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E-Newsl 2017 L 08 e-News l 2017 l 08 Editorial 4th – 7th (see below). Among the social and the Milwaukee Art Museum. The events were a reception in the museum committee wants to thank the many — Report by Emily Teeter galleries, a visit to the Field Museum, OI volunteers who assisted in the he annual meeting of the CIPEG a reception at the residence of the conference events. n met at the Oriental Institute, Egyptian Consul-General, and a post- T > cipeg.icom.museum University of Chicago, from 5–8 conference excursion to Milwaukee > Facebook September. Forty-two participants to visit the Milwaukee Public Museum representing thirteen different countries gathered in Breasted Hall Conference participants from Egypt, France, Germany, Denmark, Switzerland, for papers addressing the conference Czech Republic, Netherlands, Japan, Russia, Australia, USA, England, Wales and theme “The Role of Curators in Museum Scotland. (Photo: K. Bryce Lowry) Research and Exhibits: Tradition, Change, and Looking to the Future.” CIPEG, which meets in a different city each year, had not met in the United States for seven years. The opening day started off with welcome remarks from Oriental Institute Director Chris Woods, the Consul-General of Egypt, Mohamed Abu el-Dahab, and Gabriele Pieke, the Chair of CIPEG. The meeting began with reports from the institutions followed by a panel discussion on “The Role of Curators in Museums and Research.” Over the next days, twenty- six papers were delivered. The new CIPEG Journal was presented and it was agreed to hold the next CIPEG Annual Meeting 2018 in the Egypt Centre, Swansea University, September CIPEG Annual Meeting Swansea, 4-7 September 2018 he CIPEG Annual Meeting 2018 to know what your main barriers are T will be hosted by the Egypt Centre, and, ideally, how you have overcome Swansea University, September 4th– them. As always the meeting is also 7th. The topic is ‘Beating Barriers! Over- open for other museum related topics. coming Obstacles to Achievement’. The First Call for papers will be sent out Barriers come in all shapes and sizes, and in the beginning of 2018. n not just the physical ones. Museums may have barriers to research, barriers > Centre, Swansea University to resources, barriers to influencing decision makers, barriers to networking, barriers to a diverse workforce, barriers to audience development, etc. We want e-News l 2017 l 08 CIPEG Journal launched at the Annual Meeting in Chicago — Caroline M. Rocheleau t the General Assembly held Meeting in Milan or the subsequent I would like to thank Aidan Dodson, A during its Annual Meeting in workshop in Bologna, or are other Denise Doxey and Emily Teeter for their Chicago, CIPEG launched the CIPEG contributions of interest to scholars time and effort with this first issue of the Journal: Ancient Egyptian & Sudanese interested in Egyptian and Sudanese Journal as well as the Board of CIPEG for Collections and Museums. The CIPEG collections and museums. their feedback on the design aspect of the Journal serves as a platform for the entire project. Thanks also go to Coralie dissemination of information regarding We are currently working on the Gradel for additional French language the study, preservation, and presentation remaining contributions submitted to editing, and to Anna Voellner, Katrin of such collections, monuments and sites the CIPEG Journal No. 1 (we will continue Bemman and Bettina Müller, who made worldwide. Hosted by the Universitäts- to publish on a rolling schedule once things happen in Heidelberg. Bibliothek Heidelberg, this open access the initial five articles are uploaded) and journal promotes communication and hope this will be completed by the end collaboration among museums, museum of the year. To read the articles currently professionals and other scholars involved available in CIPEG Journal No. 1 (2017), in ancient Egyptian and Sudanese please visit this page. Bookmark the link collections around the world. so you can return to read forthcoming uploads ! The Editorial Committee has been hard at work since late autumn 2016, The Editorial Committee would like reviewing contributions, designing to invite participants at the Chicago the journal, and collaborating with Annual Meeting and other scholars who Heidelberg to create the website to have recently conducted collections host it. Our goal was to have a minimum research or general museum work to of five articles published online in time submit for consideration contributions for the 2017 Annual Meeting. Thanks to CIPEG Journal No. 2. Contributor to everyone’s dedication and efforts, guidelines are available on the CIPEG the first issue of the CIPEG Journal was Journal website (link above) and all launched with the required minimum articles and enquiries should be sent to of articles! The papers featured in [email protected]. n CIPEG Journal No. 1 (2017) were either presented in 2016 at the CIPEG Annual e-News l 2017 l 08 Adventures in Egypt: Mrs Goodison & Friends and Manchester Museums show Anne’s relationship with Amelia Edwards and Exhibition at The Atkinson, Southport, until 10 March 2018 the Egypt Exploration Fund. — Tom Hardwick British artist G. F. Watts also visited he Egyptian collection at Southport, Anne was well connected. She knew the Egypt in 1887. While Anne “could never a British seaside resort near Liverpool, art critic John Ruskin, and corresponded T face Mr Ruskin again if I were to go consists of around 1,000 objects from the with the American Egyptologist Charles in a Cook boat”, Watts proudly took collection of Anne Goodison (1845-1906), Edwin Wilbour. Brooklyn Museum’s one of these classic river steamers. His wife of a long-suffering civil engineer. The Wilbour Library generously lent her enigmatic Sphinx guards a display of Goodisons visited Egypt during 1886-7 letters, one mentioning “a ring I acquired hotel memorabilia. [3] and 1890-1, and the 130th anniversary of at Thebes naming King Nubti” [2]. Ring and their first trip to Egypt seemed a good letter are together again after 126 years, Elsewhere, Hatshepsut’s minister excuse to display Anne’s objects in the one of many reunions in the exhibition. Senenmut [1] sits near Lord Cromer, context of the travellers and collectors Queen Victoria’s proconsul in Egypt, and who helped create British Egyptology ! [1] One unalluring fragment has a Lord Kitchener, Sirdar of the Egyptian fascinating label: “Brought by Petrie from army – all powerful servants of powerful Object annotations show how Anne Faiyoum part of great figure mentioned queens. A nationalist cartoon [4] shows acquired them: purchases from dealers, by Herodotus.” It comes from the colossal that the Egypt Mrs Goodison loved gifts from excavators, and in person statues of Amenemhat III at Biahmu, visiting may not have appreciated her at sites. Adventures in Egypt combines excavated in 1888-9. Petrie gave most quite as much as she hoped… n Anne’s objects with loans from UK and of the fragments to the Ashmolean, US collections to illustrate the ambiance but doled out lesser pieces to friends > Adventures in Egypt that helped form her collection. and supporters. Loans from the Petrie 1. General gallery view; in foreground, quartzite block statue of Senenmut ( British Museum loan); in background, portraits of Lords Cromer and Kitchener 4. James Sanua, Expérience Aerostatique (National Portrait Gallery loans). (Le Journal d’Abou Naddara, 1889, n°10). 2. Copper alloy ring with the God Seth on 3. G. F. Watts, The Sphinx (1887). the bezel. New Kingdom Oil on canvas (The Atkinson, Goodison collection). (Watts Gallery – Artists’ Village loan). e-News l 2017 l 08 Egypt: The extraordinary discovery of Pharaoh Amenhotep II MUDEC - Milan Museum of Cultures, 13 September 2017 – 7 January 2018 — Christian Orsenigo (Università degli Studi di Milano) his exhibition is devoted to the life discovered reburied mummies of conceived by the architect Cesare Mari. T and achievements of Amenhotep pharaohs and important persons, among The exhibition, sponsored by the Milan II, the history of his family and the them the grandmother and very possibly City Council Department of Culture and highlights of society of his time, through the mother of Tutankhamun. by 24 ORE Cultura – Gruppo 24 ORE, the display of some 260 artefacts on which is also the producer, is curated by loan from the Egyptian Museum in Cairo, The exhibition is divided into 4 thematic Patrizia Piacentini (Chair of Egyptology the Rijksmuseum van Oudheden in sections: The days of the Pharaoh; at the State University of Milan) and the Leiden, the Kunsthistorisches Museum Life in high society; From death to life; present writer, with the coordination in Vienna, the National Archaeological and - the core of the exhibition: An of Massimiliana Pozzi Battaglia (SCA- Museum in Florence, and the Castello extraordinary discovery: the tomb of Società Cooperativa Archeologica). n Sforzesco Museum, as well the University Amenhotep II, which displays also some of Milan which has loaned the original of the masterpieces from the king’s > Catalogue of the exhibition: excavation records from discovery of the funerary equipment. In addition, an P. Piacentini, C. Orsenigo eds, Egitto: pharaoh’s tomb. Some other important important contribution has been made La straordinaria scoperta del faraone loans from private collections are also by the multimedia and scenographic Amenofi II, Milano: 24 ORE Cultura, 2017 included, among which a remarkable installations in the exhibition rooms, (ISBN: 978-88-6648-378-6). stela showing Amenhotep II offering to Sculptures of Amenhotep II. Amun-Re, on public display for the first time, and which represents one of the masterpieces of the show. The exhibition sets out to introduce the public to a double ‘rediscovery’: that of the historical figure of Pharaoh Amenhotep II, often unfairly overshadowed by the fame of his powerful father Thutmose III, and the archaeological ‘rediscovery’ of the excavation of the tomb of Amenhotep II in the Valley of the Kings.
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