Bruce Rand Berman

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BRUCE RAND BERMAN PRODUCER TELEVISION LOST OLLIE (VFX Test Shoot) Netflix Productions Prod: Ritamarie Peruggi Dir: Shannon Tindle (UPM) GAME SHAKERS (Pilot & Seasons 1-3) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon SAM & CAT (Season 1) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Various (Producer/UPM) Nickelodeon GIBBY (Pilot) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Steve Hoefer (Producer/UPM) Nickelodeon VICTORIOUS (Seasons 1 - 4) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Various (Producer/UPM) Nickelodeon *3 Primetime Emmy Nominations iCARLY (Seasons 2 -5) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon *4 Primetime Emmy Nominations AMERICAN BANDSTAND, Dick Clark Prod. Inc Prod: Barry Adelman, Bob Bardo PBS 40TH ANNIVERSARY (Special) (Consulting Producer) ATLANTA (Pilot) (Producer) CBS-Paramount/CBS Prod: Paul Reiser Dir: Harold Ramis TWENTY GOOD YEARS Warner Bros. TV/NBC Prod: Marsh McCall, Tom Werner Dir: Terry Hughes (Pilot & Season 1) (UPM) DRAKE & JOSH (Season 4) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon LINKS (Producer) Nuance Enterprises /Amazon Prod: Paul Reiser, Don Was, Craig Knizek MODERN MEN (Season 1) (UPM) Warner Bros. TV/WB Prod: Marsh McCall, Jerry Bruckheimer Dir: Terry Hughes DEAL (aka ALL IN) (Pilot) (UPM) Warner Bros. TV/NBC Prod: Jack Burditt, Lisa Kudrow Dir: Barnet Kellman GIFFONI HOLLYWOOD (Producer) Nickelodeon Prod: John Voight, Albie Hecht Dir: Albie Hecht (Film Festival Awards Show) ALL THAT (Season 10) Tollin-Robbins Prod./ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon COME TO PAPA (Season 1) NBC Prod: Greg Malins Dir: Andy Ackerman (Assoc. Producer) COMPLETE SAVAGES (Pilot) Universal/ABC Prod: Mel Gibson, Mike Scully, Julie Thacker Dir: Mel Gibson (Assoc. Producer) JUST SHOOT ME (Seasons 1 -7) Universal/NBC Prod: Steven Levitan, Marsh McCall, Dir: Various (Producer) Pamela Fryman MY BIG FAT GREEK LIFE (Pilot) (UPM) Brad Grey TV/CBS Prod: Marsh McCall. Tom Hanks, Rita Wilson, Dir: Pamela Fryman Nia Vardalos MR. LIFE (Pilot) (Producer/UPM) Columbia-Tristar Prod./CBS Prod: Victor Levin Dir: Andrew Weyman BAXTER & SONS (Pilot) NBC Prod: Andrew Gordon, Eileen Conn Dir: James Burrows (Consulting Producer) JERSEY (Pilot) (Producer) Brillstein-Grey Ent./NBC Prod: Danny Zuker Dir: Robby Benson VERONICA’S VIDEO (Pilot) (Producer) Big Ticket Ent./UPN Prod: Jay Tarses Dir: Don Scardino OLIVIA MASTERS’ LIFE (Pilot) Brillstein-Grey Ent./NBC Prod: Stephen Engel Dir: Michael Lessac (Coordinating Producer) NEWSRADIO (Pilot & Seasons 1 & 2) Brillstein-Grey Ent./NBC Prod: Paul Simms Dir: Various (Coordinating Producer) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin
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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
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Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience.
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Second Night of 2020 Creative Arts Emmy® Winners Announced
FOR IMMEDIATE RELEASE SECOND NIGHT OF 2020 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (LOS ANGELES – Sept. 15, 2020) — The Television Academy tonight hosted the second of its five 2020 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at Emmys.com. The ceremony awarded many talented artists and craftspeople in the categories of Variety Programming. The ceremony was hosted by Emmy-nominated host Nicole Byer and featured presenters from some of the season’s most popular shows including Josh Flagg (Million Dollar Listing Los Angeles), Chris Hardwick (The Wall; The Talking Dead), Sofia Hublitz (Ozark), Thomas Lennon (Reno 911), Desus Nice & The Kid Mero (Desus & Mero), Jeremy Pope (Hollywood), Issa Rae (A Black Lady Sketch Show; Insecure) and Tracy Tutor (Million Dollar Listing Los Angeles). The 2020 Creative Arts Emmy Awards are being streamed on Emmys.com for four consecutive nights, Monday, Sept. 14, through Thursday, Sept. 17, at 8:00 p.m. EDT/5:00 p.m. PDT with a fifth broadcast ceremony on Saturday, Sept. 19, at 8:00 p.m. EDT/5:00 p.m. PDT on FXX. Winners' names are known only by Ernst & Young LLP until they are revealed to the director of the Emmys ceremony as the show is airing. All five shows are produced by Bob Bain Productions. # # # Press Contact: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected] 818-462-1150 For more information, please visit emmys.com. TELEVISION ACADEMY 2020 CREATIVE ARTS EMMY AWARDS – TUESDAY, SEPTEMBER 15, 2020
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30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock ﬁrst aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
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Watching Television with Friends: Tween Girls' Inclusion Of
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The Robust Beauty of Improper Linear Models in Decision Making
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The West Wing Weekly 1.01: Pilot [Intro Music] HRISHI
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Melina Root Costume Designer
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Calm Down NEW YORK — East Met West at Tiffany on Sunday Morning in a Smart, Chic Collection by Behnaz Sarafpour
WINSTON MINES GROWTH/10 GUCCI’S GIANNINI TALKS TEAM/22 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 13, 2004 • $2.00 Accessories/Innerwear/Legwear Calm Down NEW YORK — East met West at Tiffany on Sunday morning in a smart, chic collection by Behnaz Sarafpour. And in the midst of the cross-cultural current inspired by the designer’s recent trip to Japan, she gave ample play to the new calm percolating through fashion, one likely to gain momentum as the season progresses. Here, Sarafpour’s sleek dress secured with an obi sash. For more on the season, see pages 12 to 18. Hip-Hop’s Rising Heat: As Firms Chase Deals, Is Rocawear in Play? By Lauren DeCarlo NEW YORK — The bling-bling world of hip- hop is clearly more than a flash in the pan, with more conglomerates than ever eager to get a piece of it. The latest brand J.Lo Plans Show for Sweetface, Sells $15,000 Of Fragrance at Macy’s Appearance. Page 2. said to be entertaining suitors is none other than one that helped pioneer the sector: Rocawear. Sources said Rocawear may be ready to consider offers for a sale of the company, which is said to generate more than $125 million in wholesale volume. See Rocawear, Page4 PHOTO BY GEORGE CHINSEE PHOTO BY 2 WWD, MONDAY, SEPTEMBER 13, 2004 WWW.WWD.COM WWDMONDAY J.Lo Talks Scents, Shows at Macy’s Accessories/Innerwear/Legwear By Julie Naughton and Pete Born FASHION The spring collections kicked into high gear over the weekend with shows Jennifer Lopez in Jennifer Lopez in from Behnaz Sarafpour, DKNY, Baby Phat and Zac Posen.
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Resume Robert Vestal
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