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International Sales Autumn 2017 Tv Shows
INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The) -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion. -
Discover Our Complete Catalogue, Click Here!
2 TABLE OF CONTENTS NEW FILMS 4 IN PRODUCTION 42 LIBRARY 48 RESTORED MASTERPIECES 54 SPAGHETTI WESTERN 66 ACTION 70 HORROR/SCI-FI 76 ADVENTURE 82 DRAMA 86 COMEDY 90 EROTIC 94 CONTACTS 101 3 4 NEW FILMS 5 Directed by Alessio Liguori Cast: Andrei Claude (Game of Thrones), David Keynes (Pirates of the Carribean), Jack Kane (Dragonheart Vengeance / The A List), Zak Sutcliffe, Sophie Jane Oliver, Terence Anderson Year of Production: 2019 Country: Italy, Germany (English spoken) Genre: Mistery, Fantasy, Coming of Age Duration: 76’ 6 SHORTCUT A group of five teenagers is trapped inside their school bus after a mysterious creature invade the road. Time runs and every passing minute decreases their survival chances against the constant threats of that unknown entity. 7 Directed by Marco Coppola Cast: Charlie Hofheimer (24: Legacy /Mad Men / Black Hawk Down), Leticia Peres, Natalia Dyer (Stranger Things) Year of Production: 2019 Country: USA Genre: Romance, Drama, Comedy Duration: 80’ 8 THE NEAREST HUMAN BEING Devin's struggles between an office job he hates and a pitiful career as an actor. Things get worse when his beautiful girlfriend Jasmine decides to stop hoping he could ever turn into serious 'relationship material'. She seizes the opportunity to try new experiences but soon her reckless single life induces Jasmine to question herself. Will she give Devin a second chance? 9 Directed by Simone Isola and Fausto Trombetta Original Title: Se c'è un Aldilà sono Fottuto. Vita e Cinema di Claudio Caligari Cast: Claudio Caligari, Alessandro Borghi (Romolus & Remus - The First King / On my Skin / Naples in Veils / Suburra), Valerio Mastandrea (Euforia / Perfect Strangers / Pasolini), Luca Marinelli (They call me Jeeg / Don’t be Bad / Martin Eden) Year of production: 2019 Country: Italy Genre: Documentary Duration: 104' 10 NO FILTERS. -
The Proto-Filmic Monstrosity of Late Victorian Literary Figures
Bamberger Studien zu Literatur, 14 Kultur und Medien “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 14 Bamberger Studien zu Literatur, Kultur und Medien Bamberger Studien zu Literatur, Kultur und Medien hg. von Andrea Bartl, Hans-Peter Ecker, Jörn Glasenapp, Iris Hermann, Christoph Houswitschka, Friedhelm Marx Band 14 2015 “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 2015 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich- Universität Bamberg als Dissertation vorgelegen. 1. Gutachter: Prof. Dr. Christoph Houswitschka 2. Gutachter: Prof. Dr. Jörn Glasenapp Tag der mündlichen Prüfung: 28. Januar 2015 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Docupoint, Magdeburg Umschlaggestaltung: University of Bamberg Press, Anna Hitthaler Umschlagbild: Screenshot aus Vampyr (1932) © University of Bamberg Press Bamberg 2015 http://www.uni-bamberg.de/ubp/ ISSN: 2192-7901 ISBN: 978-3-86309-348-8 (Druckausgabe) eISBN: 978-3-86309-349-5 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-267683 Danksagung Mein besonderer Dank gilt meinem Bruder Christian für seinen fachkundigen Rat und die tatkräftige Unterstützung in allen Phasen dieser Arbeit. Ich danke meinem Doktorvater Prof. Dr. Christoph Houswitschka für viele wichtige Denkanstöße und Freiräume. -
RITROVATI E RESTAURATI Recovered and Restored
RITROVATI E RESTAURATI Recovered and Restored Programma a cura di / Programme curated by Gian Luca Farinelli, Peter von Bagh e Guy Borlée 132 GRAND TOUR D’ITALIE: IL ‘DAL VERO’ DEI PRIMI ANNI DIECI GRAND TOUR D’ITALIE: ACTUALITY FILMS FROM THE EARLY 1910S Programma a cura di / Programme curated by Andrea Meneghelli Questo programma, dedicato al ‘dal lare che le avanguardie già bramano di century transforms the itinerary of intel- vero’ italiano dei primi anni Die- incendiare), al tempo stesso conosce lectual and human growth once satis- ci, mi piace pensare sia una sorta di l’estasi impaziente del futuro: l’arditi- fied by the Grand Tour in a convenient ode al movimento. Un viaggio che smo degli eroi dell’aviazione, l’obietti- tourist outing. Film revolutionized the tende sempre alla ripartenza, dove il vo puro della velocità nelle invenzioni adventure of travelling by making it an fine sembra essere non tanto l’arrivo, ingegneristiche. L’ultimo movimento adventure of viewing. A mobile view by quanto piuttosto l’attraversare. Forse che evochiamo è una specie di vertigi- definition that multiplies its routes with anche per il destino morfologico e sto- ne, che ancora una volta affonda in un the help of various means: trains, boats, rico che caratterizza l’Italia, percorrere contrasto: tra l’Italia di oggi e quella and tripods cameras rest on to show off il paese a bordo di questi film signi- di un secolo fa, sul crocevia tra l’ine- their panoramic potential… Travel in fica affacciarsi a esperienze e paesaggi vitabile cambiamento e la colpevole time or, better still, through time. -
Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
GENRE, GENDER, GIALLO: THE DISTURBED DREAMS OF DARIO ARGENTO COLETTE JANE BALMAIN A thesis submitted in partial fulfilment of the requirements of the University of Greenwich For the Degree of Doctor of Philosophy JANUARY 2004 ACKNOWLEDGEMENTS This thesis is dedicated to my parents, Oavid Balmain, and Peggy Balmain, and my sister, Louise Balmain, without whose emotional and financial support and belief in me, it would not have been possible. I am extremely grateful to a wide number of people who have supported, encouraged and enabled me to produce this work. My special thanks go to my supervisor, Carolyn Brown, for her time and effort and unstinting encouragement during the process of writing. I also thank my ex-colleagues at Greenwich University who all contributed in some way to the intellectual space of this thesis - in particular: Oavid Pattie; John Williams; Oenise Leggett; Peter Humm; Susan Rowlands and Ann Cormack. I am also particularly grateful to Ann Battison and Mavis lames for helping me negotiate the administrative backdrop to the final production of this thesis. My colleagues at Buckinghamshire Chilterns University College have also played a part in enabling me to complete - Ruth Gunstone; Lois Orawmer; Alison Tedman; John Mercer and Andy Butler in particular. Also thanks to Lorna Scott for her help with proofreading and printing. Finally special thanks must go to my examiners: Professor Sue Golding (Greenwich University); Or Simon O'Sullivan (Goldsmith's College, University of London) and Or Jenny Bavidge (University of Greenwich). Or Colette Balmain January 2004 - Ill - ABSTRACT This thesis presents an examination of the giallo films of Dario Argento from his directorial debut The Bird with the Crystal Plumage (1970) to The Stendhal Syndrome ( 1996). -
Catalogo Fantafestival 2009
XXIXRoma 23/28 giugnoFANTAFESTIVAL 2009 • Palazzo delle esPosizioni SALA TRevi Cinema embassy Ministero per i Beni e le Attività Culturali Direzione Generale Cinema Assessorato alle Politiche Culturali e della Comunicazione Ministero Per XXiX FAntAFESTIVAL i Beni e Le Attività Il Fantafestival ringrazia: CuLturALi Direttori Ministro Adriano Pintaldi & le istituzioni, sandro Bondi Alberto ravaglioli le società di produzione e di distribuzione, Comitato promotore gli Autori e gli Attori Direzione Generale Dario Argento e tutti coloro per il Cinema Pupi Avati che hanno collaborato Lamberto Bava alla realizzazione Direttore Generale Mel Brooks della XXiX edizione Gaetano Blandini roger Corman Lloyd Kaufman Christopher Lee Carlo rambaldi CoMune Di roMA George A.romero Assessorato alle Politiche vittorio storaro Culturali e della Comunicazione Ufficio Stampa Paola Papi Assessore umberto Croppi Coordinamento organizzativo Maria Luisa Celani Installazioni elettroniche, reGione lazio video e sottotitolazione Ciro toto Presidente olivud srl Piero Marrazzo Servizi fotografici Pietro Coccia FonDAzione Riprese televisive CENTRO sPeriMentALe DiGiCut Di CineMATOGrAFiA Trasporto copie Presidente e servizi doganali Francesco Alberoni Antonio Montagnoli s.a.s. Direttore Generale Biglietteria aerea Marcello Foti e ospitalità omega viaggi srl Conservatore Cineteca Nazionale Catalogo a cura di sergio toffetti Alberto ravaglioli Immagine e Grafica imagine & strategia Sito www.fanta-festival.it a cura di silvia Caricati Special Fantafestival 2009 a cura di Adriano Pintaldi Montaggio roberto Di tanna Sigla Fantafestival 2009 roberto Di tanna emanuele Di Bacco XXIX FANTAFESTIVAL TORNA A ROMA ALL’INSEGNA DELL’OSCAR iamo tornati a roma. Quest’anno dal 23 al 28 giugno la XXiX edizione del Fantafestival si svolgerà a roma, nella storica sede del Palazzo delle esposizioni. -
Catalogo RNFF 2017
FESTIVAL DEL PALAZZO DEL CINEMA CINEMA DI GENERE E DEI CONGRESSI 28 ottobre / 5 novembre 2017 Largo Firenze 1 XV edizione Ravenna RAVENNA NIGHTMARE FILM FEST XV edizione / dal 28 ottobre al 5 novembre 2017 PALAZZO DEL CINEMA E DEI CONGRESSI Largo Firenze 1 Ravenna CECILIA DALL’OLIO & MARCO DI CEGLIE the new volvo xc60. the future of safety. Ogni idea, ogni innovazione tecnologica che abbiamo portato sulle strade fino ad oggi,sono state il nostro contributo al mondo per migliorare la sicurezza di tutti. Dentro e fuori dall’auto. E il futuro entra nella Nuova Volvo XC60 con innovativi sistemi di sicurezza di serie, tra cui l’esclusivo City Safety con Steering Support che supporta il guidatore ad effettuare la sterzata d’emergenza in modo da evitare veicoli, pedoni, ciclisti e grandi animali, prevenendo eventuali collisioni. Perché a volte sono proprio le cose che non accadono, quelle che contano davvero. Nuova Volvo XC60: il futuro della sicurezza, è già arrivato. Guarda la strada con occhi nuovi. Valori massimi nel ciclo combinato: MADE BY SWEDEN consumo 7,7 l/100km. Emissioni CO2 176 g/km. RAVENNA (Fornace Zarattini) - Via Braille 1 (ang. Via Faentina) www.volvoravenna.it IMOLA - Via Ercolani, 1 (ang. Via Selice) www.volvoimola.it T. 389 063 5034 [email protected] Cinema [email protected] www.publimediaitalia.com Piazza Bernini 6 Ravenna 0544.511311 L’Emilia-Romagna? È una visione Emilia-Romagna Film Commission è stata istituita dalla Regione quale interlocutore ideale di produzioni, enti, imprese e professionisti del mondo dell’audiovisivo. E-R Film Commission ha l’obiettivo di valorizzare il patrimonio professionale, culturale, ambientale e storico dell’Emilia-Romagna, attraverso azioni di supporto tecnico, logistico e burocratico per gli operatori di settore. -
About Anthology FILM Archives
ANTHOLOGY FILM ARCHIVES July - September 2012 Anthology Film Archives Film Program, Volume 42 No. 3, July–September 2012 Anthology Film Archives Film Program is published quarterly by Anthology Film Archives, 32 Second Avenue, NY, NY 10003 Subscription is free with Membership to Anthology Film Archives, or $15/year for non-members. Cover artwork by Matt Mullican, 2012, all rights reserved. Staff Board of Directors Jonas Mekas, Artistic Director Jonas Mekas, President John Mhiripiri, Director Oona Mekas, Treasurer Stephanie Gray, Director of Development & Publicity John Mhiripiri, Secretary Wendy Dorsett, Director of Membership & Publications Barney Oldfield, Chair Jed Rapfogel, Film Programmer, Theater Manager Matthew Press Ava Tews, Administrative Assistant Arturas Zuokas René Smith, Special Events Coordinator Honorary Board Collections Staff agnès b., Brigitte Cornand, Robert Gardner, Robert A. Haller, Library Annette Michelson. In memoriam: Louise Bourgeois Andrew Lampert, Curator of Collections (1911-2010), Nam June Paik (1932-2006). , Archivist John Klacsmann Board of Advisors Erik Piil, Digital Archivist Richard Barone, Deborah Bell, Rachel Chodorov, Ben Theater Staff Foster, Roselee Goldberg, Timothy Greenfield-Sanders, Tim Keane, Print Traffic Coordinator & Head Manager Ali Hossaini, Akiko Iimura, Susan McGuirk, Sebastian Bradley Eros, Theater Manager, Researcher Mekas, Sara L. Meyerson, Benn Northover, Izhar Rachelle Rahme, Theater Manager Patkin, Ted Perry, Ikkan Sanada, Lola Schnabel, Stella Schnabel, Ingrid Scheib-Rothbart, P. Adams Sitney, Projectionists Hedda Szmulewicz, Marvin Soloway. Ted Fendt, Carolyn Funk, Sarah Halpern, Genevieve Havemeyer-King, Daren Ho, Jose Ramos, Moira Tierney, Composer in Residence Eva von Schweinitz, Tim White, Jacob Wiener. John Zorn Box Office Cait Carvalho, Phillip Gerson, Rachael Guma, Nellie Killian, Lisa Kletjian, Marcine Miller, Feliz Solomon. -
Gender, Genre and Sociocultural Change in the Giallo: 1970-1975
Mackenzie, Michael (2013) Gender, ge nre and sociocultural change in the giallo: 1970-1975. PhD http://theses.gla.ac.uk/4730/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Gender, Genre and Sociocultural Change in the Giallo: 1970-1975 Michael Mackenzie MA, MLitt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Theatre, Film and Television Studies School of Culture and Creative Arts University of Glasgow August 2013 2 Abstract This thesis examines representations of gender in the Italian giallo, a short-lived but tremendously popular, lucrative and prolific body of films in the murder-mystery thriller tradition that enjoyed their heyday in the early-to-mid 1970s. Traditionally, both academic and populist responses to these films have focused on the output of a small number of maverick directors that have been elevated critically above their peers. Conversely, this thesis aligns itself with a more recent trend towards eschewing auteurist readings in favour of examining the giallo as a broad ‘filone’ (cycle) defined by shared iconography, narrative conventions and underlying anxieties. -
To Save and Project: the 12Th Moma International Festival of Film Preservation Screening Schedule October 24–November 22, 2014
To Save and Project: The 12th MoMA International Festival of Film Preservation Screening Schedule October 24–November 22, 2014 Friday, October 24 7:00 The Iron Mask. 1929. USA. Directed by Allan Dwan. Story by Elton Thomas (Douglas Fairbanks). With Douglas Fairbanks, Marguerite De La Motte, Dorothy Revier, Nigel De Brulier. We are proud to open To Save and Project 2014 with the North American premiere of The Iron Mask, a major restoration from MoMA’s film archive supervised by Peter Williamson, Preservation Officer, and based on the original camera negative given to MoMA in 1935 by Douglas Fairbanks. A stand-alone sequel to Fairbanks’s 1921 hit The Three Musketeers, The Iron Mask was, in the words of its director, Allan Dwan, “the last of the big silents,” and the swashbuckling action—superbly filmed by Dwan, one of the great masters of the seamless classical style—leads gracefully into a poignant farewell to silent films and the larger-than-life figures who inhabited them. Midway through production, Fairbanks decided to yield in part to the rapidly emerging demand for talking pictures and added three spoken sequences to the film. Thanks to the recent rediscovery of the missing soundtrack discs, The Iron Mask can now be heard for the first time since 1929 with all of the spoken sequences, as well as Hugo Riesenfeld’s symphonic score, restored to their original fidelity. Preserved by The Museum of Modern Art with support from the Celeste Bartos Fund for Film Preservation. 95 min. Saturday, October 25 2:00 Todo Modo. 1976. Italy/France.