Disorienting Medicine: Fayan Wenyi’S Ten Admonishments for the Lineage
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Just This Is It: Dongshan and the Practice of Suchness / Taigen Dan Leighton
“What a delight to have this thorough, wise, and deep work on the teaching of Zen Master Dongshan from the pen of Taigen Dan Leighton! As always, he relates his discussion of traditional Zen materials to contemporary social, ecological, and political issues, bringing up, among many others, Jack London, Lewis Carroll, echinoderms, and, of course, his beloved Bob Dylan. This is a must-have book for all serious students of Zen. It is an education in itself.” —Norman Fischer, author of Training in Compassion: Zen Teachings on the Practice of Lojong “A masterful exposition of the life and teachings of Chinese Chan master Dongshan, the ninth century founder of the Caodong school, later transmitted by Dōgen to Japan as the Sōtō sect. Leighton carefully examines in ways that are true to the traditional sources yet have a distinctively contemporary flavor a variety of material attributed to Dongshan. Leighton is masterful in weaving together specific approaches evoked through stories about and sayings by Dongshan to create a powerful and inspiring religious vision that is useful for students and researchers as well as practitioners of Zen. Through his thoughtful reflections, Leighton brings to light the panoramic approach to kōans characteristic of this lineage, including the works of Dōgen. This book also serves as a significant contribution to Dōgen studies, brilliantly explicating his views throughout.” —Steven Heine, author of Did Dōgen Go to China? What He Wrote and When He Wrote It “In his wonderful new book, Just This Is It, Buddhist scholar and teacher Taigen Dan Leighton launches a fresh inquiry into the Zen teachings of Dongshan, drawing new relevance from these ancient tales. -
Šum#9 Ni Manifest Ali Skupek Vizij Okoli Dileme, Ki Je Bila V Določenem Obdobju Znana Kot Čto Delat?
Šum #9 Exit or Die Koreografija postajati- Kirurginja -truplo Kazimir Kolar Voranc Kumar Skrivni Scarlett Jo- Jeruzalem hansson Le- Miroslav Griško aps to Your Advanced Lips An interview with R. Scott Bakker Persistent Primož Krašovec, Marko Bauer Threats in the Izhod Arts iz filozofije Patrick Steadman Robert Bobnič Šum #9 Exit or Die 987 Partnerji in koproducenti Društvo Galerija BOKS Društvo Igor Zabel drustvoboks. wordpress.com www.igorzabel.org Galerija Kapelica www.kapelica.org Galerija Miklova hiša www.galerija-miklovahisa.si Partnerji in koproducenti Galerija Škuc galerija.skuc-drustvo.si MGLC Mednarodni grafični likovni center www.mglc-lj.si Mestna galerija Ljubljana www.mgml.si/ mestna-galerija-ljubljana PartnerjiŠum in koproducenti #9 MG+MSUM Moderna galerija www.mg-lj.si UGM Umetnostna galerija Maribor www.ugm.si Zavod Celeia Celje Center sodobnih umetnosti www.celeia.info 990 PartnerjiŠum in koproducenti #9 Aksioma www.aksioma.org OSMO/ZA www.osmoza.si Pizzerija Riko Foculus www.riko.si www.foculus.si 991 Šum #9 1003 Kirurginja Kazimir Kolar 1011 Skrivni Jeruzalem miroslav GrišKo 1029 Advanced Persistent Threats in the Arts patricK steadman 1041 Koreografija postajati-truplo: kratka genealogija umirajočega telesa v računalniških igrah voranc Kumar 1073 Scarlett Johansson Leaps to Your Lips An Interview with R. Scott Bakker primož Krašovec, marKo Bauer 1101 Izhod iz filozofije: François Laruelle roBert BoBnič 1121 Points of View: On Photography & Our Fragmented, Transcendental Selves matt colquhoun 1137 Autism Wars: Neurodivergence as Exit Strategy dominic Fox 1151 Kapitalizem in čustva primož Krašovec 1175 On Letting Go arran crawFord 992 Šum #9 Uvodnik Izstop, exit, predstavlja relativno pogosto paradigmo v umetno- sti. -
EIAB MAGAZINE Contributions from the EIAB and the International Sangha · August 2019
EIAB MAGAZINE Contributions from the EIAB and the international Sangha · August 2019 Contents 2 The Path of the Bodhisattva 41 An MBSR Teacher at the EIAB 85 We can take a leaf out of their book 6 Bells 43 The Ten Commandments – when it comes to living generosity newly formulated 86 How the Honey gets to the EIAB 7 Opening Our Hearts by Taking Root In Ourselves 44 Inner Clarity, Inner Peace 88 Amidst the noble sangha: Interviewing Sr. Song Nghiem 16 “From discrimination to 46 Retreat “time limited ordination, inclusiveness” being a novice at EIAB” 90 Love in Action 19 Honoring Our Ancestors 49 No More War 91 Time-limited Novice Program 23 Construction Management and 50 ‘The only thing we really need is 107 In Memoriam Thầy Pháp Lượng Planning for the 2nd + 3rd Stages of your transformation’ the Renovation of the EIAB 54 Impermanence or the Art of Letting 25 Working Meditation on the Go Construction Project for the Ashoka 56 Slow Hiking and Time in Nature (I) Building 58 Slow Hiking and Time in Nature (II) 27 Every Moment is a Temple European Institute of 60 The Path of Meditation 29 Interview with the Dharma Teacher Applied Buddhism gGmbH 73 Singing at the EIAB Annabelle Zinser from Berlin Schaumburgweg 3 | 51545 Waldbröl 75 It’s a Game + 49 (0)2291 9071373 32 Mindfulness in Schools 77 The weight of the air [email protected] | [email protected] 34 Look Deeply! www.eiab.eu 79 The Dharma of youth – Examples 36 20 Years Intersein-Zentrum from the Wake Up generation Editorial: EIAB. -
Subjectivity of 'Mu-Shin' (No-Mind-Ness): Zen Philosophy As
No.01503005, March 2015 Journal of Integrated Creative Studies Subjectivity of ‘Mu-shin’ (No-mind-ness): Zen Philosophy as interpreted by Toshihiko Izutsu Tadashi Nishihira1 1 Professor, Graduate School of Education, Kyoto University, Yoshida-honmachi, Sakyo-ku, Kyoto 606-8501, Japan E-mail: [email protected] Abstract. In this paper, we consider whether there is any subjectivity in the state of ‘Mu-shin (No-mindness)’. Dr. Toshihiko Izutsu, a Japanese philosopher, has tried to answer this question with the example of a master musician absorbed in playing his harp. The master musician is so absorbed in playing and so completely one with the music itself, that he is no longer conscious of his fingers or of the instrument. But he is not ‘unconscious’, for he is conscious of himself as identified with the music. Izutsu explained that ‘Paradoxical as it may sound, he is so fully conscious of himself as identified with music that he is not ‘conscious’ of his act of playing in any ordinary sense of the word.’Izutsu called this particular phase of ‘awareness of self in full identification with music’ ‘Mu-shin teki Syutaisei (the subjectivity of Mu-shin)’.We may think of this particular phase as that which is prior to the subject-object bifurcation. However, Izutsu taught us that Zen-text has expressed this phase in four different ways, and it is these four types of ‘Mu-shin’ expression that we consider here. Keywords: Mushin (No-mind-ness), D.T.Suzuki, T.Izutsu, Zen Philosophy, Concureent nature 1 Subjectivity of ‘Mu-shin’ (No-mind-ness): Zen Philosophy as interpreted by Toshihiko Izutsu 1. -
Excerpts for Distribution
EXCERPTS FOR DISTRIBUTION Two Shores of Zen An American Monk’s Japan _____________________________ Jiryu Mark Rutschman-Byler Order the book at WWW.LULU.COM/SHORESOFZEN Join the conversation at WWW.SHORESOFZEN.COM NO ZEN IN THE WEST When a young American Buddhist monk can no longer bear the pop-psychology, sexual intrigue, and free-flowing peanut butter that he insists pollute his spiritual community, he sets out for Japan on an archetypal journey to find “True Zen,” a magical elixir to relieve all suffering. Arriving at an austere Japanese monastery and meeting a fierce old Zen Master, he feels confirmed in his suspicion that the Western Buddhist approach is a spineless imitation of authentic spiritual effort. However, over the course of a year and a half of bitter initiations, relentless meditation and labor, intense cold, brutal discipline, insanity, overwhelming lust, and false breakthroughs, he grows disenchanted with the Asian model as well. Finally completing the classic journey of the seeker who travels far to discover the home he has left, he returns to the U.S. with a more mature appreciation of Western Buddhism and a new confidence in his life as it is. Two Shores of Zen weaves together scenes from Japanese and American Zen to offer a timely, compelling contribution to the ongoing conversation about Western Buddhism’s stark departures from Asian traditions. How far has Western Buddhism come from its roots, or indeed how far has it fallen? JIRYU MARK RUTSCHMAN-BYLER is a Soto Zen priest in the lineage of Shunryu Suzuki Roshi. He has lived in Buddhist temples and monasteries in the U.S. -
HOW to GET ZEN ENLIGIITENMENT - on MASTER ISHIGURO's FIVE-DAYS' INTENSIVE COURSE for ITS Atfainment
Psydtolollia. 1959. Z. 107-1 E. HOW TO GET ZEN ENLIGIITENMENT - ON MASTER ISHIGURO'S FIVE-DAYS' INTENSIVE COURSE FOR ITS ATfAINMENT- KO]l SATO Kyoto Univmity Westerners have mostly approached Zen Buddhism through the writings of Dr. Daisetz Teitaro Suzuki. Suzuki's contribution in this respect is incomparably great. He is not only the highest Zen philosopher, but also the best example of Zen personality. When Dr. Cla rence H. Graham of Columbia University stayed in Kyoto as a lecturer of the AmeriCan Studies Seminar in the summer of 1952, the writer introduced him to Dr. Suzuki, who was also lecturing at Columbia and who happened to come to Kyoto with Karen Homey. They talked together about one hour, and after that Graham said to me that "he (Suzuki) is one of the most charming persons I ever met." Then the writer said to him, "that is Zen person ality." Suzuki is now in his ninetieth year and still active, continuing his study and writing. When the writer met him in New York in 1956, he asked the writer to get for him Trigant Burrow's book "Science and Mall's BcJwvior" and Franz Alexander's book "Fundamcntals of Psychoanalysis." When the writer met him in December last year, he was physically and mentally in very good condition. He is so-to-say the Zen 'personality' itself. But Dc. Suzuki is not a Zen master who trains disciples in monasteries.* Here arises some limitation in the understanding of Zen among Westerners who have approached Zen through his books. Many of them have read Suzuki's writings, and understood the Zen way of thinking quite well, some of them like Dc. -
Mountains Talking Summer 2020 in This Issue
mountains talking Summer 2020 In this issue... When Cold and Heat Visit When Cold and Heat Visit Karin Ryuku Kempe 3 Karin Ryuku Kempe Temple Practice & Covid-19 Guidelines 4 Today is temperate that too is our human condition. And yet, we can’t get weather, but in past weeks we away from dukkha, can’t avoid it. Daily Vigil Practice 4 have been visited by cold and heat, the Colorado spring. And The first step is to just to see that we cannot. Tung- Garden Zazen 5 some of us may have had chills shan challenges us: “Why not go where there is neither or maybe fever. As a com- cold not heat?” To move away, isn’t it our first instinct? Summer Blooms 6 munity, we are visited by an We squirm in the face of discomfort. But is there any- invisible but powerful disease where without cold or heat? No…no. Of course, Tung- To Practice All Good Joel Tagert 8 process, one to which we are shan knows this, knows it in his bones. He is not playing all vulnerable, no one of us ex- with words and he is not misleading us. He is pushing the Water Peggy Metta Sheehan 9 cepted. Staying close to home, question deeper, closer. Where is that place of no cold no we may be visited by the fear of not having enough sup- heat? Can it be anywhere but right here? Untitled Poem Fred Becker 10 plies, perhaps the loss of our work or financial security, or “When it is cold, let the cold kill you. -
On the Endeavor of the Way Bendō-Wa
1. On the Endeavor of the Way Bendō-wa All buddha tathagatas who individually transmit inconceivable dharma, actualizing unsurpassable, complete enlightenment, have a wondrous art, supreme and unconditioned. Receptive samadhi is its mark; only buddhas transmit it to buddhas without veering off. Sitting upright, practicing Zen, is the authentic gate to free yourself in the unconfined realm of this samadhi. Although this inconceivable dharma is abundant in each person, it is not actualized without practice, and it is not experienced without realization. When you release it, it fills your hand—how could it be limited to one or many? When you speak it, it fills your mouth—it is not bounded by length or width. All buddhas continuously abide in this dharma, and do not leave traces of consciousness about where they are. Sentient beings continuously move about in this dharma, but where they are is not clear in their consciousness. The concentrated endeavor of the way I am speaking of allows all things to come forth in realization to practice going beyond in the path of letting go. Passing through the barrier [of dualism] and dropping off limitations in this way, how could you be hindered by nodes in bamboo or knots in wood [concepts and theories]? * After the aspiration for enlightenment arose, I began to search for dharma, visiting teachers at various places in our country. Then I met priest Myozen, of the Kennin Monastery, with whom I trained for nine years, and thus I learned a little about the teaching of the Rinzai School. Priest Myozen alone, as a senior disciple of ancestor Eisai, authentically received transmittion of the unsurpassable buddha dharma from him; no one can be compared with him. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Buddhist Studies
Journal of the International Association of Buddhist Studies Volume 24 • Number 1 • 2001 MINORUHARA In memoriam J.W. de Jong 1 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism 7 NADINE OWEN Constructing Another Perspective for Ajanta's Fifth-Century Excavations 27 PETER VERHAGEN Studies in Indo-Tibetan Buddhist Hermeneutics (1) Issues of Interpretation and Translation in the Minor Works of Si-tu Pan-chen Chos-kyi-'byun-gnas (16997-1774) 61 GLENN WALLIS The Buddha's Remains: mantra in the ManjusrTmulakalpa 89 BOOK REVIEW by ULRICH PAGEL Heinz Bechert [et al.]: Der Buddhismus I: Der Indische Buddhismus und seine Verzweigungen 127 Treasurer's Report 2000 135 JINHUA JIA Doctrinal Reformation of the Hongzhou School of Chan Buddhism* Hu Shi asserts that "Chinese" Chan proper first took on complete shape in the Hongzhou school.1 This assertion has been generally accepted, and the Hongzhou school is regarded as the beginning of "classical" or "golden-age" Chan. However, when discussing exactly what marks the beginning of this new type of Chan, or in other words, what kind of reformation Mazu Daoyi JSffill-- (709-88) brought to the Chan tradition, there have been quite different explanations. YANAGIDA Seizan |7PEBIIll[ posits that the m6st salient characteristic of the Hong zhou school is that it is a Chan of everyday life and a religion of humanity.2 IRIYA Yoshitaka A^ilfij regards the ideas, "function is identical with [Buddha-]nature" and "daily activities are wonderful functions," as the core of Daoyi's teaching.3 John McRAE assumes that "encounter dialogue" distinguishes the "classical" Chan of Mazu from the "pre-classical" Chan of the Northern, early Southern, and Niutou schools.4 Bernard FAURE takes the disappearance of one-practice samadhi (yixing sanmei — ffzLW) as "an indicator of the 'epistemologi- cal split' that opened between early Chan and the 'classical' Chan of the * I thank Professors Paul W. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
Bodhisattva of the Bullheaded Whale
Elegy to the Bone Kimono —Zen Assays— —Reflections on Poetry & Koans— Dane Cervine Elegy to the Bone Kimono Assays on Zen, Poetry & Imagination Dane Cervine Inquiries of the author may be made to: Kado Press c/o Dane Cervine 153 Alta Avenue Santa Cruz, CA 95060 831-706-8866 [email protected] www.DaneCervine.typepad.com Copyright 2016 by Dane Cervine -- All rights reserved – Kado Press Contents PREFACE ........................................................................................................................ 6 Elegy to the Bone Kimono ................................................................................................ 8 Bodhisattva of the Bullheaded Whale ............................................................................ 15 Odysseus’ Mess .................................................................................................................. 20 Procrustes’ Iron Bed, and Tempyo’s Two Wrongs ...................................................... 23 Cosmic Turtles, Screaming Underwater, and the Glittering Knob ............................ 27 Snow Lion, Earthworm, Invisible Ink ............................................................................ 31 The Angel and the Zen Master ....................................................................................... 35 The Jeweled Cobweb of Indra ........................................................................................ 40 The Mindful Life: Russian Ostyt &The Eros of Patience ............................................ 45