Frederick William Beechey (1796-1856)
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My Dear Beaufort: a Personal Letter from John Ross's Arctic Expedition
ARCTIC VOL. 40, NO. 1 (MARCH 1987) P. 66-77 My Dear Beaufort: A Personal Letter from John Ross’s Arctic Expedition of 1829-33 CLIVE HOLLAND’ and JAMES M. SAVELLE2 (Received 30 January 1986; accepted in revised form 6 October 1986) ABSTRACT. During his four years’ residence in the Canadian Arctic in search of a Northwest Passage in 1829-33, John Ross wrote a private letter to Francis Beaufort, Hydrographer of the Navy. The letter, reproduced here, provides valuable historical insights into many aspects of Ross’s character and of the expedition generally. His feelings of bitterness toward several of his contemporaries, especially John Barrow and William E. Parry, due to the ridicule suffered as a result of the failure of his first arctic voyage in 1818, are especially revealing, as is his apparently uneasy relationship with his nephew and second-in-command, James Clark Ross. Ross’s increasing despair andpessimism with each succeeding enforced wintering and, eventually, the abandonment of the expedition ship Victory are also clearly evident. Finally,the understandable problems of maintaining crew discipline during the final year of the expedition, though downplayed, begin to emerge. Key words: John Ross, arctic exploration, 1829-33 Arctic Expedition, unpublished letter RÉSUMÉ. Durant les quatre années où ilr6sidadans l’Arctique canadien à la recherche du Passage du Nord-Ouest, de 1829 à 1833, John Ross écrivit une lettre personnelle à Francis Beaufort, hydrographe de la marine. Cette lettre, reproduite ici, permet de mieux apprécier du point de vue historique, certains aspects du caractère de Ross et de l’expédition en général. -
Of Penguins and Polar Bears Shapero Rare Books 93
OF PENGUINS AND POLAR BEARS Shapero Rare Books 93 OF PENGUINS AND POLAR BEARS EXPLORATION AT THE ENDS OF THE EARTH 32 Saint George Street London W1S 2EA +44 20 7493 0876 [email protected] shapero.com CONTENTS Antarctica 03 The Arctic 43 2 Shapero Rare Books ANTARCTIca Shapero Rare Books 3 1. AMUNDSEN, ROALD. The South Pole. An account of “Amundsen’s legendary dash to the Pole, which he reached the Norwegian Antarctic Expedition in the “Fram”, 1910-1912. before Scott’s ill-fated expedition by over a month. His John Murray, London, 1912. success over Scott was due to his highly disciplined dogsled teams, more accomplished skiers, a shorter distance to the A CORNERSTONE OF ANTARCTIC EXPLORATION; THE ACCOUNT OF THE Pole, better clothing and equipment, well planned supply FIRST EXPEDITION TO REACH THE SOUTH POLE. depots on the way, fortunate weather, and a modicum of luck”(Books on Ice). A handsomely produced book containing ten full-page photographic images not found in the Norwegian original, First English edition. 2 volumes, 8vo., xxxv, [i], 392; x, 449pp., 3 folding maps, folding plan, 138 photographic illustrations on 103 plates, original maroon and all full-page images being reproduced to a higher cloth gilt, vignettes to upper covers, top edges gilt, others uncut, usual fading standard. to spine flags, an excellent fresh example. Taurus 71; Rosove 9.A1; Books on Ice 7.1. £3,750 [ref: 96754] 4 Shapero Rare Books 2. [BELGIAN ANTARCTIC EXPEDITION]. Grande 3. BELLINGSHAUSEN, FABIAN G. VON. The Voyage of Fete Venitienne au Parc de 6 a 11 heurs du soir en faveur de Captain Bellingshausen to the Antarctic Seas 1819-1821. -
The Intrepid Life of George Back, Franklin's Lieutenant. by Peter Steele
Document generated on 09/24/2021 11:02 a.m. Scientia Canadensis Canadian Journal of the History of Science, Technology and Medicine Revue canadienne d'histoire des sciences, des techniques et de la médecine The Man Who Mapped the Arctic: The Intrepid Life of George Back, Franklin's Lieutenant. By Peter Steele. (Vancouver: Raincoast Books, 2003. xviii + 307 p., ill. ISBN 1-55192-648-2. $39.95) Trevor H. Levere Volume 27, 2003 URI: https://id.erudit.org/iderudit/800462ar DOI: https://doi.org/10.7202/800462ar See table of contents Publisher(s) CSTHA/AHSTC ISSN 0829-2507 (print) 1918-7750 (digital) Explore this journal Cite this review Levere, T. H. (2003). Review of [The Man Who Mapped the Arctic: The Intrepid Life of George Back, Franklin's Lieutenant. By Peter Steele. (Vancouver: Raincoast Books, 2003. xviii + 307 p., ill. ISBN 1-55192-648-2. $39.95)]. Scientia Canadensis, 27, 101–104. https://doi.org/10.7202/800462ar Tous droits réservés © Canadian Science and Technology Historical Association This document is protected by copyright law. Use of the services of Érudit / Association pour l'histoire de la science et de la technologie au Canada, 2005 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Book Reviews / Comptes rendus 101 Science / Science The Man Who Mapped the Arctic: The Intrepid Life of George Back, Franklin's Lieutenant. -
Newfoundland in International Context 1758 – 1895
Newfoundland in International Context 1758 – 1895 An Economic History Reader Collected, Transcribed and Annotated by Christopher Willmore Victoria, British Columbia April 2020 Table of Contents WAYS OF LIFE AND WORK .................................................................................................................. 4 Fog and Foundering (1754) ............................................................................................................................ 4 Hostile Waters (1761) .................................................................................................................................... 4 Imports of Salt (1819) .................................................................................................................................... 5 The Great Fire of St. John’s (1846) ................................................................................................................. 5 Visiting Newfoundland’s Fisheries in 1849 (1849) .......................................................................................... 9 The Newfoundland Seal Hunt (1871) ........................................................................................................... 15 The Inuit Seal Hunt (1889) ........................................................................................................................... 19 The Truck, or Credit, System (1871) ............................................................................................................. 20 The Preparation of -
FACE to FACE Gallery News Issue No
P FACE TO FACE Gallery News Issue no. 6 Autumn 2003 Writing in this issue: Julian Fellowes, Bruce Oldfield and Gerald Scarfe FROM THE DIRECTOR The autumn exhibition Below Stairs: 400 Years of Servants’ Portraits offers an unusual opportunity to see fascinating images of those who usually remain invisible. The exhibition offers intriguing stories of the particular individuals at the centre of great houses, colleges or business institutions and reveals the admiration and affection that caused the commissioning of a portrait or photograph. We are also celebrating the completion of the new scheme for Trafalgar Square with the young people’s education project and exhibition, Circling the Square, which features photographs that record the moments when the Square has acted as a touchstone in history – politicians, activists, philosophers and film stars have all been photographed in the Square. Photographic portraits also feature in the DJs display in the Bookshop Gallery, the Terry O’Neill display in the Balcony Gallery and the Schweppes Photographic Portrait Prize launched in November in the Porter Gallery. Gerald Scarfe’s rather particular view of the men and women selected for the Portrait Gallery is published at the end of September. Heroes & Villains, is a light hearted and occasionally outrageous view of those who have made history, from Elizabeth I and Oliver Cromwell to Delia Smith and George Best. The Gallery is very grateful for the support of all of its Patrons and Members – please do encourage others to become Members and enjoy an association with us, or consider becoming a Patron, giving significant extra help to the Gallery’s work and joining a special circle of supporters. -
Darnley Portraits
DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat -
Annual Review 2011 – 2012
AnnuA l Review 2011 – 2012 Dulwich Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings. Today we believe the same, because we know that art can change lives. I w hat makes us world-class is our exceptional collection of Old Master paintings. I england – which allows visitors to experience those paintings in an intimate, welcoming setting. I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better. Cover image: installation view of David Hockney, Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. Tate, Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate. Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central London to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011. -
Preservation Board
The Preservation of Richmond Park © n 1751, the rangership was granted to King George’s youngest agricultural improvements. Minister Lord John Russell (later Earl Russell) in 1846. which still bears his name. Queen Elizabeth - the army’s famous daughter Princess Amelia. She immediately began to tighten the When a new gate and gate lodge In 1835 when Petersham Lodge Queen Mother) were “Phantom” restrictions on entry. Within 6 weeks of her taking up the post there were required for the Richmond In 1801 King George III decided that Henry Addington, his new Prime came on the market, the Office given White Lodge as reconnaissance Iwas an incident. Gate, the plan by Sir John Soane of Woods and Works purchased their first home after squadron, and (surviving in the Soane Museum in the estate, demolished the very their marriage in 1923. 50 acres in the The annual beating of the bounds of Richmond parish had always London) was submitted to the King decayed house, and restored the They found it too remote south-west required entry into the Park. But the bound-beating party of 1751 in April 1795 and was then marked whole of “Petersham Park” to and rapidly gave it up to of the Park found the usual ladder-stile removed. They entered by a breach in the “as approved by His Majesty”. Richmond Park. A new terrace move into London! were used for wall. Sir John Soane was also walk was made along the top of a large hutted instrumental in transforming the the hillside. Old Lodge had been By then the Park was camp for the “mole catcher’s cottage” into the demolished in 1839-41. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Karte des Arktischen Archipel's der Parry-Inseln nach den bis zum Jarhe 1855 gewonnenen Resultaten Englisher Aufnahmen gezeichnet von A. Petermann Stock#: 42130 Map Maker: Petermann Date: 1855 Place: Gotha Color: Color Condition: VG Size: 22.5 x 10 inches Price: SOLD Description: Rare German Map of the Northwest Passage Scarce separately-published map of the Arctic Region, extending from Baffin Bay to Banks Straits and Prince Patrick Island. The map was published by August Petermann. Petermann was trained and worked for much of his life in Germany, but he began his cartographic career in Britain (Edinburgh and London) and advised many of the British Arctic expeditions of the 1840s and early 1850s. This interest in exploration is evident, as the map is littered with notes about which explorers first encountered which islands. There is also a color-coded key highlighting the voyages of: Red: Sir Edward E. Belcher -- August 14, 1852 to June 22, 1853 Yellow: G.H. Richarsd & S.H. Osborn -- April 10, 1853 to July 15, 1853 Orange: F.L. McClintock -- Apirl 4, 1853 to July 18, 1853 Blue: G.F. Mecham -- April 4, 1853 to July 6, 1853 Purple: R.V. Hamilton -- April 27 to June 21, 1853. The map also references earlier expeditions. For example, the title of the map references the Parry Islands. These are now known as the Queen Elizabeth Islands. Originally, they were named for British Arctic explorer William Edward Parry who, in 1819, got as far as Melville Island before being blocked by ice. -
Rather Than Imposing Thematic Unity Or Predefining a Common Theoretical
The Supernatural Arctic: An Exploration Shane McCorristine, University College Dublin Abstract The magnetic attraction of the North exposed a matrix of motivations for discovery service in nineteenth-century culture: dreams of wealth, escape, extreme tourism, geopolitics, scientific advancement, and ideological attainment were all prominent factors in the outfitting expeditions. Yet beneath this „exoteric‟ matrix lay a complex „esoteric‟ matrix of motivations which included the compelling themes of the sublime, the supernatural, and the spiritual. This essay, which pivots around the Franklin expedition of 1845-1848, is intended to be an exploration which suggests an intertextuality across Arctic time and geography that was co-ordinated by the lure of the supernatural. * * * Introduction In his classic account of Scott‟s Antarctic expedition Apsley Cherry- Garrard noted that “Polar exploration is at once the cleanest and most isolated way of having a bad time which has been devised”.1 If there is one single question that has been asked of generations upon generations of polar explorers it is, Why?: Why go through such ordeals, experience such hardship, and take such risks in order to get from one place on the map to another? From an historical point of view, with an apparent fifty per cent death rate on polar voyages in the long nineteenth century amid disaster after disaster, the weird attraction of the poles in the modern age remains a curious fact.2 It is a less curious fact that the question cui bono? also featured prominently in Western thinking about polar exploration, particularly when American expeditions entered the Arctic 1 Apsley Cherry-Garrard, The Worst Journey in the World. -
ARCTIC Exploration the SEARCH for FRANKLIN
CATALOGUE THREE HUNDRED TWENTY-EIGHT ARCTIC EXPLORATION & THE SeaRCH FOR FRANKLIN WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue is devoted to Arctic exploration, the search for the Northwest Passage, and the later search for Sir John Franklin. It features many volumes from a distinguished private collection recently purchased by us, and only a few of the items here have appeared in previous catalogues. Notable works are the famous Drage account of 1749, many of the works of naturalist/explorer Sir John Richardson, many of the accounts of Franklin search expeditions from the 1850s, a lovely set of Parry’s voyages, a large number of the Admiralty “Blue Books” related to the search for Franklin, and many other classic narratives. This is one of 75 copies of this catalogue specially printed in color. Available on request or via our website are our recent catalogues: 320 Manuscripts & Archives, 322 Forty Years a Bookseller, 323 For Readers of All Ages: Recent Acquisitions in Americana, 324 American Military History, 326 Travellers & the American Scene, and 327 World Travel & Voyages; Bulletins 36 American Views & Cartography, 37 Flat: Single Sig- nificant Sheets, 38 Images of the American West, and 39 Manuscripts; e-lists (only available on our website) The Annex Flat Files: An Illustrated Americana Miscellany, Here a Map, There a Map, Everywhere a Map..., and Original Works of Art, and many more topical lists. Some of our catalogues, as well as some recent topical lists, are now posted on the internet at www.reeseco.com. -
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vate collections to highlight the Queen’s accom- contradictions. This exhibition presents a major plishments as a devoted mother, a notable patron survey of Dial’s work, an epic gathering of over of the arts, and a loyal consort to the King. Royal fifty large-scale paintings, sculptures, and wall NC Institutional Galleries portraits by Allan Ramsay, Sir Joshua Reynolds, assemblages that address the most compelling continued from Page 43 and Sir William Beechey are featured in the exhi- issues of our time. Ongoing - The Mint Museum bition, as are representative examples of works Uptown will house the world renowned collec- a Charlotte resident and native of Switzerland fill the Gantt Center galleries with objects as from the English manufactories - Wedgwood, tions of the Mint Museum of Craft + Design, as who assembled and inherited a collection of diverse as the typewriter Alex Haley used when Chelsea, Worcester, and others - patronized by well as the American Art and Contemporary Art more than 1,400 artworks created by major he penned his Pulitzer Prize-winning book the Queen. Williamson Gallery, Through Dec. collections and selected works from the Euro- figures of 20th-century modernism and donated "Roots" to Prince’s guitar! Ongoing - Featur- 31 - Threads of Identity: Contemporary Maya pean Art collection. The building also includes it to the public trust. The Bechtler collection ing selections from the John & Vivian Hewitt Textiles. Maya peoples of Guatemala and south- a café, a Family Gallery, painting and ceramics comprises artworks by seminal figures such as Collection of African-American Art, one of the eastern Mexico are renowned for their time-hon- studios, classrooms, a 240-seat auditorium, a Alberto Giacometti, Joan Miro, Jean Tinguely, nation's most important and comprehensive ored tradition of magnificent attire.