Catalogo Fantafestival 2009
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Lillo&Greg Arteteca Ruffini De Santis Guarneri
LUIGI E AURELIO DE LAURENTIIS PRESENTANO PAOLO LILLO&GREG NINO RUFFINI ELEONORA FRASSICA GIOVANARDI UCCIO ENRICO DE SANTIS ARTETECA GUARNERI STUDIO STUDIO PHOTO: ANTONELLO&MONTESI PHOTO: ANTONELLO&MONTESI UN FILM FILMAURO PRESSBOOK PRODUTTORE ESECUTIVO MAURIZIO AMATI PRODOTTO DA REGIA DI AURELIO&LUIGI VOLFANGO DE BIASI DE LAURENTIIS PRESSBOOK UFFICIO STAMPA FILM UFFICIO STAMPA FILMAURO Valentina Guidi e Mario Locurcio Martina Riva e-mail: [email protected] e-mail: [email protected] Cell. Valentina: 335 6887778 - Mario: 335 8383364 Tel. 06.6995845 7 - Cell. 347 4828978 SEGUICI SU CREDITI NON CONTRATTUALI www.filmauro.it 2 PERSONAGGI ED INTERPRETI PERSONAGGI ED INTERPRETI Erminio Lillo (Pasquale Petrolo) Prisco Greg (Claudio Gregori) Vanni Paolo Ruffini ‘U Barone Nino Frassica Anita Eleonora Giovanardi Monica Monica Lima (Arteteca) Enzo Enzo Iuppariello (Arteteca) Mike The Hammer Vincent Riotta Er Duca Ninetto Davoli Barese Uccio De Santis ‘U Mago Enrico Guarneri Sua Maestà La Regina Patricia Ford CAST TECNICO Regia Volfango De Biasi Soggetto Volfango De Biasi, Alessandro Bencivenni, Tiziana Martini, Felice Di Basilio, Andrea Careri. Sceneggiatura Volfango De Biasi, Alessandro Bencivenni, Tiziana Martini, Gianluca Ansanelli, Marco Bonini, Paola T. Cruciani Fotografia Tani Canevari Scenografia Giuliano Pannuti Costumi Tatiana Romanoff Montaggio Stefano Chierchiè Organizzatore generale Edmondo Amati Produttore esecutivo Maurizio Amati Prodotto da Aurelio De Laurentiis & Luigi De Laurentiis Distribuzione FILMAURO Uscita 15 dicembre 2016 DIO SALVI LA REGINA 3 SINOSSI Londra. Due fratelli pasticcioni alle prese con una bella chef stellata ed il suo toscanissimo sous chef… Un piatto sopraffino, un mare di risate e nientedimeno che… la Regina d’Inghilterra!! Gli ingredienti ci sono tutti per mettere a segno un colpo sensazionale: rapire i preziosissimi cani di Sua Maestà e travolgere Buckingham Palace. -
International Sales Autumn 2017 Tv Shows
INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The) -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Los Angeles Lawyer June 2010 June2010 Issuemaster.Qxp 5/13/10 12:26 PM Page 5
June2010_IssueMaster.qxp 5/13/10 12:25 PM Page c1 2010 Lawyer-to-Lawyer Referral Guide June 2010 /$4 EARN MCLE CREDIT PLUS Protecting Divorce Web Site Look and Estate and Feel Planning page 40 page 34 Limitations of Privacy Rights page 12 Revoking Family Trusts page 16 The Lilly Ledbetter Fair Pay Act Strength of page 21 Character Los Angeles lawyers Michael D. Schwartz and Phillip R. Maltin explain the effective use of character evidence in civil trials page 26 June2010_IssueMaster.qxp 5/13/10 12:42 PM Page c2 Every Legal Issue. One Legal Source. June2010_IssueMaster.qxp 5/13/10 12:25 PM Page 1 Interim Dean Scott Howe and former Dean John Eastman at the Top 100 celebration. CHAPMAN UNIVERSITY SCHOOL OF LAW PROUDLY ANNOUNCES OUR RANKING AMONG THE TOP 100 OF ONE UNIVERSITY DRIVE, ORANGE, CA 92866 www.chapman.edu/law June2010_IssueMaster.qxp 5/13/10 12:25 PM Page 2 0/&'*3. ."/:40-65*0/4 Foepstfe!Qspufdujpo Q -"8'*3.$-*&/54 Q"$$&445007&3130'&44*0/"- -*"#*-*5:1307*%&34 Q0/-*/&"11-*$"5*0/4'03 &"4:$0.1-&5*0/ &/%034&%130'&44*0/"--*"#*-*5:*/463"/$,&3 Call 1-800-282-9786 today to speak to a specialist. 5 ' -*$&/4&$ 4"/%*&(003"/(&$06/5:-04"/(&-&44"/'3"/$*4$0 888")&3/*/463"/$&$0. June2010_IssueMaster.qxp 5/13/10 12:26 PM Page 3 FEATURES 26 Strength of Character BY MICHAEL D. SCHWARTZ AND PHILLIP R. MALTIN Stringent rules for the admission of character evidence in civil trials are designed to prevent jurors from deciding a case on the basis of which party is more likeable 34 Parting of the Ways BY HOWARD S. -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
Tesis726.Pdf
i REGLAMENTO DE LA PONTIFICIA UNIVERSIDAD JAVERIANA ARTÍCULO 23 “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia”. ii Pontificia Universidad Javeriana Facultad de comunicación y lenguaje Carrera de comunicación social Énfasis audiovisual Realidades paralelas Diseño de una miniserie para web 2.0 en narrativa paralela TRABAJO DE GRADO PARA OPTAR POR EL TÍTULO DE COMUNICADOR SOCIAL CON ÉNFASIS AUDIOVISUAL PRESENTADO POR: Rafael Andrés Becerra Saldaña DIRECTOR/ASESOR: Víctor Hugo Valencia Aristizábal BOGOTÁ, MAYO DE 2011 iii Esta página es dejada en blanco intencionalmente iv Agradecimientos – Dedicatoria considerado como parte de mi familia, también a Diana Rojas y a María Fernanda Granados, las adoró con todas mis fuerzas, a Pamela Morales por ser un amiga de verdad… No puedo dejar de pensar que mientras escribo este texto mi A pesar de varios malos ratos, la universidad me ha llenado de padre sufre los efectos de un cáncer desgarrador y una personas valiosas por las cuales se realiza este trabajo y a quienes quimioterapia llena de dolorosos efectos secundarios y que a espero siempre llevar en aquellos recuerdos que se almacenan en pesar de esto nunca ha dejado de trabajar para poder darnos a mi el corazón, muchas gracias Ricardo Suárez, Oneris Rico, Liliana hermana, mi madre y a mi todo lo que siempre hemos Avendaño, Sebastián Kowoll, Daniela Gómez, Daniela Vargas, necesitado, este trabajo te lo dedico a ti papá. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Lineup-Spring-2018-FEATURE FILMS LOWRES.Pdf
INDEX INDEX ... And It’s Snowing Outside! 48 Boss In The Kitchen (A) 52 Engagement (The) 78 100 Metres From Paradise 55 Boyfriend For My Wife (A) 48 Entrepreneur (The) 40 Alive Or Preferably Dead Sundance Cassidy 69 Bright Flight 42 Escort In Love 56 All The Girls Want Him 27 Cardboard Village (The) 41 Ever Been To The Moon? 44 Allonsanfan 74 Cat O’ Nine Tails (The) 87 Ex: Still Friends? 57 Anna 22 Caesar Must Die 37 Eyes Shut 59 Another South 31 Chair Of Happiness (The) 50 Fairytale 60 Arianna 23 Chlorine 24 Fiasco In Milan 71 Arrival Of Wang (The) 61 Cinderella The Cat 10 Fiore 18 As White As Milk, As Red As Blood 34 Closed Pages 73 Five Star Life (A) 35 At War for Love 16 Complexity of Happiness (The) 21 Flatfoot Bigfoot 82 Away From Me 51 Corpo Celeste 40 Flatfoot Goes East 83 Balancing Act (The) 36 Cosimo And Nicole 39 Flatfoot In Africa 83 Balia 66 Creepers 81 Flatfoot On The Nile 84 Bar Sport 58 Darker Than Midnight 32 Francesco 76 Big Racket (The) 79 Dead Uncle 29 Friends By Chance 11 Bird With Crystal Plumage (The) 87 Demons 82 Friends (The) 88 Black Cat 80 Dinner (The) 25 Ginger And Fred 81 Black Jesus 67 Django, Prepare A Coffin 68 Girl With The Suitcase (The) 88 Black Souls 23 Do You See Me? 46 Golden Boy (A) 32 Bloodstained Butterfly (The) 79 Don 22 Good Morning Babylon 67 ’t Be Bad Border 26 Easy 56 Greenery Will Bloom Again 26 not contractual Credits INDEX Happily Mixed Up 47 Little Ideas 43 Partner 65 I Knew Her Well 84 Love And Bullets 10 Penguin Move (The) 45 I’m 13 Lonely Hero (A) 30 Pericle The Black 18 Ideal City (The) 37 Mafia Kills Only In Summer (The) 31 Piazza Fontana: The Italian Conspiracy 38 Interval (The) 36 Me, You, The Universe 41 Pinocchio 72 It Was The Son 39 Mercury Factor (The) 60 Ploy (The) 20 It’s All About Karma 17 Moonwalking Distance 45 Pope Francis, Cuba And Fidel. -
Scarica Programma
Nel moltiplicarsi dei mondi e delle nuove genti risuona dalle antiche profondità di un tempo pur sempre giovane il richiamo del Bello, dell’Intelligenza e dell’Arte. Che è anche comandamento a non vacillare nella loro difesa. Giorgio Ferrara con il patrocinio di Presidenza del Consiglio dei Ministri Ministero degli Affari Esteri e della Cooperazione Internazionale Camera di Commercio di Perugia promosso da official sponsor main supporter official car main partner project sponsor sponsor & supplier premium partner sponsor project partner partner sponsor tecnici main media supporter HOTEL DEI DUCHI SPOLETO Viale G. Matteotti, 4 - 06049 - Spoleto (PG) - Italy Tel. +39 0743 44541 - Fax +39 0743 44543 www.hoteldeiduchi.com - [email protected] DEL GALLO EDITORI D.G.E. srl Z.I. Loc. S. Chiodo | Via dei Tornitori, 7 | 06049 Spoleto-Umbria main media partner Tel. 0743 778383 Fax 0743 778384 | [email protected] con la partecipazione di Ucio culturale Ambasciata di Israele - Roma si ringrazia media partner I MECENATI DEL FESTIVAL DEI 2MONDI ACCADEMIA NAZIONALE DI SANTA CECILIA | CON SPOLETO | CONFCOMMERCIO SPOLETO CONFINDUSTRIA UMBRIA | TRENITALIA SPA | NPS-CONVITTO SPOLETO SISTEMA MUSEO | INTERNATIONAL INNER WHEEL | ROTARY DI SPOLETO PIANOFORTI ANGELO FABBRINI | E.T.C. ITALIA | S.I.C.A.F. SPOLETO PROGRAMMA GIORNALIERO GIUGNO GIUGNO GIUGNO 24 VENERDÌ 25 SABATO 26 DOMENICA 10.00 Palazzo Tordelli 9.30-19.30 Rocca Albornoziana 12.00 / 16.00 9.30-19.30 Rocca Albornoziana p. 259 AMEDEO MODIGLIANI, p. 263 IN-VISIBILE Museo Diocesano Salone dei Vescovi p. 263 IN-VISIBILE LES FEMMES p. 224 GLI INCONTRI inaugurazione 10.00 Cantiere Oberdan DI PAOLO MIELI 10.00-13.00/16.00-20.00 p. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Sinemada Yönetmenlik, Oyunculuk, Kurgu
SİNEMADA YÖNETMENLİK OYUNCULUK KURGU DORUK YAYIMCILIK / Sinema Sinemada Yönetmenlik - Oyunculuk - Kurgu Orijinal Adı: On Scrccn Dirccting - On Sereen Aeting « On Film Editing Yazare Edward Dmytryk - Jean Porter Dmytryk Çeviren: İbrahim Şener Kapak Tasanmı: Cafer Çakmak © Doruk Yayımcıltk 2011 Tum M ilan saklıdır, izinsiz almît yapılamaz. ISBN: 978-975-553-465-7 Boslu: 1. Basım Kasım 2003 (izdüşüm Yayınlan) 2. Basım Aralık 2007 (Doruk Yayımcılık) 3. Basım Mart 2011 (Doruk Yayımcılık) Baskı Cilt: Banş Matbaa-Mücellit Davuıpaşa Cad. Güven Sanayi Silesi С Blok. No: 291 Topkapı / İstanbul Tel: (0212) 674 85 28 0 doruk Himaye-i Etfal Sokak No: 6/2 Cagaloğîu/ISTANBUL Tel: (0212) 514 61 57 - (0212) 514 61 58 e-posta: [email protected] www.dorukyayimcilik.com Edward DMYTRYK Jean Porter DMYTRYK SİNEMADA YÖNETMENLİK OYUNCULUK KURGU Çeviren: İbrahim Şener u doruk Edward Dmytıyk, 1908’de Kanada’da dünyaya geldi, ancak çocukluk yıllarından itibaren yaşamının önemli bir bölümünü Amerika Birleşik Devletleri’nde geçirdi. Henüz 15 yaşındayken film stüdyolarında çalışmaya başlayan Dmytryk, 1940’lara gelindiğinde, yönetmenliğini yaptığı 20’den fazla filmle Hollywood’un genç yetenekleri arasında gös teriliyordu. Mc Carthy’nin kara listesine alınarak yönetmenlik kariyeri ne son verilmesiyle birlikte, Teksas ve Güney Kaliforniya Üniver sitelerinde sinema kuramı ve yapımı üzerine dersler vermeye başladı. Aynı dönemde, On Film Editing, On Screen Writing, on Filmmaking kitaplarının yanı sıra, Cinema: Concept and Practice, Hollywood's Golden Age, Odd Man Out, It is Hell of a Life, but not a Bad Living gibi film yapımı ve Hollywood anılan üzerine kitaplar yazclı. Dmytryk, 1999 yılında 90 yaşındayken kalp ve böbrek yetmezliğinden öldü. Jean Porter Dmytryk, rol aldığı yaklaşık 30 filmden sonra, 1948 yılında Edward Dmytryk ile evlendi. -
STAR TREK the TOUR Take a Tour Around the Exhibition
R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision.