Ben Nye Matte Foundations

Total Page:16

File Type:pdf, Size:1020Kb

Ben Nye Matte Foundations Ben Nye Matte Foundations Warm Olive (WO) Series - Coming Soon! Cine (CE) Series - Neutral shades designed without excessive warmth or redness for very fair to tan beige European skin tones. CE-1 CE-2 CE-3 CE-5 CE-7 CE-9 Fairest Fair Light Beige Beige Light Tan Tan Soft Beige (BE) Series - An attractive palette ranging from fair to mid-beige with a hint of warmth. BE-1 BE-3 BE-5 Cameo Natural Beige Warm Sand Beige Natural (BN) Series - Complimentary beige shades for medium skin tones. P-1 White BN-1 BN-2 BN-3 BN-4 Beige Natural 1 Beige Natural 2 Beige Natural 3 Beige Natural 4 Olive Beige (OB) Series - Beige shades with a hint of olive. OB-1 OB-2 OB-3 OB-4 Olive Beige1 Olive Beige 2 Olive Beige 3 Olive Beige 4 Special Light Olive (SO) Series - Ideal for fair olive skin tones that need a natural wash of color. SO-1 SO-2 SO-3 SO-4 No. 1 No. 2 No. 3 No. 4 Shinsei (SH) Series - Originally designed for Asian complexions, these shades offer attractive neutrality for many skin tones. SH-0 SH-1 SH-2 SH-3 SH-4 Ivory Fairest Fair Medium Deep Natural Olive (NO) Series - Golden-olive tones that create a neutral palette. Shades may be used to tone down redness. NO-1 NO-3 NO-5 NO-7 NO-9 Pale Biscotte Biscotte Brulee Soft Caramel Tan Brulee Ciniora (CN) Series - Neutral shades suitable for fair to light-olive skin tones. CN-0 CN-101 CN-001 CN-002 CN-003 CN-004 CN-005 Ultra Tres Clair Clair Barely Beige True Beige Dune Sahara Beige Euro Base (EB) Series - Subtle beige hues with subdued warmth for fair to medium complexions. EB-1 EB-3 EB-5 EB-6 Naturelle Coquille Beige Shibui Naturelle Buff Natural (N) Series - Fashion and film ensemble that adds classic warmth to fair and olive complexions. N-1 N-2 N-3 Fair Creme Buff P-1 White Film & Tape (FT) Series - Subtle colors for performers with light tan, medium olive, and brown complexions. FT-1 FT-2 FT-6 FT-8 FT-11 FT-11 FT-13 Pale English Subtle Tan Tawny Mocha Creme Olive Amber Olive Sable Golden Ebony Sahara (SA) Series - Natural olive-brown shades for African-American performers. Can also be used as a tan alternative for fair skin. SA-1 SA-2 SA-3 SA-5 SA-7 SA-9 SA-11 Au Lait Golden Latte Latte Mocha Sumatra Java Espresso International (IS) Series - This special series offers a wide range of the most popular natural fair, olive, and subtle tan shades. IS-1 IS-10 IS-18 IS-21 IS-23 IS-25 IS-31 IS-33 IS-35 Special White Bare Olive Olive Tan Wheat Bamboo Bamboo MediumChinois Light Chinois Chinois Medium IS-38 IS-41 IS-44 Burnt Almond Soleil Tan Suede.
Recommended publications
  • Color Chart ® ® ® ® Closest Pantone® Equivalent Shown
    ™ ™ II ® Color Chart ® ® ® ® Closest Pantone® equivalent shown. Due to printing limitations, colors shown 5807 Reflective ® ® ™ ® ® and Pantone numbers ® ™ suggested may vary from ac- ECONOPRINT GORILLA GRIP Fashion-REFLECT Reflective Thermo-FILM Thermo-FLOCK Thermo-GRIP ® ® ® ® ® ® ® tual colors. For the truest color ® representation, request Scotchlite our material swatches. ™ CAD-CUT 3M CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT Felt Perma-TWILL Poly-TWILL Thermo-FILM Thermo-FLOCK Thermo-GRIP Vinyl Pressure Sensitive Poly-TWILL Sensitive Pressure CAD-CUT White White White White White White White White White* White White White White White Black Black Black Black Black Black Black Black Black* Black Black Black Black Black Gold 1235C 136C 137C 137C 123U 715C 1375C* 715C 137C 137C 116U Red 200C 200C 703C 186C 186C 201C 201C 201C* 201C 186C 186C 186C 200C Royal 295M 294M 7686C 2747C 7686C 280C 294C 294C* 294C 7686C 2758C 7686C 654C Navy 296C 2965C 7546C 5395M 5255C 5395M 276C 532C 532C* 532C 5395M 5255C 5395M 5395C Cool Gray Warm Gray Gray 7U 7539C 7539C 415U 7538C 7538C* 7538C 7539C 7539C 2C Kelly 3415C 341C 340C 349C 7733C 7733C 7733C* 7733C 349C 3415C Orange 179C 1595U 172C 172C 7597C 7597C 7597C* 7597C 172C 172C 173C Maroon 7645C 7645C 7645C Black 5C 7645C 7645C* 7645C 7645C 7645C 7449C Purple 2766C 7671C 7671C 669C 7680C 7680C* 7680C 7671C 7671C 2758U Dark Green 553C 553C 553C 447C 567C 567C* 567C 553C 553C 553C Cardinal 201C 188C 195C 195C* 195C 201C Emerald 348 7727C Vegas Gold 616C 7502U 872C 4515C 4515C 4515C 7553U Columbia 7682C 7682C 7459U 7462U 7462U* 7462U 7682C Brown Black 4C 4675C 412C 412C Black 4C 412U Pink 203C 5025C 5025C 5025C 203C Mid Blue 2747U 2945U Old Gold 1395C 7511C 7557C 7557C 1395C 126C Bright Yellow P 4-8C Maize 109C 130C 115U 7408C 7406C* 7406C 115U 137C Canyon Gold 7569C Tan 465U Texas Orange 7586C 7586C 7586C Tenn.
    [Show full text]
  • Pressure Ulcer Staging Cards and Skin Inspection Opportunities.Indd
    Pressure Ulcer Staging Pressure Ulcer Staging Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, warmer or cooler as compared to adjacent tissue. warmer or cooler as compared to adjacent tissue. Stage 1: Intact skin with non- Stage 1: Intact skin with non- blanchable redness of a localized blanchable redness of a localized area usually over a bony prominence. area usually over a bony prominence. Darkly pigmented skin may not have Darkly pigmented skin may not have visible blanching; its color may differ visible blanching; its color may differ from surrounding area. from surrounding area. Stage 2: Partial thickness loss of Stage 2: Partial thickness loss of dermis presenting as a shallow open dermis presenting as a shallow open ulcer with a red pink wound bed, ulcer with a red pink wound bed, without slough. May also present as without slough. May also present as an intact or open/ruptured serum- an intact or open/ruptured serum- fi lled blister. fi lled blister. Stage 3: Full thickness tissue loss. Stage 3: Full thickness tissue loss. Subcutaneous fat may be visible but Subcutaneous fat may be visible but bone, tendon or muscle are not exposed.
    [Show full text]
  • A Visual Guide to Identifying Cats
    A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • Descriptions and Records of Bees - LV
    Utah State University DigitalCommons@USU Co Bee Lab 12-1-1913 Descriptions and Records of Bees - LV T. D. A. Cockerell University of Colorado Follow this and additional works at: https://digitalcommons.usu.edu/bee_lab_co Part of the Entomology Commons Recommended Citation Cockerell, T. D. A., "Descriptions and Records of Bees - LV" (1913). Co. Paper 509. https://digitalcommons.usu.edu/bee_lab_co/509 This Article is brought to you for free and open access by the Bee Lab at DigitalCommons@USU. It has been accepted for inclusion in Co by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. J,---f/--.~ /Jfo:J....._ ;/_. /.-c./;J...c- /Vtn'H:,·~4.-e- Af~:"­ edt/.,,/:J..~-c-,;-.._,..'\1/•n:,u.,'(.. ,E"°..__,-'t,,.,,s, 'P~Lf..-6Sofi j Ir. 1 F,-0111th e ANNALS AN[) MAGA7.INR OF NATURA[, Ilr STORV, Ser 8, Yol. xii., D ece111bn·19L:1. Descriptions and Rec1J1·ds of Bees.-L V. By 'r. D. A. CocrrnnELL, Univer sity of Colorado . Nomia muscosa, Cockerell. This w~s described from the female; the male l1ardly differs in appearance, and ha.s the hind legs very little modified. 'rhe hind tibi re ha ve white l1air on t he onter side, and short, shining, purpli sh-brown hair on the inner, only well seen in an oblique view. The antcnnre arv dark . 1\Iales before me are from 1\iackay_, Qu een land, Jan., March, ovember, 1900 (Turner, 618), and ew South ·wales (Nat . Mus. Victoria, 71). Nomia hippophila purnongens is, snh p.
    [Show full text]
  • RAL Colour Chart
    RAL COLOURS RAL 1000 Green beige RAL 1001 Beige RAL 1002 Sand yellow RAL 1003 Signal yellow RAL 1004 Golden yellow RAL 1005 Honey yellow RAL 1006 Maize yellow RAL 1007 Daffodil yellow RAL 1011 Brown beige RAL 1012 Lemon yellow RAL 1013 Oyster white RAL 1014 Dark Ivory RAL 1015 Light Ivory RAL 1016 Sulfur yellow RAL 1017 Saffron yellow RAL 1018 Zinc yellow RAL 1019 Grey beige RAL 1020 Olive yellow RAL 1021 Rape yellow RAL 1023 Traffic yellow RAL 1024 Ochre yellow RAL 1027 Curry RAL 1028 Melon yellow RAL 1032 Broom yellow RAL 1033 Dahlia yellow RAL 1034 Pastel yellow RAL 2000 Yellow orange RAL 2001 Red orange RAL 2002 Vermilion RAL 2003 Pastel orange RAL 2004 Pure orange RAL 2008 Bright red orange RAL 2009 Traffic orange RAL 2010 Signal orange RAL 2011 Deep orange RAL 2012 Salmon orange RAL 3000 Flame red RAL 3001 Signal red RAL 3002 Carmine red RAL 3003 Ruby red RAL 3004 Purple red RAL 3005 Wine red RAL 3007 Black red RAL 3009 Oxide red RAL 3011 Brown red RAL 3012 Beige red RAL 3013 Tomato red RAL 3014 Antique pink RAL 3015 Light pink RAL 3016 Coral red RAL 3017 Rose RAL 3018 Strawberry red RAL 3020 Traffic red RAL 3022 Salmon pink RAL 3027 Rasberry red RAL 3031 Orient red RAL 4001 Red lilac RAL 4002 Red violet RAL 4003 Heather violet RAL 4004 Claret violet RAL 4005 Blue lilac RAL 4006 Traffic purple RAL 4007 Purple violet RAL 4008 Signal violet RAL 4009 Pastel violet RAL 4010 Tele magenta RAL 5000 Violet blue RAL 5001 Green blue RAL 5002 Ultramarine RAL 5003 Sapphire blue RAL 5004 Black blue RAL 5005 Signal blue RAL 5007 Brilliant blue
    [Show full text]
  • M/Izeeuican%Usdllm
    M/izEeuican%Usdllm PUBLISHED BY THE AMERICAN MUSEUM OF NATURAL HISTORY CENTRAL PARK WEST AT 79TH STREET, NEW YORK 24, N.Y. NUMBER 2 2 II MARCH I 7, I 965 Descriptions of Three New Species of the Bee Genus Calliopsis (Hymenoptera, Andrenidae) BY ALVIN F. SHINN1 The species below are described at the present time to make their names available for use in connection with biological studies recently completed on them. The species are closely related and belong in a group with Calliopsis coloradensis Cresson, C. chlorops Cockerell, and C. coloratipes Cockerell. Evidence for interspecific mating in the group is given. The presence of all three new species, as well as others in their group, at the Southwestern Research Station of the American Museum of Natural History offers an unparalleled opportunity for the study of ecological differentiation in these closely related Calliopsis bees. I wish to thank the following collectors and museum curators who have lent so generously of their own specimens or of specimens in their care which have been used in this study: Dr. G. E. Bohart, United States Department of Agriculture, Wild Bee Pollination Investigations, Utah State University, Logan; Drs. G. D. Butler, Jr., and F. G. Werner, University of Arizona, Tucson; Dr. P. D. Hurd, Jr., California Insect Survey, University of California, Berkeley; Dr. W. E. LaBerge, Uni- versity of Nebraska, Lincoln; Dr. C. D. Michener, the University of Kansas, Lawrence; Dr. E. S. Ross, the California Academy of Sciences, San Francisco; Dr. J. G. Rozen, Jr., the American Museum of Natural History, New York City; Mr.
    [Show full text]
  • Pressure Ulcer Staging Guide
    Pressure Ulcer Staging Guide Pressure Ulcer Staging Guide STAGE I STAGE IV Intact skin with non-blanchable Full thickness tissue loss with exposed redness of a localized area usually Reddened area bone, tendon, or muscle. Slough or eschar may be present on some parts Epidermis over a bony prominence. Darkly Epidermis pigmented skin may not have of the wound bed. Often includes undermining and tunneling. The depth visible blanching; its color may Dermis of a stage IV pressure ulcer varies by Dermis differ from the surrounding area. anatomical location. The bridge of the This area may be painful, firm, soft, nose, ear, occiput, and malleolus do not warmer, or cooler as compared to have subcutaneous tissue and these adjacent tissue. Stage I may be Adipose tissue ulcers can be shallow. Stage IV ulcers Adipose tissue difficult to detect in individuals with can extend into muscle and/or Muscle dark skin tones. May indicate "at supporting structures (e.g., fascia, Muscle risk" persons (a heralding sign of Bone tendon, or joint capsule) making risk). osteomyelitis possible. Exposed bone/ Bone tendon is visible or directly palpable. STAGE II DEEP TISSUE INJURY Partial thickness loss of dermis Blister Purple or maroon localized area of Reddened area presenting as a shallow open ulcer discolored intact skin or blood-filled Epidermis with a red pink wound bed, without Epidermis blister due to damage of underlying soft slough. May also present as an tissue from pressure and/or shear. The intact or open/ruptured serum-filled Dermis area may be preceded by tissue that is Dermis blister.
    [Show full text]
  • Color Chart.Pdf
    ® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES.
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • Pac-Clad® Color Chart
    pa c - c l a d ® c O l O R c H a RT Cardinal Red Colonial Red Burgundy Terra Cotta Sierra Tan Mansard Brown Stone White Granite Sandstone Almond Medium Bronze Dark Bronze Slate Gray Bone White Musket Gray Charcoal Midnight Bronze Matte Black Cityscape Interstate Blue Hemlock Green Arcadia Green Patina Green Hunter Green Military Blue Award Blue Teal Hartford Green Forest Green Evergreen Denotes PAC-CLAD Metallic Colors Denotes Energy Star® Colors Denotes PAC-CLAD Cool Colors Kynar 500® or Hylar 5000® pre-finished galvanized steel and aluminum for roofing, curtainwall and storefront applications. Berkshire Blue Slate Blue PAC-CLAD Metallic Colors Zinc Silver Copper Penny Aged Copper Champagne Weathered Zinc PETERSEN ALUMINUM CORPORATION HQ: 1005 Tonne Road 9060 Junction Drive 10551 PAC Road 350 73rd Ave., NE, Ste 1 102 Northpoint Pkwy Ext, Bldg 1, Ste 100 Elk Grove Village, IL 60007 Annapolis Junction, MD 20701 Tyler, TX 75707 Fridley, MN 55432 Acworth, GA 30102 P: 800-PAC-CLAD P: 800-344-1400 P: 800-441-8661 P: 877-571-2025 P: 800-272-4482 F: 800-722-7150 F: 301-953-7627 F: 903-581-8592 F: 866-901-2935 F: 770-420-2533 pa c - c l a d ® c O l O R aVa I l a BI l ITY PAC-CLAD 3 year STeeL ALuMiNuM eNeRGy STANDARD RefLectiviTy EmissiviTy SRi 24ga. 22ga. .032 .040 .050 .063 ® COLORS exposuRe STAR Almond 0.56 0.83 0.27 64 √ √ √ √ √ • Arcadia Green 0.33 0.84 0.32 33 √ √ • Bone White 0.71 0.85 0.71 86 √ √ √ √ √ √ • Cardinal Red 0.42 0.84 0.41 45 √ √ √ • Charcoal 0.28 0.84 0.28 27 √ √ √ • Cityscape 0.37 0.85 0.34 39 √ √ √ √ • Colonial Red 0.34
    [Show full text]
  • Color Coat Genetics
    Color CAMERoatICAN ≤UARTER Genet HORSE ics Sorrel Chestnut Bay Brown Black Palomino Buckskin Cremello Perlino Red Dun Dun Grullo Red Roan Bay Roan Blue Roan Gray SORREL WHAT ARE THE COLOR GENETICS OF A SORREL? Like CHESTNUT, a SORREL carries TWO copies of the RED gene only (or rather, non-BLACK) meaning it allows for the color RED only. SORREL possesses no other color genes, including BLACK, regardless of parentage. It is completely recessive to all other coat colors. When breeding with a SORREL, any color other than SORREL will come exclusively from the other parent. A SORREL or CHESTNUT bred to a SORREL or CHESTNUT will yield SORREL or CHESTNUT 100 percent of the time. SORREL and CHESTNUT are the most common colors in American Quarter Horses. WHAT DOES A SORREL LOOK LIKE? The most common appearance of SORREL is a red body with a red mane and tail with no black points. But the SORREL can have variations of both body color and mane and tail color, both areas having a base of red. The mature body may be a bright red, deep red, or a darker red appearing almost as CHESTNUT, and any variation in between. The mane and tail are usually the same color as the body but may be blonde or flaxen. In fact, a light SORREL with a blonde or flaxen mane and tail may closely resemble (and is often confused with) a PALOMINO, and if a dorsal stripe is present (which a SORREL may have), it may be confused with a RED DUN.
    [Show full text]