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Jun | Jul | Aug 2017 Crocker Art Museum Members Magazine Richard Diebenkorn Beginnings, 1942–1955

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Jun | Jul | Aug 2017 Crocker Art Museum Members Magazine Richard Diebenkorn Beginnings, 1942–1955 MAY | JUN | JUL | AUG 2017 CROCKER ART MUSEUM MEMBERS MAGAZINE RICHARD DIEBENKORN BEGINNINGS, 1942–1955 OCTOBER 8, 2017 – JANUARY 7, 2018 Richard Diebenkorn, Urbana #2 (The Archer), 1953, oil on canvas, 64 1/2 x 47 1/2 in. Catalogue raisonné 1245 © Richard Diebenkorn Foundation / TABLE OF CONTENTS / 12 22 33 News On View Members & Patrons 5 16 10 DIRECTOR’S LETTER TURN THE PAGE: THE FIRST MEMBER PERKS You spoke, we listened. Check out TEN YEARS OF HI-FRUCTOSE Eight upcoming programs that are free for what’s new in ArtLetter. A convergence of pop surrealist, street, members! figurative, and more. 6 30 22 CONNECTIONS MUSEUM SUPPORT Noon Year’s Eve / PROM! / Day of FULL SPECTRUM: PAINTINGS Donations to the Crocker make your Remembrance BY RAIMONDS STAPRANS museum stronger. Taut contours, bold lines, and scorching 8 sunlight push the limits of color. 33 INSIDE LOOK 26 #PEOPLEOFCROCKER National praise for Crocker Education Members Adele and Skip Ohs. Director Stacey Shelnut-Hendrick. ART SPOTS Four diverse and engaging art 12 installations for children and their adults. COLLECTIONS NEWS A promised gift from Don Bachardy / Cyrus Tilton wins the Knudsen Prize crockerart.org MAY | JUN | JUL | AUG 2017 ARTLETTER 3 Vol. 27, Issue 2 ArtLetter is published by the Crocker Art Museum Association for its members. © 2017 Crocker Art Museum. All rights reserved. ARTLETTER STAFF Editor in Chief Contributors Contributing Christine Calvin Karen Christian Photographers Christie Hajela Lisa Kivett Art Director Joe Rodota Bob McCaw Priscilla Garcia Scott Shields Brian Suhr Michelle Steen George Young Kerry Wood Betty Zhou CROCKER ART MUSEUM ASSOCIATION BOARD OF DIRECTORS* President David Townsend Laura Hewitt Vice President Celestine Syphax Sandra Jones Treasurer Barry Brundage Gary King Secretary Susie Burton Loren G. Lipson, M.D. Past President Rhea Brunner Donna Lucas Gloria Naify Chris Ann Bachtel Randy Sater James Beckwith Susan Savage Claudia Coleman Julie Teel Cecilia Delury Denise Timmons Daniel Farley Tom Weborg Steven Felderstein Sandy Burton Yasso Marcy Friedman Ali Youssefi Michael Genovese Sarah Zeff Randy Getz David Gibson * As of publication date. ON THE COVER Mark Ryden, The Meat Train (No. 23) (detail), 2000. Oil on canvas, 17 x 23 in. Private Collection, © Mark Ryden. CONTACT INFORMATION The Art of @crockerart fli Admission crockerart.org FREE for Crocker members [email protected] Adults $10 (916) 808-7000 Seniors (65 and older) $8 College Students $8 Weddings Hours Youth (7 – 17) $5 Tuesday – Sunday 10 AM – 5 PM Children (6 and younger) Free Thursday 10 AM – 9 PM Your wedding is your masterpiece. Closed Mondays, Thanksgiving, Every third Sunday of the month is Let the Crocker be your canvas. Christmas, and New Year’s Day “Pay What You Wish Sunday.” Sponsored by For more information about special events at the Crocker Art Museum, email Sara Kennedy at [email protected]. Funded in part by the Cultural Arts Photo by Ambient Sky Award of the Sacramento Metropolitan Printing partially under- Arts Commission with support from the written by Fong & Fong city and county of Sacramento. Printers and Lithographers. / FROM THE DIRECTOR / DEAR MEMBERS, ummer is nearly upon us, and as the weather heats up, so will You might immediately notice one big change in this issue S our exhibitions, programs, and other endeavors. of the magazine: the donor lists have been removed. We think Kicking off the summer will beTurn the Page: The First Ten greater attention can be given to our generous donors through the Years of Hi-Fructose, a technicolor look at works of more than production of an annual recognition booklet, which will premiere 50 “new contemporary” artists featured in the pages of San in 2018. Inside, full and robust thanks will be paid to our members Francisco’s most prominent alternative arts magazine. On its and other supporters, and we will provide an illustrated look at the heels, Full Spectrum: Paintings by Raimonds Staprans, offers a Museum’s year in review. This change will allow us to use more prismatic view of the artist’s bold and varied still lifes, landscapes, magazine space for the art-focused content you’ve asked for. For and architectural scenes. Art Spots, our new, interactive spaces for those of you interested in accessing the donor list, it is now available children, will debut in May, giving families even more ways to on our website. Additionally, new and upgrading Director’s Circle engage with art. We are also continuing to set a course for the member names can be found in this issue on page 31. growth of our endowment and the development of Crocker Park as We hope these alterations will improve ArtLetter for you, and a space for community engagement and connectivity. that you’ll enjoy each issue just a little bit more. Here at the Crocker, we are thrilled that your generosity has As always, we would love to hear from you. Be sure to let us made these and many other endeavors possible, and we want to know about your experiences with ArtLetter, Art Interactive, and at thank you again for your continued membership and support. the Museum. And don’t forget to join the conversations happening Likewise, we are devoted to sustaining and improving the on our social platforms. You can follow @crockerart on Facebook, experiences you have as members. Hundreds of you responded Instagram, and Twitter. We look forward to seeing you soon. to our ArtLetter reader survey, the results of which are illustrated below. In this issue and in issues to come, you will see greater Lial A. Jones attention paid to your areas of interest and concern. Mort and Marcy Friedman Director and CEO 2016 ARTLETTER SURVEY RESULTS Which of these descriptions How do you feel about What type of content about ArtLetter do you select ads appearing in would you like to see agree with? ArtLetter? more of? TOP 3 RESPONSES TOP 3 RESPONSES The articles are long enough 86.5% Key works in visiting exhibitions There aren’t enough images of the art responded that Art history and appreciation they’re OK seeing Text size and spacing are difficult some ads for me to read Key works in the permanent collection crockerart.org MAY | JUN | JUL | AUG 2017 ARTLETTER 5 / CONNECTIONS / UNDER THE SPOTLIGHT Noon Year’s Eve More than 4,000 visitors celebrated the coming of 2017 during our free annual festival, which this year included performances by Sacramento Pow Wow Dancers, Move! Studio Capoeira, Alpentänzer Schuhplattler, Ballet Folklorico de Sacramento, and more! Photos by George Young Prom! Prom was all that and a bag of chips. This 90s-themed fundraiser featured arms-length-apart dancing, a VIP lounge, and chance to replace those embarrassing prom photos from years past. Nearly 650 guests dug out their too-small tuxedos and iridescent dresses and rocked out to DJ Epik and Dog Rifle, all while raising funds to support arts engagement initiatives throughout the Sacramento region. Photos by Tyler & Christina 6 Thank you for supporting the Crocker! Day of Remembrance In memory of Japanese Americans imprisoned by the United States government during WWII, community members filled the Crocker on February 19 to see the opening of Two Views: Photographs by Ansel Adams and Leonard Frank and hear the personal stories of those who experienced life in incarceration camps. The commemorative day offered free admission to all visitors and included art demonstrations, spotlight talks and tours, performances, and a reading of the names of local men, women, and children imprisoned during the war. Photos by Bob McCaw crockerart.org MAY | JUN | JUL | AUG 2017 ARTLETTER 7 / INSIDE LOOK / Crocker Education Director named Art Museum Educator of 2016 tacey Shelnut-Hendrick, the Crocker S Art Museum’s director of education, has been named the art museum educator of the year by the National Art Education Association. With more than 20 years of experience, Stacey aims to build community through art and position museums as places for learning and exchange. Born in New York City, Stacey saw the strains and challenges of socio-economic and cultural divides. But family visits to museums, which were inexpensive or free, were a special treat. “My mother would take me and many of the neighborhood kids to museums and cultural events to make sure we understood that the world was bigger than our block,” she recalls. Stacey’s ah-ha moment came when she was 15, and it set the course for a lifetime of art, learning, and leadership. Standing in front of Van Gogh’s The Potato Eaters, she “felt the desperation of poverty. Through a painting that was 100 years old, my naïve teenage brain ‘got it.’ I realized the power of art.” Stacey aims to build Since then, Stacey has held education and key initiatives include its Art Ark, an early community through art positions at the Studio Museum in Harlem, childhood initiative, Block by Block outreach the Brooklyn Children’s Museum, the program, studio and accessibility programs, and position museums Baltimore Museum of Art, and was the and interactive exhibition spaces. Along with executive director of the Flag House and overseeing the education department, Stacey as places for learning Star-Spangled Banner Museum. She has has served as a member of the For Arts Sake actually worked at the Crocker twice. leadership team, Any Given Child steering and exchange. She says, “Our CEO, Lial Jones, has been committee, the board of the California tremendously supportive of me and she Association of Museums, and the California At the end of her sophomore year at shares my belief that museums need to Department of Education’s art education task Utica College at Syracuse University, Stacey be community connectors.
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