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Gossip, Exclusion, Competition, and Spite: a Look Below the Glass Ceiling at Female-To-Female Communication Habits in the Workplace
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2013 Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace Katelyn Elizabeth Brownlee [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Organizational Communication Commons Recommended Citation Brownlee, Katelyn Elizabeth, "Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/1597 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Katelyn Elizabeth Brownlee entitled "Gossip, Exclusion, Competition, and Spite: A Look Below the Glass Ceiling at Female-to-Female Communication Habits in the Workplace." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Communication and Information. Michelle Violanti, Major Professor We have read this thesis -
The Rise of the Anti-Hero: Pushing Network Boundaries in the Contemporary U.S
The Rise of The Anti-Hero: Pushing Network Boundaries in The Contemporary U.S. Television YİĞİT TOKGÖZ Submitted to the Graduate School of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in CINEMA AND TELEVISION KADIR HAS UNIVERSITY June, 2016 I II ABSTRACT THE RISE OF THE ANTI-HERO: PUSHING NETWORK BOUNDARIES IN THE CONTEMPORARY U.S. TELEVISION Yiğit Tokgöz Master of Arts in Cinema and Television Advisor: Dr. Elif Akçalı June, 2016 The proliferation of networks using narrowcasting for their original drama serials in the United States proved that protagonist types different from conventional heroes can appeal to their target audiences. While this success of anti-hero narratives in television serials starting from late 1990s raises the question of “quality television”, developing audience measurement models of networks make alternative narratives based on anti-heroes become widespread on the U.S. television industry. This thesis examines the development of the anti-hero on the U.S. television by focusing on the protagonists of pay-cable serials The Sopranos (1999-2007) and Dexter (2006-2013), basic cable serials The Shield (2002-2008) and Mad Men (2007-2015), and video-on-demand serials House of Cards (2013- ) and Hand of God (2014- ). In brief, this thesis argues that the use of anti-hero narratives in television is directly related to the narrowcasting strategy of networks and their target audience groups, shaping a template for growing networks and newly formed distribution services to enhance the brand of their corporations. In return, the anti-hero narratives push the boundaries of conventional hero in television with the protagonists becoming morally less tolerable and more complex, introducing diversity to television serials and paving the way even for mainstream broadcast networks to develop serials based on such protagonists. -
Preemptive Narratives in Recent Television Series Par Toni Pape
Université de Montréal Figures of Time: Preemptive Narratives in Recent Television Series par Toni Pape Département de littérature comparée, Faculté des arts et des sciences Thèse présentée à la Faculté des arts et des sciences en vue de l’obtention du grade de Ph. D. en Littérature, option Études littéraires et intermédiales Juillet 2013 © Toni Pape, 2013 Résumé Cette thèse de doctorat propose une analyse des temporalités narratives dans les séries télévisées récentes Life on Mars (BBC, 2006-2007), Flashforward (ABC, 2009-2010) et Damages (FX/Audience Network, 2007-2012). L’argument général part de la supposition que les nouvelles technologies télévisuelles ont rendu possible de nouveaux standards esthétiques ainsi que des expériences temporelles originales. Il sera montré par la suite que ces nouvelles qualités esthétiques et expérientielles de la fiction télévisuelle relèvent d’une nouvelle pertinence politique et éthique du temps. Cet argument sera déployé en quatre étapes. La thèse se penche d’abord sur ce que j’appelle les technics de la télévision, c’est-à- dire le complexe de technologies et de techniques, afin d’élaborer comment cet ensemble a pu activer de nouveaux modes d’expérimenter la télévision. Suivant la philosophie de Gilles Deleuze et de Félix Guattari ainsi que les théories des médias de Matthew Fuller, Thomas Lamarre et Jussi Parikka, ce complexe sera conçu comme une machine abstraite que j’appelle la machine sérielle. Ensuite, l’argument puise dans des théories de la perception et des approches non figuratives de l’art afin de mieux cerner les nouvelles qualités d’expérience esthétique dans la fiction sérielle télévisée. -
Rose Byrne Under Wraps How She Charmed the World with Her Hidden Talent
JULY 31, 2016 + TALL ORDER: DOES YOUR DATE MEASURE UP? SHIFT YOUR CAREER UP A GEAR DECADENT PEANUT BUTTER DESSERTS ROSE BYRNE UNDER WRAPS HOW SHE CHARMED THE WORLD WITH HER HIDDEN TALENT SNS31JUL16p001 1 22/07/16 3:27 PM (cover_story) Roses She’s no garden-variety star. Rose Byrne is now in full bloom as a sought-after comic actor, says Tiffany Bakker 10 | SUNDAYSTYLE.COM.AU 11 SVS31JUL16p010 10 22/07/16 4:48 PM ose Byrne is pondering like I’m a big name,” she says. “I feel like her day job. “Acting is I’ve been very lucky in the people I’ve embarrassing, absolutely,” been able to work with.” she says, with a hearty laugh. In recent years, of course, there has R“Just the vulnerability it requires, whether been her much-vaunted emergence as in a performance or doing interviews. It’s a big-screen comedy superstar (more an odd thing, and it’s also a bit of a silly job. on that later), but she has just as easily I mean, it’s a great job, and I take it navigated indie drama (Adult Beginners), seriously and I’m passionate about it, but dramedy (The Meddler), horror (Insidious), I know I’m not curing cancer, so you have musicals (Annie), tent-pole franchises (the to have some perspective on it.” X-Men series), and television (Damages). When we meet, Byrne is mid-pedicure Ask her to reflect on her extraordinary at a downtown New York hotel, apologising success and she squirms slightly. -
ETC Marketing Metadata 1.0
ETC Marketing Metadata 1.0 Introduction The explosion of online digital content has heightened the need for complete and accurate marketing metadata to assist consumers in search and discovery of movies and television. In addition, the increase in online distributors with widely different content submission requirements makes the delivery of accurate metadata a time-consuming and difficult process for content owners. For this reason, the Entertainment Technology Center organized the Metadata Working Group to create best-practices for the creation and distribution of marketing metadata. This working group is made up of metadata experts from the major Hollywood Studios, film service, and technology companies. Historically, each digital service provider has created its own metadata specification and required that content providers conform their product information to that format. Unfortunately, the lack of standards underpinning those metadata elements -- their names and definition, and the terms used to populate them -- has confounded efforts to streamline the digital distribution, and ultimately the search and discovery, of content. Some forward-looking groups have sought to simplify the process; MovieLabs and the Entertainment Merchant's Association (EMA), for example, recently released Version 1.0 of the EMA Metadata specification, covering information delivered from publishers to retailers (http://www.entmerch.org/ema_metadata_.html). What is typically missing from the various public metadata documents/specifications are details on how content providers should actually construct metadata. This document begins to scratch the surface on that topic -- tackling first and foremost, descriptive metadata (much of what the EMA specification calls "Basic Metadata"). Our goal in writing this document was to provide a set of best practices, based on the combined wisdom of the metadata experts who produce and distribute digital media for the leading Hollywood studios. -
Drama | 60 Minutes DAWSON’S CREEK TEENAGE FRIENDS COME of AGE in a SMALL Resort TOWN
MAD ABOUT YOU ....................................................3 my boys ....................................................4 married with children ....................................................5 THE nanny ....................................................6 men at work ....................................................7 WHO’S THE BOSS? ....................................................7 the king of queens ....................................................8 RULES OF ENGAGEMENT ....................................................8 THE JEFFERSONS ....................................................9 SILVER SPOONS ....................................................9 DIFF’RENT STROKES ..................................................10 I DREAM OF JEANNIE ..................................................10 •3• comedy Paul is a documentary film-maker with a penchant for obsessing over the minutae, and his wife Jamie is a fiery public relations specialist. Together, these two young, urban newlyweds try to A SOPHISTICATED MARRIED COUPLE NAVIGATE sustain wedded bliss despite the demands of their respective professional careers, meddling MAD ABOUT YOU THE CHALLENGES OF MARRIAGE AND PARENTHOOD. friends (like Fran Devanow, Jamie’s first boss and eventual best friend, Ira, Paul’s cousin, and Lisa, Jamie’s offbeat older sister) in the chaos of big city living… always with honesty and humor. view promo comedy | 30 minutes •4• comedy MY BOYS A FEMALE SPORTS COLUMNIST DEALS WITH THE MEN IN HER LIFE comedy | 30 minutes view promo INCLUDING -
Damages – the Complete Series – Blu-Ray
DAMAGES – THE COMPLETE SERIES – BLU-RAY Short Synopsis: For five extraordinary seasons, DAMAGES, the critically acclaimed legal thriller, broke all the rules and made its own. Film legend Glenn Close won two Emmys® for her stunning portrayal of relentless litigator Patty Hewes, who commands the courtroom and the screen, doing battle with ambitious protégée - turned-adversary Ellen Parsons (Rose Byrne) in cutting-edge cases with devastating consequences both professional and personal. Target Audience: Fans of The Good Wife, Revenge, Scandal, Homeland Notable Cast/Crew: Glenn Close, Rose Byrne Guest Stars include: Ted Danson, Tate Donovan, William Hurt, Marcia Gay Harden, Lily Tomlin, Martin Short, John Goodman, Jenna Elfman, Timothy Olyphant, Chris Messina, Campbell Scott and Ryan Phillippe Key selling points: • Nominated for 20 Emmy® awards with 4 wins including consecutive Outstanding Lead Actress in a Drama Series awards for Glenn Close • Glenn Close has been selected as the 2018 honoree of New York’s Museum of Moving Image 32nd annual salute (past honorees include Martin Scorsese, Steven Spielberg, Jimmy Stewart) • Glenn Close is one of the most acclaimed actresses of our times – 6 Oscar® nominations, 12 Golden Globes, 12 Emmys and 4 Tonys. • Created by Glenn & Todd Kessler and Daniel Zelman who are also known for the Netflix series Bloodline • Each season is inspired by real events: Season 1, the 2001 Enron scandal. Season 2, the 2001 California Energy Crisis. Season 3, the 2009 Bernie Madoff Ponzi Scheme. Season 4, the private military company Blackwater. Season 5, WikiLeaks and its founder Julian Assange. Clip Link: https://youtu.be/qPveoJJfpcg Website Link: https://www.millcreekent.com/damages-the-complete-series-blu-ray.html Title UPC Item # Format Genre SRP Aspect Ratio Rating Runtime # Disc Damages – The Complete Series – Blu-ray 683904633361 63336 Blu-ray TV – Drama $99.98 Widescreen TV-MA 46 hr 17 min 10. -
EU Page 01 COVER.Indd
entertaining u newspaper JACKSONVILLE design issue Daryl Bunn exhibit at Jane Gray Gallery | 48 Hour Film Project | Suicide Notes: new record store | Matthew’s Fine Dining free weekly guide to entertainment and more | august 9-15, 2007 | www.eujacksonville.com 2 august 9-15, 2007 | entertaining u newspaper table of contents Cover Photo by Rachel Best Henley - Home of Daryl Bunn feature Design Nation ................................................................................................. PAGES 16-23 Daryl Bunn (interview) ............................................................................. PAGES 16-17 Urban Architectural Design ...............................................................................PAGE 18 Personal Design ....................................................................................... PAGES 18-21 Interior Design .................................................................................................PAGE 19 Landscape Design ...........................................................................................PAGE 20 Tattoo Design ...................................................................................................PAGE 21 Event Design ............................................................................................ PAGES 22-23 Music Design .................................................................................................PAGES 23 movies Movies in Theaters this Week ........................................................................... -
JACQUOU LE CROQUANT Cinéma Avatar, Son Double Numérique Un Commerce Démentiel
MARDI 5 FÉVRIER 2008 HEBDO 23 - 29 FÉVRIER 2008 09 DAMAGES Une série de Todd A. Kessler, Glenn Kessler et Daniel Zelman Jeudi 28 février à partir de 20†50 HEBDO 23 - 29 FÉVRIER 2008 09 P.2 P.22 P.24 P.26 P.28 1 09 0 CETTE SEMAINE SUR du 23 au 29 février 2008 SAMEDI BOX-OFFICE LES OSCARS® RUGBY LE QUINTÉ+ ODETTE TOULEMONDE LE TAPIS ROUGE En direct En direct de l'hippodrome Comédie française Présenté par Laurent Weil 11ème journée du Top 14 de Cagnes d'Éric-Emmanuel Schmitt En direct 15H00 DIM 24 FÉV Plat 20H50 SAM 23 FÉV 00H00 DIM 24 FÉV 14H30 SAM 23 FÉV FOOTBALL SIXTY SIX 80ÉME CÉRÉMONIE En direct LE QUINTÉ+ Comédie dramatique britannique DES OSCARS® 26ème journée du championnat En direct de l'hippodrome de Vincennes de Paul Weiland Présenté par Laurent Weil de France de Ligue 1 Trot 01H55 SAM 23 FÉV En direct BORDEAUX/LILLE 14H30 DIM 24 FÉV 02H30 DIM 24 FÉV AVANT-MATCH SEXY DANCE 20H35 DIM 24 FÉV Comédie dramatique américaine LE QUINTÉ+ LE MEILLEUR En direct de l'hippodrome d'Anne Fletcher DES OSCARS® COUP D'ENVOI 20H55 DIM 24 FÉV de Marseille 04H20 LUN 25 FÉV Le résumé Plat 22H35 LUN 25 FÉV 13H45 LUN 25 FÉV SÉANCE DÉCOUVERTE L'ÉQUIPE LIBERO DU DIMANCHE Comédie dramatique italienne Présenté par Hervé Mathoux LE QUINTÉ+ En direct de l'hippodrome de Kim Rossi Stuart En direct 22H50 DIM 24 FÉV d'Auteuil 20H50 MAR 26 FÉV Obstacle 13H45 MAR 26 FÉV CINÉMA INDÉPENDANT HOCKEY SUR GLACE DARATT Championnat de la NHL (SAISON SÈCHE) 02H40 JEU 28 FÉV LE QUINTÉ+ FOOTBALL En direct de l'hippodrome Film dramatique français, belge, En direct d'Enghien -
Media Release Glenn Close to Receive Zurich Film Festival's
Media Release Glenn Close to receive Zurich Film Festival’s Golden Icon Award and present THE WIFE alongside Jonathan Pryce, Annie Starke and director Björn Runge Zurich, August 10, 2017 Glenn Close will receive the Golden Icon Award at this year’s Festival, which takes place from September 28 to October 8, 2017. The Golden Icon Award is the Festival’s most prestigious symbol of recognition, in appreciation of the lifetime achievements of an actor or actress. Glenn Close will be honored with the award on Sunday October 1. Ms Close will also present her latest film, THE WIFE with her co-stars Jonathan Pryce and Annie Starke and director Björn Runge. THE WIFE Behind any great man, there’s always a greater woman … and you’re about to meet her. It is crucial you get to know this woman – many of us already do and don't even realise it. Joan Castleman (Glenn Close): a highly intelligent and still-striking beauty - the perfect alpha wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe (Jonathan Pryce) and his skyrocketing literary career. Ignoring his infidelities and excuses because of his "art" with grace and humour. Their fateful pact has built a marriage upon uneven compromises. And Joan’s reached her breaking point. On the eve of Joe’s Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan's coup de grace is to confront the biggest sacrifice of her life and secret of his career. -
Use2 Post-Gazette 1-29-10.Pmd
VOL. 114 - NO. 5 BOSTON, MASSACHUSETTS, JANUARY 29, 2010 $.30 A COPY EAST BOSTON CHAMBER OF COMMERCE THE POWER OF DEMOCRACY Inducts 2010 Board of by Stefano Salimbeni chised and he won most of Officers and Directors them. One, however — perhaps the most important—he did not win. Nor has any Demo- cratic leader, despite 70 years of trying, managed to reform the health-care sys- tem to extend care to the 45 million Americans who are currently excluded. It is no accident that this was Kennedy’s final political wish, expressed, we are told, even on his deathbed. Yet even after mourning him for US Senator Scott Brown a week, his beloved Massa- Former US Senator chusetts indirectly denied it Ted Kennedy “Poor Ted is turning over to him. After the election of in his grave!” Many ex- “For–ty–one, for–ty–one”, Barack Obama, whom he claimed in reaction to the Scott Brown’s supporters surprisingly supported — Massachusetts election chanted, while the would have been his last that sent a Republican to Wrentham lawyer — largely great victory. With Kennedy Washington to occupy the unknown until last summer still in office, not only would seat that belonged to Ted — dished out 80s-style con- the Democrats have had the Representative Carlo Basile conducts the Oath of Office Kennedy for 40 years. servative slogans. With numbers to pass the health- to Neffo Cappuccio as President of the East Boston Barely five months have Brown’s election, thus, the care bill; some opponents Chamber of Commerce. passed since the people of Republicans in the Senate would probably even have The annual installation of Officers and Directors of the Boston and the entire state will have 41 votes, enough been converted. -
Aging and Old Age in TV Series
2015-11-16 15-18-07 --- Projekt: transcript.anzeigen / Dokument: FAX ID 00f1414076910062|(S. 1- 2) VOR3276.p 414076910070 From: Maricel Oró-Piqueras, Anita Wohlmann (eds.) Serializing Age Aging and Old Age in TV Series January 2016, 276 p., 39,99 €, ISBN 978-3-8376-3276-7 Serialized storytelling provides intriguing opportunities for critical representations of age and aging. In contrast to the finite character of films, television narratives can unfold across hundreds of episodes and multiple seasons. Contemporary viewing prac- tices and new media technologies have resulted in complex television narratives, in which experimental temporalities and revisions of narrative linearity and chronological time have become key features. As the first of its kind, this volume investigates how TV series as a powerful cultural medium shape representations of age and aging, such as in »Orange Is The New Black«, »The Wire« or »Desperate Housewives«, to under- stand what it means to live in time. Maricel Oró-Piqueras (PhD) teaches literature at the Univerity of Lleida, Spain. She specializes in representations of aging in contemporary fiction. Anita Wohlmann (PhD) is a postdoctoral researcher at Johannes Gutenberg University Mainz, Germany. Her research focuses on age studies, American film and culture stu- dies and medical humanities. For further information: www.transcript-verlag.de/978-3-8376-3276-7 © 2016 transcript Verlag, Bielefeld 2015-11-16 15-18-08 --- Projekt: transcript.anzeigen / Dokument: FAX ID 00f1414076910062|(S. 1- 2) VOR3276.p 414076910070 Table of Contents Acknowledgements | 7 Serial Narrative, Temporality and Aging: An Introduction | 9 Anita Wohlmann and Maricel Oró-Piqueras BETWEEN SCREEN AND REALITY: NEGOTIATING THE EFFECTS OF OLD AGE AND AGING “Time, Memory, and Aging on the Soaps” | 25 C.