Resume Robert Vestal

Total Page:16

File Type:pdf, Size:1020Kb

Resume Robert Vestal ROBERT VESTAL [email protected] SAG-AFTRA, AEA HT: 5’7" WT: 155 323-358-1586 TELEVISION IT'S ALL RELATIVE CO-STAR ABC (BARNET KELLMAN) ER CO-STAR NBC (CHRISTOPHER MISIANO) HAIL MARY SERIES REGULAR PILOT (PAUL RODRIGUEZ) X & J CUSTOMS SERIES REGULAR PILOT (BOBBY MARDIS) LIFE COACHES & ROCK STARS GUEST STAR WEB SERIES (TERRY MCFADDEN) MR. REBOUND SERIES REGULAR WEB SERIES (ROBERT VESTAL) IT'S ALWAYS SMOGGY IN L.A. SERIES REGULAR WEB SERIES (SCOTT VOGEL) THE BIG FAT NUDE HIPPO SHOW SERIES REGULAR CABLE YOU AIN'T RIGHT GUEST STAR CABLE (CAREY DUNN) FILM NO TURNING BACK SUPPORTING JESUS NEBOT/ JULIA MONTEJO (ALMA WINNER) YOUNG CESAR SUPPORTING SHELDON CANDIS AMERICAN ACTOR SUPPORTING SCOTT VOGEL EYEBALL EDDIE SUPPORTING ELIZABETH ALLEN (EX. PROD. DREAMWORKS) PROTECT AND SERVE SUPPORTING JAI TIGGETT CRAZY IND’N LEAD IAN SKORODIN ONLY IN YOUR DREAMS LEAD RICHARD MONTGOMERY MANNY AND BOB’S INSANE WEEKEND LEAD SCOTT VOGEL WHEN ZOMBIES ATTACK SUPPORTING CRAIG OUELLETTE RESERVOIR LOGS LEAD ROBERT VESTAL VAMPIRES,... DANDELION LEAD PETE RED SKY THE MARTYR SUPPORTING JOHN DOLAN LIBERATING DOROTHY SUPPORTING FERNANDO ALESSANDRI OUT OF THE LIFE LEAD TODD TUNTLAND JANUARY LEAD JEFF EASON VIDEO GAME RESIDENT EVIL: BIOHAZARD VOICE/MOTION CAPTURE CAPCOM (NAVID KORNSARI) THEATRE (partial list) DEARLY DEPARTED RAY-BUD MAPLES REPERTORY THEATRE (PETER REYNOLDS) OUR VOICES WILL BE HEARD TA PERSEVERANCE THEATRE (LARISSA FASTHORSE) THE REALLY AWESOME IMPROV SHOW ENSEMBLE THE SECOND CITY (FRANK CAETI) OFF THE RAILS PRYOR NATIVE VOICES (CHRIS ANTHONY) TEACHING DISCO SQUARE DANCING MARTIN NATIVE VOICES (JOSE CRUZ GONZALEZ) SUPER INDIAN MEGA BEAR/CAL VAN ERIK NATIVE VOICES/ NATIVE RADIO THTR (WILLIAM DUFRIS) THE BERLIN BLUES TRAILER NATIVE VOICES (RANDY REINHOLZ) KINO & TERESA KINO NATIVE VOICES (KENNETH MARTINES) THE BUZ'GEM BLUES WARRIOR WHO NEVER SLEEPS NATIVE VOICES (RANDY REINHOLZ) JUMP KISS: AN INDIAN LEGEND BROTHER NATIVE VOICES (RANDY REINHOLZ) WRONG TURN AT LUNGFISH UNDERSTUDY FALCON THEATRE (GARRY MARSHALL) TWELFTH NIGHT ANTONIO NEVADA SHAKESPEARE (ARMIN SHIMMERMAN) COMEDY OF ERRORS DROMIO OF EPHESUS NEVADA SHAKESPEARE (TONY POTTER) OTHELLO HERALD/ ENSEMBLE NEVADA SHAKESPEARE (BILL REILLY) A MIDSUMMER NIGHT'S DREAM OBERON SHAKESPEARE AT PLAY (DEBBIE GATES) MUCH ADO ABOUT NOTHING DOGBERRY SHAKESPEARE AT PLAY (DEBBIE GATES) A MIDSUMMER NIGHT'S DREAM PUCK ARROYO REPERTORY THEATRE (JUDE LUCAS) SERVANT OF TWO MASTERS SILVIO ARROYO REPERTORY THEATRE (JUDE LUCAS) ROMEO & JULIET ROMEO WILL & COMPANY (SAM ROBINSON) TEMPEST CALIBAN/STEPH/TRINCULO WILL & COMPANY (SAM ROBINSON) THE PASSWORD IS MURDER DUTCH KILLER ENTERTAINMENT (JULIA MCDOWELL) ALIBI ABOARD SHAMROCK/QT/MARION KILLER ENTERTAINMENT (MICHAEL J. MCKAY) THE KEY TO THE FOURTH WALL DEREK SEE-SHARP PRODUCTIONS (ROBERT VESTAL) WET NAPS ENSEMBLE THE COMEDY STORE (CAREY DUNN) RENAISSANCE PLEASURE FAIRE ENSEMBLE RENAISSANCE FAIRE (DAVID DE ANGELIS) SECRETS COUNSELOR HEALTHWORKS (PETER REYNOLDS) TONY N' TINA'S WEDDING JOHNNY/RICK TONY N' TINA'S WEDDING (JOEY TOMASKA) TRAINING & EDUCATION TRUTH IN ACTING HOWARD FINE STUDIO LAURA GARDNER IMPROVISATION & SKETCH THE GROUNDLINGS ALL LEVELS PERFORMANCE SERIES THE GROUNDLINGS MINDY STERLING ACTING THROUGH IMPROVISATION THE SECOND CITY BURT HEYMAN SCENE STUDY SCOTT COLOMBY VOICE AUDIO THEATER WORKSHOP B.A. ENGLISH UNIVERSITY OF CHICAGO ACTING FUNDAMENTALS CURT COLUMBUS SCENE STUDY CURT COLUMBUS SHAKESPEARE IN PERFORMANCE GAVIN WITT SPECIAL SKILLS SEVERAL DIALECTS, IMPROV, IMPRESSIONS, TUMBLING, STAGE COMBAT, RAPPING, FREESTYLE DANCING SPANISH, WRESTLING, VOICE OVER, MOTION CAPTURE, CAN WORK IN CANADA.
Recommended publications
  • NEW RESUME Current-9(5)
    DEEDEE BRADLEY CASTING DIRECTOR [email protected] 818-980-9803 X2 TELEVISION PILOTS * Denotes picked up for series SWITCHED AT BIRTH* One hour pilot for ABC Family 2010 Executive Producers: Lizzy Weiss, Paul Stupin Director: Steve Miner BEING HUMAN* One hour pilot for Muse Ent./SyFy 2010 Executive Producers: Jeremy Carver, Anna Fricke, Michael Prupas Director: Adam Kane UNTITLED JUSTIN ADLER PILOT Half hour pilot for Sony/NBC 2009 Executive Producers: Eric Tannenbaum, Kim Tannenbaum, Mitch Hurwitz, Joe Russo, Anthony Russo, Justin Adler, David Guarascio, Moses Port Directors: Joe Russo and Anthony Russo PARTY DOWN * Half hour pilot for STARZ Network 2008 Executive Producers: Rob Thomas, Paul Rudd Director: Rob Thomas BEVERLY HILLS 90210* One hour pilot for CBS/Paramount and CW Network. Executive Producers: Gabe Sachs, Jeff Judah, Mark Piznarski, Rob Thomas Director: Mark Piznarski MERCY REEF aka AQUAMAN One hour pilot for Warner Bros./CW 2006 Executive Producers: Miles Millar, Al Gough, Greg Beeman Director : Greg Beeman Shared casting..Joanne Koehler VERONICA MARS* One hour pilot for Stu Segall Productions/UPN 2004 Executive Producers: Joel Silver, Rob Thomas Director: Mark Piznarski SAVING JASON Half hour pilot for Warner Bros./WBN 2003 Executive Producer: Winifred Hervey Director: Stan Lathan NEWTON One hour pilot for Warner Bros/UPN 2003 Executive Producers: Joel Silver, Gregory Noveck, Craig Silverstein Director: Lesli Linka Glatter ROCK ME BABY* Half hour pilot for Warner Bros./UPN 2003 Executive Producers: Tony Krantz, Tim Kelleher
    [Show full text]
  • September 21, 2019
    SKYLIGHT THEATRE COMPANY PRESENTS THE WORLD PREMIERE OF WRITTEN BY WENDY KOUT DIRECTED BY TONY ABATEMARCO AND CELIA MANDELA RIVERA STARRING: EVIE ABAT, ADAM FOSTER BALLARD, ELIZA BLAIR, MICHAEL KACZKOWSKI, JOEY MILLIN, SARAH TUBERT SCENIC AND LIGHTING DESIGNER: CAROLINE ANDREW SOUND DESIGNER: CHRISTOPHER MOSCATELIO COSTUME DESIGNER: MYLETTE NORA VIDEO DESIGNER: LILY BARTENSTEIN PUBLICIST: JUDITH BORNE GRAPHIC DESIGNER: GUILLERMO PEREZ PRODUCTION STAGE MANAGERS: CHRISTOPHER HOFFMAN, GARRETT CROUCH ASSOCIATE PRODUCERS: WENDY HAMMERS, AMY PELCH PRODUCERS: GARY GROSSMAN, MICHAEL KEARNS OPENING NIGHT: SEPTEMBER 21, 2019 Adapted from Survivors by Wendy Kout commissioned, developed and produced by the Center Stage Theatre at the Louis S. Wolk Jewish Community Center of Greater Rochester, Ralph Meranto, Artistic Director. Welcome... “Collaboration, which in circumstances associated with hate-generating leadership, has often and rightfully been given a bad name. In the theatre, it is our lifeblood; the essential component that allows for creativity to thrive. In light of recent events in our world that may equate collaboration with complacency or worse, we have made an intensive effort to accentuate the positive definition of that word. Using the testimonies of Survivors of Hitler’s death camps and the gift of hope they continue to share with succeeding generations, they have become our lodestar, guiding us toward light, reframing our present dread into action. That action makes use of our skills as artists. We hope that by sharing Never Is Now with you, we may help you reframe what seems daunting into something life-affirming. For those of us collaborating on the making of this event, we’re stronger than we were when we began.
    [Show full text]
  • Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
    Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS
    [Show full text]
  • Jay O'connell
    JAY O’CONNELL Producer / UPM I MOM SO HARD (multi-cam pilot; UPM) – CBS/WBTV; Prods: Michelle Nader, Rob Thomas, Kristin Hensley, Jen Smedley; Dir: Don Scardino; w/ Freddie Prinze, Jr, David Fynn LIVING BIBLICALLY (multi-cam series; UPM) – CBS/WBTV; Prods: Patrick Walsh, Johnny Galecki, Spencer Medof, Andrew Haas; Dir: Andy Ackerman; w/ Jay Ferguson, Ian Gomez, David Krumholtz RELATIVELY HAPPY (multi-cam pilot; UPM) – CBS/WBTV; Prods: Max Mutchnick, Jeff Astrof; Dir: James Burrows; w/ Jane Lynch, Genevieve Angelson, Jon Rudnitsky, Stephen Guarino TWO BROKE GIRLS (multi-cam pilot and series, Co-Producer/UPM) – CBS / WBTV; Prods: Michael Patrick King, Whitney Cummings; Dir: Jim Burrows, Ted Wass, Scott Ellis, John Fortenberry, Fred Savage, Julie Anne Robinson, Thomas Kail, Michael McDonald, Don Scardino; w/ Kat Dennings, Beth Behrs MAN WITH A PLAN (multi-cam pilot; UPM) – CBS/CBSP; Prods: Jackie Filgo, Jeff Filgo, Michael Rotenberg, Matt LeBlanc; Dir: James Burrows; w/ Matt LeBlanc, Jenna Fischer, Grace Kaufman HAPPY LIFE (multi-cam pilot, UPM) – CBS / WBTV; Prods: Bill Wrubel; Dir: James Burrows; w/ Steven Weber, Duane Martin, Eric Petersen, Rita Moreno, Bill Smitrovich, Minnie Driver ONE BIG HAPPY (multi-cam pilot and series, UPM) – NBC/WBTV; Prods: Ellen DeGeneres, Liz Feldman, Jeff Kleeman; Dir: Scott Ellis; w/ Nick Zano, Elisha Cuthbert BIG BANG THEORY (multi-cam series, UPM) – CBS/WBTV; Prods: Chuck Lorre, Lee Aronsohn, Bill Prady; Dir: Mark Cendrowski; w/ Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar PARTNERS
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
    [Show full text]
  • Khary Payton Film Astronaut: the Last Push Lead/Producer Dir Eric Hayden/Independent Circle of Eight Supporting Dir
    KHARY PAYTON FILM ASTRONAUT: THE LAST PUSH LEAD/PRODUCER DIR ERIC HAYDEN/INDEPENDENT CIRCLE OF EIGHT SUPPORTING DIR. STEPHEN CRAGG/INDEPENDENT THE LEGEND OF AWESOMEST MAXIMUS LEAD DIR. JEFF KANEW/NATIONAL LAMPOON PING PONG PLAYA LEAD DIR. JESSICA YU / INDEPENDENT RED TIDE RISING SUPPORTING DIR. MITCHELL L COHEN / INDEPENDENT LATTER DAYS SUPPORTING DIR. C JAY COX / INDEPENDENT SWATTERS SUPPORTING DIR. IRVING SCHWARTZ / INDEPENDENT DRACULA 2: RESURRECTION LEAD DIR. PATRICK LUSSIER / DIMENSION FILMS HELLRAISER: HELLWORLD LEAD DIR. RICK BOTA / DIMENSION FILMS TELEVISION TRANSFORMERS (2015 VO) SERIES REGULAR THE HUB NETWORK LOVE IS DEAD (PILOT) SERIES REGULAR DIR. LORENE SCAFARIA/USA BODY OF PROOF GUEST STAR DIR MILAN CHEYLOV/ABC TEEN TITANS, GO! (VO) SERIES REGULAR CARTOON NETWORK GO ON SERIES REGULAR DIR TODD HOLLAND/NBC FAIRLY LEGAL GUEST STAR DIR MICHAEL WATKINS/USA POWERS (PILOT) SERIES REGULAR DIR MICHAEL DINNER/FX MY LIFE AS AN EXPERIMENT (PILOT) GUEST STAR DIR MICHAEL SPILLER/NBC CHARLIE’S ANGELS GUEST STAR DIR MARCOS SIEGA/ABC GENERAL HOSPITAL RECURRING ABC CSI: MIAMI GUEST STAR DIR DON TARDINO/CBS LIE TO ME GUEST STAR DIR MICHAEL ZINBERG/FOX YOUNG JUSTICE (VO) SERIES REGULAR CARTOON NETWORK GI JOE: RENEGADES (VO) SERIES REGULAR HUB NETWORK CRIMINAL MINDS GUEST STAR DIR. CHARLIE HAID/CBS I’M IN THE BAND GUEST STAR DIR. PAUL LAZARUS/DISNEY XD BEN 10 (VO) RECURRING CARTOON NETWORK MEDIUM GUEST STAR DIR. LARRY TENG/CBS HOW I MET YOUR MOTHER GUEST STAR DIR. PAMELA FRYMAN/CBS EMILY’S REASONS WHY NOT SERIES REGULAR DIR. MICHAEL JANN / ABC 3 LBS. (PILOT) GUEST STAR DIR. BARRY LEVINSON / CBS D.O.T.’S (PILOT) SERIES REGULAR DIR.
    [Show full text]
  • Jonathan Mccoy
    PAUL KURTA PRODUCER TELEVISION SEE (Season 1 / eps 1-4) Apple / Endeavor Prod: Steven Knight, Dan Shotz, Jon Steinberg Dir: Francis Lawrence (Producer) GRAND HOTEL (Pilot) ABC Studios/ABC Prod: Eva Longoria, Ben Spector, Brian Tanen Dir: Ken Olin (Producer/UPM) KINGDOM (Season 2) Endemol USA/DirecTV Prod: Byron Balasco, Bart Peters, Chris Long, Dir: Various (Co-Executive Producer) HELL ON WHEELS (Seasons 1- 5) eOne/AMC Prod: John Wirth, Jeremy Gold, Joe Gayton, Dir: Various (Executive Producer) Tony Gayton PAN AM (Pilot) Sony TV/ABC Prod: Sid Ganis, Nancy Hult Ganis, Jack Orman Dir: Thomas Schlamme (Producer) MOONLIGHT (Season 1) Warner Bros. TV/CBS Prod: Gerard Bocaccio, Ron Koslow, Joel Silver, Dir: Various (Producer) Chip Johannessen THE RICHES (Pilot) Fox Studios/FX Prod: Dmitry Lipkin, Michael Rosenberg Dir: Carl Franklin (Producer/UPM) VERONICA MARS (Season 1) Warner Bros./UPN Prod: Joel Silver, Rob Thomas Dir: Various (Producer) THE PENNSYLVANIA MINERS’ STORY Touchstone TV/ABC Prod: Jack Clements, Larry Sanitsky Dir: David Frankel (TV Movie) (UPM) GOING TO CALIFORNIA (Season 1) Sony TV/Showtime Prod: Scott Rosenberg, Jeff Melvoin, Geyer Kosinski Dir: Various (Producer) ALIEN NATION: MILLENNIUM 20th Century Fox/FOX Prod: Kenneth Johnson Dir: Kenneth Johnson (TV Movie) (Producer/UPM) LONG GONE HBO Films Prod: Joan Barnett Dir: Martin Davidson (TV Movie) (Line Producer) RISE AND WALK: Fox TV/FOX Prod: Rick Schaeffer, Jed Dietz Dir: Michael Dinner THE DENNIS BYRD STORY (TV Movie) (Producer/UPM) FEATURES AN INTERVIEW WITH GOD Astute Films Prod: Fred Bernstein Dir: Perry Lang (Executive Producer) CHERRY (Executive Producer) Unified Pictures Prod: Matthew Fine, Sam Kitt Dir: Jeffrey Fine 3 A.M.
    [Show full text]
  • Cicely News & World Telegram 49
    invented earflap-chic, viewers might not be Surely the show has earned its right to stand And flnally, it did not titillate with the able to make sense out of the more apart. Two seasons into its run, Northern seductive whiff of chic evil: There is the recentJoshua Brand-John Falsey creation Exposure is gaining texture, self-assurance - occasional corpse on the series, but no without an interpreter's guide. Or a Native and devoted followers - almost with each new sinister presences lurk out there in the pines: American guide. Or at least an L.L. Bean episode. Two seasons into its run, the late and no psychotic glow lights the eyes of secondary catalogue. unlamented Twin Peaks on ABC was headed characters. in the opposite direction, an interesting blind date that So why is it, then. that Northern Exposure had gone increases its exposure long after Twin Peaks sour. peaked? The murky, I think the secret lies in the fact that Brand mood- and Falsey have managed to create, gently drenched and patiently, what David Lynch promised to series had create, and what for a brief, entrancing opened to a interval it seemed that he had created, until cascade of the archness and falsity of his vision self- welcoming destructed: reviews. This was ... A place. A radient, many-layered, slightly TV's long- magical place, as achingly real and yet just- awaited out-of-reach as a dream you start to forget as union of art soon as you wake up. A place set off in and mass- glorious isolation from the rest of the world, appeal but urgently alive with its own rules.
    [Show full text]
  • Bruce Rand Berman
    BRUCE RAND BERMAN PRODUCER TELEVISION LOST OLLIE (VFX Test Shoot) Netflix Productions Prod: Ritamarie Peruggi Dir: Shannon Tindle (UPM) GAME SHAKERS (Pilot & Seasons 1-3) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon SAM & CAT (Season 1) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Various (Producer/UPM) Nickelodeon GIBBY (Pilot) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Steve Hoefer (Producer/UPM) Nickelodeon VICTORIOUS (Seasons 1 - 4) Schneider’s Bakery/ Prod: Dan Schneider, Warren Bell Dir: Various (Producer/UPM) Nickelodeon *3 Primetime Emmy Nominations iCARLY (Seasons 2 -5) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon *4 Primetime Emmy Nominations AMERICAN BANDSTAND, Dick Clark Prod. Inc Prod: Barry Adelman, Bob Bardo PBS 40TH ANNIVERSARY (Special) (Consulting Producer) ATLANTA (Pilot) (Producer) CBS-Paramount/CBS Prod: Paul Reiser Dir: Harold Ramis TWENTY GOOD YEARS Warner Bros. TV/NBC Prod: Marsh McCall, Tom Werner Dir: Terry Hughes (Pilot & Season 1) (UPM) DRAKE & JOSH (Season 4) Schneider’s Bakery/ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon LINKS (Producer) Nuance Enterprises /Amazon Prod: Paul Reiser, Don Was, Craig Knizek MODERN MEN (Season 1) (UPM) Warner Bros. TV/WB Prod: Marsh McCall, Jerry Bruckheimer Dir: Terry Hughes DEAL (aka ALL IN) (Pilot) (UPM) Warner Bros. TV/NBC Prod: Jack Burditt, Lisa Kudrow Dir: Barnet Kellman GIFFONI HOLLYWOOD (Producer) Nickelodeon Prod: John Voight, Albie Hecht Dir: Albie Hecht (Film Festival Awards Show) ALL THAT (Season 10) Tollin-Robbins Prod./ Prod: Dan Schneider Dir: Various (Producer/UPM) Nickelodeon COME TO PAPA (Season 1) NBC Prod: Greg Malins Dir: Andy Ackerman (Assoc.
    [Show full text]
  • Women of SCA 20
    FALL 2011 IN MOTION AlumnaeWom Speak on Careers,En of SCA the Industry and the SCA Experience A Day in the Life of Dr. Casper EntEr thE World of SCA’S IConIC ProfESSor The Hollywood Reporter Archive thE SCholArS of SCA BrIng thE PASt to lIfE WIth thE hElP of thr Anatomy of a Game SCA’S groundBrEAkIng trAnSmEdIA ExPErImEnt goES lIvE UNIVERSITY OF SOUTHERN CALIFORNIA FALL 2011 dEPArtmEntS StorIES MESSAGE FROM THE DEAN 3 WomEn of SCA 20 YEAR IN REVIEW 4 BUILDING THE FUTURE PHASE III 16 WHY I GIVE 18 ALUMNI AND FACULTY QUICKTAKES 26 TV AND FILM IN RELEASE 28 IN MEMORIAM 30 THE HOLLYWOOD AnAtomy of A A dAy In thE lIfE rEPortEr gAmE 10 OF DR. DREW PhotogrAPhy CASPEr 13 ArChIvE 8 Dean Elizabeth M. Daley BOARD OF COUNCILORS ALUMNI DEVELOPMENT COUNCIL Senior Associate Dean, Frank Price (Chair, Board of Councilors) John August ’94 Neal Moritz ’85 External Relations Marlene Loadvine Susan Downey ’95 Robert Osher ’81 Frank Biondi, Jr. Barry Meyer Bob Ducsay ’86 Santiago Pozo ’86 Associate Dean of Barry Diller Sidney Poitier Robert Greenblatt ’87 Shonda Rhimes ’94 Communications & PR Kristin Borella Lee Gabler John Riccitiello Tom Hoberman Jay Roach ’86 David Geffen Barney Rosenzweig Ramses Ishak ’92 Bruce Rosenblum ’79 Contributors Mel Cowan Brian T. Grazer Scott Sassa James Ishii ’76 Gary Rydstrom ’81 Ryan Gilmour Brad Grey Steven Spielberg Leslie Iwerks ’93 Josh Schwartz Cristy Lytal Jeffrey Katzenberg John Wells Polly Cohen Johnsen ’95 Peter Segal ’84 Hugh Hart Alan Levine Jim Wiatt Aaron Kaplan ’90 Stacey Sher ’85 Justin Wilson George Lucas Paul Junger Witt Michael Lehmann ’85 Jason Shuman ’96 Don Mattrick David L.
    [Show full text]
  • Rewriting the Greeks: the Translations, Adaptations, Distant Relatives and Productions of Aeschylus’ Tragedies in the United States of America from 1900 to 2009
    Rewriting the Greeks: The Translations, Adaptations, Distant Relatives and Productions of Aeschylus’ Tragedies in the United States of America from 1900 to 2009. Dissertation Presented in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Bethany Rose Banister Rainsberg, M.A. Graduate Program in Theatre The Ohio State University 2010 Dissertation Committee: Dr. Stratos E. Constantinidis, Advisor Dr. Bruce Heiden Dr. Joy Reilly Dr. Anthony Hill Copyright by Bethany Rose Banister Rainsberg 2010 Abstract The purpose of this study is to examine the practices of rewriting Aeschylus’ tragedies for American audiences and the manner in which these rewrites are “read” by stage directors who adapt them in their academic and non-academic theatre productions in the United States. In order to analyze the translation and performance practices of Aeschylus’ plays, this study will examine all English language translations, adaptations, and distant relatives of Aeschylus’ works for the twenty and twenty-first centuries and analyze key moments that connect and illuminate those works. The two central questions that drive this investigation are: (1) what kind of choices have the English-speaking translators made regarding the tragedies of Aeschylus, and (2) how have Aeschylus’ tragedies been rewritten by the practitioners of the American stage? Because of the proliferation and variance of Aeschylean translations into English, and research published to-date, an examination of these practices and texts provides a rich source for analyzing the larger issues of practice and critical evaluation of translation and performance. The seven tragedies of Aeschylus (Agamemnon, Libation Bearers, Eumenides, Prometheus Bound, Persians, Suppliants, and Seven Against Thebes) and the manner in which they plays have been interpreted by translators and producers from 1900 to 2009 will provide the data for this study.
    [Show full text]
  • Women and the Myth of Having It All
    Women and the Myth of Having It All The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736803 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Women and the Myth of Having It All Caitlin Feeney A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2017 ! © 2017 Caitlin Rae Feeney ! Abstract This thesis traces the formation and development of the idea of “having it all” from the mid-twentieth century to the present. Drawing on film, television, and magazines, I argue that mass media alternately challenged and reinforced the perceived contradiction between women’s roles as mothers and as workers. At times, the feminist call for equality prevailed and onscreen heroines were portrayed as independent and vocal. At other times, when conservative views grew louder, characters renounced their careers for domesticity. Although both progressive and traditional ideals endured throughout this sixty-year period, the relative influence of each waxed and waned. Based upon the teachings of sociologists during the 1950s, the happy housewife and the more fully realized version of her – the Supermother – remained the motherhood ideal for American women throughout that decade and well into the next. After a decade of increased maternal employment, the Supermother became the Superwoman, who fulfilled all of the requirements of her predecessor, plus a career.
    [Show full text]