Singularidades De Uma Rapariga Loura
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Eccentricities of a Blonde-Haired Girl
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Singularidades de uma Rapariga Loura) A film by Manoel de Oliveira with Ricardo Trêpa, Catarina Wallenstein Premiered at the Berlin Film Festival 2009 Portugal/France 2009 / 64 minutes / Colour / English Subtitles / Certificate U UK Release date: August 6th 2010 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] or FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films – [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk ECCENTRICITIES OF A BLONDE‐HAIRED GIRL SYNOPSIS Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. Full details on www.newwavefilms.co.uk 2 ECCENTRICITIES OF A BLONDE‐HAIRED GIRL CREW Director Manoel de Oliveira Screenplay Manoel de Oliveira From the story by Eça de Queiroz Director of photography Sabine Lancelin Camera Operator Francisco de Oliveira Sound -
A Arquitectura Do Plano Oliveiriano
NÉLSON AGOSTINHO MARQUES ARAÚJO A ARQUITECTURA DO PLANO OLIVEIRIANO UNIVERSIDADE DO PORTO FACULDADE DE BELAS ARTES PORTO, 2010 NÉLSON AGOSTINHO MARQUES ARAÚJO A ARQUITECTURA DO PLANO OLIVEIRIANO UNIVERSIDADE DO PORTO FACULDADE DE BELAS ARTES PORTO, 2010 NÉLSON AGOSTINHO MARQUES ARAÚJO A ARQUITECTURA DO PLANO OLIVEIRIANO Dissertação de Mestrado apresentada à Faculdade de Belas Artes da Universidade do Porto, como parte dos requisitos necessários para a obtenção do Grau de Mestre em Teoria e Crítica da Arte – Estudos Artísticos, sob a orientação do Professor Doutor Carlos Melo Ferreira. __________________________________ Nélson Agostinho Marques Araújo A Arquitectura do Plano Oliveiriano RESUMO A extensa obra de Manoel de Oliveira (quarenta e nove filmes realizados até a data), afirma a existência de uma particular concepção de fazer cinema, atapetada numa atitude de constante experimentalismo. A inovadora produção estética deste realizador, assenta na forma como é trabalhada a composição dos planos. Assim, direccionamos esta investigação para o estudo e análise dos recursos estéticos significativos que operam na arquitectura cinematográfica de Oliveira para, desta forma, responder à nossa interrogação inicial: Que elementos estéticos concorrem para a estruturação imagética da obra oliveiriana? Palavras-chave: cinema, câmara, teatro, plano, pintura, palavra, imagem e objectividade. Teoria e Crítica da Arte – Estudos Artísticos I Nelson Araújo A Arquitectura do Plano Oliveiriano ABSTRACT The extensive work of Manoel de Oliveira (forty-nine -
The Inexorable Work Life of Manoel De Oliveira/ Addressing the Trends And
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1997 The nexorI able Work Life of Manoel de Oliveira: Addressing the Trends and Movements of the 20th Century as a Form of Understanding the European Film Industry Beatriz Saiani Eastern Illinois University This research is a product of the graduate program in Speech Communication at Eastern Illinois University. Find out more about the program. Recommended Citation Saiani, Beatriz, "The nexorI able Work Life of Manoel de Oliveira: Addressing the Trends and Movements of the 20th Century as a Form of Understanding the European Film Industry" (1997). Masters Theses. 1849. https://thekeep.eiu.edu/theses/1849 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Author Date I respectfully request Booth Library of Eastern Illinois University not allow my thesis to be reproduced because: 0 "'Author . -
Wiliam Pianco Dos Santos a Alegoria Histórica Nos Filmes De Viagem De
WILIAM PIANCO DOS SANTOS A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Faculdade de Ciências Humanas e Sociais – Centro de Investigação em Artes e Comunicação 2017 WILIAM PIANCO DOS SANTOS A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Doutoramento em Comunicação, Cultura e Artes. Trabalho efetuado sob a orientação de: Profa. Dra. Ana Isabel Candeias Dias Soares (Universidade do Algarve / Portugal) Prof. Dr. Samuel José Holanda de Paiva (Universidade Federal de São Carlos / Brasil) Faculdade de Ciências Humanas e Sociais – Centro de Investigação em Artes e Comunicação 2017 ii A ALEGORIA HISTÓRICA NOS FILMES DE VIAGEM DE MANOEL DE OLIVEIRA Declaração de autoria de trabalho Declaro ser o autor deste trabalho, que é original e inédito. Autores e obras consultados estão devidamente citados no corpo do texto e constam da listagem de referências incluída. Copyright em nome de Wiliam Pianco dos Santos A Universidade do Algarve reserva para si o direito, em conformidade com o disposto no Código do Direito de Autor e dos Direitos Conexos, de arquivar, reproduzir e publicar a obra, independentemente do meio utilizado, bem como de a divulgar através de repositórios científicos e de admitir a sua cópia e distribuição para fins meramente educacionais ou de investigação e não comerciais, conquanto seja dado o devido crédito ao autor e editor respetivos. Wiliam Pianco dos Santos iii iv Dedico este trabalho à memória de Nilsa Maria Panini Silveira, a quem sou muito grato pela amizade, carinho e respeito que sempre dedicou a mim e ao meu trabalho. Meus pensamentos seguem permanentemente ao seu lado. -
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12 JUL | Sex Fri | 16h00 4 pm Mon Cas My Case, 1986 VISITAS ORIENTADAS GUIDED TOURS FR | 88 min. 14 JUL | Dom Sun | 12h00 12 pm 14 JUL | Dom Sun | 16h00 4 pm Por By António Preto Amor de Perdição Doomed Love, 1978 PT | 261 min. 29 SET | Dom Sun | 12h00 12 pm Por By Regina Guimarães 16 JUL | Ter Tue | 16h00 4 pm A Caixa The Box, 1994 13 OUT | Dom Sun | 12h00 12 pm PT | 96 min. Por By Nuno Grande 17 JUL | Qua Wed | 16h00 4 pm 27 OUT | Dom Sun | 12h00 12 pm O Gebo e a Sombra Gebo and the Shadow, 2012 Por By Ricardo Vieira Lisboa FR | 95 min. 18 JUL | Qui Thu | 16h00 4 pm PROGRAMAÇÃO DE CINEMA Porto da Minha Infância Porto of My Childhood, 2001 CINEMA PROGRAMME PT | 60 min. 25, 27 JUN | Ter, Qui Tue, Thu | 15h00 3 pm 19 JUL | Sex Fri | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 17h00 5 pm Je rentre à la maison I’m Going Home, 2001 29 JUN | Sáb Sat | 16h00 4 pm FR, EN | 89 min. 30 JUN | Dom Sun | 18h00 6 pm Visita ou Memórias e Confissões, 1982 21 JUL | Dom Sun | 16h00 4 pm Visit, or Memories and Confessions, 1982 A Divina Comédia The Divine Comedy, 1991 PT | 68 min. PT | 140 min. 25, 27 JUN | Ter, Qui Tue, Thu | 17h00 23 JUL | Ter Tue | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 15h00 O Velho do Restelo The Old Man from Belém, 29 JUN | Sáb Sat | 18h00 6 pm 2014 30 JUN | Dom Sun | 16h00 4 pm PT | 19 min. -
Changing Europe – the Power of Dialogue
Changing Europe – The Power of Dialogue 6 –12 October 2019, Potsdam Changing Europe – The Power of Dialogue 6 –12 October 2019, Potsdam hosted by supported by 2 Changing Europe – The Power of Dialogue In a world that is faster, more complicated and fragmented than ever, it is easy to only speak and never listen, to only tweet and never talk. Pressures of pace and finance are mounting. So it is more important than ever to have strong public service media that provide quality journalism that goes out of its way to be a trusted guide, to bring people together and set a tone that enables dialogue. PRIX EUROPA is ALL about dialogue: Come together from all corners of the continent to exchange views, to see/listen for yourself together with the others, to talk and discuss, to meet and be constructive, rather than judgmental or clever. Grab the opportunity to get into conversation, to change perspective, to challenge your opinions and take away inspiration, a shared experience and new ideas. Cilla Benkö PRIX EUROPA President Director General Sveriges Radio – SR 3 Changing Europe – The Power of Dialogue Dear friends and colleagues, PRIX EUROPA is dedicated to the ideal of a united Europe, which commits itself to democratic, ethical and cultural values. This ideal is, however, in acute danger. We have to dread being abruptly pulled out of a dream that we have been living for over six decades. Of all countries, the Mother of all Democracies, the United Kingdom, is separating itself from our community. Over our Europe of togetherness, that so many people envy us for, the threat of disaster is looming. -
National Gallery of Art Summer 08 Film Program 4Th Street and Mailing Address Constitution 2000B South Avenue Nw Club Drive Washington, Dc Landover, Md 20785
NATIONAL GALLERY OF ART SUMMER 08 FILM PROGRAM 4th Street and Mailing address Constitution 2000B South Avenue NW Club Drive Washington, DC Landover, MD 20785 ENVISIONING MICHELANGELO MANOEL RUSSIA: ANTONIONI: STANLEY DE OLIVEIRA, MOSFILM FROM THE AFGHANISTAN THE ITALIAN KUBRICK: PORTUGUESE STUDIO ARCHIVES ON FILM TREASURES TWO VIEWS MARVEL An ongoing program of classic cinema, documentary, avant-garde, and area premieres occurs each weekend in the National Gallery’s East Building Auditorium, 4th Street at Constitution Avenue NW. Films are shown in original format. Programs are free of charge but seating is on a fi rst-come, fi rst-seated basis. Doors open approximately 30 minutes before each show. Programs are subject to change. For current information, visit our Web site: www.nga.gov/programs/fi lm or call 202.842.6799. Jul 1 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 4 FRI 12:00 Afghanistan on Film The Giant Buddhas 3:00 Event Glass: A Portrait of Philip in Twelve Parts 5 SAT 12:30 Envisioning Russia I Walk Through Moscow Streets 2:30 Envisioning Russia Jazzman 4:30 Event Glass: A Portrait of Philip in Twelve Parts 6 SUN 2:00 Envisioning Russia Uncle Vanya 4:30 Envisioning Russia The Ascent 8 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 11 FRI 2:30 Envisioning Russia July Rain; Courier 12 SAT 4:30 Magic Lantern Show Victorian Transformations 13 SUN 5:00 Magic Lantern Show spirit of ‘76 15 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 18 FRI 2:30 Afghanistan on Film The Kite Runner 19 SAT 2:00 Antonioni Michelangelo Antonioni (documentary) 4:30 Antonioni I vinti (The Vanquished) 20 SUN 4:30 Afghanistan on Film New Video Art from Afghanistan 22 TUE 12:00 From the Archives Helen Frankenthaler — Toward a New Climate 25 FRI 2:30 Antonioni La Signora senza camelie (Lady without Camellias) 26 SAT 1:30 Stanley Kubrick Dr. -
Condição Humana E Geopolítica Na Filmografia De Manoel De Oliveira
Portugal, Europa e o mundo – Condição humana e geopolítica na filmografia de Manoel de Oliveira Carolin Overhoff Ferreira1 Resumo O famoso poema Os Castelos, parte integrante das Mensagens de Fernando Pessoa, termina com uma imagem da relação entre a Europa e o Novo Mundo, atribuindo a Portugal um papel de liderança: “Fita, com olhar sphyngico e fatal,/O Ocidente, futuro do passado./O rosto com que fita é Portugal.” Manoel de Oliveira é para o cinema português o que Pessoa foi para a sua poesia: a voz mais importante do século vinte, ao mesmo tempo paradoxal e desafiador, universal e patriótico. Ao longo da sua carreira de 80 anos, o cineasta tem vindo a estudar e a formar o imaginário do seu país, dialogando, ao mesmo tempo, intensamente com a cultura, história e identidade européia: através da escolha de suas histórias, esteticamente e através da realização de co-produções. O realizador procurou absorver a cinematografia vanguardista européia desde os seus primeiros filmes mudos, acompanhou e deu forma às possibilidades e aos limites da mídia, comentando ainda sobre o passado e o presente da civilização européia, bem como sobre a sua missão civilizatória. Este artigo pretende avaliar a filmografia de Manoel de Oliveira sob o enfoque das negociações e tensões entre o nacional e o transnacional, abordadas no poema de Pessoa. Darei especial atenção às referências estabelecidas com o cânone literário ocidental, à citação de peças de teatro e obras de arte, à fascinação de Oliveira com a mitologia grega (particularmente na construção das suas personagens femininas), às idéias heterodoxas em relação ao Catolicismo e o compromisso paradoxal do realizador com o cristianismo, com as descobertas portuguesas e as utopias missionárias portuguesas, bem como à sua perspectiva crítica de posições políticas da Europa contemporânea. -
Eccentricities of a Blonde-Haired Girl
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Singularidades de uma Rapariga Loura) A film by Manoel de Oliveira with Ricardo Trêpa, Catarina Wallenstein Premiered at the Berlin Film Festival 2009 Portugal/France 2009 / 64 minutes / Colour / English Subtitles UK Release date: August 2010 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] or FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films – [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk ECCENTRICITIES OF A BLONDE‐HAIRED GIRL SYNOPSIS Macário spends an entire train journey to the Algarve talking to a woman he does not know about the trials and tribulations of his love life: straight after starting his first job as a book keeper at his Uncle Francisco's shop in Lisbon he falls madly in love with a young blonde, who lives across the road. No sooner does he meet her than he straightaway wants to marry her. His uncle, totally opposed to the match, fires him and kicks him out of the house. Macário departs for Cape Verde where he makes his fortune. When he finally wins his uncle’s approval to marry his beloved, he discovers the “singularity” of his fiancée’s character. Full details on www.newwavefilms.co.uk 2 ECCENTRICITIES OF A BLONDE‐HAIRED GIRL CREW Director Manoel de Oliveira Screenplay Manoel de Oliveira From the story by Eça de Queiroz Director of photography Sabine Lancelin Camera Operator Francisco de Oliveira Sound Henri Maikoff Editor -
April May June Film Program Spring 2007 National Gallery of Art
Film Program Spring 2007 National Gallery of Art, Washington Spring Series film Alain Resnais and Fanny Ardant Czech Modernism 1920 – 1940 In Praise of Independents: The Flaherty Parisian Panorama 1920 – 1930 Art Films and Events Amateur Photographer Belle T0ujours Blockade Crimson Gold Days of Autumn Lonesome with Alloy Orchestra Paul Mellon: In His Own Words André Kertész, Courbevoie, 1926, National Gallery of Art, Washington, Gift of The André and Elizabeth Kertész Foundation Rouben Mamoulian 22 Sun June 5:00 Event: Lonesome with Alloy Orchestra Sergei Paradjanov, The Rebel 29 Sun 2 Sat 4:30 Alain Resnais and Fanny Ardant: Life is a 2:00 Czech Modernism: Virginity Seventh Heaven Bed of Roses 4:00 Event: Belle Toujours 3 Sun Winslow Homer: Society 2:00 Czech Modernism: Lecture by Michal May Bregant and Solitude 4:00 Czech Modernism: The Kreutzer Sonata 5 Sat and Such is Life 4:00 Event: Seventh Heaven with organist 9 Sat April Dennis James 1:00 Event: Paul Mellon: In His Own Words 6 Sun 4:00 Czech Modernism: Tonka of the Gallows 1 Sun 4:30 Event: Days of Autumn 10 Sun 4:30 The Flaherty: Czech Dream and 12 Sat 5:00 Event: Paul Mellon: In His Own Words The Angelmakers 2:00 Event: Sergei Paradjanov, The Rebel; 15 Fri 7 Sat Rouben Mamoulian 12:30 Event: Amateur Photographer and 2:00 The Flaherty: The Gaze Back and It Works; 4:30 Czech Modernism: Faithless Marijka Blockade Patty Chang Videoworks 13 Sun 16 Sat 8 Sun 4:30 Czech Modernism: From Saturday to 12:30 Event: Amateur Photographer and 4:30 The Flaherty: The Sky Turns Sunday Blockade -
The Strange Case of Angelica a Film by Manoel De Oliveira
A Cinema Guild Release The Strange Case of Angelica A film by Manoel de Oliveira 95 minutes / 35mm / 1:1.66 / Dolby SRD / Portugal / Not Rated In Portuguese with English Subtitles / Stills available at: www.cinemaguild.com/downloads The Cinema Guild, Inc. 115 West 30th Street, Suite 800 New York, NY 10001‐4061 Tel: (212) 685‐6242, Fax: (212) 685‐4717 www.cinemaguild.com The Strange Case of Angelica_____________________________________ Synopsis The new film from master filmmaker Manoel de Oliveira, The Strange Case of Angelica is a magical tale of a young photographer who falls madly in love with a woman he can never have, except in his dreams. One night, Isaac is summoned by a wealthy family to take the last photograph of a young bride, Angelica, who has mysteriously passed away. Arriving at their estate, Isaac is overwhelmed by Angelica’s beauty. But when he looks through his camera lens, something strange happens – the young woman appears to come to life. From that moment on, Isaac will be haunted by Angelica day and night. About the Film The Strange Case of Angelica was the Opening Night selection of the 2010 Cannes Film Festival’s Un Certain Regard program, and an official selection of the 2010 Toronto and New York Film Festivals. The Strange Case of Angelica_____________________________________ Filmography: Manoel de Oliveira Douro, Faina Fluvial (Working on the Douro River 1931), short film Ulha Branca (Hydro‐electric power 1932), documentary Estátuas de Lisboa (1932) Miramar, Praia das Rosas (1938), short film Já Se Fabricam Automóveis -
Aniki-Bóbó Manoel De Oliveira
Aniki-Bóbó Manoel de Oliveira European Cinema Education PEDAGOGICAL for the Youth PACKAGE 2 I – OPENING SUMMARY CINED: A COLLECTION OF FILMS, A FILM PEDAGOGY I – INTRODUCTION • CinED: a collection of films, a film pedagogy p.2 • Why this film? p.3 CinEd has joined a mission of transmitting the 7th art as a cultural object and as a support to understand the • Technical specifications p.3 I - OPENING world. For that reason it was elaborated a common pedagogy, starting from a collection of movies produced in the • What is at stake in this film p.5 European countries, partners to this project. The approach intends to be adapted to our era, marked by a rapid, • Synopsis p.5 major and continuously change, regarding the way of seeing, receiving and producing the images. These last are viewed on a variety of screens: from the biggest – those in the halls, to the smallest – (to smartphones) ticking, of II – THE FILM course, TV sets, computers and tablets screens.The cinema is still a young art whose death has been predicted • Contexts p.6 many times. It is very clear that this didn’t happen. • The Autor: Manoel de Oliveira - The eternal youth of a great Portuguese filmmaker p.7 These changes affect the cinema, transmission must seriously take into account the manner increasingly frag- • The Film in the context of the work: Aniki-Bó p.8 mented of viewing movies, starting from this screen diversity. CinEd publications propose and talk about a sensitive, • Selective filmographyp.9 inductive, interactive and intuitive education providing knowledges, analysis tools and dialog between image and • Affiliations p.10 film possibilities.