The Materiality of Magic
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O-Iwa's Curse
O-Iwa’s Curse Apparitions and their After-Effects in the Yotsuya kaidan Saitō Takashi 齋藤 喬 Nanzan Institute for Religion & Culture In traditional Japanese theater, ghosts appear in the shadowlands between the visible and the invisible. They often try to approach those who harmed or abused them in life to seek revenge with the aid of supernatural powers. In such scenes, the dead are visible as a sign of impending doom only to those who are the target of their revenge. An examination of the Yotsuya kaidan, one of the most famous ghost stories in all of Japanese literature, is a case in point. The story is set in the Edo period, where the protagonist, O-Iwa, is reputed to have put a curse on those around her with catastrophic results. Her legend spread with such effect that she was later immortalized in a Shinto shrine bearing her name. In a word, so powerful and awe-inspiring was her curse that she not only came to be venerated as a Shinto deity but was even memorialized in a Buddhist temple. There is no doubt that a real historical person lay behind the story, but the details of her life have long since been swallowed up in the mists of literary and artistic imagination. In this article, I will focus on the rakugo (oral performance) version of the tale (translated into English by James S. de Benneville in 1917) and attempt to lay out the logic of O-Iwa’s apparitions from the viewpoint of the narrative. ho is O-Iwa? This is the name of the lady of Tamiya house, which appeared in the official documents of Tokugawa Shogunate. -
Marvel Fantasy Role Playing Game
MARVEL FANTASY ROLE PLAYING GAME A Fantasy RPG using the FASERIP System Table of Contents Character Creation ......................................................................................................................................................... 5 Race ........................................................................................................................................................................... 5 Origin of Power ......................................................................................................................................................... 6 Primary Abilities........................................................................................................................................................ 6 Secondary Abilities.................................................................................................................................................... 6 Powers ....................................................................................................................................................................... 6 Talents ....................................................................................................................................................................... 7 Contacts ..................................................................................................................................................................... 7 Heroic Alignment ..................................................................................................................................................... -
Eclectic Antiquity Catalog
Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes © University of Notre Dame, 2010. All Rights Reserved ISBN 978-0-9753984-2-5 Table of Contents Introduction..................................................................................................................................... 1 Geometric Horse Figurine ............................................................................................................. 5 Horse Bit with Sphinx Cheek Plates.............................................................................................. 11 Cup-skyphos with Women Harvesting Fruit.................................................................................. 17 Terracotta Lekythos....................................................................................................................... 23 Marble Lekythos Gravemarker Depicting “Leave Taking” ......................................................... 29 South Daunian Funnel Krater....................................................................................................... 35 Female Figurines.......................................................................................................................... 41 Hooded Male Portrait................................................................................................................... 47 Small Female Head...................................................................................................................... -
FAERIES™ a Complete Handbook of the Seelle
FAERIES™ A Complete Handbook of the Seelle Sampleby Sarah Link and John Snead file WWW.ATLAS-GAMES.COM Credits WrlUenbf Sarah Llnl!and Jahn Snead Storie.ltJ' Marl< Reln•Haven. LlsuStevens and Jonathan ,...., Addtlloa.Imaterlal, J.M. capenila, car1 Schnurrand Marl!Reln•Haven Dnelopmenl: J.M. Caparula, Marl!Reln•Ha�n and John Brnndt EdltlnfiLisa Stevens OrltllUllCoaceptl: Mari? 12eln•Haqen Production:Nicole Llndroos Cower Art: CherylMll ndus Tiiie LoQo• Rlchard Thomas InteriorArt: Charles Dou11heny, Erle Hotz, JeffMenfi6, RichardThomas, Marl!Reln•Hawen A r.U.U••ce peno11: StewanWlecR Anu._, .-..Creeled .,-, JonathanTweet and Marl! Re!n•Hagen Special, Special Thanbs Milfk "Sony about all thosesentence fra gments!' Reln•Hagen, for tl'arlng himself away from his cum>1lt project to dosome valuable development on this toog awaited supplement. Lisa"Keep thatmall man away from me!" Stevens, forgiving up onthe 24 hour-a-day \VC!rk ethic 111 favor of a healthierlifestyle (includinggroce ry shopping and otherfree time pursuits) . Jonathan"So Jong, Peoria."TwHt, for his original faerieco ntributi ons, and hlsappreciarion of the magical and the fanWtic. May your name always bein print. John "Yet another obnoxiouschart ." Brmdt, for spending the time to gently integrate all the separate influences which eventually� up this fine supplement. Nicole "Sony,Bllnky, gottago!" Lln droos,for limiting her indentured scn.'itude to Ot\esmall companyal 11time and delvingink! this p1ojeclwith lnzlhhand s. Cheryl "Those little peopleare hard todo!" Mandua, for her wonderfully evocative fame rover. Klchud "Well, If you'd saidso In the first place . " Thomu,for makingthing-s a little more curvy, the middle skinnier and the ends hang down a little farther. -
An Introduction to Ars Magica TM
Promises, Promises An Introduction to Ars Magica TM A free Jump Start Kit including abbreviated rules, a ready-to-play scenario, rule summary handouts, and six pregenerated characters detailed in the Ars Magica rulebook and its supplements (some of which are described Welcome! Before You Begin elsewhere in this booklet). These can be found throughout the world in fine game Welcome to Ars Magica!™ This Jump First of all, if you’d like to play the sce- stores. If you have trouble finding Ars Start Kit is your invitation to Mythic nario in this Jump Start Kit, stop reading Magica (or any Atlas Games product), Europe™, a land of medieval adventure now. If you’re planning to be the storyguide, please ask your retailer or contact us directly where the legends are real. Here, jealous begin by reading the Background Briefing at the address below. faeries guard dark forests, powerful dragons and Rules Briefing found towards the end of Remember to have a good time! If terrorize innocent villages, kings rule by this book. If you read the scenario first, you’ll something comes up that you don’t under- divine right, and mighty wizards call on the probably be confused. stand, don’t sweat it. The Ars Magica rule- ars magica — the art of magic. Once you’ve digested the background book covers a lot of things that can’t be This Jump Start Kit contains everything material, go ahead and read the scenario. addressed here. You have plenty of time you need to play your first game of Ars You’ll want to be familiar with it so you can ahead of you to investigate the full spectrum Magica. -
Magic in Private and Public Lives of the Ancient Romans
COLLECTANEA PHILOLOGICA XXIII, 2020: 53–72 http://dx.doi.org/10.18778/1733-0319.23.04 Idaliana KACZOR Uniwersytet Łódzki MAGIC IN PRIVATE AND PUBLIC LIVES OF THE ANCIENT ROMANS The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans. Keywords: ancient magic practice, homeopathic magic, black magic, ancient Roman religion, Roman religious festivals MAGIE IM PRIVATEN UND ÖFFENTLICHEN LEBEN DER ALTEN RÖMER Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktik- en gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet. Schlüsselwörter: alte magische Praxis, homöopathische Magie, schwarze Magie, alte römi- sche Religion, Römische religiöse Feste Magic, despite our sustained efforts at defining this term, remains a slippery and obscure concept. It is uncertain how magic has been understood and practised in differ- ent cultural contexts and what the difference is (if any) between magical and religious praxis. Similarly, no satisfactory and all-encompassing definition of ‘magic’ exists. It appears that no singular concept of ‘magic’ has ever existed: instead, this polyvalent notion emerged at the crossroads of local custom, religious praxis, superstition, and politics of the day. Individual scholars of magic, positioning themselves as ostensi- bly objective observers (an etic perspective), mostly defined magic in opposition to religion and overemphasised intercultural parallels over differences1. -
Syphilis and Theories of Contagion Curtis V
Syphilis and Theories of Contagion Curtis V. Smith, Doctoral Candidate Professor of Biological Sciences Kansas City Kansas Community College Abstract Syphilis provides a useful lens for peering into the history of early modern European medicine. Scholarly arguments about how diseases were transmitted long preceded certain scientific information about the etiology or cause of disease in the late 19th century. Compared to the acute and widely infectious nature of bubonic plague, which ravaged Europe in the mid-15th century, syphilis was characterized by the prolonged chronic suffering of many beginning in the early 16th century. This study reveals the historical anachronisms and the discontinuity of medical science focusing primarily on the role of Girolamo Fracastoro (1478-1553) and others who influenced contagion theory. Examination of contagion theory sheds light on perceptions about disease transmission and provides useful distinctions about descriptive symptoms and pathology. I. Introduction Treponema pallidum is a long and tightly coiled bacteria discovered to be the cause of syphilis by Schaudinn and Hoffman on March 3, 1905. The theory of contagion, or how the disease was transmitted, was vigorously debated in Europe as early as the sixteenth century. Scholarly arguments about how diseases were transmitted long preceded scientific information about the etiology or cause of disease. The intense debate about syphilis was the result of a fearsome epidemic in Europe that raged from 1495-1540. Compared to the Black Death, which had a short and sudden acute impact on large numbers of people one hundred and fifty years earlier, syphilis was characterized by the prolonged chronic suffering of many. -
And Burning Chair Limited
AGREEMENT BETWEEN BURNING CHAIR LIMITED AND [AUTHOR] Dear [AUTHOR] Your Publishing Agreement with Burning Chair Limited The following pages contain your publishing agreement with Burning Chair Limited (“Burning Chair”) in relation to your book: “[TITLE]”. Please read it carefully. This is a legally binding document and so we strongly recommend that you take legal advice before signing. For ease of reference, we set out below the key terms of this agreement. Please note that the following bullet points are intended to be illustrative of the main agreement in the interests of clarity. You should still make sure you read and understand the main agreement. If there is any conflict between the below and the main agreement, the main agreement will take precedence. • The preamble states that this deal specifically only refers to your book, provisionally titled “[TITLE]” (“the book”). You are not tied to Burning Chair for any other past or future works, unless you separately agree to do so. • Rights granted. You agree that Burning Chair has sole and exclusive rights to produce, publish and distribute your book – worldwide and in the English language in eBook, paperback and audiobook formats (clause 1). If someone else infringes copyright in the book, Burning Chair can pursue them on your behalf (with Burning Chair covering the costs of doing so) (Clause 16). • Length. This agreement is for a minimum of 12 (twelve) years (clause 1.1). At the end of this period, this agreement will continue until either you or Burning Chair terminate it by giving three months’ notice in writing (clause 19.2). -
Arcana & Curiosa
ARCANA & CURIOSA MY PERSONAL LIBRARY * Notes: * The data listed here have been exported from an .fp5 file and they may contain some formatting glitch. Any ambiguities however may be solved by consulting the websites quoted in the records of downloaded materials and/or the main online OPACs, especially the University of Manchester’s COPAC (http://copac.ac.uk/) and OPALE, the online catalogue of the Bibliothèque Nationale de France (http://catalogue.bnf.fr/). * This catalogue included printed materials as well as electronic resources published online; there is no separation of the two in sections, but all are recorded in the same database for quick reference, because I don’t always remember whether my copy of a certain work is printed or electronic. * The records are listed A-Z by surname of first author and first word in the title (articles included). * A passage to the Afterworld, http://www.knowth.com/newgrange.htm, download aprile 2003, ripubblicato da «The World of Hibernia», Cultura materiale e archeologia A Proper newe Booke of Cokerye (mid-16th c.), http://www.staff.uni- marburg.de/~gloning/bookecok.htm, download maggio 2004, Cultura materiale e archeologia Ad fontes: gnostic sources in the BPH, J.R. Ritman Library -- Bibliotheca Philosophica Hermetica. The Library of Hermetic Philosophy in Amsterdam, http://www.xs4all.nl/~bph/, download agosto 2002, Alchimia Aesch-Mezareph, traduzione inglese di W. Wynn Westcott, The Alchemy Web, http://www.levity.com/alchemy, download ottobre 2001, Adam McLean, Alchimia Alchemical and chemical -
Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2019 Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Magic, Greek." In Oxford Classical Dictionary in Oxford Research Encyclopedia of Classics. New York/Oxford: Oxford University Press, April 2019. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/121 For more information, please contact [email protected]. magic, Greek Oxford Classical Dictionary magic, Greek Radcliffe G. Edmonds III Subject: Greek History and Historiography, Greek Myth and Religion Online Publication Date: Apr 2019 DOI: 10.1093/acrefore/9780199381135.013.8278 Summary and Keywords Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. -
Revue Roumaine D'études Francophones No. 4 / 2012
Revue Roumaine d’Études Francophones No. 4 / 2012 Publication annuelle de l’Association Roumaine des Départements d’Études Francophones (ARDUF) LE RELIGIEUX 1 Directrice : Marina MUREŞANU IONESCU, Université « Alexandru Ioan Cuza » Iaşi, Roumanie – Université Jean Monnet Saint-Étienne, France Rédactrice en chef : Elena-Brânduşa STEICIUC, Université « Ştefan cel Mare » Suceava, Roumanie Présidente de l’ARDUF Rédactrice en chef adjointe : Felicia DUMAS, Université « Alexandru Ioan Cuza » Iaşi, Roumanie Secrétaire de rédaction : Brînduşa GRIGORIU, Université « Alexandru Ioan Cuza » Iaşi, Roumanie Comité de rédaction : Responsable section Littérature : Mircea ARDELEANU, Université « Lucian Blaga », Sibiu, Roumanie Responsable section Linguistique : Virginia VEJA LUCATELLI, Université « Dunărea de Jos », Galati, Roumanie Responsable section Didactique : Anca COSĂCEANU, Université de Bucarest, Roumanie Responsable des Comptes rendus : Dan DOBRE, Université de Bucarest, Roumanie Comité scientifique international : Charles BONN, Université Lyon II, France Patrice BRASSEUR, Université d’Avignon, France Francis CLAUDON, Université Paris 12, France Jean-Pierre LONGRE, Université Lyon III, France Samir MARZOUKI, Université de Manouba, Tunisie Irina MAVRODIN, Université de Craiova, Roumanie Catherine MAYAUX, Université Cergy – Pontoise, France Simona MODREANU, Université « Alexandru Ioan Cuza » Iaşi, Roumanie Alain MONTANDON, Université Blaise Pascal, Clermont-Ferrand, France Ioan PÂNZARU, Université de Bucarest, Roumanie Liliane RAMAROSOA, Université -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-093577 - War and Society in Early Rome: From Warlords to Generals Jeremy Armstrong Index More information Index Q. Aelius Tubero, 35, 115 Campania, 44, 118, 148, 254, 262, 269, 284, accensi, 266 287, 288 C. Acilius, 33, 34 Capena/Capenates, 215, 245, 246, 251, 252 Aeneas, 29, 90 Carandini, A., 1, 41, 44, 101, 105, 109, 161 Aequi, 141, 165, 167, 184, 214–215, 219, 230, L. Cassius Hemina, 34 281, 283 Castor and Pollux, 42 against the Fabii, 145, 152 censors/censorship, 96, 132, 189, 198–207, 231, fourth century, 247 275, 279 ager publicus, 153, 170, 171, 252, 253 association with centuriate assembly, 176, 191, ager Romanus antiquus, 159 204, 206 ager Veientanus, 156, 159, 244–246, 251, 288 association with consular tribunate, 15, 184, agger, 44, 108, 110, 144, 171, 257, 259 185, 195, 227 agriculture, 50, 98–100, 147–149, 154–158, 164, L. Cincius Alimentus, 30, 33 171, 181, 214, 227 Circeii, 223–225, 230, 240 associations, 55, 85 clan(s). See gens/gentes early, 63–67, 103, 133 classis, 114, 172, 175, 177, 200, 203–204 Alba Longa, 58 Claudii, 86, 89, 90, 96, 140, 158, 160, 222, Alban Hills, 48, 49, 53, 67, 223 226, 278 Ampolo, C., 53, 58, 86, 91, 103, 141 App. Claudius Caecus, 30 Ancus Marcius, 60–62, 83 App. Claudius Caudex, 270 Annales Maximi, 14, 26–28, 36–37, 129 App. Claudius Sabinus, 61, 139, 141, 180 Antium, 44, 49, 64, 144, 171, 218, 284–286 Q. Claudius Quadrigarius, 30, 35, 243, 244 colony of, 223–227, 255 client(s), 54–57, 59, 70, 72, 82, 133, 140, 142, 167, Ardea, 48, 53, 67, 103, 105, 108, 156,