Threatens Revision Bill Small Towner Petition
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God Loves Ugly
"This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness." -ROLLING STONE STREET DATE: 1.20.09 ATMOSPHERE GOD LOVES UGLY Repackaged, remastered and uglier than ever, the critically acclaimed third official studio release from Atmosphere, God Loves Ugly, is back after being out of print for over a year. The God Loves RSE-0031 Ugly re-issue also features a FREE bonus DVD. Format: CD+DVD / 2LP+DVD Packaging: Digi-Pak Originally released as the limited Sad Clown Bad Box Lot: 30 File Under: Rap/Hip Hop “A” Dub 4 (The Godlovesugly Release Parties) DVD, Parental Advisory: Yes it features 2 hours of live performance footage, Street Date: 1.20.09 backstage shenanigans, several special guest appearances and music videos for “Godlovesugly”, CD-826257003126 LP-826257003119 “Summersong” and “Say Shh”. Out of print +26257-AADBCg +26257-AADBBj for years, this DVD has been repackaged in a custom sleeve that comes inserted in with the re-issue of God Loves Ugly. TRACKLISTING: 1. ONEMOSPHERE 2. THE BASS AND THE MOVEMENT SELLING POINTS: 3. GIVE ME •Produced by Ant (Atmosphere, Brother Ali, Felt, etc.) 4. F*@CK YOU LUCY God Loves Ugly has scanned over 174,000 RTD. 5. HAIR • 6. GODLOVESUGLY •Catalog sales history of over a million units. 7. A SONG ABOUT A FRIEND •Current release When Life Gives You Lemons, You Paint 8. FLESH That Shit Gold scanned 36,526 in it’s first week and 9. SAVES THE DAY 10. LOVELIFE debuted #5 on the Billboard Top 200. 11. BREATHING 12. -
Loh Hill AUTOMOBILE PAETY HAVE EX the CONGREGATIONAL MILK MEETING - CITING EXPERIENCE
The. Newtown Bee NUMBER 83 VOLUME XXXI. NEWTOWN, CONN., FRIDAY, AUGUST 27, J 909. CHURCH.' TRINITY PARISH. EDITORIAL INK DR.OPS. loH HilL AUTOMOBILE PAETY HAVE EX THE CONGREGATIONAL MILK MEETING - CITING EXPERIENCE. In down "the from FAIR FOR 8T STEPHEN'S CHURCH Sunday Services, To be Held on Saturday, the 28th, at riding valley A social and dance will be held In New Milford on a railroad train tne 11 with the Town hall. Sunday Services. Ptulnwt' hull, Monday evening, August At a. m., mornlngervlce oc- Machine In Ditch While 11 other day the Editor chanced to 20, for the benellt or Ht Stephen's lands the sermon the at 12 m., Sun- At a. m., morning prayer and Cuke and Ice cream be on by pastor; Farmers in the seat C. G. church. will Chauffeur was to Avoid engagsd production of Rock-vlll- e; cupy a with Attorney sale. A corilliil Invitation Is extended Trying: at 7.30 ra Christian sermon by Rev J. F. George day school; p. of milk for market should be sure to Morris, wbo called the writer's at- to all to attend. Some, Obliging Cows. "Con- at 12 m., Sunday school; at Endeavor meeting. Subject, attend the on the meeting Saturday, 7.30 tention to the chestnut tree lllf.lit, Fred Keuhne of Parle Lena hni a new On Rev quest of India." Studying Chapter ? p, m., evening prayer. gasoline engine for powar Wednesday afternoon, 28th, at tne Town ball at 1 p. m. which is now making its appearanc e . on his farm,- - of K. -
Hiv Alliance Event Featuring Piksix
K k NOVEMBER 2018 K g VOL. 30 #10 H WOWHALL.ORGk carols that still haunted us. We included a few original tunes and called our wintry mix The Darkest Night Of The Year. We played a special “darkest night” release concert on winter solstice in an old theater in Cincinnati. Folks began snatching up copies and seemed to agree that they hadn’t heard anything quite like it. “We began playing concerts around the Midwest every December and found that the rooms were usually packed full of people who had bundled in out of the cold with prized compatriots. Hats and scarves abounded. If you stepped outside during intermission, you could make ghosts with your breath in the crisp night air. And it was dark – oh so dark: a time of year with its own music. “A decade later, in 2006, we released our first full collection of original Christmas/holiday songs called Snow Angels. What is it OVER THE RHINE CHRISTMAS SHOW about Christmas music and the On Sunday, December 2, the originals, which invoke hard times public radio station in Cincinnati. the radio broadcast, because we undeniable gravitational pull it Community Center for the and celebrate the survival of the It was Christmastime and began receiving inquiries as to exerts on some songwriters? So Performing Arts proudly welcome’s least fit.” apparently they thought we were whether we had recorded any of many Christmas songs had already Over The Rhine’s Christmas Show Over the Rhine will return to up to the task. We worked up a our Christmas songs. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
AVMA Guidelines for the Euthanasia of Animals: 2020 Edition*
AVMA Guidelines for the Euthanasia of Animals: 2020 Edition* Members of the Panel on Euthanasia Steven Leary, DVM, DACLAM (Chair); Fidelis Pharmaceuticals, High Ridge, Missouri Wendy Underwood, DVM (Vice Chair); Indianapolis, Indiana Raymond Anthony, PhD (Ethicist); University of Alaska Anchorage, Anchorage, Alaska Samuel Cartner, DVM, MPH, PhD, DACLAM (Lead, Laboratory Animals Working Group); University of Alabama at Birmingham, Birmingham, Alabama Temple Grandin, PhD (Lead, Physical Methods Working Group); Colorado State University, Fort Collins, Colorado Cheryl Greenacre, DVM, DABVP (Lead, Avian Working Group); University of Tennessee, Knoxville, Tennessee Sharon Gwaltney-Brant, DVM, PhD, DABVT, DABT (Lead, Noninhaled Agents Working Group); Veterinary Information Network, Mahomet, Illinois Mary Ann McCrackin, DVM, PhD, DACVS, DACLAM (Lead, Companion Animals Working Group); University of Georgia, Athens, Georgia Robert Meyer, DVM, DACVAA (Lead, Inhaled Agents Working Group); Mississippi State University, Mississippi State, Mississippi David Miller, DVM, PhD, DACZM, DACAW (Lead, Reptiles, Zoo and Wildlife Working Group); Loveland, Colorado Jan Shearer, DVM, MS, DACAW (Lead, Animals Farmed for Food and Fiber Working Group); Iowa State University, Ames, Iowa Tracy Turner, DVM, MS, DACVS, DACVSMR (Lead, Equine Working Group); Turner Equine Sports Medicine and Surgery, Stillwater, Minnesota Roy Yanong, VMD (Lead, Aquatics Working Group); University of Florida, Ruskin, Florida AVMA Staff Consultants Cia L. Johnson, DVM, MS, MSc; Director, -
Atmosphereovercastfullalbumzip
AtmosphereOvercastfullalbumzip AtmosphereOvercastfullalbumzip 1 / 3 2 / 3 contact / help. Contact Atmosphere · Streaming and. Download help · Redeem code. Report this album or account. Top.. HipHopDX spoke to Slug about Atmosphere releasing "Overcast! ... old people, this is the first time we've ever put out the whole album on vinyl,” Slug ... Check out a sample of the remastered album and its new tracklist below.. Atmosphere (2) – Overcast! - Twenty Year Anniversary. Overcast! - Twenty Year Anniversary (Vinyl, LP, Album, Reissue, Remastered ... Tracklist Hide Credits .... Overcast! is the debut studio album by Minneapolis hip hop group Atmosphere, released in August 5, 1997 on Rhymesayers Entertainment. It's the only .... Get a special offer and listen to over 60 million songs, anywhere with Amazon Music Unlimited. Renews automatically. New subscribers only. Limited time offer.. Tracklist: 1. 1597, 2. Brief Description, 3. Current Status, 4. Complications, 5. 4:30 AM, 6. Adjust, 7. Clay, 8. @, 9. Sound Is Vibration, 10. Multiples, 11. Scapegoat .... 1997 - Atmosphere - Overcast! Tracklist. 01 - 1597. 02 - Brief Description ... Tracklist. 01 - YGM. 02 - Little Math You. 03 - Full Moon. 04 - The Things That Hate Us.. FULL ALBUM CLICK HERE: http://tinybit.cc/bdf7b7ac ... [32] Furthermore, Slug has review Atmosphere's first album Overcast!, adage: "It's .... “Overcast!” is the debut studio album of the Minnesota hip hop group Atmosphere. Originally, the group consisted of rappers Slug and Spawn with producer Ant ... On his second full length LP, teacher by day and rapper by night J-Live put ... Leak Bros' Water World has Cage at his drug- riddled, dark, ... Just as Overcast was being released, rapper Spawn (now known as Rek .. -
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’S Rebels
The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Christopher Vito The Values of Independent Hip-Hop in the Post-Golden Era Hip-Hop’s Rebels Christopher Vito Southwestern College Chula Vista, CA, USA ISBN 978-3-030-02480-2 ISBN 978-3-030-02481-9 (eBook) https://doi.org/10.1007/978-3-030-02481-9 Library of Congress Control Number: 2018958592 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Interview with Slug from Atmosphere
Interview with Slug from Atmosphere Ever since the start of their own record label with Rhymesayers Entertainment and the release of their debut album Overcast! during the mid-’90s, Minneapolis hip-hop duo Atmosphere has risen to be one of the biggest names in independent music. Recently I managed to have a chat the MC of the duo in Slug about the group’s North Of Hell Tour making a stop at Lupo’s Heartbreak Hotel on November 18, their new album Southsiders, life continuously on the road, and an inside look at one of the most talented rappers around today. Rob Duguay: Atmosphere will be coming to Lupo’s on November 18 to once again set the stage on fire. You’ve performed in Providence numerous times, so what always makes you want to mark The Creative Capital on your calendar when you head out on tour? Slug: We’ll go anywhere that’ll let us perform so there’s no real way to answer the question on why we keep coming back. The real question is why do you let us keep coming back? We keep coming back to Providence because you guys treat us like you love us. You guys treat us like we’re amazing and that’s the kind of validation you just don’t get everywhere. I’m a freak for validation, I love it, it’s like orgasmic. Technically we’ll go anywhere that lets us/ Estonia, Providence, Uruguay, anywhere. RD: We’re all looking forward to the show at Lupo’s and it should be a blast. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Just Say No to 360s: The Politics of Independent Hip-Hop Permalink https://escholarship.org/uc/item/02h786r6 Author Vito, Christopher Sangalang Publication Date 2017 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Hip-hop becomes mainstream, 1995-2000 Pre-Life Crisis (1995) by Nashville's rapper, multi-instrumentalist and producer Count Bass D (Dwight Farrell) was the first rap album to feature all live instruments. New Orleans's Master P (Percy Miller) was the leading entrepreneur of unadulterated gangsta-rap. He turned it into the hip-hop equivalent of a serial show, with releases being manufactured according to Master P's script at his studios by a crew of producers. His own albums Ice Cream Man (1996) and Ghetto D (1997) were the ultimate stereotypes of the genre. In 1998, his musical empire had six albums in the Top-100 charts. Atlanta's producer Jonathan "Lil Jon" Smith and his East Side Boyz coined a fusion of hip-hop and synth-pop called "crunk", from the title of their debut, Get Crunk Who U Wit (1996). The first star of East Coast's Latino rap was Christopher "Big Punisher" Rios, a second-generation Puertorican of New York who died of a heart attack shortly after climbing the charts with Capital Punishment (1998). -
The Transcendentalist Hip-Hop Movement
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2012 The rT anscendentalist hip-hop movement Justin Michael Atwell Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Literature Commons, Literature in English, North America Commons, and the Music Commons Recommended Citation Atwell, Justin Michael, "The rT anscendentalist hip-hop movement" (2012). Graduate Theses and Dissertations. 12263. https://lib.dr.iastate.edu/etd/12263 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The Transcendentalist hip-hop movement by Justin M. Atwell A thesis submitted to the graduate faculty in partial fulfillment for the requirements of the degree of MASTERS OF ARTS Major: English (Literature) Program of Study Committee: Matthew Wynn Sivils, Major Professor Barbara Ching Benjamin Percy Iowa State University Ames, Iowa 2012 Copyright © Justin M. Atwell, 2012. All rights reserved. ii TABLE OF CONTENTS ACKNOWLEDGMENTS iii CHAPTER 1. INTRODUCTION 1 CHAPTER 2. SIMPLICITY AND SELF IMPROVEMENT: HENRY DAVID THOREAU’S WALDEN MEETS MIDWESTERN HIP-HOP 10 CHAPTER 3. NEW SPACES: THE “URBAN PASTORAL” IN MIDWESTERN HIP-HOP 27 CHAPTER 4. I NEED JUST A MINUTE WITH ME: DESSA AND THE FEMINIST MOVEMENT IN HIP-HOP 47 WORKS CITED 60 iii Acknowledgments First and foremost, I would like to thank my major professor, Dr. -
The BG News October 14, 2004
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-14-2004 The BG News October 14, 2004 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 14, 2004" (2004). BG News (Student Newspaper). 7334. https://scholarworks.bgsu.edu/bg-news/7334 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. THURSDAY October 14, 2004 WHATDHESAY?:Jeff "^^ ■"" % 1/1/ ^ Garcia was at a loss after ^^^ 1 1/ 1/ i PM SHOWERS being insulted by head II .. 1 A Ik / HIGH: 63 LOW: 47 www.bgnews.com I H M B A daily independent student press VOLUME 99 ISSUE 34 Round Three JERRY IN BG: Springer speaks with TV news after speech. Springer motivates democrats By Dan Myers HE PORTE A lerry Springer spoke to stu- dents at a Democratic rally in the Union last night, urging them to vote for Democratic presidential candidate lohn Kerry tills Nov. 2. Laura Rauch HP Photo Laura Rauch AP Photo Nathan Nickens, a BGSU student who is running for state senate, and Robin Wcirauch, an employee of Kerry and Bush battle in final debate over domestic affairs BGSU's Center for Policy and By Mary Dalrymple spending. said many of the nation's ills can president has turned his back standing behind identical lec- Public Service who is running IHt ASSOCIATED PRESS Mien's ,i mainstream in be laid at Bush's feet.