The West Wing Weekly 1.01: Pilot [Intro Music] HRISHI
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WEDDING of DREAMS’ Cast Bios
‘WEDDING OF DREAMS’ Cast Bios DEBBIE GIBSON (Debbie Taylor) – Debbie Gibson burst onto the music scene at age 16 and instantly became the youngest artist in history to write, produce and perform a No. 1 hit, “Foolish Beat.” She still holds that same Guinness Book of World Records title nearly three decades later. Gibson has sold more than 16 million albums and has starred in 17 musicals in 17 years, from Broadway to the West End. She is currently celebrating the 30-year anniversary of her pop career with her commemorative retrospective 10-CD and 3-DVD box set We Could Be Together, now available on Amazon. She is also touring the world with her electric live performances. From having No. 1 hits and platinum albums to starring roles on stage and screen, including a No. 1 movie on Hallmark Channel, Gibson was also a cast member of the 25th season of “Dancing with the Stars.” She is a true entertainer with timeless talent and charisma. More information is available at DebbieGibsonOfficial.com. # # # ROBERT GANT (Noah) – Robert Gant is perhaps best known as one of the stars of Showtime’s hit television series, “Queer as Folk.” As Professor Ben Bruckner in that groundbreaking show, Gant explored broad dramatic terrain. His character’s wedding in the series was, in fact, the first legal gay marriage ever portrayed on television. Gant also traveled across the Atlantic to star as the sole American cast member in the BBC British series, “Personal Affairs.” He became television’s first gay spy in the film, “Kiss Me Deadly” for Here! Television and -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST to Arrange Onsite Research Viewing Access at UCLA, Please Contact the Archive Research and Study Center [email protected]
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST To arrange onsite research viewing access at UCLA, please contact the Archive Research and Study Center [email protected] . PREFIX LOCATION EPISODE TITLE_SERIES SCREEN ACTORS GUILD DVD 1460 ALFRE WOODARD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1669 ANDY DICK FOUNDATION: CONVERSATIONS ANDY GARCIA MODERATED BY SCREEN ACTORS GUILD DVD 8699 TODD AMORDE FOUNDATION: CONVERSATIONS ANDY RICHTER MODERATED BY SCREEN ACTORS GUILD DVD 7020 SARAH KUHN FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1484 ANGLE LANSBURY FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1409 ANN DORAN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 2010 ANTHONY HOPKINS FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1483 ANTHONY LAPAGLIA FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1434 BARBARA BAIN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1413 BARRY GORDON FOUNDATION: LEGACY BEN AFFLECK MODERATED BY SCREEN ACTORS GUILD DVD 6348 PETE HAMMOND FOUNDATION: CONVERSATIONS BEN COOPER MODERATED BY SCREEN ACTORS GUILD DVD 8697 DAVIDSON LLOYD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1486 BEN KINGSLEY FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1500 BENICIO DEL TORO FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1674 BETTY GARRETT FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1416 BEVERLY GARLAND FOUNDATION: CONVERSATIONS BILL AND SUSAN SEAFORTH SCREEN ACTORS GUILD DVD 1843 HAYES FOUNDATION: CONVERSATIONS BILL PAXTON MODERATED BY SCREEN ACTORS GUILD DVD 7019 JENELLE RILEY FOUNDATION: CONVERSATIONS SCREEN ACTORS -
THE WEST WING by ANINDITA BISWAS
UNWRAPPING THE WINGS OF THE TELEVISION SHOW: THE WEST WING By ANINDITA BISWAS A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Communication December 2008 Winston-Salem, North Carolina Approved By: Mary M. Dalton, Ph.D., Advisor ____________________________________ Examining Committee: Allan Louden, Ph.D., ____________________________________ Wanda Balzano, Ph.D., _____________________________________ Acknowledgments Whatever I have achieved till now has been possible with the efforts, guidance, and wisdom of all those who have filled my life with their presence and will continue to do so in all my future endeavors. Dr.Mary Dalton : My advisor, an excellent academician, and the best teacher I have had to date. Thank you for encouraging me when I was losing my intellectual thinking. Thanks you for those long afternoon conversations/thesis meetings in your office, which always made me, feel better. Last, but not the least, thank you for baking the most wonderful cookies I have had till now. I have no words to describe how much your encouragement and criticism has enriched my life in the last two years. Dr. Allan Louden: Thank you for helping me get rid of my I-am-scared-of-Dr.Louden feeling. I have enjoyed all the conversations we had, loved all the books you recommended me to read, and enjoyed my foray into political communication, all because of you! Dr. Wanda Balzano : Thanks for all the constructive criticism and guidance that you have provided throughout this project. Dr. Ananda Mitra and Swati Basu: Thanks for all the encouragement, support, and motivation that helped me pull through the last two years of my stay in this country. -
The West Wing
38/ Pere Antoni Pons The everydayness of power The West Wing If the effect is the same as what happens with me, after seeing any average-quality chapter of The West Wing (1999-2006) the reader-spectator will think he or she is witnessing an incontrovertible landmark in the latest phase of audiovisual narrative. After viewing one of the more dazzling, memorable episodes, he or she will not hesitate to believe that this is to behold one of the major, most perfect intellectual and artistic events of the early twenty-first century, comparable —not only in creative virtuosity but also in meaning, magnitude and scope— with Michelangelo’s Sistine Chapel, Shakespeare’s tragedies, Balzac’s The Human Comedy, or the complete recordings of Bob Dylan. Over the top? Even with more rotund words, it would be no exaggeration. Nowadays, nobody can ignore the fact that a colossal explosion in quality has happened over the last decade in the universe of American TV series. The old idea according to which the hapless professionals —scriptwriters, actors and directors— the ones who lack the luck or talent to carve out a niche in Hollywood or to triumph in the world of cinema, have to work in television has now been so thoroughly debunked that it even seems to have been turned on its head. Thanks to titles like The Sopranos, Capo 35 Ample front (Capo 35 Broad forehead), Miquel Barceló (2009). Ceramic, 22,5 x 19 x 25 cm 39 40/41 II The everydayness of power: The West Wing Pere Antoni Pons Lost, and The Wire, no one doubts any more that TV series can be as well filmed, as well written and as well acted as any masterpiece of the big screen. -
Big Game in the Big Easy Delicious Boys Hoops Girls Hoops
Video: Irate Man Attacks Paramedics; Police Say Fight Was Unprovoked / Main 5 $1 Big Game in the Big Easy Bring the Taste of the Delta to Your Super Bowl Meal / Life: Food Early Week Edition Tuesday, Jan. 29, 2013 Reaching 110,000 Readers in Print and Online — www.chronline.com W.F. West’s Science Blazer Basketball Programs Earn Statewide Praise Girls Hoops Lady Blazers Destroy Clippers / Grants Sports for Robots Boys Hoops Blazer Men Improve to 6-2 in League Play / Sports Delicious Annual Taste of Lewis County Is See Main 14 a Tour for the Senses / Main 3 Pete Caster / [email protected] Kendra Allen, a senior at W.F. West High School, launches a ping-pong ball with a robot that she and her robotics class partner, Carli Stowe, built for a class project. This program, among others, has earned W.F. West High School the title of a state “Lighthouse School” for science, technology, engineering and mathematics. Allen, who inished her project last week, demonstrated how her robot could pick up a ping-pong ball, move to the launching pad, then shoot the ball six feet. If all of those requirements were met the student would get an ‘A’ on the project. White said about 1/3 of the class completely met the requirements of the project. Winlock Middle School Awarded Funding for Robotics Program Weather TONIGHT: Low Rain Likely see details on page Main 2 43 TOMORROW: Weather picture by Amaya High Espinoza, Onalaska Elementary, 3rd Grade 48 The Chronicle, Serving The Greater Lewis County Area Since 1889 Pete Caster / [email protected] Eighth graders Bradley Follow Us on Twitter Kelly, left, Adam Hylton, center, and Michael @chronline Rosenberry, work at licking plastic balls Find Us on Facebook towards a make-shift www.facebook.com/ goal during their Ro- botics 101 class at Win- thecentraliachronicle lock Middle School on Monday. -
Creative Rights Handbook Is to Help Raise TABLE of CONTENTS Awareness of Your Rights, Which Span All Phases of Production
DIRECTORS GUILD OF AMERICA CREATIVE 2 RIGHTS 2 HANDBOOK 0 2014 - 2017 10 41 7 Dear Colleague, The purpose of this Creative Rights Handbook is to help raise TABLE OF CONTENTS awareness of your rights, which span all phases of production. Whether you are a veteran director or new to the guild, we encourage you to take a few moments and acquaint yourself CREATIVE RIGHTS CHECKLISTS with these provisions, several of which have changed since the previous publication of this handbook. Checklists of DGA Directors’ creative rights, codified in this handbook .…...........….…….…….…….…….….6 We achieved a number of significant improvements in Creative Rights in the last round of negotiations, both in features and in television. SUMMARY OF CREATIVE RIGHTS In features, we secured much needed updates to the pseudonym A summary of a Director’s creative rights under the Directors process (8-211) and negotiated a new procedure that applies Guild of America Basic Agreement of 2014 for feature film, when an Employer want to replace an editor (7-209). In long-form television and television series .....................11 addition, we enhanced the notice provisions and your right to request a label indicating the running time or aspect ratio of a theatrical motion picture has been changed for any domestic ancillary exploitation of the film. BASIC AGREEMENT, ARTICLE 7 Directors’ minimum conditions, preparation, production In television, we engaged in serious discussions with the studios and post-production for feature film, long-form television regarding the Director’s participation in casting, which resulted in a commitment from the studios to encourage “in-person” and television series ..................….......…......….....…..27 casting sessions with the talent. -
Filmmakers Hope to Shed Light on Amazing Musician
Inside Theater: MST’s awesome Utopia. E4 Houston Chronicle |chron.com | Wednesday, February 29,2012 | Section E xxx le ic n ro h C / is ll E en K LEAP YEAR Extraday requires no leapoffaith There’s solid math behind to keep the seasons and the calendar in sync,years By thenumbers calendar in sync.Ayear is thatend in “00” are aleap 1 Thechances of aleap the addition everyfour years, measured by the amount year onlyifthey are divis- birthdayare 1in1,461 —long of time it takes the sunto ible by 400.So2000 odds for getting the short and pop-culture trivia, too return to the spot directly wasaleapyear,but 1900 end of the stick. Imagine above the Earth’s equator. wasnot. waiting four years for your McCLATCHY-TRIBUNE the details about 2012’s extra Althoughitactuallytakes Julius Caesar is said to real birthdayand hearing INFORMATION SERVICES day. 365.2422 days,weround be the “father of leapyear” endless jokes about being 3 it to 365for practical pur- because he introduced afix when you’re really12. Whydoweadd 24 hours The whyofit poses. Butthatresults in to the 355-dayRoman calen- 1 Thegap between to our calendar everyfour Aleapyear is ayear in an error of 0.2422 days,or dar with his 365-dayJulian twoleapyears can be eight years?And whydowedo the Gregorian calendar with almost6hours, per year. calendar.His astronomer, years at the turn it in February? What are one extra dayadded to the After 100 years the calendar Sosigenes, addedthe extra of mostcenturies. It your chances of having a end of February, making the would be off by 24 days, daytoevery fourth Febru- happened between 1896 and leap-year baby,and what shortestmonth of the year but aleapday everyfour ary. -
On the Shoulders of Giants: How Aaron Sorkin's Sports Night
ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez Abstract Aaron Sorkin’s Sports Night focuses on the events that unfold in the newsroom of a nightly sports highlight show. The impulse of the series stems from the relationships amongst the show’s two anchors, three producers and its managing editor. As individuals, the journalists are smart, talented and dedicated in their professional lives. Yet, despite their capabilities and professionalism, each echoes characteristics and faces problems similar to those of journalists in classic popular culture. They often put the job over their personal lives and struggle when faced with the consequences. But in the end, they always tend to band together as a newsroom family. * * * “Five minutes to air. First team in the studio.1” The voice echoes through the newsroom at 10:55 p.m. It is the nightly wake-up call for the Sports Night team. Journalists both in front of the camera and in the control room scramble as the clock ticks toward show time. And then it starts. The one thing that gives the journalists a home, a family and a sense of accomplishment. ON THE SHOULDERS OF GIANTS: How Aaron Sorkin’s Sports Night Portrayed the Sports Journalist as a Modern, Educated Professional While Still Fitting the Classic Molds of Journalists in Popular Culture. By Eric Alvarez 2 The team of anchors and producers creates a nightly, one-hour highlight show from New York, “the most magnificent city in the world. -
WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios (2017)
Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios (2017) NORA DUNN Nora Dunn just wrapped a role in the feature film Tag, alongside Jon Hamm, Isla Fisher, Rashida Jones, & Jake Johnson. Next up, she will be guest starring in The Librarians for TNT. Nora also appeared on Chicago Med playing the “voice of reason with warmth” personal psychologist to Oliver Platt’s Head of Psychiatric Dept. character. She will be seen in Olivia Milch’s upcoming indie drama Dude in the supporting role of house manager “Rosa” and is off to shoot the role of “Marge Sudermill” in the 2017 contemporary politically themed indie drama Canal Street, a story about the reasons for the deep-seated divisions within the city of Chicago and the city’s diversity, touching on themes of family, friendship, and forgiveness. Nora was recently seen in the recurring role “Janet Smythe” in Disney Channel’s hit Best Friends Whenever. She also appeared in a major recurring role in New Girl as Schmidt’s straight-outta-Long-Island, controlling matriarch “Louise” who is always ready with unsolicited advice or a piece of chocolate; as a high-profile publicist in Girlfriend’s Guide to Divorce opposite Lisa Edelstein; as “Laura Wolf” the snarky Rachel Maddow-esque TV host who recurred on Graves opposite “X-POTUS Richard Graves” (Nick Nolte) and as Mulaney’s arch-type meddling mother. Nora was also seen in outstanding guest star roles this year on Life in Pieces and Grace and Frankie. ERIK ESTRADA Erik Estrada’s career has spanned over four decades.