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Columbia Chronicle (05/21/2001) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 5-21-2001 Columbia Chronicle (05/21/2001) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (05/21/2001)" (May 21, 2001). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/514 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Sport~ECEIVED The Chocolate Turner Cup bound Messiah resurrects Nt.~· 2 :'! 2001 COLVMJJ!A ·,... Back Pc€')LLEGE LmRA}fy; Internet cheating creates mixed views But now students are finding By Christine Layous new ways to help ease their Staff Writer workload by buying papers o fT the Internet. "Plagiarism is a serious To make it easier for stu offense and is not, by any dents, there are Web sites that means, c<,mdoned or encour offer papers for a price. aged by Genius Papers." Geniuspapers.com was even A disclaimer with that mes featured on the search engine sage would be taken serious. Yahoo. They offer access to but how seriously when it term papers written by stu comes from an Internet site dents for a subscription of only that's selling term papers? $9.95 a year. -
God Loves Ugly
"This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness." -ROLLING STONE STREET DATE: 1.20.09 ATMOSPHERE GOD LOVES UGLY Repackaged, remastered and uglier than ever, the critically acclaimed third official studio release from Atmosphere, God Loves Ugly, is back after being out of print for over a year. The God Loves RSE-0031 Ugly re-issue also features a FREE bonus DVD. Format: CD+DVD / 2LP+DVD Packaging: Digi-Pak Originally released as the limited Sad Clown Bad Box Lot: 30 File Under: Rap/Hip Hop “A” Dub 4 (The Godlovesugly Release Parties) DVD, Parental Advisory: Yes it features 2 hours of live performance footage, Street Date: 1.20.09 backstage shenanigans, several special guest appearances and music videos for “Godlovesugly”, CD-826257003126 LP-826257003119 “Summersong” and “Say Shh”. Out of print +26257-AADBCg +26257-AADBBj for years, this DVD has been repackaged in a custom sleeve that comes inserted in with the re-issue of God Loves Ugly. TRACKLISTING: 1. ONEMOSPHERE 2. THE BASS AND THE MOVEMENT SELLING POINTS: 3. GIVE ME •Produced by Ant (Atmosphere, Brother Ali, Felt, etc.) 4. F*@CK YOU LUCY God Loves Ugly has scanned over 174,000 RTD. 5. HAIR • 6. GODLOVESUGLY •Catalog sales history of over a million units. 7. A SONG ABOUT A FRIEND •Current release When Life Gives You Lemons, You Paint 8. FLESH That Shit Gold scanned 36,526 in it’s first week and 9. SAVES THE DAY 10. LOVELIFE debuted #5 on the Billboard Top 200. 11. BREATHING 12. -
Dokkedal/Dixen Och Dj Bang Bang Club
Uppsala 29.09.2010 Pressmeddelande RJD2 Uppsala Konsert & Kongress Onsdag 6 oktober, 20.00 Sal B Support: Dokkedal/Dixen och Dj Bang Bang Club Med en mix av hiphop, soul och pop är RJD2 nu större än någonsin. Ett bra tecken är att en av hans låtar används som signatur i den enormt populära tv-serien Mad Men. Onsdag 6 oktober kommer han till Uppsala. Ramble John ”RJ” Krohn startade sin lysande karriär hemma i Ohio, USA. Han lånade ett par skivspelare av en kompis och började sin bana som DJ. Med en mix av hiphop, soul och pop är han nu större än någonsin. Ett bra tecken är att en av hans låtar används som signatur i den enormt populära tv-serien Mad Men. RJD2 säger att en av hans vänner använde RJD2 om honom i sina raplåtar, sedan dess har namnet blivit kvar. Hans första album Deadringer togs emot med jubel av både publiken och branschen. Och det ledde till ett samarbete med rapparen Blueprint som de kallade Soul Position. Det följdes upp av ytterligare två album unlimited EP och 8 million Stories innan han kom med sitt andra soloalbum, Since We Last Spoke, på bolaget Definitive Jux. Sedan dess har han samarbetat med och producerat en mängd rapartister, Copywrite, Cunninlynguists, Cage, MF DOOM, Diverse och Aceyalone, för att ta några. Under 2007 släppte han soloalbumet The Third Hand. RJD2 är en kultartist i skateboardvärlden och skateboardfilmkretsar där hans musik ofta används i filmmontage. Förra året startade han sin egen skivlabel RJ’s Electrical Connections och har återutgett plattor som Your Face Or Your Knee Caps, The Horror, och Since We Last Spoke och en box som han valt att helt enkelt kalla 2002-2010. -
Loh Hill AUTOMOBILE PAETY HAVE EX the CONGREGATIONAL MILK MEETING - CITING EXPERIENCE
The. Newtown Bee NUMBER 83 VOLUME XXXI. NEWTOWN, CONN., FRIDAY, AUGUST 27, J 909. CHURCH.' TRINITY PARISH. EDITORIAL INK DR.OPS. loH HilL AUTOMOBILE PAETY HAVE EX THE CONGREGATIONAL MILK MEETING - CITING EXPERIENCE. In down "the from FAIR FOR 8T STEPHEN'S CHURCH Sunday Services, To be Held on Saturday, the 28th, at riding valley A social and dance will be held In New Milford on a railroad train tne 11 with the Town hall. Sunday Services. Ptulnwt' hull, Monday evening, August At a. m., mornlngervlce oc- Machine In Ditch While 11 other day the Editor chanced to 20, for the benellt or Ht Stephen's lands the sermon the at 12 m., Sun- At a. m., morning prayer and Cuke and Ice cream be on by pastor; Farmers in the seat C. G. church. will Chauffeur was to Avoid engagsd production of Rock-vlll- e; cupy a with Attorney sale. A corilliil Invitation Is extended Trying: at 7.30 ra Christian sermon by Rev J. F. George day school; p. of milk for market should be sure to Morris, wbo called the writer's at- to all to attend. Some, Obliging Cows. "Con- at 12 m., Sunday school; at Endeavor meeting. Subject, attend the on the meeting Saturday, 7.30 tention to the chestnut tree lllf.lit, Fred Keuhne of Parle Lena hni a new On Rev quest of India." Studying Chapter ? p, m., evening prayer. gasoline engine for powar Wednesday afternoon, 28th, at tne Town ball at 1 p. m. which is now making its appearanc e . on his farm,- - of K. -
WHO Guidelines for Indoor Air Quality : Selected Pollutants
WHO GUIDELINES FOR INDOOR AIR QUALITY WHO GUIDELINES FOR INDOOR AIR QUALITY: WHO GUIDELINES FOR INDOOR AIR QUALITY: This book presents WHO guidelines for the protection of pub- lic health from risks due to a number of chemicals commonly present in indoor air. The substances considered in this review, i.e. benzene, carbon monoxide, formaldehyde, naphthalene, nitrogen dioxide, polycyclic aromatic hydrocarbons (especially benzo[a]pyrene), radon, trichloroethylene and tetrachloroethyl- ene, have indoor sources, are known in respect of their hazard- ousness to health and are often found indoors in concentrations of health concern. The guidelines are targeted at public health professionals involved in preventing health risks of environmen- SELECTED CHEMICALS SELECTED tal exposures, as well as specialists and authorities involved in the design and use of buildings, indoor materials and products. POLLUTANTS They provide a scientific basis for legally enforceable standards. World Health Organization Regional Offi ce for Europe Scherfi gsvej 8, DK-2100 Copenhagen Ø, Denmark Tel.: +45 39 17 17 17. Fax: +45 39 17 18 18 E-mail: [email protected] Web site: www.euro.who.int WHO guidelines for indoor air quality: selected pollutants The WHO European Centre for Environment and Health, Bonn Office, WHO Regional Office for Europe coordinated the development of these WHO guidelines. Keywords AIR POLLUTION, INDOOR - prevention and control AIR POLLUTANTS - adverse effects ORGANIC CHEMICALS ENVIRONMENTAL EXPOSURE - adverse effects GUIDELINES ISBN 978 92 890 0213 4 Address requests for publications of the WHO Regional Office for Europe to: Publications WHO Regional Office for Europe Scherfigsvej 8 DK-2100 Copenhagen Ø, Denmark Alternatively, complete an online request form for documentation, health information, or for per- mission to quote or translate, on the Regional Office web site (http://www.euro.who.int/pubrequest). -
Hiv Alliance Event Featuring Piksix
K k NOVEMBER 2018 K g VOL. 30 #10 H WOWHALL.ORGk carols that still haunted us. We included a few original tunes and called our wintry mix The Darkest Night Of The Year. We played a special “darkest night” release concert on winter solstice in an old theater in Cincinnati. Folks began snatching up copies and seemed to agree that they hadn’t heard anything quite like it. “We began playing concerts around the Midwest every December and found that the rooms were usually packed full of people who had bundled in out of the cold with prized compatriots. Hats and scarves abounded. If you stepped outside during intermission, you could make ghosts with your breath in the crisp night air. And it was dark – oh so dark: a time of year with its own music. “A decade later, in 2006, we released our first full collection of original Christmas/holiday songs called Snow Angels. What is it OVER THE RHINE CHRISTMAS SHOW about Christmas music and the On Sunday, December 2, the originals, which invoke hard times public radio station in Cincinnati. the radio broadcast, because we undeniable gravitational pull it Community Center for the and celebrate the survival of the It was Christmastime and began receiving inquiries as to exerts on some songwriters? So Performing Arts proudly welcome’s least fit.” apparently they thought we were whether we had recorded any of many Christmas songs had already Over The Rhine’s Christmas Show Over the Rhine will return to up to the task. We worked up a our Christmas songs. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Exploring the Hip-Hop Culture Experience in a British Online Community
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2010 Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community. Natalia Cherjovsky University of Central Florida Part of the Sociology of Culture Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Cherjovsky, Natalia, "Virtual Hood: Exploring The Hip-hop Culture Experience In A British Online Community." (2010). Electronic Theses and Dissertations, 2004-2019. 4199. https://stars.library.ucf.edu/etd/4199 VIRTUAL HOOD: EXPLORING THE HIP-HOP CULTURE EXPERIENCE IN A BRITISH ONLINE COMMUNITY by NATALIA CHERJOVSKY B.S. Hunter College, 1999 M.A. Rollins College, 2003 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2010 Major Professor: Anthony Grajeda © 2010 Natalia Cherjovsky ii ABSTRACT In this fast-paced, globalized world, certain online sites represent a hybrid personal- public sphere–where like-minded people commune regardless of physical distance, time difference, or lack of synchronicity. Sites that feature chat rooms and forums can offer a deep- rooted sense of community and facilitate the forging of relationships and cultivation of ideologies. -
The Black Vernacular Versus a Cracker's Knack for Verses
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2014-10-24 The black vernacular versus a cracker's knack for verses Flynn, Darin McFarland Books Flynn, D. (2014). The black vernacular versus a cracker's knack for verses. In S. F. Parker (Ed.). Eminem and Rap, Poetry, Race: Essays (pp. 65-88). Jefferson, NC: McFarland & Company, Inc. http://hdl.handle.net/1880/112323 book part "Eminem and Rap, Poetry, Race: Essays" © 2014 Edited by Scott F. Parker Downloaded from PRISM: https://prism.ucalgary.ca The Black Vernacular Versus a Cracker’s Knack for Verses Darin Flynn Who would have ever thought that one of the greatest rappers of all would be a white cat? —Ice-T, Something from Nothing: The Art of Rap1 Slim Shady’s psychopathy is worthy of a good slasher movie. The soci- olinguistics and psycholinguistics behind Marshall Mathers and his music, though, are deserving of a PBS documentary. Eminem capitalizes on his lin- guistic genie with as much savvy as he does on his alter egos. He “flips the linguistics,” as he boasts in “Fast Lane” from Bad Meets Evil’s 2011 album Hell: The Sequel. As its title suggests, this essay focuses initially on the fact that rap is deeply rooted in black English, relating this to Eminem in the context of much information on the language of (Detroit) blacks. This linguistic excur- sion may not endear me to readers who hate grammar (or to impatient fans), but it ultimately helps to understand how Eminem and hip hop managed to adopt each other. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
PDF Examples
MTO 26.2 Examples: Adams, Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (Note: audio, video, and other interactive examples are only available online) https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.adams.html Example 1a. Kurtis Blow, “Basketball” (1984), verse 1, 0:25–0:35 (borrowed from Adams 2009) Example 1b. Eric B. and Rakim, “Paid in Full” (1987), 0:46–1:10 Example 3. Danger Doom, “Sofa King” (from The Mouse and the Mask, 2005), 1:12–1:48 (produced by Danger Mouse [Brian Burton]) Example 4. Repetitive beat: De La Soul, “The Grind Date” (from The Grind Date, 2005), 0:28–0:49 (produced by Dave West) Example 5a. Oscillating beat, alternating by second: A Tribe Called Quest, “Excursions“ (from The Low End Theory, 1990), 0:28–0:52 (produced by Ali Shaheed Muhammad) Example 5b. Oscillating beat, alternating by third: Aesop Rock (Ian Bavitz), “None Shall Pass” (from None Shall Pass, 2007), 0:15–0:34 (produced by Blockhead [Tony Simon]) Example 5c. Oscillating beat, alternating by fourth: People under the Stairs, “Montego Slay” (from O.S.T., 2002), 0:20–0:44 (produced by Thes One [Christopher Portugal]) Example 5d. Oscillating beat, sequential: Cunninlynguists, “Lynguistics” (from Will Rap for Food, 2001), 0:18–0:46 (produced by Kno [Ryan Wisler]) Example 5e. Oscillating beat, uneven: Migos, “Bad and Boujee,” (from Culture, 2017), 0:15–0:30 (produced by DY and Tre Pounds [Dwan Avery and Jeffrey LaCroix]) Example 6a. Expansional beat, I → iv: Atmosphere, “The Best Day” (from To All My Friends, Blood Makes the Blade Holy: The Atmosphere EP’s [sic], 2010), 2:17–2:41 (produced by Ant [Anthony Davis]) Example 6b.