Wrap-Up of the First Edition of Pulse La

Total Page:16

File Type:pdf, Size:1020Kb

Wrap-Up of the First Edition of Pulse La WRAP-UP OF THE FIRST EDITION OF PULSE L.A. 10/4/11 1:14 PM PULSE LOS ANGELES CONCLUDES PIONEERING FORAY INTO LOS ANGELES The debut edition of PULSE Los Angeles concluded yesterday, having broken new ground in the Southern California cultural community. As the third edition of the leading series of PULSE Contemporary Art Fairs, PULSE Los Angeles was launched to support the recent growth of, and interest in, the Southern California art scene. Over 1,500 leading collectors and professionals attending the VIP opening, and the roster of exhibitors, all expressed enthusiasm for the city's potential. Over the course of its four day run at the spacious and elegant Event Deck at L.A. LIVE, PULSE welcomed collectors, including Beth Rudin DeWoody, Susan and Michael Hort, John Phelan, Meryl Rose, Wendy Stark, Lisa Anastos, and Mark Siegel - chair of the Getty board of trustees; board members and curators from the Los Angeles MoCA, LACMA, Getty and the Hammer Museum; philanthropists Helene Galen and Jamie Kabler; curators David McFadden of the Museum of Art and Design, and Trevor Smith of the Peabody Essex Museum; and celebrities that included actress Mila Kunis, and comedians Margaret Cho and Eric Wareheim; as well as other prominent California cultural and business leaders from San Diego to Silicon Valley. In contrast to March 2011's PULSE New York, where buyers gravitated heavily towards brightly colored paintings and similar flat works, Los Angeles patrons favored a more understated palette, opting for muted or greyed tones against large minimalist expanses. This theme was especially prominent in the IMPULSE booth of New York gallery Skylight Projects , which sold seven works by PULSE-prize winning English artist Alexander Massouras. On view were larger paintings of tiny divers falling into pools of water against a vast black background, as well as a series of similar figures on much smaller white plywood panels. At the booth of Los Angeles dealer Charlie James, two maps by Sandow Birk and Elys Pignolet were particularly popular, depicting satirical "liberal" and "conservative" views of the world through stereotypical politicized descriptions of each country and regions. In the animal kingdom, Nate Frizzell's busts and portraits of foxes, rabbits, and bears in the booth of Los Angeles' LeBasse Projects were a big hit, with the gallery selling six of the artist's new works in the opening hours. Also from LA, other works of note included early works by John Altoon in the booth of Samuel Freeman, and the work of young California rising star Ali Smith proved particularly popular at the booth of Mark Moore Gallery. At the booth of New York's Fred Torres Collaborations, works by David LaChapelle, Ken Gonzales-Day and Gretchen Ryan all garnered attention, and from Europe, works of Jordi Alcarez at the booth of Stefan Roepke were also popular. Curiosities also abounded; in the IMPULSE section, Nagoya's STANDING PINE-cube presented a solo exhibition of miniaturist Kenji Sugiyama, whose bookshelf-ready eyeball sculptures made from paper, which reveal themselves to contain tiny museums when one peers through the pupil, sold ten pieces during the run. In the booth of Schroeder Romero & Shredder, of New York, a Ted Victoria lenticular print, animated through a complex mechanical camera obscura process, was snapped up by a Vice President of Apple Computers who took the work off the wall before heading straight back to Cupertino. http://campaign.r20.constantcontact.com/render?llr=99cksqcab&v=…8MzxMHHd2BvOtoF5MOnFeZ7UbZhKJXStEKoHQ5cByKRjMIHvmKA96ajY4g8U%3D Page 1 of 3 WRAP-UP OF THE FIRST EDITION OF PULSE L.A. 10/4/11 1:14 PM Many other sales ventured into the macabre. Such was the case of Tel Aviv gallery Zemack Contemporary Art, which sold a large Philippe Pasqua mixed media painting of a skull rendered in oil, charcoal, footprints, and blood for an estimated $40,000 in the opening minutes of the fair. Similarly, Joshua Liner Gallery scored big in the opening hour, moving two Kris Kuksi sculptures that combine hundreds of altered figurines that offer political commentaries through a neo-gothic appearance, for roughly $50,000. Christina Ray, also from New York, sold a large mixed media work by Brooklyn street artist SWOON - formerly represented by MoCA impressario Jeffrey Deitch. Entitled Ice Queen, the work featured a greyscale portrait of a woman reminiscent of fantasy characters pasted against a slab of found wood. The whimsical yet oddly violent works of collective 3(three) presented by Tokyo gallerist Megumi Ogita, were also a big hit. A series of their work presented as a special project consisted of thousands of vinyl anime figures chopped and compressed together into large wall- mounted slabs, and sized in a manner comparable to flat panel television screens. A large work sold for $15,000, while multiple cube shaped variations sold for $3,000. The next edition of PULSE, PULSE Miami, will take place December 1-4, 2011 at its art deco venue, Ice Palace Studios in the city's Wynwood District. This edition will feature over 90 international exhibitors from Austria, Belgium, France, Germany, Japan, Mexico, The Netherlands, The Philippines, Spain, Switzerland, The United Kingdom, and the United States. For more information and to view the list of exhibitors please click here. In 2012, PULSE New York will be presented at a new date, from May 3 through 6, returning to the elegant and convenient Metropolitan Pavilion in the heart of Chelsea. PULSE PULSE Los Angeles, the newest addition to PULSE Contemporary Art Fairs, celebrates the creative energy and growing art market of the West Coast. Through its annual editions in New York, Los Angeles and Miami, PULSE provides a unique platform for diverse galleries to present a progressive blend of renowned and pioneering contemporary artists, alongside an evolving series of original programming. The fair's distinctive commitment to the art community and visitor experience makes PULSE unique among art fairs and creates an experience that is both dynamic and inviting. PULSE Contemporary Art Fairs are a division of Ramsay Fairs. The world's largest producer of contemporary art fairs, Ramsay Fairs is co-founder of Art HK, Asia's largest fair; co-owner of the India Art Fair; and owner of the Affordable Art Fair, held in ten cities internationally. VISIT PULSE Contemporary Art Fair at www.pulse-art.com; or contact Yinka Barotto at +1 (212) 255-2327 | [email protected] MEDIA CONTACT Andy Cushman | OCTOPUS OUTREACH | E: [email protected] | M: +1 (917) 744-4042 UPCOMING FAIRS PULSE MIAMI December 1-4, 2011 Ice Palace Studios PULSE NEW YORK May 3-6, 2012 (new dates) Metropolitan Pavilion PULSE LOS ANGELES 2011 WOULD LIKE TO THANK OUR GENEROUS SPONSORS + PARTNERS HOTEL PARTNER http://campaign.r20.constantcontact.com/render?llr=99cksqcab&v=…8MzxMHHd2BvOtoF5MOnFeZ7UbZhKJXStEKoHQ5cByKRjMIHvmKA96ajY4g8U%3D Page 2 of 3 WRAP-UP OF THE FIRST EDITION OF PULSE L.A. 10/4/11 1:14 PM AIR LOUNGE DESIGNED BY Studios GO VIP LOUNGE HOST AND SPONSOR SPONSORS MEDIA PARTNERS OFFICIAL SHIPPING COMPANY PROVIDERS OFFICIAL TRAVEL AGENCY Forward email This email was sent to [email protected] by [email protected] | Update Profile/Email Address | Instant removal with SafeUnsubscribe™ | Privacy Policy. PULSE | 20 W 22nd Street, Suite 1512 | New York | NY | 10010 http://campaign.r20.constantcontact.com/render?llr=99cksqcab&v=…8MzxMHHd2BvOtoF5MOnFeZ7UbZhKJXStEKoHQ5cByKRjMIHvmKA96ajY4g8U%3D Page 3 of 3.
Recommended publications
  • Big Time Fun!
    small town charm big time fun! www.haysUSA.net • 800.569.4505 HaysCVBVisitorGuideCover2.indd 1 12/3/12 12:40:54 PM Welcome to Hays We invite you to experience the many opportunities that our charming community has to offer. You’ll enjoy our small town friendliness whether you come to Hays for a family vacation, business trip, sporting event, shopping or just passing through. We are proud of our colorful history as a wild frontier town and we encourage you to explore our city so you can find out for yourself “Where history walked the streets.” Many of the interesting and historic places to visit are free or charge only a small admission fee. Be sure to visit our unique museums and tourist attractions to learn about our military past and Volga German heritage. Discover the scenic beauty and natural history of western Kansas with an outing to Frontier Park, the Hays F.E.E.T. trails and the Sternberg Museum of Natural History. The past comes alive everyday in Hays! Table of contents Agricultural attractions ...........4-5 Art galleries.............................6-9 Chestnut Street District .......10-11 Churches ..................................14 Community profile .....................3 Community services .................14 Downtown Hays ..................12-13 Events and festivals .................32 Fishing .....................................15 Frontier history ....................18-19 call for informaiton German Heritage .................20-21 Hunting ....................................15 1-800-569-4505 Lodging ....................................22
    [Show full text]
  • Kris Kuksi New Rome
    Mark Moore Gallery 5790 Washington Blvd. Culver City, CA 90232 T. 310.453.3031 F. 310.453.3831 www.markmooregallery.com Tues – Sat, 11am – 6pm Kris Kuksi New Rome Opening Reception: July 9 On View: July 9 – August 20, 2016 Mark Moore Gallery is pleased to present New Rome, an exhibition of new work by Kansas based artist Kris Kuksi. The exhibition marks Kuksi’s second major solo show with the gallery. Over the last decade, Kuksi has built a career creating complex sculptures that blend antiquity with the modern world. Teeming with struggle, conflict, faith, sexuality, and power, each sculpture affords the viewer a ringside seat for a wild spectacle as the spheres of fantasy and reality collide. For this exhibition, Kuksi creates New Rome, a society rife with allegory consisting of works crafted in a hybrid style of baroque and rococo that deeply examine the human psyche. Every sculpture is created from an obsessive collection of cultural flotsam and jetsam – figurines, model parts, collectibles, craft parts, and jewelry. The final pieces, sometimes as large as 10Ft wide, are totemic like shrines that expose Kuksi’s disenchantment with the structures of power and the fallacies of man. Yet, the works are not without their romance, as the wonders of the world are presented through elaborate entanglements of miniature bears, mythical beasts, and glorious figurines. In the Los Angeles Times review of Kuksi’s 2014 exhibition David Pagel writes, “Kuksi’s Baroque confections treat history as primordial soup — a burbling stew of thrilling highlights and epic tragedies that not only resonate in the mind’s eye but also inspire all sorts of emotions — good, bad and otherwise.” In this exhibition, Kuksi gives us the range of human emotion in thousands of pieces, making up one grandiose whole.
    [Show full text]
  • Kris Kuksi Born 1973 in Springfield, MO Currently
    Kris Kuksi Born 1973 in Springfield, MO Currently lives and works in Hays, KS Education 2005 “Old Master’s – New Visions”, Viechtach, Germany 2002 MFA in Studio Painting from Fort Hays State University, Hays, Kansas 2002 “Old Master’s – New Visions”, Reichenau, Austria 2001 Seminar on Studio Painting at Santa Reparata International School of Art, Florence, Italy 1998 BFA in Studio Painting from Fort Hays State University, Hays, Kansas Solo Exhibitions 2014 New Work, Mark Moore Gallery, Culver City, CA 2013 New Work, Joshua Liner Gallery, New York, NY 2012 Go West, curated by Joshua Liner Gallery at Mark Moore Gallery, Culver City, CA Triumph at Joshua Liner Gallery, New York, NY 2011 Travis Louie and Kris Kuksi at Roq La Rue Gallery, Seattle, WA 2010 SCOPE Art Fair with Joshua Liner Gallery, Basel, Switzerland 2009 Beast Anthology at Joshua Liner Gallery, New York, NY Divine Invasion at Meta Gallery, Toronto, ON 2008 Imminent Utopia at Joshua Liner Gallery, New York, NY 2007 Oblivion at Strychnin Gallery, Berlin, Gallery 2004 The Strange and The Fantastic at Leedy-Voulkos Art Center, Kansas City, MO The Great Passage at Optic Nerve Arts Gallery, Portland, OR 2003 The Within at The Fraser Gallery, Washington, DC 2002 Toward the Within, MFA Exhibition at Moss-Thorns Gallery of Art, Hays, KS Group Exhibitions 2012 Resolve, curated by Tony Curanaj at Joshua Liner Gallery, New York, NY 2011 PULSE Contemporary Art Fair with Joshua Liner Gallery, Miami, FL Cute and Creepy at Florida State University's Museum of Fine Arts PULSE Contemporary Art
    [Show full text]
  • Jun | Jul | Aug 2017 Crocker Art Museum Members Magazine Richard Diebenkorn Beginnings, 1942–1955
    MAY | JUN | JUL | AUG 2017 CROCKER ART MUSEUM MEMBERS MAGAZINE RICHARD DIEBENKORN BEGINNINGS, 1942–1955 OCTOBER 8, 2017 – JANUARY 7, 2018 Richard Diebenkorn, Urbana #2 (The Archer), 1953, oil on canvas, 64 1/2 x 47 1/2 in. Catalogue raisonné 1245 © Richard Diebenkorn Foundation / TABLE OF CONTENTS / 12 22 33 News On View Members & Patrons 5 16 10 DIRECTOR’S LETTER TURN THE PAGE: THE FIRST MEMBER PERKS You spoke, we listened. Check out TEN YEARS OF HI-FRUCTOSE Eight upcoming programs that are free for what’s new in ArtLetter. A convergence of pop surrealist, street, members! figurative, and more. 6 30 22 CONNECTIONS MUSEUM SUPPORT Noon Year’s Eve / PROM! / Day of FULL SPECTRUM: PAINTINGS Donations to the Crocker make your Remembrance BY RAIMONDS STAPRANS museum stronger. Taut contours, bold lines, and scorching 8 sunlight push the limits of color. 33 INSIDE LOOK 26 #PEOPLEOFCROCKER National praise for Crocker Education Members Adele and Skip Ohs. Director Stacey Shelnut-Hendrick. ART SPOTS Four diverse and engaging art 12 installations for children and their adults. COLLECTIONS NEWS A promised gift from Don Bachardy / Cyrus Tilton wins the Knudsen Prize crockerart.org MAY | JUN | JUL | AUG 2017 ARTLETTER 3 Vol. 27, Issue 2 ArtLetter is published by the Crocker Art Museum Association for its members. © 2017 Crocker Art Museum. All rights reserved. ARTLETTER STAFF Editor in Chief Contributors Contributing Christine Calvin Karen Christian Photographers Christie Hajela Lisa Kivett Art Director Joe Rodota Bob McCaw Priscilla Garcia Scott Shields Brian Suhr Michelle Steen George Young Kerry Wood Betty Zhou CROCKER ART MUSEUM ASSOCIATION BOARD OF DIRECTORS* President David Townsend Laura Hewitt Vice President Celestine Syphax Sandra Jones Treasurer Barry Brundage Gary King Secretary Susie Burton Loren G.
    [Show full text]
  • Modern Art & Pop Culture
    MODERN ART & POP CULTURE ARTSHOW (36 INTERNATIONAL ARTISTS) PUBLIC OPENING: MARCH 23RD ENDING: AUGUST 2ND, 2019 PRIVATE OPENING: MARCH 22ND HALLE SAINT PIERRE MUSEUM, Paris Curator : Anne De HEY! — [email protected] Curator assistant : Zoé De HEY! — [email protected] Coordination : Julien De HEY! — [email protected] HEY! modern art & pop culture - 4 avenue Debidour - 75019 Paris www.heyheyhey.fr Art brut and art singulier museum La Halle Saint Pierre — 2 rue Ronsard - 75018 Paris + 33 (0)1 42 58 72 59 www.hallesaintpierre.org 2019 MODERN ART & POP CULTURE fter three exhibitions, considered important in France today, from 2011, 2013, and 2015, that regroup Aover sixty international artists, always hosted by the museum of the Halle Saint Pierre museum (Paris), HEY! has refreshed the experience of big group exhibitions within institutions, in France. Provoked by the Halle Saint Pierre museum, this 4th exhibition – the fruit of the association between the HEY! curation and this historical French space for singular art and art brut - is on a mission: to offer visibility to art carrying an aesthetic overshadowed by dominant academics, and ignored by the radars of conventional criticism. “Three exhibitions, in 2011, 2013, and 2015, don’t seem to have been enough to expose the breadth of genres and families that make up this other artistic scene. Thus, we bring the same passion to this new exhibition, hoping to do justice both geographically and historically. With the thirty or so artists gathered here, we will be able to experience the emancipating reach of their works as they hold open the door to our imaginary spaces, irreducible in all of us,” says Martine Lusardy, director of the Halle Saint Pierre.
    [Show full text]
  • THE MACHINE ANXIETIES of STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, and FUTURISM Kathe Hicks Albrecht IDSVA
    Maine State Library Maine State Documents Academic Research and Dissertations Special Collections 2016 THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht IDSVA Follow this and additional works at: http://digitalmaine.com/academic Recommended Citation Albrecht, Kathe Hicks, "THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO- VICTORIAN AESTHETICS, AND FUTURISM" (2016). Academic Research and Dissertations. 16. http://digitalmaine.com/academic/16 This Text is brought to you for free and open access by the Special Collections at Maine State Documents. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. THE MACHINE ANXIETIES OF STEAMPUNK: CONTEMPORARY PHILOSOPHY, NEO-VICTORIAN AESTHETICS, AND FUTURISM Kathe Hicks Albrecht Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy July, 2016 i Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. ______________________________ Donald R. Wehrs, Ph.D. Doctoral Committee ______________________________ Other member’s name, #1 Ph.D. ______________________________ Other member’s name, #2, Ph.D. July 23, 2016 ii © 2016 Kathe Hicks Albrecht ALL RIGHTS RESERVED iii This work is dedicated to my parents: Dr. Richard Brian Hicks, whose life-long exploration of the human mind and spirit helped to prepare me for my own intellectual journey, and Mafalda Brasile Hicks, artist-philosopher, who originally inspired my deep interest in aesthetics.
    [Show full text]
  • Catalog Vernissagetv Episodes & Artists 2005-2013
    Catalog VernissageTV Episodes & Artists 2005-2013 Episodes http://vernissage.tv/blog/archive/ -- December 2013 30: Nicholas Hlobo: Intethe at Locust Projects Miami 26: Guilherme Torres: Mangue Groove at Design Miami 2013 / Interview 25: Gabriel Sierra: ggaabbrriieell ssiieerrrraa / Solo show at Galería Kurimanzutto, Mexico City 23: Jan De Vliegher: New Works at Mike Weiss Gallery, New York 20: Piston Head: Artists Engage the Automobile / Venus Over Manhattan in Miami Beach 19: VernissageTV’s Best Of 2013 (YouTube) 18: Héctor Zamora: Protogeometries, Essay on the Anexact / Galería Labor, Mexico City 17: VernissageTV’s Top Ten Videos of 2013 (on Blip, iTunes, VTV) 13: Thomas Zipp at SVIT Gallery, Prague 11: Tabor Robak: Next-Gen Open Beta at Team Gallery, New York 09: NADA Miami Beach 2013 Art Fair 07: Art Basel Miami Beach Public 2013 / Opening Night 06: Pérez Art Museum Miami (PAMM) Preview 05: Art Basel Miami Beach 2013 04: Design Miami 2013 03: Untitled Art Fair Miami Beach 2013 VIP Preview 02: Kris Kuksi: Revival. Solo exhibition at Joshua Liner Gallery, New York November 2013 29: LoVid: Roots No Shoots / Smack Mellon, New York 27: Riusuke Fukahori: The Painted Breath at Joshua Liner Gallery, New York 25: VTV Classics (r3): VernissageTV Drawing Project, Scope Miami (2006) 22: VTV Classics (r3): Bruce Nauman: Elusive Signs at MOCA North Miami (2006) 20: Cologne Fine Art 2013 20: Art Residency – The East of Culture / Another Dimension 15: Dana Schutz: God Paintings / Contemporary Fine Arts, CFA, Berlin 13: Anselm Reyle and Marianna Uutinen: Last Supper / Salon Dahlmann, Berlin 11: César at Luxembourg & Dayan, New York 08: Artists Anonymous: System of a Dawn / Berloni Gallery, London 06: Places.
    [Show full text]
  • Jenzzzportfolio
    jenzzzPORTFOLIO jenzzz dieckmann (Digital) Artist Photographer Publisher of the INSIDE artzine (www.inside-artzine.de) Operator of the artscum.org blog (www.artscum.org) Dipl. designer/freelancer Website: www.jenzzz.net Contact: [email protected] Tel.: 0049 (0)1520 4560755 Jenz Dieckmann Weidegasse 9 54290 Trier Exhibitions: 2016 December: „Dirty Show“ Zürich/Switzerland (Groupshow) 2014 February: „INSIDE artzine Exhibition“ Vanilla Gallery, Tokyo/Japan (Groupshow) 2013 May: „Beyond...“ Capitol, Düsseldorf (Groupshow) 2012 Juli: „Museum of Porn in Art“ - Zürich/Switzerland (Groupshow) 2012 May: „Reliquien - Fetisch in Kirche, Kunst & Konsum“ - Trier (Groupshow) 2011 July: Artscum Over Berlin, Letretage - Berlin (Groupshow) 2010 April: „New Nudes“ - Tacheles, Berlin (Groupshow) Visit my website: All images of this portfolio and many more with detail view. Always intersted in collaboration, exhibition, networking. „Qualen“ Series (more to come) Digital manipulation. 80x120cm. AluDibond. 2017 „Zweifel“ Photography. Digital manipulation. 120x170cm. Print on canvas. 2013 „Tavares“ Tryptichon. Photography. Digital manipulation. 60x80cm framed. Fuji Crystal photoprint. 2014 „Dark Star“ Photography. Digital manipulation. 80x70cm Alu Dibond. 2015 „Tooth (Leeres Gerede)“ Series (more on jenzzz.net) Photography. 30x20cm framed. Fuji Crystal photoprint. 2015 „An/on“ Photography. Digital manipulation. 60x80cm framed. Fuji Crystal photoprint. 2016 „Mind of man“ Digital manipulation. 80x120cm. Alu Dibond 2015 „Starring (at the wall)“ Photography. Digital
    [Show full text]
  • Kris Kuksi Antiquity in the Faux
    Mark Moore Gallery 5790 Washington Blvd. Culver City, CA 90232 T. 310.453.3031 F. 310.453.3831 www.markmooregallery.com Tues – Sat, 11am – 6pm Kris Kuksi Antiquity in the Faux Opening Reception: November 15, 6-8pm On View: November 15 - December 20, 2014 Mark Moore Gallery proudly presents Antiquity in the Faux, a sophomore solo exhibition of mixed- media assemblage works by artist Kris Kuksi. Oftentimes appearing as unorthodox altarpieces, Kuksi's sculptural wall works have been heralded for their superabundance of detail and narrative – as several theatrical microcosms may converge to produce one sensory fable. Teeming with struggle, conflict, faith, sexuality, and power, his works afford the viewer a ringside seat for allegorical spectacle as the spheres of fantasy and reality collide. Kuksi’s ornate compositions call to mind the excessive intricacies of Art Nouveau or Baroque aesthetics. From a distance, these sculptures are deceptively decorative, but upon closer inspection Kuksi's grotesque realities emerge. In some works, central figures preside over mounting chaos below; infinitesimal creatures, soldiers, and machinery collide with their larger counterparts, and forge a warscape void of time and place. In others, Kuksi achieves a precise structural equilibrium in which his minute armies become a single enormous figure – as if the proverbial Trojan Horse is operated by its most aberrant inhabitants. Reminiscent of Hieronymus Bosch’s “Garden of Earthly Delights,” Kuksi’s characters inhabit a world rife with sin, corruption, and tragedy; an existence not so alien to our own. The artist obsessively collects and arranges a variety of cultural flotsam and jetsam – figurines, model parts, collectibles, craft parts, and jewelry.
    [Show full text]
  • Lauren Mabry Spotlight: Reflections on Emerging Clay Culture: Saving Jingdezhen Technical: Bloating
    Cover: Lauren Mabry Spotlight: Reflections on Emerging Clay Culture: Saving Jingdezhen Technical: Bloating Bailey Gas and Electric Kilns Manual and Programmable Gas Kilns Flint Institute of the Arts “Our new Bailey PRO 54 Auto-Fire Shuttle kiln has deliv- ered superior consistent glaze results right from our first Cone 10 reduction firing. Students and faculty have been thrilled with the quality of the reduction glazes. “Talk about fuel efficiency, the Bailey PRO 54 has a stack- ing capacity of 54 cu. ft., and the fuel cost for a Cone 10 firing is only $25! Our Bailey is saving us fuel, money and is good for the environment. “The FIA Art School is a non- profit museum school with an annual enroll- ment of 1,500. The ceramics program is one of the largest in Michigan and vital to the Flint community.” Jeff Hageman, Jeff Garrett, and Guy Adamec Bailey “Double Insulated” Top Loaders, have 32% less heat loss compared to con- ventional electric kilns. Revolutionary Design There are over 12 outstanding features that make the Bailey Thermal Logic Electric an amazing design. It starts with the Bailey innovative “Quick-Change” Element Holder System. And there’s much more. Look to Bailey innovation when you want the very best products and value. Top Loaders, Front Loaders, & Shuttle Electrics Bailey Pottery Equip. Corp., PO Box 1577, Kingston NY 12402 Professionals Know www.baileypottery.com Toll Free: (800) 431-6067 Direct: (845) 339-3721 Fax: (845) 339-5530 thewww.ceramicsmonthly.org Difference. may 2014 1 2 may 2014 www.ceramicsmonthly.org www.ceramicsmonthly.org
    [Show full text]
  • Oral History Interview with Candice Groot, 2014 November 4-6
    Oral history interview with Candice Groot, 2014 November 4-6 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Candice Groot on 2014 November 4-6. The interview was conducted at Groot's home in Evanston, IL by Leslie Ferrin for the Archives of American Art, Smithsonian Institution. Candice Groot and Leslie Ferrin reviewed the transcript together and have made corrections and emendations which apear in brackets appended with their initials. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview LESLIE FERRIN: Hi. This is Leslie Ferrin. I am in Evanston, Illinois, sitting with Candice Groot. Candice, say hi. Let’s see— CANDICE GROOT: Hello. MS. FERRIN: You sound good. We are surrounded by art and there are a couple members of the family here. Candice, do you want to mention who the family members are? The four-legged ones. MS. GROOT: Well, there's Iris, who's a hairless Chinese Crested; she's our oldest. And then there's Rose and Willie who are Basenjis. And in addition to that, there's Jack the parrot and Felix the parrot. MS. FERRIN: So we may hear from them as part of this interview. [Laughs.] MS. GROOT: You might. MS. FERRIN: We're just going to jump right in and get the biographical material over with. So, maybe you could say exactly where we are in Evanston.
    [Show full text]
  • 73783 Hcvb Map.Indd
    Lodging Facilities Hays Street Index 3 240TH AVE. Goodland Kansas City 145 mi. Topeka 268 mi. 33 HAYS ELLIS COUNTY ENERSYS RD. Located outside of town. W. 55TH 205 mi. 14 FAIR GROUNDS 70 EXIT 157 KANSAS 70 HAYS Salina 220TH AVE. 52 CITY MAP 98 mi. 83 I-35 183 260TH AVE. FRONTIER RD. 47TH W. 48TH E. 48TH Garden City LARNED CIR. Wichita JEFFERSON DR. 139 mi. 230TH AVE. 46TH VISTA DR. VISTA W. 45TH E. 45TH 175 mi. ADAMS DR. HOOVER DR. 45TH J W. 44TH 70 KING’S CT 270TH AVE. TAM CT. TAM TO DENVER MILLSTONE CT. W. 43RD W. 43RD E. 43RD . NEWTON CIR. NEWTON MILLSTONE DR. W. 42ND HARRISON ST. FILMORE DR. LEGEND WASHINGTON CIR. MILLSTONE CIR. RD. HAYS GENERAL SMOKY HILL DR. HILL SMOKY 42ND TRUMAN CIR. H ROTH AVE. MADISON DR. MOPAR KEYSTONE SHERMAN AVE. KING’S GATE DR. KING’S GATE E N Airport 41ST DR. COVENANT 41ST DR. 41ST VINEYARD RD. HILLCREST DR. HILLCREST AUTUMN LN. LN. COUNTRY YELLOWSTONE D R SUMMER LN. WAY 11 DR. J.P. D AIR DR L F . C 80 E DR. 40TH 40TH I I EXIT 159 # Attractions F R 39TH 75 E T 39TH T U B CANAL BLVD. 39TH W. 38TH 45TH 38TH POST ROAD POST Buildings 38TH B O 38TH FORT THUNDERBIRD DR. 37TH 37TH 37TH 37TH CHAUMONT DR. CHAUMONT H L M S I I N U 37TH 36TH L E. 37TH Business/Industrial L C M 36TH C O M WILLOW ST. R L E G E N R F 35TH S K ROCK DR.
    [Show full text]