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Century British Detective Fiction
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 Detecting Arguments: The Rhetoric of Evidence in Nineteenth-- Century British Detective Fiction Katherine Anders University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Literature in English, British Isles Commons Repository Citation Anders, Katherine, "Detecting Arguments: The Rhetoric of Evidence in Nineteenth--Century British Detective Fiction" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2163. http://dx.doi.org/10.34917/6456393 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. DETECTING ARGUMENTS: THE RHETORIC OF EVIDENCE IN NINETEENTH-CENTURY BRITISH DETECTIVE FICTION by Katherine Christie Anders Bachelor of Arts in Liberal Arts St. John’s College, Santa Fe 2003 Master of Library -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv
INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
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UNIVERSITY OF JYVÄSKYLÄ FROM WHODUNNIT TO WHYDUNNIT THE TRANSFORMATION OF THE TRADITIONAL DETECTIVE STORY INTO A MODERN CRIME NOVEL A Pro Gradu Thesis in English by Kati Salo Department of Languages 2008 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Kati Salo FROM WHODUNNIT TO WHYDUNNIT. The transformation of the traditional detective story into a modern crime novel Pro Gradu –tutkielma Englannin kieli Toukokuu 2008 96 sivua + 2 liitettä Rikoskirjallisuus tuntuu viettävän uutta kultakauttaan. Niin myytyjen kuin lainattujenkin kirjojen määrästä huomattava osuus on rikoskirjallisuutta, tuttavallisemmin sanottuna dekkareita. Uudet dekkarit sekä dekkarikirjailijat saavat myös hyvin tilaa lehtien kirjallisuuspalstoilla. Uusia tulokkaita tähän genreen on alkanut löytyä yllättävistäkin maista, Afrikkaa myöten. Aiemmin roskakirjallisuutenakin pidetty rikoskirjallisuus on muuttunut hyväksyttäväksi harrastusmuodoksi: enää ei tarvitse häpeillen tunnustaa ahmivansa dekkareita työmatkoilla ja kesälomilla. Rikoskirjallisuus on otettu myös yliopistojen lukusuunnitelmiin muiden kirjallisuuden lajien rinnalle. Suomessa suosiosta kertoo myös perustetut dekkariseura ja –kirjasto ja aiheeseen liittyvät tapahtumat, kuten Dekkaripäivät. Yksi syy suureen suosioon lienee myös kirjojen pohjalta tehdyissä laadukkaissa tv-sarjoissa. Niin sanottuna rikoskirjallisuuden kulta-aikana pidetään maailmansotien välistä aikaa, karkeasti ottaen 1920–30 –lukuja. Tuon ajan dekkareita luetaan yhä innokkaasti, mutta sen jälkeiset vuodet ovat tuoneet rikoskirjallisuuteen myös uusia -
SUNSHINE BOYS Previews Begin Wednesday, October 23
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: LAUGHTER AND TEARS FILL THE BILL AS NORTH COAST REPERTORY THEATRE SHINES THE SPOTLIGHT ON THE SUNSHINE BOYS A Neil Simon Classic Performances Beginning Wednesday, October 23, 2019 Running Through Sunday, November 17, 2019 EXTENDED TO NOVEMBER 24TH due to popular demand Directed by Jeffrey B. Moss Solana Beach, CA – THE SUNSHINE BOYS deftly showcases the late Neil Simon’s brilliant ear for sidesplitting dialogue and his sharp eye for physical comedy. Yet beneath the raucous laughter are two vulnerable people struggling to make sense of their lives. North Coast Repertory Theatre has earned numerous accolades by critics and audiences alike for capturing the nuances of Simon’s memorable characters who wrestle with love, loss, work, family and aging. Simon’s plays historically sell out rapidly, so early ticket buying is highly recommended. Jeffrey B. Moss directs Bryan Banville*, Portia Gregory, Phillip Korth, Samantha Roper, James Sutorius*, John Tessmer, and Lenny Wolpe*, in THE SUNSHINE BOYS. The design team includes Marty Burnett (Resident Scenic Designer), Matthew Novotny (Lighting), Elisa Benzoni (Costumes), Aaron Rumley (Sound), Philip Korth (Props) and Peter Herman (Wigs). Danielle Stephens* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association. For photos, go to www.northcoastrep.org/press. THE SUNSHINE BOYS previews begin Wednesday, October 23. Opening Night on Saturday, October 26, at 8pm. A new Preview Matinee has been added on Friday, October 25, at 2pm. There will be a special talkback on Friday, November 1, with the cast and artistic director. -
Download from Ethos, the British Library’S E-Theses Online Service
City Research Online City, University of London Institutional Repository Citation: Seago, K. ORCID: 0000-0002-0010-5836 and Hopkinson, A. (2018). Crime fiction. In: van Wyke, B. and Washbourne, K. (Eds.), The Routledge Handbook of Literary Translation. New York: Routledge. ISBN 9781138699298 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/19456/ Link to published version: http://dx.doi.org/10.4324/9781315517131 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Crime Fiction in Translation Amanda Hopkinson Karen Seago Introduction The definition of crime fiction is no simple matter, for it is a genre rooted in the ills of its time. It remains a genre so protean that one contemporary overview offers a glossary that opens with Armchair Detection and closes with Thriller, by way of Detective, Gothic, Pulp, Sensation and even Meta-fictions – and much more (John Scaggs, pp.144-148). -
Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Cambridge Companion Crime Fiction
This page intentionally left blank The Cambridge Companion to Crime Fiction The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the ‘detective’ fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime in film and on TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception. THE CAMBRIDGE COMPANION TO CRIME FICTION MARTIN PRIESTMAN cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521803991 © Cambridge University Press 2003 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the -
August 2018 Welcome Mike Hausberg
AUGUST 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Barefoot in the Park. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Gender, Genre, and Appropriation in Argentine and Brazilian Hard-Boiled Crime Fiction
Literatura Policial: Gender, Genre, and Appropriation in Argentine and Brazilian Hard-boiled Crime Fiction A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Katherine Ann Ostrom IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Fernando Arenas and Amy Kaminsky, advisers June 2011 © Katherine Ann Ostrom 2011 i Acknowledgements I am deeply indebted to my co-directors Amy Kaminsky and Fernando Arenas for their continuous support throughout my time as a graduate student at the University of Minnesota. This project grew out of a paper written for Professor Arenas in my first semester of graduate school, and I had been inspired by Professor Kaminsky’s scholarship even earlier. Through years of courses, meetings, exams, applications, and chapter drafts, they have offered helpful feedback and guidance while encouraging me to follow my passions and speak with my own voice. I am grateful as well to my committee members Ana Forcinito and Joanna O’Connell and to my other professors and mentors, especially Barbara Weissberger and Susan McMillan-Villar at the University of Minnesota and Patrick O’Connor, my undergraduate adviser at the University of Chicago, who have helped me discover the texts, authors, and ideas that would go into this dissertation. Among many fellow graduate students who have helped me, I am especially grateful to my friends Kajsa Larson, Adriana Gordillo, Kristin Beamish-Brown, Naomi Wood, Megan Corbin, Satty Flaherty-Echeverría, Scott Ehrenburg, Joseph Towle, and Rebecca Weaver for discussions and feedback on this project. The administrative staff and my students and other colleagues at the University of Minnesota Department of Spanish and Portuguese Studies and at Macalester College’s Department of Hispanic Studies have also provided much support and encouragement. -
Facts About I Ought to Be in Pictures
INVISIBLE THEATRE - PRESS RELEASE Press Contact: Cathy Johnson or Susan Claassen Administration: (520) 884-0672 Box Office: (520) 882-9721 1400 N. First Ave, Tucson, AZ 85719 [email protected] www.invisibletheatre.com FOR IMMEDIATE RELEASE Invisible Theatre Concludes its 45th Anniversary Season with I OUGHT TO BE IN PICTURES by Neil Simon April 19 – May 1, 2016 (March 28, 2016, Tucson, Arizona); IT concludes its 45th Anniversary Season with I OUGHT TO BE IN PICTURES by Neil Simon. This heartfelt comedy directed by Susan Claassen and Fred Rodriguez features David Alexander Johnston, Susan Kovitz, and Lucille Petty. It tells the story of Herb, a Hollywood scriptwriter currently "at liberty", who is surprised when his forgotten past reappears in the form of Libby, his teenage daughter. Libby trekked from Brooklyn to LA with dreams of movie stardom. With Steffy, his sometime paramour at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right. How they pick up the pieces of a father daughter relationship is a poignant, tender and nevertheless very funny story. This production is made possible in part through the generous support of the Milton and Elizabeth Kahn Philanthropic Fund "Terrific...sweet, dandy and touching... a mature, memorable play that brings joy to the season." - New York Post I OUGHT TO BE IN PICTURES will play from April 19 – May 1, 2016 with the official press opening on Wednesday, April 20, 2016 at 7:30 p.m. The Invisible Theatre is located at 1400 N. First Avenue (at Drachman), Tucson, AZ 85719. -
The Case of Carlo Lucarelli's and Maurizio De Giovanni's Historical
“I am just a Policeman”: The Case of Carlo Lucarelli’s and Maurizio de Giovanni’s Historical Crime Novels Set During Fascism Barbara Pezzotti Summary: This article analyzes two successful Italian novels set during the Ventennio and the Second World War, namely Carlo Lucarelli’s Carta bianca (1990) and Maurizio De Giovanni’s Per mano mia (2011). It shows how Lucarelli confronts the troubling adherence to Fascism through a novel in which investigations are continually hampered by overpowering political forces. By contrast, in spite of expressing an anti-Fascist view, De Giovanni’s novel ends up providing a sanitized version of the Ventennio that allows the protagonist to fulfil his role as a policeman without outward contradictions. By mixing crime fiction and history, Lucarelli intervenes in the revisionist debate of the 1980s and 1990s by attacking the new mythology of the innocent Fascist. Twenty years later, following years of Berlusconi’s propaganda, De Giovanni waters down the hybridization of crime fiction and history with the insertion of romance and the supernatural in order to provide entertaining stories and attract a large audience. In the final analysis, from being functional to political and social criticism in Lucarelli’s series, the fruitful hybridization of crime fiction and history has turned into a mirror of the political and historical de-awareness of Italian society of the 2000s in De Giovanni’s series. This article analyzes two successful Italian novels set during the Fascist period or Ventennio (1922–1943) and the Second World War, namely Carlo Lucarelli’s Carta bianca (1990; translated as Carte Blanche in 2006), featuring Inspector De Luca as the main protagonist, and Maurizio De Giovanni’s Per mano mia (2011; By My Hand, 2014), with Inspector Ricciardi as the police detective.