Kissinger's 'Despicable' Comments About Gassing Soviet Jews
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The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
QNF V5 Proef 4.1 2
no. 5 spring 2001 QUALITY NON-FICTION FROM HOLLAND FOUNDATION FOR THE PRODUCTION Special Issue: AND TRANSLATION OF DUTCH th LITERATURE 20 Century Classics Singel 464 nl6-61017 aw2Amsterdam contained brief biographical sketches of more than 150 tel+631 206620662661 fifteenth and sixteenth-century Dutch and Flemish painters. Three quarters of a century later there fol- fax 6 6 6 6 + 31 20 620 71 79 lowed a most original book by Rembrandt’s pupil [email protected] Samuel van Hoogstraeten, the Inleyding tot de Hooge website www.nlpvf.nl Schoole der Schilderkonst (Introduction to the High School of Painting; 1678). Arnold Houbraken’s De groote schouwburgh der Nederlantsche konstschilders en schilderessen (The Great Theatre of Dutch Painters; 1718- 1721) was a sequel to Mander’s book, as entertaining as Which tradition can be said to lie at the root of the it was informative. With his account of nearly a thou- books we have been presenting as the best Netherlands sand Dutch painters of both sexes he set the tone for non-fiction over the past four years? Everyone knows generations of art collectors. A modern classic in the the historian Johan Huizinga who achieved world history of Dutch art, finally, is Bob Haak’s Hollandse renown with his The Waning of the Middle Ages (1919), schilders in de Gouden Eeuw (Dutch Painters in the but even Huizinga had important predecessors. Golden Age; 1984), a lavishly illustrated book by a lead- From the end of the sixteenth century, Dutchmen could ing connoisseur. be found crossing the oceans. Their travel books con- Erasmus and Spinoza, the most important philosophers veyed a vivid picture of the life of seafarers, but above the Netherlands has produced, admittedly wrote in all they had a lasting influence on the European view of Latin, but left an indelible impression on Dutch litera- the outside world. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Hitlers Letzte Tage“ Wurde Ein Best- Und Longseller, Der Noch Heute Die Leser Zu Packen Vermag
33 Hugh Trevor-Roper hat Wissenschaftsgeschichte geschrieben. Sein Buch „Hitlers letzte Tage“ wurde ein Best- und Longseller, der noch heute die Leser zu packen vermag. Ted Harrison zeichnet die verwickelte Entstehungsgeschichte nach, er schildert die Pro- bleme vor der Veröffentlichung und der deutschen Übersetzung, und er analysiert die heftigen Debatten, die das „Meisterwerk“ auslöste. Edward D. R. Harrison Hugh Trevor-Roper und „Hitlers letzte Tage“ Vor mehr als sechzig Jahren ist Hugh Trevor-Ropers Untersuchung der letzten Tage Hitlers erstmals publiziert worden1. Sowohl in der Öffentlichkeit wie in Fachkreisen war ihr ein ungewöhnlicher Erfolg beschieden. Lewis Namier, der damals herausragendste Historiker Großbritanniens, schrieb an Trevor-Roper, er habe das „Buch mit größtem Interesse und mit Bewunderung gelesen. Sie haben wahrlich exzellente Arbeit geleistet und gründlichste Gelehrsamkeit mit Leichtig- keit des Anschlags und brillantem Stil vereint, die also, wie ich zu meiner Freude sehe, in Oxford noch nicht ausgestorben sind.“ Der Oxforder Historiker A. J. P. Taylor sah in „Hitlers letzte Tage“ ein „unvergleichliches Buch, das bei weitem beste, das zu irgendeinem Aspekt des zweiten Deutschen Krieges geschrieben worden ist: ein Buch, ausgezeichnet durch untadelige Wissenschaftlichkeit und glänzende Darstellung [...]. Kein Wort des Lobes ist zu stark.“ „Hitlers letzte Tage“ sind ein Standardwerk geworden. Noch in der besten der jüngsten Schilderungen von Hitlers Ende preist der Verfasser, Joachim Fest, Tre- vor-Ropers „souveränen -
The Development of Free Indirect Constructions in Dutch Novels
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2014 The development of free indirect constructions in Dutch novels Clement, Marja Abstract: Why is the free indirect style such a useful narrative means to portray characters’ minds in fictional texts? This article gives more insight into this phenomenon by analyzing texts fromearlier times. Previous studies state that the free indirect style for the representation of thoughts emerged in Dutch literary prose in the 19th century. However, this article shows that the roots of this technique were already present in 17th century Dutch popular literature novels. The analysis of these novels provides us with more insight into this phenomenon. Before the emergence of free indirect style, the most common form for the representation of a character’s consciousness was direct discourse. The suggestion that the character is ‘thinking out loud’ makes this thought representation unnatural, as emotions and feelings are often pre-verbal and wordless. Free indirect style gives the narrator the possibility to formulate that which the character cannot put into words. The free indirect style allows the author to merge descriptions of events and actions with the character’s inner life, feelings, questions and wishes without a change in the narrative style when it comes to personal pronouns and tense. DOI: https://doi.org/10.1515/jls-2014-0009 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-105884 Journal Article Published Version Originally published at: Clement, Marja (2014). -
Wisconsin Alumni Association || Onwisconsin Summer 2010
For University of Wisconsin-Madison Alumni and Friends Wild Life George Schaller MS’57, PhD’62 travels the globe to save exotic animals. SUMMER 2010 West Wing Badger She keeps the president’s schedule on track. Head Case Joseph Jastrow helped launch the science of psychology. Mustard Man Why would someone devote a whole museum to a condiment? Gone Too Soon Determined partners work to slow infant deaths. Invest Invest in in Great Great PEOPLE PEOPLE Ensure that the leaders Ensure that the leaders of tomorrow can afford a of tomorrow can afford a world-class UW-Madison world-class UW-Madison education today. education today. Ben Van Pelt aspires to be the next great Students like Apriel Campbell will change American writer. Right now, he’s a triple-major, our world in ways that we have yet to work-study student. When he isn’t in class, imagine. This work-study genetics major he trains for his hobby – wrestling – and revels in the unlimited possibilities of a gains stamina for his second, late-night job. great public university, from cutting-edge But even smart, ambitious students like science to intercultural dialogs. Ben can’t afford to attend UW-Madison But even bright students like Apriel cannot by simply working more hours. afford to attend UW-Madison without Your gift to the Great People your help. Your gift to the Great People Scholarship will create a pool of Scholarship creates a pool of financial financial resources for promising resources for promising students. Make scholars like Ben while ensuring the your gift now to support UW-Madison’s next socioeconomic diversity of a strong generation. -
Catalog Sixty-Five Log Sixty-Five
Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
Almost Memories / Almost True Stories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons Cees Nooteboom, The Foxes Come at Night translated from Dutch by Ina Rilke (Quercus, 2011) Cees Nooteboom belongs to a generation of Dutch writers who were born before the war and with the death earlier this year of Harry Mulisch (The Discovery of Heaven, 1982) Nooteboom is one of the last alive. Unlike Mulisch who wrote relentlessly about the post-war Dutch landscape and whose work is thus closer to Gunther Grass in Germany, Nooteboom is more identifiable with writers such as the much younger Ian Buruma (Murder in Amsterdam, 2006) who, if they write about the Netherlands at all, do so from an outsider/expatriate viewpoint. Like Buruma, Nooteboom is an analytical essayist with an extensive oeuvre of travel writing and commentary about the arts. Nooteboom is unique however in that he is an experimenter and thus is not easily classifiable at all. In The Foxes Come at Night he pushes the boundaries of what we think of as the short story genre to the furthest edges of his imagination. Something else to keep in mind in any consideration of Nooteboom is that his father died in an Allied bombing raid during the war. He has known tragic, inexplicable death from an early age and, like Proust who came to realise that he was the subject of his writing, there is a sense that Nooteboom is studying himself in these stories. A melancholy, the black bile of ancient Greece, pervades all of Nooteboom’s work, an attraction to decay, ennui – the end of things. -
Buddhism from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search
Buddhism From Wikipedia, the free encyclopedia Jump to: navigation, search A statue of Gautama Buddha in Bodhgaya, India. Bodhgaya is traditionally considered the place of his awakening[1] Part of a series on Buddhism Outline · Portal History Timeline · Councils Gautama Buddha Disciples Later Buddhists Dharma or Concepts Four Noble Truths Dependent Origination Impermanence Suffering · Middle Way Non-self · Emptiness Five Aggregates Karma · Rebirth Samsara · Cosmology Practices Three Jewels Precepts · Perfections Meditation · Wisdom Noble Eightfold Path Wings to Awakening Monasticism · Laity Nirvāṇa Four Stages · Arhat Buddha · Bodhisattva Schools · Canons Theravāda · Pali Mahāyāna · Chinese Vajrayāna · Tibetan Countries and Regions Related topics Comparative studies Cultural elements Criticism v • d • e Buddhism (Pali/Sanskrit: बौद धमर Buddh Dharma) is a religion and philosophy encompassing a variety of traditions, beliefs and practices, largely based on teachings attributed to Siddhartha Gautama, commonly known as the Buddha (Pāli/Sanskrit "the awakened one"). The Buddha lived and taught in the northeastern Indian subcontinent some time between the 6th and 4th centuries BCE.[2] He is recognized by adherents as an awakened teacher who shared his insights to help sentient beings end suffering (or dukkha), achieve nirvana, and escape what is seen as a cycle of suffering and rebirth. Two major branches of Buddhism are recognized: Theravada ("The School of the Elders") and Mahayana ("The Great Vehicle"). Theravada—the oldest surviving branch—has a widespread following in Sri Lanka and Southeast Asia, and Mahayana is found throughout East Asia and includes the traditions of Pure Land, Zen, Nichiren Buddhism, Tibetan Buddhism, Shingon, Tendai and Shinnyo-en. In some classifications Vajrayana, a subcategory of Mahayana, is recognized as a third branch. -
Cordula Tollmien Nationalsozialismus in Göttingen (1933-1945)
Cordula Tollmien Nationalsozialismus in Göttingen (1933-1945) Cordula Tollmien Nationalsozialismus in Göttingen (1933-1945) Diese Arbeit wurde im November 1998 von der Philosophischen Fakultät der Georg-August-Universität Göttingen als Dissertation angenommen. Cordula Tollmien, geb. 1951 in Göttingen, Studium der Mathematik, Physik und Geschichte; seit 1987 freie Schriftstellerin und Wissenschaftlerin. Von Cordula Tollmien gibt es eine Vielzahl von zum Teil preisgekrönten Kinder- und Jugend- büchern, außerdem zahlreiche wissenschaftliche Veröffentlichungen, insb. zur Göttinger Stadt- und Universitätsgeschichte. Zur Autorin siehe auch http://www.hann-muenden.net/spontan/tollmien.htm Ó Die Rechte für den "Göttingen 1933 bis 1945" betitelten zweiten Teil der hier vorlie- genden Dissertation liegen beim Verlag Vandenhoeck & Ruprecht, Göttingen. Der Verlag hat der Niedersächsischen Staats- und Universitätsbibliothek Göttingen das Recht zur freien elektronischen Publikation im Internet und zur Archivierung auf ihrem Dokumen- tenserver übertragen. Alle weiteren Rechte für die Verwertung des genannten Teils die- ser Arbeit verbleiben beim Verlag Vandenhoeck & Ruprecht. Dieser wird den genannten Teil Ende 1999 in einem Band der Göttinger Stadtgeschichte mit dem Titel „Göttingen Geschichte einer Universitätsstadt Band 3: Von der preußischen Mittelstadt zur südniedersächsischen Großstadt“ (herausgegeben von Rudolf von Thadden und Günter Trittel) publizieren. Ó Für die Teile 1 und 3 hat die Autorin das Recht zur freien elektronischen Publikation -
A Prisoner's Conviction: Time, Space, and Morality in W.F. Hermans's The
A Prisoner’s Conviction: Time, Space, and Morality in W.F. Hermans’s The Darkroom of Damocles and Harry Mulisch’s The Assault Marc VAN ZOGGEL Huygens Instituut voor Nederlandse Geschiedenis Introduction: Time, Space, and the Prison Narrative In his landmark essay “Forms of Time and of the Chronotope in the Novel” (1938-1939), Russian literary critic Mikhail Bakhtin coined the concept of the ‘chronotope’ (literally, ‘time space’) in order to capture “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature” (Bakhtin 84). The chronotope, in other words, serves to describe the transformation of the physical notions of time and space into the artistic, i.e. literary categories of form and substance: In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible; likewise, space becomes charged and responsive to the movements of time, plot and history. This intersection of axes and fusion of indicators characterizes the artistic chronotope. (ibid.) Bakhtin envisages the chronotope as a central concept in what he calls the discipline of ‘historical poetics’. For example, in his discussion of ancient Greek romances – semi- historical adventure stories – Bakhtin shows how prison scenes are instrumental in the deceleration and freezing of plot movement: “Captivity and prison presume guarding and isolating the hero in a definite spot in space, impeding his subsequent spatial movement toward his goal, that is, his subsequent pursuits and searches and so forth” (Bakhtin 99; italics in original). The prison thus plays a vital role in the semi-fictional biographies presented in these stories.