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REFLECTION REFLECTION the Freedom Riders of the Civil Rights Movement
REFLECTION REFLECTION The Freedom Riders of the Civil Rights Movement “I’m taking a trip on the Greyhound bus line, I’m riding the front seat to New Orleans this time. Hallelujah I’m a travelin’, hallelujah ain’t it fine, Hallelujah I’m a travelin’ down freedom’s main line.” This reflection is based on the PBS documentary, “Freedom Riders,” which is a production of The American Experience. To watch the film, go to: http://to.pbs.org/1VbeNVm. SUMMARY OF THE FILM From May to November 1961, over 400 Americans, both black and white, witnessed the power of nonviolent activism for civil rights. The Freedom Riders were opposing the racist Jim Crow laws of the South by riding bus lines from Washington, D.C., down through the Deep South. These Freedom Rides were organized by the Congress of Racial Equality (CORE). Despite the violence, threats, and extraor- dinary racism they faced, people of conscience, both black and white, Northern and Southern, rich and poor, old and young, carried out the Freedom Rides as a testimony to the basic truth all Americans hold: that the government must protect the constitutional rights of its people. Finally, on September 22, 1961, segregation on the bus lines ended. This was arguably the movement that changed the force and effectiveness of the Civil Rights Movement as a whole and set the stage for other organized movements like the Selma to Montgomery March and the March on Washington for Jobs and Freedom. This documentary is based on the book Freedom Riders: 1961 and the Struggle for Racial Equality by Raymond Arsenault (http://bit.ly/1Vbn4sy). -
Everything Is a Story
EVERYTHING IS A STORY Editor Maria Antónia Lima EVERYTHING IS A STORY: CREATIVE INTERACTIONS IN ANGLO-AMERICAN STUDIES Edição: Maria Antónia Lima Capa: Special courtesy of Fundação Eugénio de Alemida Edições Húmus, Lda., 2019 End.Postal: Apartado 7081 4764-908 Ribeirão – V. N. Famalicão Tel. 926 375 305 [email protected] Printing: Papelmunde – V. N. Famalicão Legal Deposit: 000000/00 ISBN: 978-989-000-000-0 CONTENTS 7 Introduction PART I – Short Stories in English 17 “It might be better not to talk”: Reflections on the short story as a form suited to the exploration of grief Éilís Ní Dhuibhne 27 Beyond Boundaries: The Stories of Bharati Mukherjee Teresa F. A. Alves 34 The Identity of a Dying Self in Tolstoy’s The Death of Ivan Ilych and in Barnes’s The Story of Mats Israelson Elena Bollinger 43 And They Lived Unhappily Ever After: A. S. Byatt’s Uncanny Wonder Tales Alexandra Chieira 52 (Re)imagining Contemporary Short Stories Ana Raquel Fernandes 59 “All writers are translators of the human experience”: Intimacy, tradition and change in Samrat Upadhyay’s imaginary Margarida Pereira Martins 67 Literariness and Sausages in Lydia Davis Bernardo Manzoni Palmeirim PART II – AMERICAN CREATIVE IMAGINATIONS 77 Schoolhouse Gothic: Unsafe Spaces in American Fiction Sherry R. Truffin 96 Slow time and tragedy in Gus Van Sant’s Gerry Ana Barroso 106 American Pastoralism: Between Utopia and Reality Alice Carleto 115 Kiki Smith or Kiki Frankenstein: The artist as monster maker Maria Antónia Lima 125 Edgar Allan Poe’s Gothic Revisited in André Øvredal’s -
Montgomery Bus Boycott and Freedom Rides 1961
MONTGOMERY BUS BOYCOTT AND FREEDOM RIDES 1961 By: Angelica Narvaez Before the Montgomery Bus Boycott vCharles Hamilton Houston, an African-American lawyer, challenged lynching, segregated public schools, and segregated transportation vIn 1947, the Congress of Racial Equality organized “freedom rides” on interstate buses, but gained it little attention vIn 1953, a bus boycott in Baton Rouge partially integrated city buses vWomen’s Political Council (WPC) v An organization comprised of African-American women led by Jo Ann Robinson v Failed to change bus companies' segregation policies when meeting with city officials Irene Morgan v Commonwealth of Virginia (1946) vVirginia's law allowed bus companies to establish segregated seating in their buses vDuring 1944, Irene Morgan was ordered to sit at the back of a Greyhound Bus v Refused and was arrested v Refused to pay the fine vNAACP lawyers William Hastie and Thurgood Marshall contested the constitutionality of segregated transportation v Claimed that Commerce Clause of Article 1 made it illegal v Relatively new tactic to argue segregation with the commerce clause instead of the 14th Amendment v Did not claim the usual “states rights” argument Irene Morgan v Commonwealth of Virginia (1946) v Supreme Court struck down Virginia's law v Deemed segregation in interstate travel unconstitutional v “Found that Virginia's law clearly interfered with interstate commerce by making it necessary for carriers to establish different rules depending on which state line their vehicles crossed” v Made little -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
The Freedom Rides of 1961
The Freedom Rides of 1961 “If history were a neighborhood, slavery would be around the corner and the Freedom Rides would be on your doorstep.” ~ Mike Wiley, writer & director of “The Parchman Hour” Overview Throughout 1961, more than 400 engaged Americans rode south together on the “Freedom Rides.” Young and old, male and female, interracial, and from all over the nation, these peaceful activists risked their lives to challenge segregation laws that were being illegally enforced in public transportation throughout the South. In this lesson, students will learn about this critical period of history, studying the 1961 events within the context of the entire Civil Rights Movement. Through a PowerPoint presentation, deep discussion, examination of primary sources, and watching PBS’s documentary, “The Freedom Riders,” students will gain an understanding of the role of citizens in shaping our nation’s democracy. In culmination, students will work on teams to design a Youth Summit that teaches people their age about the Freedom Rides, as well as inspires them to be active, engaged community members today. Grade High School Essential Questions • Who were the key players in the Freedom Rides and how would you describe their actions? • Why do you think the Freedom Rides attracted so many young college students to participate? • What were volunteers risking by participating in the Freedom Rides? • Why did the Freedom Rides employ nonviolent direct action? • What role did the media play in the Freedom Rides? How does media shape our understanding -
Africa Latin America Asia 110101101
PL~ Africa Latin America Asia 110101101 i~ t°ica : 4 shilhnns Eurnna " fi F 9 ahillinnc Lmarica - .C' 1 ;'; Africa Latin America Asia Incorporating "African Revolution" DIRECTOR J. M . Verg6s EDITORIAL BOARD Hamza Alavi (Pakistan) Richard Gibson (U .S.A.) A. R. Muhammad Babu (Zanzibar) Nguyen Men (Vietnam) Amilcar Cabrera (Venezuela) Hassan Riad (U.A .R .) Castro do Silva (Angola) BUREAUX Britain - 4. Leigh Street, London, W. C. 1 China - A. M. Kheir, 9 Tai Chi Chang, Peking ; distribution : Guozj Shudian, P.O . Box 399, Peking (37) Cuba - Revolucibn, Plaza de la Revolucibn, Havana ; tel. : 70-5591 to 93 France - 40, rue Franqois lei, Paris 8e ; tel. : ELY 66-44 Tanganyika - P.O. Box 807, Dar es Salaam ; tel. : 22 356 U .S.A. - 244 East 46th Street, New York 17, N. Y. ; tel. : YU 6-5939 All enquiries concerning REVOLUTION, subscriptions, distribution and advertising should be addressed to REVOLUTION M6tropole, 10-11 Lausanne, Switzerland Tel . : (021) 22 00 95 For subscription rates, see page 240. PHOTO CREDITS : Congress of Racial Equality, Bob Adelman, Leroy McLucas, Associated Press, Photopress Zurich, Bob Parent, William Lovelace pp . 1 to 25 ; Leroy LcLucas p . 26 ; Agence France- Presse p . 58 ; E . Kagan p . 61 ; Photopress Zurich p . 119, 122, 126, 132, 135, 141, 144,150 ; Ghana Informa- tion Service pp . 161, 163, 166 ; L . N . Sirman Press pp . 176, 188 ; Camera Press Ltd, pp . 180, 182, 197, 198, 199 ; Photojournalist p . 191 ; UNESCO p . 195 ; J .-P . Weir p . 229 . Drawings, cartoons and maps by Sine, Strelkoff, N . Suba and Dominique and Frederick Gibson . -
Request for Proposals
State of Alabama Solicitation Solicitation Document Phase Document Description RFP 320 18000000064 Final RFP for NPS grant - exhibit design at bus station Procurement Folder Creation Date Print Date 606302 05/24/18 05/24/18 Request for Proposals CONTACTS Contact Name E-mail Phone Requestor: Tryon McLaney [email protected] 334-230-2674 Issuer: Tryon McLaney [email protected] 334-230-2674 Buyer: Tryon McLaney [email protected] 334-230-2674 Bids will be accepted from: 05/25/18 to: 06/22/18 All Inquiries for Information Regarding Bid Submission Requirements or Procurement Procedures Should be Directed To The Buyer Contact Listed Above. COMMODITY INFORMATION Group: 1 Line: 1 Line Type: Service Commodity Code: PRF05 Quantity: Commodity Description: DESIGNING SERVICES Unit: Extended Description: DESIGNING SERVICES SHIPPING AND BILLING Shipping Billing AHC MAIN OFFICE AHC MAIN OFFICE STACEY LITTLE/ 334-242-3184 STACEY LITTLE / 334-230-2697 468 SOUTH PERRY STREET 468 SOUTH PERRY STREET MONTGOMERY, AL 36130 MONTGOMERY, AL 36130 USA USA Delivery Date: Delivery Type: Date Printed: May 24,2018 Page Number: 1 Document Phase Document Description Page 2 18000000064 Final RFP for NPS grant - exhibit design at bus station of 6 GENERAL TERMS AND CONDITIONS FOR RFP FOR SERVICES v 7-9-15 rhc edit 7-28-15 GENERAL TERMS AND CONDITIONS FOR THIS REQUEST FOR PROPOSALS - All proposals are subject to these Terms and Conditions. 1. PROHIBITED CONTACTS; INQUIRIES REGARDING THIS RFP – From the Release Date of this RFP until a contract -
Freedom Riders Democracy in Action a Study Guide to Accompany the Film Freedom Riders Copyright © 2011 by WGBH Educational Foundation
DEMOCRACY IN ACTION A STUDY GUIDE TO ACCOMPANY THE FILM FREEDOM RIDERS DEMOCRACY IN ACTION A STUDY GUIDE TO ACCOMPANY THE FILM FREEDOM RIDERS Copyright © 2011 by WGBH Educational Foundation. All rights reserved. Cover art credits: Courtesy of the Birmingham Civil Rights Institute. Back cover art credits: Bettmann/CORBIS. To download a PDF of this guide free of charge, please visit www.facinghistory.org/freedomriders or www.pbs.org/freedomriders. ISBN-13: 978-0-9819543-9-4 ISBN-10: 0-9819543-9-1 Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 ABOUT FACING HISTORY AND OURSELVES Facing History and Ourselves is a nonprofit and the steps leading to the Holocaust—the educational organization whose mission is to most documented case of twentieth-century engage students of diverse backgrounds in an indifference, de-humanization, hatred, racism, examination of racism, prejudice, and antisemitism antisemitism, and mass murder. It goes on to in order to promote a more humane and explore difficult questions of judgment, memory, informed citizenry. As the name Facing History and legacy, and the necessity for responsible and Ourselves implies, the organization helps participation to prevent injustice. Facing History teachers and their students make the essential and Ourselves then returns to the theme of civic connections between history and the moral participation to examine stories of individuals, choices they confront in their own lives, and offers groups, and nations who have worked to build a framework and a vocabulary for analyzing the just and inclusive communities and whose stories meaning and responsibility of citizenship and the illuminate the courage, compassion, and political tools to recognize bigotry and indifference in their will that are needed to protect democracy today own worlds. -
National Museum of American History Freedom Rides Teacher Guide
TEACHER GUIDE Preparing for the Webcast 1. Read the technical requirements and run a technical check (http://smithsonianconference.org/freedomrides/tech-requirements/) 2. Share with your students the background information included on page 4 and the following sections of the American Experience website: Issues (http://www.pbs.org/wgbh/americanexperience/freedomriders/issues/) People (http://www.pbs.org/wgbh/americanexperience/freedomriders/people) 3. Choose two or more of the video clips listed on the American Experience website (http://www.pbs.org/wgbh/americanexperience/freedomriders/watch) to show to students, then discuss the related questions: Movement Leaders What strategy did CORE use to recruit riders? What was its goal? Does this sound like a successful strategy for gaining support for their cause? What made the Freedom Rides different from previous civil rights protests? The Pioneers What was the decision in the Morgan v. Virginia case and what was the Journey of Reconciliation? Why were the Freedom Rides of 1961 necessary after the Morgan case? Compare the 1961 Freedom Rides and the Journey of Reconciliation; what was different about them? Investigate civil rights activism prior to 1955. What actions laid the foundation for the events of the 1950s and 1960s? The Student Leader After watching this segment, read the short biography of Diane Nash on the conference website (http://smithsonianconference.org/freedomrides/speakers/). What qualities do you think make an effective leader? What leadership qualities did Diane Nash demonstrate? -
Library of Congress Magazine
LIBRARY OF CONGRESS MAGAZINE MAY/JUNE 2017 DESIGN INSIDE PLUS Great Public Spaces Beautiful Gardens Storage Solutions for FOR Fabulous Flutes America’s Collections Courtroom Style LIVING LOC.GOV LIBRARY OF CONGRESS MAGAZINE Library of Congress Magazine Vol. 6 No. 3: May/June 2017 Mission of the Library of Congress The Library’s central mission is to provide Congresss, the federal government and the American people with a rich, diverse and enduring source of knowledge that can be relied upon to inform, inspire and engage them, and support their intellectual and creative endeavors. Library of Congress Magazine is issued bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and research institutions, donors, academic libraries, learned societies and allied organizations in the United States. Research institutions and educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at loc.gov/lcm All other correspondence should be addressed to the Office of Communications, Library of Congress, 101 Independence Ave. S.E., Washington DC 20540-1610. [email protected] loc.gov/lcm ISSN 2169-0855 (print) ISSN 2169-0863 (online) Carla D. Hayden Librarian of Congress Gayle Osterberg Executive Editor John H. Sayers Managing Editor Ashley Jones Designer Shawn Miller Photo Editor Contributing Writers Erin Allen Barbara Bair Jennifer Gavin Mitchell Gold The mezzanine of the Great Hall of the Thomas Jefferson Building Mark Hartsell features intricately designed mosaic tile floors. -
Introduction
Introduction And those people who are working to bring into being the dream of democracy are not the agitators. They are not the dangerous people in America. They are not the un-American people. They are people who are doing more for America than anybody that we can point to. And I submit to you that it may well be that the Negro is God’s instrument to save the soul of America. Martin Luther King, Jr. 2 January 1961 When forty-three-year-old John F. Kennedy took office on 20 January 1961 as the youngest elected American president, Martin Luther King Jr. had just turned thirty- two but had already risen to national prominence as a result of his leadership role in the Montgomery bus boycott that ended four years earlier. Early in 1957 he had become founding president of the Southern Christian Leadership Conference (SCLC) and subsequently was in great demand as a speaker throughout the nation. His understanding of Gandhian principles had deepened as a result of his 1959 trip to India, but, during the following year, college student sit-in protesters, rather than King, became the vanguard of a sustained civil disobedience campaign. Having already weathered a near-fatal stabbing and six arrests, King was uncertain about how best to support the new militancy. Moving to Atlanta to be near SCLC head- quarters and to serve as co-pastor with his father at Ebenezer Baptist Church, he had assumed a wide range of responsibilities. He relied on his wife, Coretta Scott, to take the lead role of raising their two small children with a third due any day. -
Freedom Riders
Freedom Riders Study Guide A Play with Music by Mad River Theater Works Playwright: Jeff Hooper - Composer: Bob Lucas About the Show Freedom Riders is the newest play from Mad River Theater Works. It explores valiant and courageous personalities behind one of the most critical chapters in the history of the civil rights movement. The play demonstrates the importance of working together to affect change and specifically how non-violent protest was used to combat the cruelties of segregation. Set in 1961, fifteen years after the United States Supreme Court had outlawed segregation, bus lines and cities throughout the south still enforced a rigid system of separating black and white citizens. Freedom Riders, both black and white and mostly young, decided to travel together on buses that crossed state lines purposefully disregarding the hateful segregation practices that were still commonplace in so many parts of the United States. The unforgettable heroes and the facts behind the events portrayed in Freedom Riders are essential to a full understanding of the civil rights era and American history. Age Appropriateness: 3rd-8th grade Duration: one act, approximately 55 minutes Number of performers: 5 Music: contains live music Mad River Theater Works Mad River Theater Works is an acclaimed touring ensemble that creates vibrant and evocative plays with music for families and young audiences based on American history and folklore. Founded in 1978, Mad River presents original productions that explore traditional stories and themes in a unique, innovative style. With over twenty-five years of touring experience, the company has earned an international reputation for authentic presentations that bring little-known characters and aspects of American culture to the stage.