M a N O E L Oliveira
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Abraham's Uncircumcised Children
ABRAHAM’S UNCIRCUMCISED CHILDREN: THE ENOCHIC PRECEDENT FOR PAUL’S PARADOXICAL CLAIM IN GALATIANS 3:29 by Amy Genevive Dibley A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with Graduate Theological Union in Near Easter Religions in the Graduate Division of the University of California at Berkeley Committee in charge: Professor LeAnn Snow Flesher, Chair Professor Daniel Boyarin Professor Eugene Eung-Chun Park Professor Yair Zakovitch Professor Erich S. Gruen Fall 2013 ABSTRACT Abraham’s Uncircumcised Children: The Enochic Precedent for Paul’s Paradoxical Claim in Galatians 3:29 by Amy Genevive Dibley Joint Doctor of Philosophy with Graduate Theological Union in Near Easter Religions in the Graduate Division University of California, Berkeley Professor LeAnn Snow Flesher, Chair This study proposes the Book of Dreams as the precedent for Paul’s program of gentile reclamation qua gentiles predating the composition of the Epistles by two centuries. 1 Dedication To my husband Peter, for whom the words loving and supportive and partnership hardly begin to encompass the richness of our journey together through this process. For our girls, Langsea and Lucia (5 and 4 years old as I submit this), who when playing “mommy” pause from dressing and feeding baby dolls to write their own dissertations. In thanks to the women of First Covenant Church in Rockford, Illinois and Kerry Staurseth (Langsea’s godmother) who watched those most precious to me so that this first child could at last be born, proving that it also takes a village to write a dissertation. -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
The Inexorable Work Life of Manoel De Oliveira/ Addressing the Trends And
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1997 The nexorI able Work Life of Manoel de Oliveira: Addressing the Trends and Movements of the 20th Century as a Form of Understanding the European Film Industry Beatriz Saiani Eastern Illinois University This research is a product of the graduate program in Speech Communication at Eastern Illinois University. Find out more about the program. Recommended Citation Saiani, Beatriz, "The nexorI able Work Life of Manoel de Oliveira: Addressing the Trends and Movements of the 20th Century as a Form of Understanding the European Film Industry" (1997). Masters Theses. 1849. https://thekeep.eiu.edu/theses/1849 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Author Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis to be reproduced because: 0 "'Author . -
Wiliam Pianco Dos Santos a Alegoria Histórica Nos Filmes De Viagem De
WILIAM PIANCO DOS SANTOS A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Faculdade de Ciências Humanas e Sociais – Centro de Investigação em Artes e Comunicação 2017 WILIAM PIANCO DOS SANTOS A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Doutoramento em Comunicação, Cultura e Artes. Trabalho efetuado sob a orientação de: Profa. Dra. Ana Isabel Candeias Dias Soares (Universidade do Algarve / Portugal) Prof. Dr. Samuel José Holanda de Paiva (Universidade Federal de São Carlos / Brasil) Faculdade de Ciências Humanas e Sociais – Centro de Investigação em Artes e Comunicação 2017 ii A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Declaração de autoria de trabalho Declaro ser o autor deste trabalho, que é original e inédito. Autores e obras consultados estão devidamente citados no corpo do texto e constam da listagem de referências incluída. Copyright em nome de Wiliam Pianco dos Santos A Universidade do Algarve reserva para si o direito, em conformidade com o disposto no Código do Direito de Autor e dos Direitos Conexos, de arquivar, reproduzir e publicar a obra, independentemente do meio utilizado, bem como de a divulgar através de repositórios científicos e de admitir a sua cópia e distribuição para fins meramente educacionais ou de investigação e não comerciais, conquanto seja dado o devido crédito ao autor e editor respetivos. Wiliam Pianco dos Santos iii iv Dedico este trabalho à memória de Nilsa Maria Panini Silveira, a quem sou muito grato pela amizade, carinho e respeito que sempre dedicou a mim e ao meu trabalho. Meus pensamentos seguem permanentemente ao seu lado. -
Nvdcpizirsnbjrvb9rioq.Pdf
12 JUL | Sex Fri | 16h00 4 pm Mon Cas My Case, 1986 VISITAS ORIENTADAS GUIDED TOURS FR | 88 min. 14 JUL | Dom Sun | 12h00 12 pm 14 JUL | Dom Sun | 16h00 4 pm Por By António Preto Amor de Perdição Doomed Love, 1978 PT | 261 min. 29 SET | Dom Sun | 12h00 12 pm Por By Regina Guimarães 16 JUL | Ter Tue | 16h00 4 pm A Caixa The Box, 1994 13 OUT | Dom Sun | 12h00 12 pm PT | 96 min. Por By Nuno Grande 17 JUL | Qua Wed | 16h00 4 pm 27 OUT | Dom Sun | 12h00 12 pm O Gebo e a Sombra Gebo and the Shadow, 2012 Por By Ricardo Vieira Lisboa FR | 95 min. 18 JUL | Qui Thu | 16h00 4 pm PROGRAMAÇÃO DE CINEMA Porto da Minha Infância Porto of My Childhood, 2001 CINEMA PROGRAMME PT | 60 min. 25, 27 JUN | Ter, Qui Tue, Thu | 15h00 3 pm 19 JUL | Sex Fri | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 17h00 5 pm Je rentre à la maison I’m Going Home, 2001 29 JUN | Sáb Sat | 16h00 4 pm FR, EN | 89 min. 30 JUN | Dom Sun | 18h00 6 pm Visita ou Memórias e Confissões, 1982 21 JUL | Dom Sun | 16h00 4 pm Visit, or Memories and Confessions, 1982 A Divina Comédia The Divine Comedy, 1991 PT | 68 min. PT | 140 min. 25, 27 JUN | Ter, Qui Tue, Thu | 17h00 23 JUL | Ter Tue | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 15h00 O Velho do Restelo The Old Man from Belém, 29 JUN | Sáb Sat | 18h00 6 pm 2014 30 JUN | Dom Sun | 16h00 4 pm PT | 19 min. -
National Gallery of Art Summer 08 Film Program 4Th Street and Mailing Address Constitution 2000B South Avenue Nw Club Drive Washington, Dc Landover, Md 20785
NATIONAL GALLERY OF ART SUMMER 08 FILM PROGRAM 4th Street and Mailing address Constitution 2000B South Avenue NW Club Drive Washington, DC Landover, MD 20785 ENVISIONING MICHELANGELO MANOEL RUSSIA: ANTONIONI: STANLEY DE OLIVEIRA, MOSFILM FROM THE AFGHANISTAN THE ITALIAN KUBRICK: PORTUGUESE STUDIO ARCHIVES ON FILM TREASURES TWO VIEWS MARVEL An ongoing program of classic cinema, documentary, avant-garde, and area premieres occurs each weekend in the National Gallery’s East Building Auditorium, 4th Street at Constitution Avenue NW. Films are shown in original format. Programs are free of charge but seating is on a fi rst-come, fi rst-seated basis. Doors open approximately 30 minutes before each show. Programs are subject to change. For current information, visit our Web site: www.nga.gov/programs/fi lm or call 202.842.6799. Jul 1 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 4 FRI 12:00 Afghanistan on Film The Giant Buddhas 3:00 Event Glass: A Portrait of Philip in Twelve Parts 5 SAT 12:30 Envisioning Russia I Walk Through Moscow Streets 2:30 Envisioning Russia Jazzman 4:30 Event Glass: A Portrait of Philip in Twelve Parts 6 SUN 2:00 Envisioning Russia Uncle Vanya 4:30 Envisioning Russia The Ascent 8 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 11 FRI 2:30 Envisioning Russia July Rain; Courier 12 SAT 4:30 Magic Lantern Show Victorian Transformations 13 SUN 5:00 Magic Lantern Show spirit of ‘76 15 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 18 FRI 2:30 Afghanistan on Film The Kite Runner 19 SAT 2:00 Antonioni Michelangelo Antonioni (documentary) 4:30 Antonioni I vinti (The Vanquished) 20 SUN 4:30 Afghanistan on Film New Video Art from Afghanistan 22 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 25 FRI 2:30 Antonioni La Signora senza camelie (Lady without Camellias) 26 SAT 1:30 Stanley Kubrick Dr. -
Modernism's Critique Du Coeur: the Novelist As Critic, 1885-1925 A
Modernism’s Critique du Coeur: The Novelist as Critic, 1885-1925 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY John Pistelli IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lois Cucullu, advisor May 2013 © John Pistelli 2013 i Acknowledgements Thanks go first to my committee. My advisor, Lois Cucullu, offered worldly advice, an open mind, and, perhaps above all, a model of scholarly style—provocative and ornamented in equal measure—that served me well in my quest to unite criticism and art. Brian Goldberg’s commitment to reasoned, witty, and sensible debate about literature set an important example, while Richard Leppert’s comprehensive understanding of modern culture in all its aspects provided me with a standard. Tony Brown combined a severe critical eye with exemplary personal generosity—his guidance goes back to my first days in graduate school, and I thank him here at the end of the journey. Both the English Department and the Graduate School at the University of Minnesota offered financial support at times in the form of scholarships and travel grants to conferences. I thank these institutions and their faculty and staff. I would also like to acknowledge the generous support of the National Endowment for the Humanities, which enabled me to participate in the 2012 Oscar Wilde and His Circle summer seminar at UCLA. I thank the NEH, seminar director Joseph Bristow, all my seminar colleagues, and the curators and staff of The William Andrews Clark Memorial Library. Without them, the chapter on Wilde would be impoverished. -
Eccentricities of a Blonde-Haired Girl
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Singularidades de uma Rapariga Loura) A film by Manoel de Oliveira with Ricardo Trêpa, Catarina Wallenstein Premiered at the Berlin Film Festival 2009 Portugal/France 2009 / 64 minutes / Colour / English Subtitles UK Release date: August 2010 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] or FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films – [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk ECCENTRICITIES OF A BLONDE‐HAIRED GIRL SYNOPSIS Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. Full details on www.newwavefilms.co.uk 2 ECCENTRICITIES OF A BLONDE‐HAIRED GIRL CREW Director Manoel de Oliveira Screenplay Manoel de Oliveira From the story by Eça de Queiroz Director of photography Sabine Lancelin Camera Operator Francisco de Oliveira Sound Henri Maikoff Editor -
April May June Film Program Spring 2007 National Gallery of Art
Film Program Spring 2007 National Gallery of Art, Washington Spring Series film Alain Resnais and Fanny Ardant Czech Modernism 1920 – 1940 In Praise of Independents: The Flaherty Parisian Panorama 1920 – 1930 Art Films and Events Amateur Photographer Belle T0ujours Blockade Crimson Gold Days of Autumn Lonesome with Alloy Orchestra Paul Mellon: In His Own Words André Kertész, Courbevoie, 1926, National Gallery of Art, Washington, Gift of The André and Elizabeth Kertész Foundation Rouben Mamoulian 22 Sun June 5:00 Event: Lonesome with Alloy Orchestra Sergei Paradjanov, The Rebel 29 Sun 2 Sat 4:30 Alain Resnais and Fanny Ardant: Life is a 2:00 Czech Modernism: Virginity Seventh Heaven Bed of Roses 4:00 Event: Belle Toujours 3 Sun Winslow Homer: Society 2:00 Czech Modernism: Lecture by Michal May Bregant and Solitude 4:00 Czech Modernism: The Kreutzer Sonata 5 Sat and Such is Life 4:00 Event: Seventh Heaven with organist 9 Sat April Dennis James 1:00 Event: Paul Mellon: In His Own Words 6 Sun 4:00 Czech Modernism: Tonka of the Gallows 1 Sun 4:30 Event: Days of Autumn 10 Sun 4:30 The Flaherty: Czech Dream and 12 Sat 5:00 Event: Paul Mellon: In His Own Words The Angelmakers 2:00 Event: Sergei Paradjanov, The Rebel; 15 Fri 7 Sat Rouben Mamoulian 12:30 Event: Amateur Photographer and 2:00 The Flaherty: The Gaze Back and It Works; 4:30 Czech Modernism: Faithless Marijka Blockade Patty Chang Videoworks 13 Sun 16 Sat 8 Sun 4:30 Czech Modernism: From Saturday to 12:30 Event: Amateur Photographer and 4:30 The Flaherty: The Sky Turns Sunday Blockade -
The Strange Case of Angelica a Film by Manoel De Oliveira
A Cinema Guild Release The Strange Case of Angelica A film by Manoel de Oliveira 95 minutes / 35mm / 1:1.66 / Dolby SRD / Portugal / Not Rated In Portuguese with English Subtitles / Stills available at: www.cinemaguild.com/downloads The Cinema Guild, Inc. 115 West 30th Street, Suite 800 New York, NY 10001‐4061 Tel: (212) 685‐6242, Fax: (212) 685‐4717 www.cinemaguild.com The Strange Case of Angelica_____________________________________ Synopsis The new film from master filmmaker Manoel de Oliveira, The Strange Case of Angelica is a magical tale of a young photographer who falls madly in love with a woman he can never have, except in his dreams. One night, Isaac is summoned by a wealthy family to take the last photograph of a young bride, Angelica, who has mysteriously passed away. Arriving at their estate, Isaac is overwhelmed by Angelica’s beauty. But when he looks through his camera lens, something strange happens – the young woman appears to come to life. From that moment on, Isaac will be haunted by Angelica day and night. About the Film The Strange Case of Angelica was the Opening Night selection of the 2010 Cannes Film Festival’s Un Certain Regard program, and an official selection of the 2010 Toronto and New York Film Festivals. The Strange Case of Angelica_____________________________________ Filmography: Manoel de Oliveira Douro, Faina Fluvial (Working on the Douro River 1931), short film Ulha Branca (Hydro‐electric power 1932), documentary Estátuas de Lisboa (1932) Miramar, Praia das Rosas (1938), short film Já Se Fabricam Automóveis -
Aniki-Bóbó Manoel De Oliveira
Aniki-Bóbó Manoel de Oliveira European Cinema Education PEDAGOGICAL for the Youth PACKAGE 2 I – OPENING SUMMARY CINED: A COLLECTION OF FILMS, A FILM PEDAGOGY I – INTRODUCTION • CinED: a collection of films, a film pedagogy p.2 • Why this film? p.3 CinEd has joined a mission of transmitting the 7th art as a cultural object and as a support to understand the • Technical specifications p.3 I - OPENING world. For that reason it was elaborated a common pedagogy, starting from a collection of movies produced in the • What is at stake in this film p.5 European countries, partners to this project. The approach intends to be adapted to our era, marked by a rapid, • Synopsis p.5 major and continuously change, regarding the way of seeing, receiving and producing the images. These last are viewed on a variety of screens: from the biggest – those in the halls, to the smallest – (to smartphones) ticking, of II – THE FILM course, TV sets, computers and tablets screens.The cinema is still a young art whose death has been predicted • Contexts p.6 many times. It is very clear that this didn’t happen. • The Autor: Manoel de Oliveira - The eternal youth of a great Portuguese filmmaker p.7 These changes affect the cinema, transmission must seriously take into account the manner increasingly frag- • The Film in the context of the work: Aniki-Bó p.8 mented of viewing movies, starting from this screen diversity. CinEd publications propose and talk about a sensitive, • Selective filmographyp.9 inductive, interactive and intuitive education providing knowledges, analysis tools and dialog between image and • Affiliations p.10 film possibilities. -
An Uncanny Cinema, a Cinema of the Uncanny. the Trope of the Doll In
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 15 (2018) 33–51 DOI: 10.1515/ausfm-2018-0002 An Uncanny Cinema, a Cinema of the Uncanny. The Trope of the Doll in the Films of Manoel de Oliveira Hajnal Király Sapientia Hungarian University of Transylvania (Cluj-Napoca, Romania) E-mail: [email protected] Abstract. I argue that the trope of the doll, recurrent throughout the films of Manoel de Oliveira, is a visual figure that beyond narrative becomes a discourse on modernity and modernism, stillness and movement, life and death. Accordingly, I propose an overview of occurences of dolls and of “dollness” throughout the work of Oliveira – from Aniki Bobó (1942) to The Strange Case of Angelica (2010) – with the aim of tracking the line of transformations of an emblematic object into an aesthetic principle, a central figure involving psychoanalytical concepts such as the Freudian “uncanny,” the fetish or the transitional object.1 Keywords: uncanny, doll, fetish, transitional object, modernity, modernism. Introduction: Defusing an Enigma Manoel de Oliveira is not only the longest lived film director of all times, active until his death, which occured at the very advanced age of 106, but also one of the most curious personalities of film history. Despite a scholarly interest in his films that used to participate regularly in prestigious European festivals, these were almost never shown in film theaters, therefore his work remains an “exquisite delicacy” for cinephiles. While praised by Serge Daney (2001), Jonathan Rosenbaum (1995) and David Bordwell (2013), just to name a few connaisseurs, most critics are puzzled when trying to discover a clue to his cinema, a task as difficult as finding out the secret of his advanced age.