and offers numerous tips about hard rock drumming. by Deborah Frost 32 INSIDE UFIP Since 1929, a small group of craftsmen have been producing cymbals in a small town in Italy. We visit the factory for a look at the U.F.I.P. manufacturing process and to learn the history of Italian cymbal making. by Jon Mclnnes Photo by Michael P. McLaughlin COLUMNS VOLUME 12, NUMBER 10 EDUCATION TEACHERS' JAZZ DRUMMERS' EQUIPMENT FORUM WORKSHOP Books And Lessons: Samba Variations ELECTRONIC NEWS "Do I Really Need by Peter Erskine REVIEW Them?" 74 The Alesis HR-16 UPDATE by Daniel J. Lauby Drum Machine 8 38 ROCK CHARTS by lim Fiore Alan White: "Rhythm 56 INDUSTRY of Love" HAPPENINGS THE JOBBING 104 DRUMMER by James Morton PRODUCT Making People Dance 80 CLOSE-UP by Simon Goodwin Piccolo Snare Drums 40 ELECTRONIC by Bob Saydlowski, Jr. -
Athletic Schedule Studied ' The
Z.Srni th Heynolds Lib. Peirodic<:~ls Hoom~WFU TODAY INSIDE Reynold<:~ Station TODA V EDITORIALLY Wins ton-S<Jlcrn, NC 27109 * KARATE CLUB • *FOOTBAlL * UPSALA REVIEW SCHEDULE· 1en's J.ll an at lmes ling) yol. 1.\111 Wake Forest University, Winston.Salem, North Carolina, Friday, October 25, 1974 llows No.8 new loors after ~man ,ot to are these these Athletic Schedule Studied ' the comment about football who knew they'd be this ~ood? tickets, we can make money even the financial end of the basketball By STEVE DUIN in a game against Rollins." Assistant Editor scheduling. Maryland was just another team. program than they do with Athletic Director Dr. Gene It's been unfortunate timing with Since the Wake Forest football. "In short," Martin said, the schedule, and the team being basketball program is on the "we can afford some scheduling In their last 18. quarters, the Hooks emphasized that upswing, the demand for Wake Forest football team has scheduling is but a part of the as weak as they are." flexibility in basketball that we Money is an important part of basketball season tickets is fairly can't in football." failed to cross the goal line,·· cycle from which emerges a good high. This, along with the fact while their opponents have football team. That cycle began scheduling. Zeno Martin, the Wake Forest has problems in athletic department's business that the basketball schedules are scheduling football that larger accumulated the equivalent of aa · at Wake Forest when the football organized on pretty much of a touchdowns. -
The Consummate Live Entertainer, Providing a Splashy, Larger-Than
The consummate live entertainer, providing a splashy, larger-than-life visual spectacle to complement his mi (Photo circa 1977-78, Soul Train) Elton Hercules John—the stage name he officially adopted—had a lock on the ’70s. “Who knows, when I’m 45 years old there might be an Elton John renaissance and I can come around doing the Hoagy Carmichael bit.” —Rolling Stone, 6/10/71 ontrary to the artist sown prediction, issued atan early point in his career, there has never beenan Elton John renaissance.There hasn’t had to be, because he’s remained consis tently popular and productive for all the intervening years since he made that statement. As of1992, in fact, he broke Elvis Presley’s old record for the most consecutive years of Top 40 hits Con Billboard’s singles chart, having been a continual presence in every annum since the late-1970 entry of “Your Song.” Today, at 46, he is among the most successful acts of the rock era, arguably in a class with Presley and the Beatles. Moreover, his longevity as an ongoing, active recording artist surpasses that of either of them. No one can boast a longer uninterrupted ride at the top. In all respects it has been a remarkable career. John emerged from the obscurity of a British song publisher’s office in a mete oric rise during the seventies that earned him the then-new sobri quet “superstar." Toting a wardrobe of outrageous costumes and glasses from coast to coast and continent to continent, he was the consummate live entertainer, providing a splashy, larger- to people living with HIV/AIDS and for educational pro than-life visual spectacle to complement his music. -
Recepce Progresivního Rocku V Časopisu Rolling Stone V Letech 1969–1979
Univerzita Palackého v Olomouci Filozofická fakulta Katedra muzikologie Recepce progresivního rocku v časopisu Rolling Stone v letech 1969–1979 Reception of Progressive Rock in Rolling Stone Magazine 1969–1979 Magisterská diplomová práce Bc. Jan Borek Vedoucí práce: Mgr. Jan Blüml, Ph.D. Studijní program: Muzikologie Olomouc 2019 Prohlašuji, že jsem tuto diplomovou práci vypracoval samostatně, výhradně za použití uvedených pramenů a literatury. Dále prohlašuji, že tato práce nebyla využita k získání jiného nebo stejného titulu. V Olomouci dne .......................................................... Rád bych na tomto místě poděkoval olomoucké katedře muzikologie za vlídné akademické prostředí umožňující a pod- porující bádání v oblasti populární kultury, Mgr. Janu Blümlovi, Ph.D. za mnohé hodiny konzultací, nezměrné množství inspi- race a podnětů, stejně jako za celkové vedení mé tvůrčí praxe, Kolegům z olomoucké katedry za cenné připomínky, podněty a informace, Univerzitě Palackého za přístup k databázím elektronických zdrojů, Bc. et Bc. Janě Burdové za důvěru a trpělivost If you are a corporate executive trying to understand what is happening to youth today, you cannot afford to be without Rolling Stone. If you are a student, a professor, a parent, this is your life because you already know that rock and roll is more than just music; it is the energy center of the new culture and youth revolution. – The New York Times, 1969 Obsah Úvod ...................................................................................................................................................