Jay O'connell

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JAY O’CONNELL Line Producer DGA UPM Single & Multi-Cam QL PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE UNITED STATES OF AL Mark Cendrowski WARNER BROS. TV / CBS Pilot & Seasons 1-2 Dave Goetsch, Maria Ferrari, Chuck Lorre Line Producer / UPM FUN Pilot Michael Patrick King WARNER BROS. TV / CBS UPM Tim Kaiser, Michael Patrick King EMPEROR OF MALIBU Pilot Andy Ackerman WARNER BROS. TV / CBS UPM Michelle Nader, Kevin Kwan I MOM SO HARD Pilot Don Scardino SPOONDOOLIE PRODS. UPM WARNER BROS. TV / CBS Michelle Nader, Rob Thomas LIVING BIBLICALLY Series Andy Ackerman ALCIDE BAVA PRODS. UPM WARNER BROS. TV / CBS Patrick Walsh, Johnny Galecki 2 BROKE GIRLS Pilot & 6 Seasons Don Scardino MPK PRODCUTIONS Co-Producer Fred Savage WARNER BROS. TV / CBS UPM Ted Wass Michael Patrick King, Michelle Nader Thomas Kail MAN WITH A PLAN Pilot James Burrows 3 ARTS ENTERTAINMENT / CBS UPM Jeff Filgo, Jackie Filgo, M. Rotenberg ONE BIG HAPPY Pilot & Series Scott Ellis A VERY GOOD PRODUCTION UPM Various Directors WARNER BROS. TV / NBC Liz Felman, Ellen DeGeneres THE ONE Pilot James Burrows BERLANTI PRODS. / WARNER BROS. TV UPM CBS / Greg Malins, Greg Berlanti THE BIG BANG THEORY Mark Cendrowski CHUCK LORRE PRODS. Seasons 2 & 7, Fill-in UPM WARNER BROS. TV Chuck Lorre, Bill Prady, Steve Molaro WORK IT Pilot & Series Beth McCarthy Miller WARNER BROS. TV / ABC UPM Shelley Jensen Ted Cohen, Andrew Reich Various Directors S#*! MY DAD SAYS Pilot & Series James Burrows KOMUT PRODS. / WARNER BROS. TV UPM Rob Schiller CBS / Max Mutchnick, David Kohan Gail Mancusco Justin Halpern STRANGE BREW Pilot Marc Buckland KOMUT PRODS. / WARNER BROS. TV UPM Max Mutchnick, David Kohan THE CLASS Series James Burrows WARNER BROS. TV / CBS UPM David Crane, Jeffrey Klarik FOUR KINGS Series Barnet Kellman WARNER BROS. TV / KOMUT PRODS. UPM Max Mutchnick, David Kohan DICK VAN DYKE REVISITED MOW Ken Whittingham CALVADA PRODS. / CBS / TV LAND Multi-Cam Special / Assoc. Producer Michael Petok, Carl Reiner GOOD MORNING, MIAMI Terry Hughes KOMUT PRODS. / WARNER BROS. TV Pilot & Series, UPM Varous Directors Max Mutchnick, David Kohan, Bill Prady HYPE Sketch Series Paul Miller TOLLIN-ROBINS / Scott King Associate Producer Various Directors Lanier Laney, Terry Sweeny, Barry Katz INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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Hervey-Grimes-Resume.Pdf
Smith & Hervey/Grimes Talent Agency E85 Management Contact-Julie Smith Contact-Greg Strangis & Jacob Gallagher 3002 Midvale Ave. Suite 206 3406 W. Burbank Blvd Los Angeles, Ca 90034 Burbank, Ca 91505 310-475-2010 310-955-5835 C L I N T C A R M I C H A E L www.clintcarmichael.com SAG/AFTRA Eyes: Blue/Green Hair: Salt/Pepper HT: 6’4” FILM: Leads, Supporting: A KISS ON CANDY CANE LANE Dir: Stephanie McBain ZBURBS Dir: Greg Zekowski DEVIL’S GRAVEYARDS Dir: Doug Glover/ Pilgrim Studios STAR TREK: RENEGADES Dir: Tim Russ/Sky Conway Productions SHOOTING THE WARWICKS Dir: Adam Rifkin/D-Generate Prods KILLING HAPPY Dir: David Brandvik/Victorhouse Films DAMON (Award Winner) Dir: Nick Snyder/Damon Prods. BIG BAD Dir: Opie Cooper/Eyevox Prods. HEADSHOTS INC. Dir: Joel Hoffman/Quarterwater Ent. DISPATCH Dir: Steven Sprung/Dispatch Prod. THE HOUSE BUNNY Dir: Fred Wolf/Happy Madison Prod. THE OPEN DOOR (Award Winner) Dir: Doc Duhame/Ultimate Action NEW YORK TO MALIBU Dir: Danny Weisberg/Zero 2 Sixty MOVING PIECES (Award Winner) Dir: Chris Pulis/Froglegs Films SINBAD: BEYOND THE VEIL OF MISTS Dir: Alan Jacobs/Improvision Prods. TIME UNDER FIRE Dir: Tripp Reed/Royal Oaks Ent. MALEVOLENCE Dir: Belle Avery/Miramax COMMON GROUND Dir: Michael Donovan/Shadow Prod. NAKED GUN 33 1/3 Dir: Peter Segal/Paramount Pictures TELEVISION (partial list): WHY WOMEN KILL Co-Star Dir: Lucy Liu/CBS Television Studios ADAM RUINS EVERYTHING Guest Star Dir: Matt Pollack/TRU TV LA TO VEGAS Co-star Dir: Jim Hensz/FOX Studios LAW & ORDER TRUE CRIME Co-star Dir: Fred
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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
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The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions.
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Carol Raskin
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La Societa' Gblt Thule
LA SOCIETA’ GBLT THULE http://web.archive.org/web/20140208014459/http:/ /gblt.webs.com/ Questo sito web e’ stato reso indisponibile dal nemico, gli Ebrei, che censurano qualsiasi cosa mostri la verità gli sia di ostacolo. Essi hanno travisato l’omosessualità in una maniera inimmaginabile per promuovere ulteriormente il loro potere. Per favore, fate circolare questo PDF. Vi prego di prendere nota che 666 Black Sun PDF, Exposing Christianity and The Real Holocaust PDF vanno bene con questo PDF. Clicca qui per entrare nella Libreria di Satana e ottenere questi PDF. www.joyofsatan.com www.see_the_truth.webs.com 1 Indice Sermoni Alto Sacerdote Mageson666 Adolf Hitler: Uomo di Pace…………………………..……...……………..………….4 I banchieri ebrei in guerra con l’America…………………………………………….12 Illuminazione sugli Illuminati………………...……………… ……………………..28 Le origini occidentali della Stregoneria tradizionale: Le origini dell’Arya……..…... 32 Bugie nella “Germania” di Cornelio Tacito' concernenti le persone GLBT…….…...40 Il reale atteggiamento del Comunismo verso i Gays……………………………........43 Marxismo – Il moderno infuso velenoso………………………………………….….46 Due tipi di Nazismo ..……………………………………………...………………....57 La nuova Atlantide…………………………………………………..………………. 59 I Naddreds [Druidi] …………………………………………………..……………....64 L’Ego e la Volontà di Potere………………………………………………………….70 Moralità, Sessualità e Voi ………………………………………..……………..….…73 Sull’identità cristiana………………………………………...………………….…….76 Il Talmud………………………………………………….……………………...…...78 Le Origini Ebree della Cristianità .…………………………………………………...82
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Second Night of 2020 Creative Arts Emmy® Winners Announced
FOR IMMEDIATE RELEASE SECOND NIGHT OF 2020 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (LOS ANGELES – Sept. 15, 2020) — The Television Academy tonight hosted the second of its five 2020 Creative Arts Emmy® Awards ceremonies honoring outstanding artistic and technical achievement in television at Emmys.com. The ceremony awarded many talented artists and craftspeople in the categories of Variety Programming. The ceremony was hosted by Emmy-nominated host Nicole Byer and featured presenters from some of the season’s most popular shows including Josh Flagg (Million Dollar Listing Los Angeles), Chris Hardwick (The Wall; The Talking Dead), Sofia Hublitz (Ozark), Thomas Lennon (Reno 911), Desus Nice & The Kid Mero (Desus & Mero), Jeremy Pope (Hollywood), Issa Rae (A Black Lady Sketch Show; Insecure) and Tracy Tutor (Million Dollar Listing Los Angeles). The 2020 Creative Arts Emmy Awards are being streamed on Emmys.com for four consecutive nights, Monday, Sept. 14, through Thursday, Sept. 17, at 8:00 p.m. EDT/5:00 p.m. PDT with a fifth broadcast ceremony on Saturday, Sept. 19, at 8:00 p.m. EDT/5:00 p.m. PDT on FXX. Winners' names are known only by Ernst & Young LLP until they are revealed to the director of the Emmys ceremony as the show is airing. All five shows are produced by Bob Bain Productions. # # # Press Contact: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected] 818-462-1150 For more information, please visit emmys.com. TELEVISION ACADEMY 2020 CREATIVE ARTS EMMY AWARDS – TUESDAY, SEPTEMBER 15, 2020
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30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock ﬁrst aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
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HP Smart Web Printing
What's on tap this month that executives won't want to miss - USATODAY.com Page 1 of 5 Cars Auto Financing Event Tickets Jobs Real Estate Online Degrees Business Opportunities Shopping Search How do I find it? Subscribe to paper Become a member of the USA Home News Travel Money Sports Life Tech Weather TODAY community now! Log in | Become a member What's this? Money » Executive Suite Weekly Features Company News Company Calendars Annual Reports GET A Enter symbol(s) or Keywords QUOTE: What's on tap this month that executives Related Advertising Links What's This? Obama Is Giving You Money Read How I Got a $12k Check From The Economic… won't want to miss www.ObamasEconomicStimulus.com Updated 7h 49m ago | Comment | Recommend 1 E-mail | Save | Print | CALENDAR $37,383 Stimulus Checks It's Official. The Gov Is Giving Out Billions. I… www.GovGrantFunds.com Monday: The Commerce Department Yahoo! Buzz reports whether consumer spending was up Advertisement at the first of the year after a dismal fourth Digg quarter. Newsvine Reddit MEDIA HAPPENINGS: Watch, listen & read IN MAGAZINES THIS MONTH: Check it out Facebook FIVE QUESTIONS: For ... utility exec David What's this? Ratcliffe WHAT I READ: With eco-friendly exec Jeffrey Hollender CORPORATE PULSE: Executive Suite front page Enlarge By Ron Batzdorff, Starz Original Actors Lizzy Caplan and Adam Scott in an episode of Friday: Did job losses exceed 600,000 last month? The Labor the clever workplace sitcom "Party Down," airing on Department tally tells. Starz. March 8: Daylight Saving Time begins.
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The Tricky Part
Don’t Miss The Tricky Part at Mondavi by Chris Narloch f you are a fan of meaty, moving theater, you won’t want to miss the highly acclaimed, OBIE Award-winning play The ITricky Part, coming to the Mondavi Center this June, courtesy of the UC Davis Department of Theatre and Dance. A true story of sexuality, spirituality and the mystery of human experience, The Tricky Part is one of the most heralded one-man plays in recent memory. Between the ages of 12 and 15, Martin Moran had a sexual relationship with an older man. Many years later, Moran found and confronted his abuser. Moran, a New York-based actor and author, has transformed his story into a riveting, often funny and always surprising journey through the complexities of Catholicism, desire and human trespass. The New York premiere of ‘The Tricky Part’ received a 2004 Obie Award and two Drama Desk nominations including Outstanding Play. The New York Times hailed the work as “a translucent memoir of a play … shattering.” Martin Moran was awarded a 2013 Lucille Lortel Award for Outstanding Off-Broadway Solo Show for All the Rage. His Broadway and off-Broadway credits include: Spamalot, Cabaret, Titanic, Bells Are Ringing, and How To Succeed in Business…. Film and television credits include The Newsroom, The Big C, and Law & Order. See Martin Moran in his acclaimed production of The Tricky Part this June 1-3 at 7 p.m. in the Vanderhoef Studio Theatre at the Robert and Margrit Mondavi Center for the Performing Arts. Tickets are $20 for adults and $10 for students and may be purchased through MondaviArts.org, by phone at 530-754-2787 or at the door.
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The West Wing Weekly 1.01: Pilot [Intro Music] HRISHI
The West Wing Weekly 1.01: Pilot [Intro Music] HRISHI: You’re listening to The West Wing Weekly, An episode-by-episode look at the award- winning show creAted by AAron Sorkin. My nAme’s Hrishikesh Hirway. JOSH: And my nAme is JoshuA MAlinA. [ad insert] JOSH: And now we should go onto our, I think our West Wing qualifications and then we should get to it. HRISHI: YeAh, ok. Well my mAin quAlificAtion is just thAt I got you to do this podcAst with me. Other thAn thAt, I just love the show, And I’ve memorized probAbly every line of dialogue in the first four seAsons. JOSH: See this is the...going to be, I think, An interesting dynAmic which is thAt I wAs on the show and I think I’ve seen probAbly every episode of it becAuse I wAs a big fan of the show before I got on it. But I saw All the episodes essentiAlly I think when they aired and never again. So now, I’m doing a re-watch for the purposes of the podcAst And I’m enjoying it all over again and it’s all sort of new to me, and I...is that...what, what do we want from our listeners? We would like them to re-watch with us. We’re going to Assume thAt any episode we’re discussing hAs been seen by the listener becAuse there will be some spoilers; Although thAt’s not our mAin Aim, to ruin Anything for Anyone. But we’re gonna assume people watched it and maybe before listening to an episode they may even re-watch it.
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''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Reﬁguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger.
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Melina Root Costume Designer
MELINA ROOT COSTUME DESIGNER TELEVISION DIRECTOR STUDIO/NETWORK NO TOMORROW (Pilot) Brad Silberling CBS Television/The CW CRAZY EX-GIRLFRIEND (Pilot, Season 1) Marc Webb CBS Television/The CW STATE OF AFFAIRS (Pilot) Joe Carnahan Universal Television GUYS WITH KIDS (Pilot & Series) Scott Ellis (Pilot) Universal Television/NBC BROTHERS AND SISTERS Various Touchstone/ABC (Season 2: Episodes 13-16 & Seasons 3-5) Warner Bros./Adult Swim HITCHED (Pilot) Rob Greenberg Warner Bros./CBS th MISS GUIDED (Series/Season 1) Todd Holland (Pilot) 20 Century Fox/ABC PLAYING CHICKEN (Pilot) John Pasquin Warner Bros./FOX 20 GOOD YEARS (Pilot & Series) Terry Hughes Warner Bros./NBC NEIGHBORS (Pilot) Jeff Melman Touchstone/ABC INSEPARABLE (Pilot) Pam Fryman NBC Universal/CBS THAT 80’S SHOW (Pilot & Series) Terry Hughes Carsey-Werner/FOX THAT 70’S SHOW (Pilot & Series) David Trainer Carsey-Werner/FOX Emmy Award: Outstanding Costumes for a Series, 1999 Emmy Nominations: Outstanding Costumes for a Series, 2002-2004 Costume Designers Guild Awards Nominations, 2000-2001, 2003, 2005 RD 3 ROCK FROM THE SUN (Pilot/Series) James Burrows (Pilot), Terry Hughes Carsey-Werner/NBC 1997 Emmy Award Outstanding Costumes for a Series, “Nightmare on Dick Street” 1998 Emmy Nomination: Outstanding Costumes for a Series, “36, 24, 36 Dick” 2000 Costume Designers Guild Awards Nomination NORMAL, OHIO (Pilot & Season 1: Episodes 1-6) Philip Charles MacKenzie Carsey-Werner/NBC TOWNIES (Pilot) Pam Fryman Carsey-Werner/ABC THE MARTIN SHORT SHOW (Series/Special) John Blanchard NBC SATURDAY NIGHT LIVE (Seasons 16-19) Various NBC LATE NIGHT WITH CONAN O'BRIEN Various NBC (Wardrobe Redesign for Hosts) FEATURES DIRECTOR STUDIO BROTHERS SOLOMON Bob Odenkirk Revolution Studios WAYNE'S WORLD II Stephen Surjik Paramount Pictures MURTHA SKOURAS AGENCY 1025 COLORADO AVENUE, SANTA MONICA, CA 90401 PHONE 310.395.4600 | FAX 310.395.4622 WWW.MURTHASKOURAS.COM .
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