Color Names Defined by SAS/GRAPH
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COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
HP Indigo 7K Digital Press Press Digital 7K Indigo HP The
Add premium HP Indigo printing and watch your business grow. business your watch and printing Indigo HP premium Add ONE PRESS, ENDLESS OPPORTUNITIES. ENDLESS PRESS, ONE truly robust press. robust truly volumes day in, day out with this this with out day in, day volumes offset-matching quality and high high and quality offset-matching automated tools while printing printing while tools automated Simplify production with smart, smart, with production Simplify and over 20 specialty inks. inks. specialty 20 over and the widest range of media media of range widest the and customer satisfaction—with satisfaction—with customer and enables endless applications— endless enables The HP Indigo 7K Digital Press Press Digital 7K Indigo HP The HP Indigo 7K Digital Press Technical specifications Printing speed 120 four-color 8.5 x 11 (A4) pages per minute - two-up 160 color 8.5 x 11 (A4) pages per minute in EPM - two-up 240 two-color or monochrome 8.5 x 11 (A4) pages per minute - two-up Image resolution 812 dpi at 8 bit; addressability: 2438 x 2438 dpi HDI (High Definition Imaging) Line screens 144, 160, 175, 180, 180m, 210, HMF200 lpi Sheet size 13 x 19 in (330 x 482 mm) maximum Image size 12.48 x 18.26 in (317 x 464 mm) maximum Paper weight and thickness* Coated: 55 lb text to 130 lb cover (80 to 350 gsm); Uncoated: 40 lb text to 130 lb cover (60 to 350 gsm); Thickness 3 to 16 pt. (70 to 400 microns) Feeder Four drawers: Three drawers with 6 in (150 mm) each, 1500 sheets of 80 lb text (120 gsm) each One special jobs drawer: 2.5 in (70mm), 700 sheets of 80 lb text, (700 sheets of 120 gsm) A total of 5200 sheets of 80 lb text (120 gsm). -
Color Chart ® ® ® ® Closest Pantone® Equivalent Shown
™ ™ II ® Color Chart ® ® ® ® Closest Pantone® equivalent shown. Due to printing limitations, colors shown 5807 Reflective ® ® ™ ® ® and Pantone numbers ® ™ suggested may vary from ac- ECONOPRINT GORILLA GRIP Fashion-REFLECT Reflective Thermo-FILM Thermo-FLOCK Thermo-GRIP ® ® ® ® ® ® ® tual colors. For the truest color ® representation, request Scotchlite our material swatches. ™ CAD-CUT 3M CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT Felt Perma-TWILL Poly-TWILL Thermo-FILM Thermo-FLOCK Thermo-GRIP Vinyl Pressure Sensitive Poly-TWILL Sensitive Pressure CAD-CUT White White White White White White White White White* White White White White White Black Black Black Black Black Black Black Black Black* Black Black Black Black Black Gold 1235C 136C 137C 137C 123U 715C 1375C* 715C 137C 137C 116U Red 200C 200C 703C 186C 186C 201C 201C 201C* 201C 186C 186C 186C 200C Royal 295M 294M 7686C 2747C 7686C 280C 294C 294C* 294C 7686C 2758C 7686C 654C Navy 296C 2965C 7546C 5395M 5255C 5395M 276C 532C 532C* 532C 5395M 5255C 5395M 5395C Cool Gray Warm Gray Gray 7U 7539C 7539C 415U 7538C 7538C* 7538C 7539C 7539C 2C Kelly 3415C 341C 340C 349C 7733C 7733C 7733C* 7733C 349C 3415C Orange 179C 1595U 172C 172C 7597C 7597C 7597C* 7597C 172C 172C 173C Maroon 7645C 7645C 7645C Black 5C 7645C 7645C* 7645C 7645C 7645C 7449C Purple 2766C 7671C 7671C 669C 7680C 7680C* 7680C 7671C 7671C 2758U Dark Green 553C 553C 553C 447C 567C 567C* 567C 553C 553C 553C Cardinal 201C 188C 195C 195C* 195C 201C Emerald 348 7727C Vegas Gold 616C 7502U 872C 4515C 4515C 4515C 7553U Columbia 7682C 7682C 7459U 7462U 7462U* 7462U 7682C Brown Black 4C 4675C 412C 412C Black 4C 412U Pink 203C 5025C 5025C 5025C 203C Mid Blue 2747U 2945U Old Gold 1395C 7511C 7557C 7557C 1395C 126C Bright Yellow P 4-8C Maize 109C 130C 115U 7408C 7406C* 7406C 115U 137C Canyon Gold 7569C Tan 465U Texas Orange 7586C 7586C 7586C Tenn. -
Power Area Density in Inverse Spectra
Power Area Density in Inverse Spectra Matthias Rang1 and Johannes Grebe-Ellis2 1Forschungsinstitut am Goetheanum, Dornach 2Bergische Universität Wuppertal Abstract In recent years, inverse spectra were investigated with imaging optics and a quanti- tative description with radiometric units was suggested (Rang 2015). It could be shown that inverse spectra complement each other additively to a constant intensity level. Since optical intensity in radiometric units is a power area density, it can be expected that energy densities of inverse spectra also fulfill an inversion equation and complement each other. In this contribution we report findings on a measure- ment of the power area density of inverse spectra for the near ultraviolet, visible and the infrared spectral range. They show the existence of corresponding spectral re- gions ultra-yellow (UY) and infra-cyan (IC) in the inverted spectrum and thereby present additional experimental evidence for equivalence of inverse spectra beyond the visible range. Introduction In his theory of colour, Goethe described the observation that inverse optical contrasts, viewed through a prism, lead to complementary spectral phenomena (Goethe 1970, Müller 2015).1 This observation has been variously addressed and linked to the questions of whether the inverted spectrum can be physically applied (Kirschmann 1917, 1924) and whether the complementarity of spectral phenomena can be generalized experimentally (Bjerke 1961). Particular attention has been given to the problem of inverting Newton's Experimentum crucis, designed to demonstrate the purity of selected spectral re- gions (Holtsmark 1970, Sällström 2010). The philosophical discussion on Goethes theory of colour has been rekindled since Olaf Müller published his comprehensive work on Goethe, Newton and the controversy about colour theory (Müller 2015). -
Violet-Green Swallow
Breeding Habitat Use Profile Habitats Used in Arizona Primary: Montane Riparian Secondary: Montane Forests, locally Upper Sonoran Desert Key Habitat Parameters Plant Composition Most montane forest types, often with some element of riparian, wetland, open water or 8 other moist habitat types Plant Density and Unknown Size Violet-green Swallow, photo by ©George Andrejko Microhabitat Snags, live trees, or cliffs for nesting, mesic Features areas with high insect productivity for forag- Conservation Profile ing 8; in wooded landscapes, often noted foraging and nesting near forest clearings Species Concerns and edges. Climate Change (Droughts) Increasing Fire Frequency Landscape Largely unknown, but must include some Timber Harvesting Practices old-growth forests or cliffs Conservation Status Lists Elevation Range in Arizona USFWS 1 No 3,200 – 10,500 feet, locally to 1,200 feet 9 AZGFD 2 No Density Estimate DoD 3 No Territory Size: Unknown BLM 4 No Density: Unknown, sometimes occurs in loose colonies 8 PIF Watch List 5b No PIF Regional Concern 5a No Migratory Bird Treaty Act Natural History Profile Covered Seasonal Distribution in Arizona PIF Breeding Population Size Estimates 6 Breeding April – early August, desert nesting may Arizona 710,000 ◑ begin in March 9 Global 7,200,000 ◑ Migration February – April; August – mid-October 9 9.93% Percent in Arizona Winter Rare, very small numbers 5b PIF Population Goal Nest and Nesting Habits Maintain 8 Type of Nest Cavity or crevice Trends in Arizona Nest Substrate Tree, rock, or cliff; also artificial -
The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
Lime Green Spirit Activities
May is Mental Health Matters Month Lime Green Spirit Activities Mental Health Matters Month is a great opportunity to involve the people in your community to learn about mental health. Below is a creative way to incorporate lime green and promote mental health awareness. For a list of other activities, click here. Limeade and Ribbon Cookies: Create an area to pass out limeade beverages and lime green ribbon cookies. This unique way to engage with the community will provide an opportunity to pass out mental health information and discuss the importance of mental health. Other ideas include a mental health bake sale or bringing in treats to an office party or staff meeting. Ask to speak for a few minutes about what the lime green ribbon means to you and hang a poster on the wall to highlight Mental Health Matters Month. Ingredients Sugar Cookies Limeade Recipe 1 ½ cups butter, 1. In a large bowl, cream together butter and sugar For a tall pitcher of limeade, simply stir together: softened until smooth. Beat in eggs and vanilla. Stir in 1 cup fresh squeezed lime juice flour, baking powder and salt. Cover and chill 2 cupsIngredients white sugar Instructions (from about 8 to 10 limes) 1.5 cups butter, softened dough1. In a for large at bowl, least cream one together hour. butter and sugar 2 cups white sugar until smooth. Beat in eggs and vanilla. Stir in flour, 4 eggs4 eggs 4 cups water 1 tsp vanilla extract 2. Preheatbaking powderoven to and 400˚. salt. CoverRoll outand chilldough dough on for a floured 1 tsp vanilla5 cups all-purpose extract flour at least one hour. -
Pressure Ulcer Staging Cards and Skin Inspection Opportunities.Indd
Pressure Ulcer Staging Pressure Ulcer Staging Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, warmer or cooler as compared to adjacent tissue. warmer or cooler as compared to adjacent tissue. Stage 1: Intact skin with non- Stage 1: Intact skin with non- blanchable redness of a localized blanchable redness of a localized area usually over a bony prominence. area usually over a bony prominence. Darkly pigmented skin may not have Darkly pigmented skin may not have visible blanching; its color may differ visible blanching; its color may differ from surrounding area. from surrounding area. Stage 2: Partial thickness loss of Stage 2: Partial thickness loss of dermis presenting as a shallow open dermis presenting as a shallow open ulcer with a red pink wound bed, ulcer with a red pink wound bed, without slough. May also present as without slough. May also present as an intact or open/ruptured serum- an intact or open/ruptured serum- fi lled blister. fi lled blister. Stage 3: Full thickness tissue loss. Stage 3: Full thickness tissue loss. Subcutaneous fat may be visible but Subcutaneous fat may be visible but bone, tendon or muscle are not exposed. -
Monochromatic: Red Orange Yellow Green Blue Violet Complementary
Monochromatic: Split Complementary: Red Red, Yellow-Green, Blue-Green Orange Red-Orange, Green, Blue Yellow Orange, Blue-Green, Blue-Violet Green Yellow-Orange, Blue, Violet Blue Yellow, Blue-Violet, Red-Violet Violet Yellow-Green, Violet, Red Green, Red-Violet, Red-Orange Complementary: Blue-Green, Red, Orange Red & Green Blue, Red-Orange, Yellow-Orange Red-Orange & Blue-Green Blue-Violet, Orange, Yellow Orange & Blue Violet, Yellow-Orange, Yellow-Green Yellow-Orange & Blue-Violet Red-Violet, Yellow, Green Yellow & Violet Yellow-Green & Red-Violet Tetradic: Red, Yellow, Green, Violet Triadic: Red, Yellow-Orange, Green, Blue-Violet Red, Yellow, Blue Red-Orange, Blue-Green, Yellow-Orange, Blue- Red-Orange, Yellow-Green, Blue-Violet Violet Orange, Green, Violet Red-Orange, Blue-Green, Yellow, Violet Yellow-Orange, Blue-Green, Red-Violet Orange, Blue, Green, Red Orange, Blue, Yellow-Green, Red-Violet Analogous: Yellow-Orange, Blue-Violet, Green, Red Red, Red Orange, Orange Yellow, Violet, Blue, Orange Red-Orange, Orange, Yellow-Orange Yellow-Green, Red-Violet, Blue-Green, Red- Orange, Yellow-Orange, Yellow Orange Yellow-Orange, Yellow, Yellow-Green Yellow, Yellow-Green, Green Yellow-Green, Green, Blue-Green Green, Blue-Green, Blue Blue-Green, Blue, Blue-Violet Blue, Blue-Violet, Violet Blue-Violet, Violet, Red-Violet Violet, Red-Violet, Red Red-Violet, Red, Red-Orange . -
The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names
Uc 8 , .Department of Commerce Na Canal Bureau of Standards Circular UNITED STATES DEPARTMENT OF COMMERCE • Sinclair Weeks, Secretary NATIONAL BUREAU OF STANDARDS • A. V. Astin, Director The ISCC-NBS Method of Designating Colors and a Dictionary of Color Names National Bureau of Standards Circular 553 Issued November 1, 1955 For sale by the Superintendent of Documents, U. S. Government Printing Office, Washington 25, D. C. Price 32 7 1 National Bureau of Standards NOV 1 1955 8 (0*118 QC 00 U555 Cop. 1 Preface I^Ever since the language of man began to develop, words or expressions have been used first to indicate and then to describe colors. Some of these have per- sisted throughout the centuries and are those which refer to the simple colors or ranges such as red or yellow. As the language developed, more and more color names were invented to describe the colors used by art and industry and in late years in the rapidly expanding field of sales promotion. Some of these refer to the pigment or dye used, as Ochre Red or Cochineal, or a geographical location of its source such as Naples Yellow or Byzantium. Later when it became clear that most colors are bought by or for women, many color names indicative of the beauties and wiles of the fan- sex were introduced, as French Nude, Heart’s Desire, Intimate Mood, or Vamp. Fanciful color names came into vogue such as Dream Fluff, Happy Day, Pearly Gates, and Wafted Feather. Do not suppose that these names are without economic importance for a dark reddish gray hat for Milady might be a best seller ; if advertised as Mauve Wine whereas it probably would not if the color were called Paris Mud. -
Georgia Peach Martini
710 HUFFMAN MILL ROAD BURLINGTON NORTH CAROLINA 27215 336.584.0479 GRILL584.COM WINE, BEER & COCKTAILS Our wines have been meticulously chosen from the world’s most treasured wineries. This wine list combines familiar names along with new hidden treasures chosen exclusively for . Our balanced wine selection is designed to fully complement your dining experience. Upon your request, our knowledgeable staff will pair an appropriate wine with your meal in an effort to create a memorable and elegant dining experience. Feeaturedatured WWhiteshites Steeple Jack Chardonnay, Austrailia 5.95 24.00 The colour of pale straw with a green hue; aromas of peach, ripe melon and honeysuckle on the nose. A full, soft, stonefruit palate of peaches and nectarines intermingled with rockmelon, with a creamy texture and a lingering lime citrus fi nish. Lafage Cote Est, France 6.75 26.00 The Cotes Catalanes Cote d’Est (50% Grenache Blanc, 30% Chardonnay, 20% Marsanne, aged in stainless steel on lees) is beautifully crisp and pure, with juicy acidity giving lift to notions of buttered citrus, green herbs and honeyed minerality. Medium-bodied, lively and certainly delicious, it’s a fantastic meal starter. Feeaturedatured RRedseds Gravel Bar Alluvial Red Blend, Columbia Valley 8.95 36.00 This is a full-bodied red blend (30% Cabernet Sauvignon, 30% Merlot, 15% Cabernet Franc, 10% Malbec, 10% Petit Verdot) with vibrant fl avors of dried cherries, plum, toffee, chocolate and vanilla. The structure is rich, with bold tannins extending the fi nish. Block & Tackle Cabernet Sauvignon, California 7.75 31.00 A deep ruby color with a rich nose of blackberries, raspberries and hints of pepper. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey