Andrej Tarkovskij: Klassiker – Классик – Classic – Classico
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Index Abulfeda crater chain (Moon), 97 Aphrodite Terra (Venus), 142, 143, 144, 145, 146 Acheron Fossae (Mars), 165 Apohele asteroids, 353–354 Achilles asteroids, 351 Apollinaris Patera (Mars), 168 achondrite meteorites, 360 Apollo asteroids, 346, 353, 354, 361, 371 Acidalia Planitia (Mars), 164 Apollo program, 86, 96, 97, 101, 102, 108–109, 110, 361 Adams, John Couch, 298 Apollo 8, 96 Adonis, 371 Apollo 11, 94, 110 Adrastea, 238, 241 Apollo 12, 96, 110 Aegaeon, 263 Apollo 14, 93, 110 Africa, 63, 73, 143 Apollo 15, 100, 103, 104, 110 Akatsuki spacecraft (see Venus Climate Orbiter) Apollo 16, 59, 96, 102, 103, 110 Akna Montes (Venus), 142 Apollo 17, 95, 99, 100, 102, 103, 110 Alabama, 62 Apollodorus crater (Mercury), 127 Alba Patera (Mars), 167 Apollo Lunar Surface Experiments Package (ALSEP), 110 Aldrin, Edwin (Buzz), 94 Apophis, 354, 355 Alexandria, 69 Appalachian mountains (Earth), 74, 270 Alfvén, Hannes, 35 Aqua, 56 Alfvén waves, 35–36, 43, 49 Arabia Terra (Mars), 177, 191, 200 Algeria, 358 arachnoids (see Venus) ALH 84001, 201, 204–205 Archimedes crater (Moon), 93, 106 Allan Hills, 109, 201 Arctic, 62, 67, 84, 186, 229 Allende meteorite, 359, 360 Arden Corona (Miranda), 291 Allen Telescope Array, 409 Arecibo Observatory, 114, 144, 341, 379, 380, 408, 409 Alpha Regio (Venus), 144, 148, 149 Ares Vallis (Mars), 179, 180, 199 Alphonsus crater (Moon), 99, 102 Argentina, 408 Alps (Moon), 93 Argyre Basin (Mars), 161, 162, 163, 166, 186 Amalthea, 236–237, 238, 239, 241 Ariadaeus Rille (Moon), 100, 102 Amazonis Planitia (Mars), 161 COPYRIGHTED -
Shallow Crustal Composition of Mercury As Revealed by Spectral Properties and Geological Units of Two Impact Craters
Planetary and Space Science 119 (2015) 250–263 Contents lists available at ScienceDirect Planetary and Space Science journal homepage: www.elsevier.com/locate/pss Shallow crustal composition of Mercury as revealed by spectral properties and geological units of two impact craters Piero D’Incecco a,n, Jörn Helbert a, Mario D’Amore a, Alessandro Maturilli a, James W. Head b, Rachel L. Klima c, Noam R. Izenberg c, William E. McClintock d, Harald Hiesinger e, Sabrina Ferrari a a Institute of Planetary Research, German Aerospace Center, Rutherfordstrasse 2, D-12489 Berlin, Germany b Department of Geological Sciences, Brown University, Providence, RI 02912, USA c The Johns Hopkins University Applied Physics Laboratory, Laurel, MD 20723, USA d Laboratory for Atmospheric and Space Physics, University of Colorado, Boulder, CO 80303, USA e Westfälische Wilhelms-Universität Münster, Institut für Planetologie, Wilhelm-Klemm Str. 10, D-48149 Münster, Germany article info abstract Article history: We have performed a combined geological and spectral analysis of two impact craters on Mercury: the Received 5 March 2015 15 km diameter Waters crater (106°W; 9°S) and the 62.3 km diameter Kuiper crater (30°W; 11°S). Using Received in revised form the Mercury Dual Imaging System (MDIS) Narrow Angle Camera (NAC) dataset we defined and mapped 9 October 2015 several units for each crater and for an external reference area far from any impact related deposits. For Accepted 12 October 2015 each of these units we extracted all spectra from the MESSENGER Atmosphere and Surface Composition Available online 24 October 2015 Spectrometer (MASCS) Visible-InfraRed Spectrograph (VIRS) applying a first order photometric correc- Keywords: tion. -
P U B L I C a T I E S
P U B L I C A T I E S 1 JANUARI – 31 DECEMBER 2001 2 3 INHOUDSOPGAVE Centrale diensten..............................................................................................................5 Coördinatoren...................................................................................................................8 Faculteit Letteren en Wijsbegeerte..................................................................................9 - Emeriti.........................................................................................................................9 - Vakgroepen...............................................................................................................10 Faculteit Rechtsgeleerdheid...........................................................................................87 - Vakgroepen...............................................................................................................87 Faculteit Wetenschappen.............................................................................................151 - Vakgroepen.............................................................................................................151 Faculteit Geneeskunde en Gezondheidswetenschappen............................................268 - Vakgroepen.............................................................................................................268 Faculteit Toegepaste Wetenschappen.........................................................................398 - Vakgroepen.............................................................................................................398 -
Geologic Map of the Victoria Quadrangle (H02), Mercury
H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor. -
Time Lag of Defa-Futurum: a Socialist Cine-Futurism from East Germany
The Time Lag of Defa-Futurum: A Socialist Cine-Futurism from East Ger many The Time Lag of Defa-Futurum: A Socialist Cine-Futur ism from East Germany Doreen Mende The Oxford Handbook of Communist Visual Cultures Edited by Aga Skrodzka, Xiaoning Lu, and Katarzyna Marciniak Subject: Literature, Literary Theory and Cultural Studies, Literary Studies - 20th Century On wards Online Publication Date: Jan 2020 DOI: 10.1093/oxfordhb/9780190885533.013.11 Abstract and Keywords On April 23, 1975, at Karl Marx University in Leipzig, the East German filmmaker Joachim Hellwig (1932–2014) and scriptwriter Claus Ritter (1929–1995), both initiators and authors of the artistic working group defa-futurum, defended their collectively writ ten practice-based PhD on the “artistic forms for imagining a socialist future by the means of film under specific consideration of the experiences of the working group defa- futurum.” Strongly influenced by Hellwig’s antifascist projects and nonfictional documen tary practice, defa-futurum demonstrates a specific concern for a Marxist cybernetics with regard to creative thinking, labor, love, and political work. The latter is elaborated in greater detail by engaging with the forgotten writings of the philosopher Franz Loeser. Defa-futurum allowed the idea of film-as-theory to endorse the GDR as a sovereign state— promoting also an East German socialist internationalism—under the conditions of the global Cold War by the means of cinema. By using methods from visual culture and cul tural studies to facilitate a decolonizing analysis of defa-futurum’s films, Stasi files, archival material, and original writings, the article aims to argue that decolonizing social ism is necessary in order to break through the Cold War’s binary limits for understanding technopolitics, art, and social realities in the post-1989 world. -
N E W S L E T T
6. Ausgabe / Dezember 2009 NEWSLETTER Preise der DEFA-Stiftung Stiftungsrat Inhalt dieser Ausgabe Am 20. November wurden im Kino babylon: Am 4. November tagte der Stiftungsrat der Preise der mitte zum 9. Mal die Preise der DEFA-Stiftung DEFA-Stiftung. Schwerpunktthemen waren DEFA-Stiftung vergeben. Der Preis für Verdienste um den deut- Überlegungen zur zukünftigen Auswertung des Stiftungsrat schen Film ging in diesem Jahr an Wolfgang DEFA-Filmstocks, der Bericht der Tochterfirma DEFA-Filmküche Klaue, den ersten Vorstand der DEFA-Stiftung defa-spektrum und der Haushaltsentwurf 2010. Förderpreis für und ehemaligen Direktor des Staatlichen Film- Aelrun Goette archivs der DDR sowie früheren Präsidenten der DEFA-Filmküche Die Taube auf FIAF (Internationale Vereinigung der Filmar- dem Dach chive). Übergeben wurde die Auszeichnung durch Am 7. Dezember gab der Komponist und Musi- DEFA-Retrospektive in den Laudator Hans Helmut Prinzler. Den Preis ker Günther Fischer einen Einblick in seine Skandinavien zur Förderung der deutschen Filmkunst erhielten Arbeit für Film und Fernsehen und eine kleine Filmtage Merseburg die Dokumentarfilmregisseure Helke Misselwitz, musikalische Kostprobe auf seinem Saxophon. DEFA-Filme in Rom Gerd Kroske und Andreas Voigt. Mit dieser Gesprächsrunde beenden ICESTORM DEFA-Filme an der Der Preis zur Förderung des künstlerischen Nach- Entertainment und die DEFA-Stiftung ihre Reihe Indiana University wuchses wurde den Herausgebern des Filmmaga- „DEFA-Filmküche“ im Café Quchnia und bli- 75. Geburtstag Eva- zins „Revolver“ -
Mothers, Comrades, and Outcasts in East German Women's Films (Review) Qinna Shen
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College German Faculty Research and Scholarship German 2018 Mothers, Comrades, and Outcasts in East German Women's Films (review) Qinna Shen Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/german_pubs Part of the German Language and Literature Commons This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/german_pubs/30 For more information, please contact [email protected]. Shen, Qinna. 2018. “Review: Mothers, Comrades, and Outcasts in East German Women's Films.” German Studies Review 41.1: 203-205; http://doi.org/10.1353/gsr.2018.0031 Mothers, Comrades, and Outcasts in East German Women’s Films. By Jennifer L. Creech. Bloomington: Indiana University Press, 2016. Pp. xxi + 280. Paper $38.00. ISBN 978- 0253023018. The tension between gender and socialism is inherent in many DEFA films. The first DEFA children’s film, Gerhard Lamprecht’s Irgendwo in Berlin (1946), ends with a group of boys helping Gustav’s father rebuild his automobile workshop. The only girl present, Lotte, is tasked with holding Uncle Kalle’s coat and does not participate in the reconstruction efforts. The scene’s implication that women would be excluded from building East Germany’s future is a gender-blind oversight on the filmmaker’s part. At the end of Konrad Wolf’s Der geteilte Himmel (1964), Rita chooses to subordinate her sexual desire to the collective good by returning from Berlin-West. Yet GDR studies with a feminist bent have engaged more extensively with GDR women’s literature than with DEFA films. -
La Prospettiva Rovesciata Obratnaja Perspektiva La Prospettiva Rovesciata | Obratnaja Perspektiva
La prospettiva rovesciata Obratnaja perspektiva La prospettiva rovesciata | Obratnaja perspektiva Direttore Silvia Burini (Università Ca’ Foscari Venezia) Comitato scientifico Giuseppe Barbieri (Università Ca’ Foscari Venezia) Matteo Bertelé (Università Ca’ Foscari Venezia) John Bowlt (University of Southern California, Los Angeles) Silvia Burini (Università Ca’ Foscari Venezia) Kirill Gavrilin (Accademia Stroganov, Mosca) Natalja Mazour (European University at Saint-Petersburg) Nicoletta Misler (emerita, Università degli Studi di Napoli «L’Orientale») Alessandro Niero (Università di Bologna) Gian Piero Piretto (Università degli Studi di Milano) Comitato di redazione Alessia Cavallaro Liya Chechik Svetlana Nistratova Maria Ustyuzhaninova Direzione e redazione CSAR Centro Studi sulle Arti della Russia Università Ca' Foscari Venezia Dipartimento di Filosofia e Beni Culturali Malcanton Marcorà, Dorsoduro 3484/D 30123 Venezia Tel: +39 041 234 6223 Fax: +39 041 234 6210 E-mail: [email protected] Skype: csarvenezia Facebook: Venezia Csar Remembering Andrej Tarkovskij Un poeta del sogno e dell’immagine a cura di Fabrizio Borin, Davide Giurlando © 2014 Edizioni Ca’ Foscari – Digital Publishing Università Ca’ Foscari Venezia Dorsoduro 1686 30123 Venezia edizionicafoscari.unive.it Stampato nel mese di del 2014 da ISBN 978-88-97735-xx-x 7 Presentazione Silvia Burini 9 Introduzione Fabrizio Borin, Davide Giurlando 11 La prima volta di Tarkovskij a Venezia Valerij Sirovskij 13 Il culto della guerra nel cinema russo-sovietico I precursori de L’infanzia -
Written Interview with Director Iris Gusner (2012)
1 y r a An Interview with Iris Gusner about All My Girls r b i L m l From 1960 to 1967 you studied at the renowned VGIK film academy in Moscow. One of your teachers was i F 1 2 A Mikhail Romm. In your book Fantasie und Arbeit, which you wrote with Helke Sander, you vividly describe F E D several experiences you had with Romm. To what extent did Romm and your studies in Moscow influence e h t you as a filmmaker? y b e s a e In the 1960s, when I studied at VGIK, an ideological “thaw” in the Soviet Union was taking place, which had l e R been initiated by Nikita Krushchev. It was a time of upheaval and re-evaluation, a type of brief and cautious D V D anticipation of Gorbatchev’s Glasnost and Perestroika, which is still referred to as “the happy 60s” among A • Soviet artists and intellectuals. s l r i G This short decade of relative freedom gave Soviet filmmaking so much creative impetus that it regained inter - y M l national respect and won awards at the big festivals around the world—with films like Ballad of the Soldier by l A • Grigory Chukhrai, The Cranes Are Flying by Mikhail Kalatozov, Nine Days of One Year by Mikhail Romm, Ivan’s s l r i Childhood by Andrei Tarkovsky, The First Teacher by Andrei Konchalovski, Ordinary Fascism by Mikhail Romm, G y M to name but a few. And the creators of these films were our teachers or had studied at VGIK before us. -
Back Matter (PDF)
Index Page numbers in italic denote Figures. Page numbers in bold denote Tables. ‘a’a lava 15, 82, 86 Belgica Rupes 272, 275 Ahsabkab Vallis 80, 81, 82, 83 Beta Regio, Bouguer gravity anomaly Aino Planitia 11, 14, 78, 79, 83 332, 333 Akna Montes 12, 14 Bhumidevi Corona 78, 83–87 Alba Mons 31, 111 Birt crater 378, 381 Alba Patera, flank terraces 185, 197 Blossom Rupes fold-and-thrust belt 4, 274 Albalonga Catena 435, 436–437 age dating 294–309 amors 423 crater counting 296, 297–300, 301, 302 ‘Ancient Thebit’ 377, 378, 388–389 lobate scarps 291, 292, 294–295 anemone 98, 99, 100, 101 strike-slip kinematics 275–277, 278, 284 Angkor Vallis 4,5,6 Bouguer gravity anomaly, Venus 331–332, Annefrank asteroid 427, 428, 433 333, 335 anorthosite, lunar 19–20, 129 Bransfield Rift 339 Antarctic plate 111, 117 Bransfield Strait 173, 174, 175 Aphrodite Terra simple shear zone 174, 178 Bouguer gravity anomaly 332, 333, 335 Bransfield Trough 174, 175–176 shear zones 335–336 Breksta Linea 87, 88, 89, 90 Apollinaris Mons 26,30 Brumalia Tholus 434–437 apollos 423 Arabia, mantle plumes 337, 338, 339–340, 342 calderas Arabia Terra 30 elastic reservoir models 260 arachnoids, Venus 13, 15 strike-slip tectonics 173 Aramaiti Corona 78, 79–83 Deception Island 176, 178–182 Arsia Mons 111, 118, 228 Mars 28,33 Artemis Corona 10, 11 Caloris basin 4,5,6,7,9,59 Ascraeus Mons 111, 118, 119, 205 rough ejecta 5, 59, 60,62 age determination 206 canali, Venus 82 annular graben 198, 199, 205–206, 207 Canary Islands flank terraces 185, 187, 189, 190, 197, 198, 205 lithospheric flexure -
Newsletter 3/2021
3. Ausgabe / Juni 2021 DEFA-Familientag im Filmpark Babelsberg Inhalt dieser Ausgabe DEFA FOTO: Fru here Mitarbeiterinnen und Mitarbeiter der DEFA ko nnen DEFA-Familientag im sich weiterhin bei der DEFA-Stiftung fu r den geplanten DEFA- - STIFTUNG STIFTUNG Filmpark Babelsberg Familientag im Filmpark Babelsberg am 3. September anmel- DEFA-Filme im Hofkino.Berlin den. Die Einladung richtet sich an alle fru heren DEFA- 40 Jahre Mitarbeiterinnen und Mitarbeiter sa mtlicher Studios und Ar- Filmmuseum Potsdam beitsbereiche. Bei Interesse schreiben Sie uns bitte zeitnah an DEFA-Filme im die Mailadresse [email protected] oder senden Sie Filmmuseum Potsdam uns einen Brief (Franz-Mehring-Platz 1, 10243 Berlin). Im Filmfest Dresden: Filme von Filmemacherinnen Laufe des Monats Julis erhalten Sie per Post oder per E-Mail Il Cinema Ritrovato: weitere Informationen bezu glich des Programms und des Wolfgang-Staudte- Ticketzugangs. Retrospektive www.defa-stiftung.de/aktuelles 50. Ausgabe des Internationalen Studierendenfilm- DEFA-Filme im Hofkino.Berlin festivals Sehsu chte DEFA-Filmtour Erneut richtet die DEFA-Stiftung zusam- den mit 35 FOTOS (1984) und SPERR- in Thu ringen men mit dem Hofkino.Berlin DEFA- MU LL (1990) zwei Filme von Helke Mis- Freiluftkino Weißensee: DEFA-Donnerstag Filmabende unter freiem Himmel im In- selwitz. Die Regisseurin und Kameramann Filmna chte Chemnitz nenhof des Franz-Mehring-Platz 1 aus. Die Thomas Plenert werden zu Gast sein. An mit DEFA-Programm Veranstaltungen finden alle zwei Wochen beiden Dokumentarfilmabenden beginnen DEFA-Veranstaltungen dienstags statt. Zum Auftakt la uft am die Filmvorfu hrungen um 21:30 Uhr; Ein- des nd 6. Juli Peter Kahanes Jugendfilm VOR- lass ab 20:30 Uhr. -
National Convention 2009
National Convention 2009 American Association for the Advancement of Slavic Studies November 12–15, 2009 Boston, Massachusetts American Association for the Advancement of Slavic Studies 41st National Convention November 12–15, 2009 Marriott Copley Place Boston, Massachusetts American Association for the Advancement of Slavic Studies 8 Story Street, 3rd fl oor Cambridge, MA 02138 tel.: 617-495-0677, fax: 617-495-0680 e-mail: [email protected] web site: www.aaass.org iii CONTENTS Convention Schedule Overview ................................................................. iv List of the Meeting Rooms at the Marriott Copley Place ............................ v Diagrams of Meeting Rooms .................................................................vi–ix Exhibit Hall Diagram ...................................................................................x Index of Exhibitors, Alphabetical................................................................ xi Index of Exhibitors, by Booth Number .......................................................xii 2009 AAASS Board of Directors ...............................................................xiii AAASS National Offi ce .............................................................................xiii Program Committee for the Boston, MA Convention ................................xiii AAASS Affi liates .......................................................................................xiv 2009 AAASS Institutional Members ......................................................... xv Program