DOCSLIB.ORG

Magical Practices and Discourses of Magic in Early Christian Traditions: Jesus, Peter, and Paul

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Magical Practices and Discourses of Magic in Early Christian Traditions: Jesus, Peter, and Paul MAGICAL PRACTICES AND DISCOURSES OF MAGIC IN EARLY CHRISTIAN TRADITIONS: JESUS, PETER, AND PAUL Shaily Shashikant Patel A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies (Ancient Mediterranean Religions). Chapel Hill 2017 Approved by: Bart D. Ehrman Zlatko Pleše Randall Styers Jessica A. Boon James B. Rives ©2017 Shaily Shashikant Patel ALL RIGHTS RESERVED ii ABSTRACT Shaily Shashikant Patel: Magical Practices and Discourses of Magic in Early Christian Traditions: Jesus, Peter, and Paul (Under the direction of Bart D. Ehrman) This project represents a methodological intervention in the study of magic in early Christianity. Modern scholars have overwhelmingly adopted post-Enlightenment, exclusively discursive understandings of magic with which to approach ancient evidence. That is to say, contemporary historians believe that the ancient Christians crafted magic in the charge against theological opponents. As a result, magic was a concept empty of all content until it was levied against others. In contrast, the following study attempts to show that while magic was a discursive category in the ancient Graeco-Roman world, certain practices attendant to this discourse demonstrated relative stability. Some activities were more likely to convey the charge of magic than others. Practices like reanimation-necromancy and love spells tended to be associated with magic more often than practices like healing or exorcism. These areas of dynamism and fixity have wide-ranging implications for the study of early Christian magic. Rather than understanding early Christians as either participating in magic or not, the following project shows how Christians crafted their distinctive magical tradition along two indices: the narration of magical practices and the subsequent interpretation of these practices. Since Christians overwhelmingly adopted magical practices that engendered discursive flexibility (rather than those practices that remained fixed as magic in the Graeco-Roman imagination), they were able to characterize their own practices as “non-magic” and put the resultant discourses to a number of theological ends: announcing the coming Kingdom of God, affecting iii rapprochement between Petrine and Pauline factions of Christianity, and “othering” those practices and ideologies antithetical to nascent orthodoxy. By placing an equal emphasis on magical practices as well as meta-discourses of magic, this study returns conceptual variability to ancient magic, demonstrating that it was a thoroughly polyvalent theological expedient that Christians adopted for myriad ends apart from delineating insiders from outsiders. iv ACKNOWLEDGEMENTS First, I would like to thank the members of my committee for being keen and thoughtful readers, and for providing feedback on this stage of the project as well as inspiring avenues for further refinement. Jessica A. Boon, Randall Styers, James B. Rives, Zlatko Pleše, and Bart D. Ehrman are all as giving as they are brilliant. I want especially to thank Jessica Boon, whose guidance and mentorship were instrumental in the final stages of this project. Sometimes, the most meaningful learning is done outside the classroom. In this regard, I wish also to thank Juliane Hammer, who is the very best of academia, intellectually nonpareil yet warm and collaborative. Bart Ehrman and Zlatko Pleše have been, for me, an ideal advising team. Bart Ehrman has been uncommonly generous with his time and knowledge. Never have my concerns been too insignificant to warrant his careful attention. Never has he allowed me to flounder – pushing me when I needed motivation and encouraging me when I needed support. Every piece of work I submitted was read with his trademark meticulousness and good humor — from full dissertation drafts to brief abstracts. It is a rare thing to encounter such a combination of humanity and intelligence in one scholar, but I find that yet again, my adviser has set the standard. Zlatko Pleše is a searing intellect whose encyclopedic knowledge of antiquity and modern critical theory is both intimidating and inspiring. Like Bart Ehrman, he is exceedingly big-hearted, spending hours conversing about theory and the ways in which we moderns make meaning out of ancient evidence. Many of our informal conversations directly influenced the direction of this project. v Zlatko Pleše is also deeply understanding of human foibles and has never held mine against me. He is quite a rarity in the academic world, in many ways. I have been fortunate in that my colleagues at UNC-Chapel were always willing to engage with me and converse about the implications of history-writing in a broader sense. I am deeply grateful to the joint UNC-Duke Christianity in Antiquity Colloquium for providing incisive feedback on earlier iterations of various parts of this project. Luke Drake, Travis Proctor, Jason Staples, Julie Kelto Lillis, Erin Galgay Walsh, Candace Buckner, and Jason Combs have been invaluable interlocutors. Jason Combs, especially, has read far too many drafts of far too much of my work; he remains the best colleague ever. Brian Coussens, Stephanie Gaskill, Tim Smith, and Sara Biondi Smith have been my bedrock. Without their encouragement, both intellectual and personal, I doubt I could have finished this project. From writing sessions to movie nights to late-night conference preparations and early morning breakfasts, they have been present for every aspect of my program and I am indebted to them more than I can say here. Perhaps it is among them that I learned the most important thing in my graduate career: one cannot go it alone. vi TABLE OF CONTENTS LIST OF TABLES .......................................................................................................................... x LIST OF ABBREVIATIONS ........................................................................................................ xi INTRODUCTION: ARTICULATING THE UNCERTAIN: MAGIC AND THE STUDY OF GRAECO-ROMAN MAGIC ..................................................................................... 1 Part I. History of Scholarship.............................................................................................. 4 Part 1A. Anthropology and the Study of Magic ................................................................. 5 Part IB. Formative Christianity and the Study of Magic, the Early Works ...................... 14 Part IC. Modern Magic: Recent Scholarship on Formative Christianity and Magic ................................................................................................................................ 22 Part II. Chapter Summaries ............................................................................................... 36 CHAPTER 1: A NEW MAGIC: SUPERNATURAL POWER IN THE GRAECO-ROMAN WORLD ...................................................................................................... 41 Part I. Old Magic: Magic in the Graeco-Roman World .................................................... 46 Part II. Many Magics: ‘Magic’ in Ancient Sources .......................................................... 60 Part IIA. Early Greek Magic ............................................................................................. 63 Part IIB. Magic Emergent during the Principate .............................................................. 71 Part IIC. Practical Magic ................................................................................................... 81 Part IID. Magic in the Ancient Imagination ..................................................................... 86 Part III. New Magic: Methodological Reconfigurations .................................................. 87 Part IIIA. Less Ambiguous Practices ................................................................................ 90 Part IIIB. Ambiguous Practices ........................................................................................ 96 CHAPTER 2: JESUS THE MAGICIAN: MAGIC AND ESCHATOLOGY IN THE LUCAN IMAGINATION .................................................................................................... 99 vii Part I. A Tradition Purified of Magic? ............................................................................ 105 Part II. Jesus, Magician and More Than ......................................................................... 120 Part IIA. The Predominance of Lucan Exorcisms .......................................................... 122 Part IIB. Magic and Message .......................................................................................... 126 Part IIC. The Kingdom of God and The Kingdom of Satan ........................................... 128 Part III. The Beelzebul Controversy ............................................................................... 139 Part IV. Magic and Eschatology: The Purpose of Luke’s Discourse of the Supernatural .................................................................................................................... 149 CHAPTER 3: MAGIC AND MIRACLE: DISCURSIVE DISTINCTION AND NARRATIVE COHESION IN THE ACTS OF THE APOSTLES ........................................... 151 Part I. Magic in Luke, Magic in Acts .............................................................................. 154 Part II. Acts and the Apostles: A Different Magic.........................................................
Load more

Recommended publications
  • Papers of Beatrice Mary Blackwood (1889–1975) Pitt Rivers Museum, University of Oxford
    PAPERS OF BEATRICE MARY BLACKWOOD (1889–1975) PITT RIVERS MUSEUM, UNIVERSITY OF OXFORD Compiled by B. Asbury and M. Peckett, 2013-15 Box 1 Correspondence A-D Envelope A (Box 1) 1. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 20 May 1955. Summary: Acknowledging receipt of the Pitt Rivers Report for 1954. “The Museum as an institution seems beset with more difficulties than any other.” Giving details of the developing organisation of the Vancouver Museum and its index card system. Asking for a copy of Mr Bradford’s BBC talk on the “Lost Continent of Atlantis”. Notification that Mr Menzies’ health has meant he cannot return to work at the Museum. 2pp. 2. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 20 July 1955. Summary: Thanks for the “Lost Continent of Atlantis” information. The two Museums have similar indexing problems. Excavations have been resumed at the Great Fraser Midden at Marpole under Dr Borden, who has dated the site to 50 AD using Carbon-14 samples. 2pp. 3. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 12 June 1957. Summary: Acknowledging the Pitt Rivers Museum Annual Report. News of Mr Menzies and his health. The Vancouver Museum is expanding into enlarged premises. “Until now, the City Museum has truly been a cultural orphan.” 1pp. 4. Letter from TH Ainsworth of the City Museum, Vancouver, Canada, to Beatrice Blackwood, 16 June 1959. Summary: Acknowledging the Pitt Rivers Museum Annual Report. News of Vancouver Museum developments.
    [Show full text]
  • Words of the World: a Global History of the Oxford English Dictionary
    DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540316 Words of the World Most people think of the Oxford English Dictionary (OED) as a distinctly British product. Begun in England 150 years ago, it took more than 60 years to complete, and when it was finally finished in 1928, the British prime minister heralded it as a ‘national treasure’. It maintained this image throughout the twentieth century, and in 2006 the English public voted it an ‘Icon of England’, alongside Marmite, Buckingham Palace, and the bowler hat. But this book shows that the dictionary is not as ‘British’ as we all thought. The linguist and lexicographer, Sarah Ogilvie, combines her insider knowledge and experience with impeccable research to show that the OED is in fact an international product in both its content and its making. She examines the policies and practices of the various editors, applies qualitative and quantitative analysis, and finds new OED archival materials in the form of letters, reports, and proofs. She demonstrates that the OED,in its use of readers from all over the world and its coverage of World English, is in fact a global text. sarah ogilvie is Director of the Australian National Dictionary Centre, Reader in Linguistics at the Australian National University, and Chief Editor of Oxford Dictionaries, Australia.
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • Beatrice Blackwood and Leonard Dudley Buxton's Work in Oxfordshire
    History of Anthropology Newsletter Volume 35 Issue 1 June 2008 Article 3 January 2008 Measuring the Natives: Beatrice Blackwood and Leonard Dudley Buxton's Work in Oxfordshire Alison Petch Follow this and additional works at: https://repository.upenn.edu/han Part of the Anthropology Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Petch, Alison (2008) "Measuring the Natives: Beatrice Blackwood and Leonard Dudley Buxton's Work in Oxfordshire," History of Anthropology Newsletter: Vol. 35 : Iss. 1 , Article 3. Available at: https://repository.upenn.edu/han/vol35/iss1/3 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/han/vol35/iss1/3 For more information, please contact [email protected]. HISTORY OF ANTHROPOLOGY NEWSLETIER 35.1 (JUNE 2008) / 3 Measuring the Natives: Beatrice Blackwood and Leonard Dudley Buxton's work in Oxfordshire Alison Petch, Pitt Rivers Museum, University of Oxford I have been engaged for some years on research projects examining the history of the Pitt Rivers Museum (PRM) at the University of Oxford and its collections.[ 1] Recently, I have been examining the English collections held at this ethnographic museum in close detail, as part of the UK Economic and Social Research Council-funded project, "The Other Within." [2] Although the findings reported in this paper have turned out to be only tangentially related to my main research subject, they provide insight into one form of anthropological fieldwork at the University of Oxford in the UK in the 1920s and 1930s. This work was related to philosophical and scientific debates widespread at that time, not only in academia but also in politics: all over Europe, scholars, politicians and members of the general public were increasingly interested in nationalism, defining "native populations" and historical antecedents.
    [Show full text]
  • Arcana & Curiosa
    ARCANA & CURIOSA MY PERSONAL LIBRARY * Notes: * The data listed here have been exported from an .fp5 file and they may contain some formatting glitch. Any ambiguities however may be solved by consulting the websites quoted in the records of downloaded materials and/or the main online OPACs, especially the University of Manchester’s COPAC (http://copac.ac.uk/) and OPALE, the online catalogue of the Bibliothèque Nationale de France (http://catalogue.bnf.fr/). * This catalogue included printed materials as well as electronic resources published online; there is no separation of the two in sections, but all are recorded in the same database for quick reference, because I don’t always remember whether my copy of a certain work is printed or electronic. * The records are listed A-Z by surname of first author and first word in the title (articles included). * A passage to the Afterworld, http://www.knowth.com/newgrange.htm, download aprile 2003, ripubblicato da «The World of Hibernia», Cultura materiale e archeologia A Proper newe Booke of Cokerye (mid-16th c.), http://www.staff.uni- marburg.de/~gloning/bookecok.htm, download maggio 2004, Cultura materiale e archeologia Ad fontes: gnostic sources in the BPH, J.R. Ritman Library -- Bibliotheca Philosophica Hermetica. The Library of Hermetic Philosophy in Amsterdam, http://www.xs4all.nl/~bph/, download agosto 2002, Alchimia Aesch-Mezareph, traduzione inglese di W. Wynn Westcott, The Alchemy Web, http://www.levity.com/alchemy, download ottobre 2001, Adam McLean, Alchimia Alchemical and chemical
    [Show full text]
  • Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2019 Magic, Greek Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Magic, Greek." In Oxford Classical Dictionary in Oxford Research Encyclopedia of Classics. New York/Oxford: Oxford University Press, April 2019. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/121 For more information, please contact [email protected]. magic, Greek Oxford Classical Dictionary magic, Greek Radcliffe G. Edmonds III Subject: Greek History and Historiography, Greek Myth and Religion Online Publication Date: Apr 2019 DOI: 10.1093/acrefore/9780199381135.013.8278 Summary and Keywords Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer.
    [Show full text]
  • Arcana Mundi : Magic and the Occult in the Greek and Roman Worlds : a Collection of Ancient Texts / Translated, Annotated, and Introduced by Georg Luck
    o`o`o`o`o`o SECOND EDITION Arcana Mundi MAGIC AND THE OCCULT IN THE GREEK AND ROMAN WORLDS A Collection of Ancient Texts Translated, Annotated, and Introduced by Georg Luck o`o`o`o`o`o THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE The first edition of this book was brought to publication with the generous assistance of the David M. Robinson Fund and the Andrew W. Mellon Foundation. ∫ 1985, 2006 The Johns Hopkins University Press All rights reserved. Published 1985, 2006 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Arcana mundi : magic and the occult in the Greek and Roman worlds : a collection of ancient texts / translated, annotated, and introduced by Georg Luck. — 2nd ed. p. cm. Includes bibliographical references (p. ) and indexes. isbn 0-8018-8345-8 (hardcover : alk. paper) isbn 0-8018-8346-6 (pbk. : alk. paper) 1. Occultism—Greece—History—Sources. 2. Occultism—Rome—History— Sources. 3. Civilization, Classical—Sources. I. Luck, Georg, 1926– bf1421.a73 2006 130.938—dc22 2005028354 A catalog record for this book is available from the British Library. For Harriet This page intentionally left blank Contents List of Texts ix Preface xiii List of Abbreviations xvii General Introduction: Exploring Ancient Magic 1 I. MAGIC Introduction 33 Texts 93 II. MIRACLES Introduction 177 Texts 185 III. DAEMONOLOGY Introduction 207 Texts 223 IV. DIVINATION Introduction 285 Texts 321 V.
    [Show full text]
  • The Idea of Στοιχεῖον in Grammar and Cosmology: from Antique Roots to Medieval Systems
    The Idea of Στοιχεῖον in Grammar and Cosmology: From Antique Roots to Medieval Systems Angel Eduardo Juan Acevedo A dissertation submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Combined Historical Studies The Warburg Institute University of London 2018 1 I declare that the work presented in this dissertation is my own. Signed: Date: 2 Abstract This thesis defines and follows the development of the concept expressed by theGreek στοιχεῖον and the Latin elementum. From approximately the sixth century bc to the twelfth century ad, these words had three simultaneous meanings: letter, number and element, corresponding respectively to the disciplines of grammar, arithmetic and cosmology. The first part of the thesis, in two chapters, draws primarily onGreek philosophical, grammatical and arithmetical sources to delineate this polysemy, with particular attention to Pythagorean number cosmology and the foundational and lasting role of Plato’s Timaeus. Once the triple concept is established, the second part, in four chapters, tracks it through late Antiquity in Hellenistic religious texts and in Abrahamic scriptural sources and exegetical literature, identifying semantic analogues in Hebrew and Arabic. The third part of the thesis studies particular casesof alphanumeric cosmology in doctrinal systems of major Jewish, Christian and Islamic authors of the High Middle Ages, namely in the Sefer Yetsirah, in Aquinas and Ibn ʿArabī. In the conclusion I gather the comparative evidence to situate the concept of the alphanumeric element in its relations to the broader metaphysical, theological and cosmological heritage of the International Mediterranean Middle Ages. 3 Contents Abstract 3 Acknowledgements 9 Notes to the Reader 10 Transliterations .................................
    [Show full text]
  • Magic in Ancient Egypt *ISBN 0292765592*
    MAGIC IN ANCIENT EGYPT Geraldine Pinch British Museum Press © 1994 Geraldine Pinch Published by British Museum Press A division of British Museum Publications 46 Bloomsbury Street, London WCiB 3QQ British Library Cataloguing in Publication Data A catalogue record of this tide is available from the British Library ISBN O 7141 0979 I Designed by Behram Kapadia Typeset by Create Publishing Services Printed in Great Britain by The Bath Press, Avon COVER Detail of faience plaque showing the protective lion-demon, Bes, c. ist century AD. FRONTISPIECE and BACK COVER One of the giant baboon statues in the area of the ruined temple of Thoth at Hermopolis, I4th century BC. Hermopolis was famous as a centre of magical knowledge. Contents Acknowledgements 7 1 EGYPTIAN MAGIC 9 2 MYTH AND MAGIC 18 3 DEMONS AND SPIRITS 3 3 4 MAGICIANS AND PRIESTS 47 5 WRITTEN MAGIC 61 6 MAGICAL TECHNIQUES 76 7 MAGIC FIGURINES AND STATUES 90 8 AMULETS 104 9 FERTILITY MAGIC 120 10 MEDICINE AND MAGIC 133 11 MAGIC AND THE DEAD 147 12 THE LEGACY OF EGYPTIAN MAGIC 161 Glossary 179 Notes 181 Bibliography 183 Illustration Acknowledgements 18 6 Index 187 Acknowledgements o general book on Egyptian magic can be written without drawing on the specialised knowledge of many scholars, and N most particularly on the work of Professor J. F. Borghouts and his pupils at Leiden. The recent translations of the Graeco-Egyptian magical papyri by a group of scholars including H. D. Betz and J. H. Johnson are essential reading for anyone interested in Egyptian magic. I gratefully acknowledge the inspiration provided by a seminar series on Egyptian magic held at Cambridge University in 1991; especially the contributions of John Baines, Janine Bourriau, Mark Collier and John Ray.
    [Show full text]
  • Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
    Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault.
    [Show full text]
  • Correspondences 8.1 (2020)
    Correspondences 8.1 (2020) Editors Manon Hedenborg White Aren Roukema Jimmy Elwing Journal for the Study of Esotericism Correspondences 8.1 Published by Correspondences: Journal for the Study of Esotericism Copyright © 2020 by contributing authors This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, https://creativecommons.org/licenses/by-nc/4.0/ All articles are available at https://correspondencesjournal.com Frontispiece is an image from Robert Laird Stewart, Sheldon Jackson, Pathfinder and Prospector of the Missionary Vanguard in the Rocky Mountains and Alaska, 1908. Layout by Studio Sinjin Li, https://sinjinli.com Editorial contacts Editors-in-chief Manon Hedenborg White: [email protected] Aren Roukema: [email protected] Jimmy Elwing: [email protected] Associate Editors Keith Cantú: [email protected] Tommy Cowan: [email protected] Book Review Editor Justine Bakker: [email protected] ISSN 2053-7158 (Online) Editorial board: Egil Asprem (Stockholm University), Henrik Bogdan (University of Gothenburg), Juan Pablo Bubello (Universidad de Buenos Aires), Peter Forshaw (Universiteit van Amsterdam), Christian Giudice (London, United Kingdom), Kennet Granholm (Stockholm, Sweden), Margarita Simon Guillory (Boston University), Amy Hale (Helix Education), Boaz Huss (Ben-Gurion University of the Negev), Jay Johnston (University of Sydney), Birgit Menzel (Universität Mainz), Liana Saif (University of London), Chiara O. Tommasi (Università di Pisa), Gauri Viswanathan (Columbia University), Shin’ichi Yoshinaga (Maizuru National College of Technology). Contents Editorial 1 Manon Hedenborg White. Editorial: Transformations and Troubled Times Research Articles 5 Graham John Wheeler. A Microcosm of the Esoteric Revival: The Histories of the Lesser Banishing Ritual of the Pentagram 45 Boaz Huss & Jonatan Meir.
    [Show full text]
  • Recipes for Love a Semiotic Analysis of the Tools In
    Durham E-Theses Recipes for Love: A Semiotic Analysis of the Tools in the Erotic Magical Papyri EVANS, LUKE,AARON,RALPH How to cite: EVANS, LUKE,AARON,RALPH (2016) Recipes for Love: A Semiotic Analysis of the Tools in the Erotic Magical Papyri, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11454/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract Luke Aaron Ralph Evans Recipes for Love: A Semiotic Analysis of the Tools in the Erotic Magical Papyri This thesis is a semiotic analysis of the tools instructed for application by the erotic magical papyri (EMP). Erotic magic, one of the largest categories instructed by the Papyri Graecae Magicae (PGM), is performed to establish or reinforce a relationship with an erotic nature. The performance of erotic magic is reliant on the incorporation of a broad variety of ritual practices, including, for example, necromancy, binding, divination, and sacrificial ceremonies.
    [Show full text]