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Historic P U B Lic W Ork S P Roje Cts on the Ce N Tra L
SHTOIRICHISTORIC SHTOIRIC P U B LIC W ORK S P ROJE TSCP ROJE CTS P ROJE TSC ON THE CE N TRA L OCA STCOA ST OCA ST Compiled by Douglas Pike, P.E. Printing Contributed by: Table of Contents Significant Transportation P rojects......2 El Camino Real................................................... 2 US Route 101...................................................... 3 California State Route 1...................................... 6 The Stone Arch Bridge ..................................... 11 Cold Spring Canyon Arch Bridge..................... 12 Significant W ater P rojects...................14 First Dams and Reservoirs................................ 14 First Water Company........................................ 14 Cold Spring Tunnel........................................... 15 Mission Tunnel ................................................. 16 Gibraltar Dam ................................................... 16 Central Coast Conduit....................................... 18 Water Reclamation In Santa Maria Valley....... 23 Twitchell Dam & Reservoir.............................. 24 Santa Maria Levee ............................................ 26 Nacimiento Water Project................................. 28 M iscellaneous P rojects of Interest.......30 Avila Pier .......................................................... 30 Stearns Wharf.................................................... 32 San Luis Obispo (Port Harford) Lighthouse..... 34 Point Conception Lighthouse............................ 35 Piedras Blancas Light ...................................... -
National Register of Historic Places Inventory—Nomination Form 1
•V NFS Form 10-900 OMB No.1024-0018 (342) Exp. 1O-31-84 For NFS UM only National Register of Historic Places received /V|Ar - Inventory—Nomination Form date entered See instructions in How to Complete National Register Forms Type ail entries—complete applicable sections_______________ 1. Name historic Pacific Coast Railway Company Grain Warehouse and/or common Loomis Feed Store 2. Location street & number 65 Higuera Street N/Anot for publication city, town San Luis Obispo vicinity of state California code 06 county San Luis Obispo code 079 3. Classification Category Ownership Status Present Use district public occupied agriculture museum _X_ building(s) X private _ X_ unoccupied __ commercial __ park structure both work in progress educational private residence site Public Acquisition Accessible entertainment religious object in process yes: restricted government scientific being considered X yes: unrestricted industrial transportation X N/A no military _X__ other: vacant 4. Owner of Property name Pacific Coast Coal and Lumber street & number 924 Westwood Boulevard, Suite 905 city, town Los Angeles JU/A vicinity of state California 90024 5. Location of Legal Description courthouse, registry of deeds, etc. County Government Center street & number 1050 Monterey Street city, town San Luis Obispo state California 93401 6. Representation in Existing Surveys title Historic Resources Survey has this property been determined eligible? ., yes X, no date 1983 (file #0107-05C) federal state __ county —X_ local depository for survey records Clty Ha11 * "° Pa1m Street city, town San Luis Obispo, CA 93401 state California 7. Description Condition Check one Check one __ excellent __ deteriorated __ unaltered X original site __ good __ ruins X altered __ moved date X fair __ unexposed Describe the present and original (if known) physical appearance The warehouse is a long, gable-roofed late Nineteenth Century trackside structure; light wood frame with corrugated iron panels covering both roofs and walls. -
Downloading a Copy to Your Computer
OO NEWS, REVIEWS, INFORMATION TO USE Sand Cast Models Layout Automation Locomotive Lighting John Houlihan’s Layout The Yosemite Short Line Some Thoughts on Modules Yosemite Short Line Flat Car And much more… The O Scale Resource July/August 2014 1 Bill Of Lading 2 Table of contents Published Bi Monthly 3 Editorial comment 4 News and Reviews The Model Railroad Resource LLC 8 Sand Cast Models Plymouth, Wisconsin A look at how some of the O Scale models were made Editors 25 The Yosemite Short Line Glenn Guerra A sectional modular club layout [email protected] 37 Yosemite Short Line Flat Car Dan Dawdy Some information and drawings of the last remaining car [email protected] 44 The John Hammond Car Company A brief synopsis Copy Editor 45 Looking at Layout Automation Amy Dawdy Accessory (turnout) decoders 53 John Houlihan’s Layout July-August 2014 A look at John’s layout past and present Vol 1 #6 62 Locomotive Lighting Using MV lenses Welcome to the online O Scale Resource magazine. The magazine is presented in an easy 67 Some Thoughts on Modules to use format. The blue bar above the magazine A look at some different ideas on modules has commands for previewing all the pages, advancing the pages forwards or back, searching 76 O Scale Shows & Meets to go to a specific page, enlarging pages, printing pages, enlarging the view to full screen, and 77 The O Scale Resource Classifieds downloading a copy to your computer. Front Cover Photo A Souther Pacific local freight heads up into the Tehachapi mountains on John Houlihan’s layout Advertisers Index Alleghyeney Scale Models Pg 52 Korber Models Pg 52 Altoona Model Works Pg 66 P & D Hobby Shop Pg 66 Rear Cover Photo BTS Pg 24 Rich Yoder Models Pg 44 Clover House Pg 52 San Juan Car company Pg 66 Crow River Models Pg 44 SMR Trains Pg 52 Small town on the Yosemite Short Delta Models Pg 24 Stevenson Preservation Lines Pg 66 Line Railroad. -
Northern Ohio Railway Museum Used Book Web Sale
NORTHERN OHIO RAILWAY MUSEUM USED BOOK 6/9/2021 1 of 20 WEB SALE No Title Author Bind Price Sale 343 100 Years of Capital Traction King Jr., Leroy O. H $40.00 $20.00 346026 Miles To Jersey City Komelski, Peter L. S $15.00 $7.50 3234 30 Years Later The Shore Line Carlson, N. S $10.00 $5.00 192436 Miles of Trouble Morse, V.L S $15.00 $7.50 192536 Miles of Trouble revised edition Morse, V.L. S $15.00 $7.50 1256 3-Axle Streetcars vol. 1 From Robinson to Rathgeber Elsner, Henry S $20.00 $10.00 1257 3-Axle Streetcars vol. 2 From Robinson to Rathgeber Elsner, Henry S $20.00 $10.00 1636 50 Best of B&O Book 3 50 favorite photos of B&O 2nd ed Kelly, J.C. S $20.00 $10.00 1637 50 Best of B&O Book 5 50 favorite photos of B&O Lorenz, Bob S $20.00 $10.00 1703 50 Best of PRR Book 2 50 favorite photos of PRR Roberts, Jr., E. L. S $20.00 $10.00 2 Across New York by Trolley QPR 4 Kramer, Frederick A. S $10.00 $5.00 2311Air Brake (New York Air Brake)1901, The H $10.00 $5.00 1204 Albion Branch - Northwestern Pacific RR Borden, S. S $10.00 $5.00 633 All Aboard - The Golden Age of American Travel Yenne, Bill, ed. H $20.00 $10.00 3145 All Aboard - The Story of Joshua Lionel Cowan Hollander, Ron S $10.00 $5.00 1608 American Narrow Gauge Railroads (Z) Hilton, George W. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
The Railroads and San Luis Obispo╎s Urban Form
focus FACULTY AND STUDENT WORK THE RAILROADS AND SAN LUIS OBISPO’S URBAN FORM HEMALATA DANDEKAR AND ADRIANNA JORDAN The Pacific Coast narrow gauge and Southern Pacific standard gauge railroads affected the economy of San Luis Obispo and shaped city growth and morphology. This essay traces this imprint, celebrates the historic role of the railroads on the city and region, and, speculates on the future potential of fixed rail transportation for economy development. Hemalata C. Dandekar, PhD. is professor and head of Cal Today the sound of a train passing through San Luis Obispo may be intermittent and faint, but persistent Poly’s CRP Department. nonetheless, a reminder that the railroad was a significant force in the development of the City of San Luis Obispo. The railroad’s continued presence in the city, cutting through its urban fabric, raises intriguing questions as to what constructive role it can play in the evolving economy of the city. Can the railroad make a contribution to the new economy of the 21st Century? And if so, how? These questions are worth considering beyond nostalgia for a railroad-dominated past as we become more concerned, nationally and especially so in the State of California, about living sustainably. The aspiration to create communities that reduce dependence and expenditure on the automobile has surfaced as an important goal, one that might enable us to live within our resource base. In this emerging context what role will, and might, the railroad play in shaping future developments and influencing land use? The historical role of railroads in the growth of the City of San Luis Obispo was substantial. -
Southern Pacific Company Records MS 10MS 10
http://oac.cdlib.org/findaid/ark:/13030/c8154q33 No online items Guide to the the Southern Pacific Company Records MS 10MS 10 CSRM Library & Archives staff 2018 edition California State Railroad Museum Library & Archives 2018 Guide to the the Southern Pacific MS 10 1 Company Records MS 10MS 10 Language of Material: English Contributing Institution: California State Railroad Museum Library & Archives Title: Southern Pacific Company records creator: Southern Pacific Company Identifier/Call Number: MS 10 Physical Description: 478.15 Linear Feet Date (inclusive): 1860-1989 Abstract: This collection includes some of the corporate records of the Southern Pacific Railroad, its holding company, the Southern Pacific Company and certain of its subsidiaries and successors (such as the Southern Pacific Transportation Company) collected by the CSRM Library & Archives, focusing on financial and operational aspects of its functions from 1860 to 1989. Language of Material: English Language of Material: English Statewide Museum Collections Center Conditions Governing Access Collection is open for research by appointment. Contact Library staff for details. Accruals The CSRM Library & Archives continues to add materials to this collection on a regular basis. Immediate Source of Acquisition These corporate records were pieced together through donations from multiple sources. including: the Southern Pacific Transportation Company, the Union Pacific Railroad, The Bancroft Library; University of California, Berkeley, The Railway & Locomotive Historical Society, Pacific Coast Chapter, and people including: John Vios, Erik Pierson, Timothy and Sylvia Wong, Edna Hietala, John Gilmore, Philip Harrison, Carl Bradley, Betty Jo Sunshine, Dave Henry, Anthony Thompson, Lynn D. Farrar and many others between 1977 and 2009. Arrangement Arranged by department into the following series: Series 1: Motive Power Department records Subseries 1. -
Lights! Camera! Gallop!
Lights! Camera! Gallop! The story of the horse in film By by Lesley Lodge Published by Cooper Johnson Limited Copyright Lesley Lodge © Lesley Lodge, 2012, all rights reserved Lesley Lodge has reserved her right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work. ISBN: 978-0-9573310-1-3 Cover photo: Running pairs Copyright Paul Homsy Photography Taken in Ruby Valley in northern Nevada, USA. Shadowfax – a horse ‘so clever and obedient he doesn’t have a bridle or a bit or reins or a saddle’ (Lord of the Rings trilogy) Ah, if only it was all that simple . Contents Chapter One: Introducing... horses in film Chapter Two: How the horse became a film star Chapter Three: The casting couch: which horse for which part? Chapter Four: The stars – and their glamour secrets Chapter Five: Born free: wild horses and the wild horse film Chapter Six: Living free: wild horse films around the world Chapter Seven: Comedy: horses that make you laugh Chapter Eight: Special effects: a little help for horses Chapter Nine: Tricks and stunts: how did he do that? Chapter Ten: When things go wrong: spotting fakes and mistakes Chapter Eleven: Not just a horse with no name: the Western Chapter Twelve: Test your knowledge now Quotes: From the sublime to the ridiculous Bibliography List of films mentioned in the book Useful websites: find film clips – and more – for free Acknowledgements Photo credits Glossary About the author Chapter One Introducing….horses in film The concept of a horse as a celebrity is easy enough to accept – because, after all, few celebrities become famous for actually doing much. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations. -
C:\Users\Jacque\Documents\Jacque\SPCRR\HOTBOX\HOTBOX-MAR APR 2021\HOTBOX Mar Apr 2021 Ver 2.Pmd
17 March/April 2021 A newsletter from SPCRR and The Railroad Museum at Ardenwood The Hotbox newsletter provides historic information on Carter Bros. Builders of Newark, CA; the South Pacific Coast Railroad, and other regional narrow gauge railroads; as well as updates for our members, volunteers, and the general public about our special events, activities, and volunteer opportunities at The Railroad Museum at Ardenwood. The museum is operated by the Society for the Preservation of Carter Railroad Resources (SPCRR). If you have any questions or comments, you can reach a staff member by email at [email protected] or call 510-508-8826. The Museum’s mission is the preservation, restoration and interpretation of regional narrow gauge railroad history, including Carter Brothers—a pioneer railroad car builder in California. We are located at Ardenwood Historic Farm, 34600 Ardenwood Blvd, Fremont, CA. We are a 501(c)(3) nonprofit and all donations are tax deductible. Donations are greatly appreciated through our website or by mail (SPCRR, PO Box 783, Newark, CA 94560). Trains operate on Thursday, Friday, Sunday and holidays between April & mid-November. See our Calendar on the last page for our current schedule and special events. To make a donation, become a member, or for more information please go to our website www.spcrr.org. Newsletters are distributed six times a year. We also have more information on our events at www.facebook.com/spcrrmuseum. A Long Time Ago... BETTERAVIA, where we obtained the rail to begin our railroad Don Marenzi, General Manager and Curator Photos by the author unless otherwise noted ere are my memories of the Betteravia cattle feed lot railroad and SPCRR's part of Hthe rail story along with some other early SPCRR recollections. -
Train Day 2014 Saturday, May 10, 2014 Was Amtrak Sponsored National Train Day
News from the San Luis Obispo Railroad Museum Issue Number 50 San Luis Obispo, California, Summer 2014 www.slorrm.com Amtrak Surfliner trundles past the Museum’s speeders on its way south. Train Day 2014 Saturday, May 10, 2014 was Amtrak sponsored National Train Day. The San Luis Obispo Railroad Museum was open to the public. Docents were on hand to explain the many exhibits. The gift shop was open and speeder rides were Here is the latest arrival at the the car for catered lunches, dinners, available. More pictures on page 7 Museum. The LaCondesa was donated meetings, birthday parties and wine to the museum in 2006 by Gordon tastings. Crosthwait, a retired teacher who lived The Santa Fe did not name the car, in Los Osos and worked in the Morro only using its number 1512. Tad Finlay Bay and San Luis Obispo schools. It named it Margareta del Oro. Gordon was stored and used by the Santa Maria renamed it La Condesa. We hope to Valley Railroad until it was moved to have a contest and change the name to the display track in May, 2014. reflect the Central Coast. The car was built by the Pullman We are fortunate that the car has a Company in 1926 for the Santa Fe large lounge. We can use the car now Railroad as a diner/lounge observation but plan to convert it back to a diner Above: Visitors line the rail as the north- car. It was purchased from the Santa lounge. All the original fixtures are in bound Coast Starlight approaches. -
Richard Bernstein Music Editor
RICHARD BERNSTEIN MUSIC EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD 2012 THE TREE OF LIFE Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL AWARD 2010 AVATAR Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL AWARD 2007 APOCALYPTO Best Sound Editing for Music in a Feature Film *shared GOLDEN REEL NOMINATION 1995 THE CROW Best Music Editing GOLDEN REEL NOMINATION 1994 HARD TARGET Best Music Editing ACADEMY AWARD 1989 Streamline Scoring System Technical Achievement Award *shared EMMY AWARD 1989 Streamline Scoring System Outstanding Achievement in Engineering Development EMMY AWARD 1987 MAX HEADROOM Outstanding Sound Editing for Series MOTION PICTURE SILVER LININGS PLAYBOOK Danny Elfman, Composer The Weinstein Company Bruce Cohen, Donna Gigliotti, Jonathan Gordon, prods. David O. Russell, dir. FOR GREATER GLORY: THE TRUE James Horner, Composer STORY OF CRISTIADA Pablo Jose Barroso, prod. Relativity Media Dean Wright, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RICHARD BERNSTEIN MUSIC EDITOR DAY OF THE FALCON James Horner, Composer Warner Bros. Tarak Ben Ammar, prod. Jean –Jacques Annaud, dir. TREE OF LIFE Alexandre Desplat, Composer Plan B Entertainment Dede Gardner, Sarah Green, Grant Hill, Brad Pitt, Bill Pohland, prods. Terrence Malick, dir. AVATAR James Horner, Composer 20 th Century Fox James Cameron, Jon Landau, prods. James Cameron, dir. THE HILLS HAVE EYES II Trevor Morris, Composer 20 th Century Fox Wes Craven, Peter Locke, Marianne Maddalena, prods. Martin Weisz, dir. THE EXPRESS Mark Isham, Composer Universal Pictures John A. Davis, prod. Gary Felder, dir. THE SPIDERWICK CHRONICLES James Horner, Composer Paramount Pictures Mark Canton, Larry J.