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2021 Catalog
2021 NEW PRODUCTS G-Power Flip and Punch Spin Bait Designed by Aaron Martens, Walleye anglers across the Midwest have become Gamakatsu has developed the dependent upon the spin style hooks for walleye rigs. new G-Power Heavy Cover Flip The Spin Bait hook can be rigged behind spinner & Punch Hook. A step up from blades, prop blades or used the G-Finesse Heavy Cover alone with just a simple Hook, for serious flipping and bead in front of them. It’s punching with heavy fluorocarbon and braid. The TGW (Tournament unique design incorporates Grade Wire) hook, paired with its welded eye, make this the strongest Gamakatsu swivels that is Heavy Cover hook in Gamakatsu’s G-Series lineup. Ideal for larger baits independent of the hook, giving the hook more freedom to spin while and weights, punching through grass mats and flipping into heavy reducing line twist. The Spin Bait hook features Nano Smooth Coat for timber. G-Power Flip and Punch ideally matches to all types of cover stealth presentations and unsurpassed hook penetration and the bait and able to withstand extreme conditions. Page 26 keeper barbs on the shank hold live and plastic baits on more securely. Page 48 G-Power Stinger Trailer Hook The new G-Power Stinger Trailer Hook Superline Offset Round Bend brilliance comes from Gamakatsu’s famous Gamakatsu’s Superline Offset Round B10S series of fly hooks and the expertise Bend is designed with a heavier of Professional Bass angler Aaron Martens. Superline wire best suited for heavy The Stinger Trailer has a strategically braided and fluorocarbon lines. -
*2065390* 2065390
SF 10W-A22/ SF 8M-A22 Bedienungsanleitung de Operating instructions en Mode d’emploi fr Istruzioni d’uso it Manual de instrucciones es Manual de instruções pt Gebruiksaanwijzing nl Οδηγιες χρησεως el Használati utasítás hu Instrukcja obsługi pl Инструкция по зксплуатации ru Návod k obsluze cs Návod na obsluhu sk Upute za uporabu hr Navodila za uporabo sl Ръководство за обслужване bg Instrucţiuni de utilizare ro he *2065390* 2065390 Printed: 03.09.2015 | Doc-Nr: PUB / 5161656 / 000 / 05 1 ௹ ௺ ఁ ఀ ం ఄ ః ఄ Printed: 03.09.2015 | Doc-Nr: PUB / 5161656 / 000 / 05 2 3 4 / 5 5 Printed: 03.09.2015 | Doc-Nr: PUB / 5161656 / 000 / 05 6 7 Printed: 03.09.2015 | Doc-Nr: PUB / 5161656 / 000 / 05 ORIGINAL OPERATING INSTRUCTIONS SF 10W-A22 / SF 8M-A22 cordless drill / driver 1 These numbers refer to the illustrations. You can It is essential that the operating instructions find the illustrations at the beginning of the operating are read before the power tool is operated for instructions. en the first time. In these operating instructions, the designation “the tool” always refers to the SF 10W-A22 or SF 8M‑A22 cordless Always keep these operating instructions to- drill driver with battery fitted. gether with the power tool. 1 Ensure that the operating instructions are Product overview with the power tool when it is given to other @ Side handle persons. ; Forward / reverse selector switch with transport lock = Four-speed gear selector Contents Page % Control switch (with electronic speed control) 1 General information 11 & Grip -
Celebrating the Celtic Imagination Halloween 2009
Celebrating the Celtic Imagination Halloween 2009 72 NEW Items! Fin_FALL09 V2.indd 1 8/7/09 10:36:39 AM welcome to gaelsong Samhain 2009 Happy Celtic New Year! The Celts began their new year at Samhain, the festival we now know as Halloween. This parallels the Celtic custom that the new day starts at sunset. We begin in the quiet dark time, like seeds drawing sustenance in the earth, waiting to bloom again. In the shorter days and longer nights, we reflect on the Colleen Connell, ancestors who brought us to be planted here, and feel our Founder roots grow deeper. At GaelSong, we honor our Celtic ancestors, whether we are Celts by heredity or in spirit. We bring you goods that re-imagine the forms of the past to bring the Celtic spirit to the modern age. Many items we offer are hand- crafted by artisans devoted to keeping traditional Celtic handiwork and design alive. We invite you to peruse these pages and re-imagine your connection to the past and your vision of the future. THE LEGENDARY CLAYMORE NEW! VILLAGE The Claymore—the defender of the Gael. The two-handed sword of legend entwines with TANKARD thistle, shamrock and oak in a tribute to the Let those of high bravest hearts of Gaelic history. Designed office have their by Maxine Miller. 100% cotton long- fancy pewter sleeved shirt available as women’s tankards—the fitted top (shown) in S-XXL or as honest villagers take crewneck T in M-XXL. Machine their ale in mugs washable. Imported. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Adventures of a Nepali Frog Kanak Mani Dixit Illustrations by Subhas Rai
ADVENTURES OF A NEPALI FROG KANAK MANI DIXIT ILLUSTRATIONS BY SUBHAS RAI An excitable young frog from Kathmandu Valley, “just out of his tadpole teens”, decides to travel through his country. Bhaktaprasad Bhyaguto goes where no frog has gone before. He rides a tin can downriver, treks past majestic peaks, rides porter-back, mule-back and yak-back to remote villages, arid hops across a good part of Nepal before returning to Kathmandu in an airline pilot’s shirt pocket. This description of Bhaktaprasad’s adventures through Nepal’s mountains, hills and plains presents authentic landscapes and unique characters. It brings Nepal to life for the young readers, and helps build empathy for the creatures, including humans, that inhabit the Nepali countryside. Bhaktaprasad: a name common in Nepal Bhyaguto: ‘frog’ in the Nepali language Rato Bangala Kitab is the publishing wing of Rato Bangala School in Kathmandu Valley. This book is part of our effort to provide the children of Nepal with readings specific to their country and society. We also hope it will help inform a larger audience of young readers about life and times in this corner of South Asia. KATHMANDU CALLING Bhaktaprasad Bhyaguto was a young Kathmandu frog, barely out of his tadpole teens. He lived with his grandfather Buddhiprasad, mother Sanomaiya, sisters and brothers in a rice terrace by the village of Ichangu, on a hillside behind the great stupa of Swayambhu. Like all froggies his age, Bhaktaprasad was a curious amphibian, but only more so. He was the quickest to learn to hop among his brood, and had lately taken to venturing out of the muddy paddies and unto the path used by humans that went down the hill. -
EVOLUTION 26 October 1, 2007
EVOLUTION 26 October 1, 2007 LOWER PERSON USING LIFE SAVING ROPE AND ATLAS LIFE BELT WITH RAPPEL HOOK AND TRIPLE ACTION GATE CONTENTS PAGE NO. PREPARATION WITH AND WITHOUT PARAPET 2 LOWERING BUILDING WITH A PARAPET 8 LOWERING BUILDING WITHOUT A PARAPET 9 RESCUE AT A LOWER LEVEL 11 1. EQUIPMENT: 1.1 One nylon life saving rope with attached anti- chafing device in a carrying case. 1.2 One Atlas life belt. 2. OBJECTIVE: 2.1 To lower a firefighter or another person from a roof or upper floor to a position of safety. 2.2 To lower a firefighter from a roof or upper floor to enable the firefighter to remove another person from an untenable position to one of safety. 1 EVOLUTION 26 Oct 1, 07 LOWER PERSON USING LSR & LB RAPEL HOOK & TRIPLE ACTION GATE 3. PREPARATION FOR LOWERING (This section applies to operations on roofs WITH or WITHOUT parapets) Member # 1 (Lowering Member) Member # 2 (Member to be Lowered) 3.1 Don the life belt with the hook on the right side. 3.2 Facing the point of descent, place the carrying case on the roof with the back of the case facing the point of descent. 3.3 Facing the front of the case, open the top flap. Hand Member #2 the pre-tied bowline-on-a-bight. Allow the antichafing device to slide along the rope. 3.4 With both hands, grasp the sides of the case and hold the flap against the back of the case with your fingers. 3.5 Invert the carrying case and lift it clear of the rope. -
Simplified Sewing: Hems
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Fact Sheets SDSU Extension 1964 Simplified Sewing: Hems Cooperative Extension South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/extension_fact Recommended Citation South Dakota State University, Cooperative Extension, "Simplified Sewing: Hems" (1964). SDSU Extension Fact Sheets. 865. https://openprairie.sdstate.edu/extension_fact/865 This Fact Sheet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Fact Sheets by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. .. ... -~--- - --v · . --,-.-.- , -. ·. ..•, .. ·'··· .••,.,. - .t:\. --(. ......., • ... ·\•i• ....,.,•-•1•,··...- .,.. "\' ·,- • • • -:\. -: ·):.~\:,..,:}:,:.·,:,..,:;:,:.~:,-:-,:.0:.- ·,~\:,.!;;;; ··:,:.\!.t:,-;..:,t;.,:,:,:.i:1:,:.'.:.•; .-·F_:,~::::_:.~:~~~~~;.:::z~:;:'.·---~-~;:~~L ::·.1~~~~1::.:;.:_;~~: File Copy FS244 THE l-lE~I of your dress can have the "professional - Wearer should stand in a natural position with look" or the "homemade look." In general, the best arms at sides and weight on both feet. hem is the least conspicuous, and every step in making a hem is planned with this in mind There are several methods of marking a hem. You may use any one of these: The professional touch is recognize-cl by the follow- ing characteristics: Various types of chalk markers or pin markers - Inconspicuous from the right side Yardstick - Even distance from the floor Tailor's square. - Wide enough for good proportion and to gi\.re With some of these you can mark enough weight to hang well your own hem; others require a - Even in width help«. -
Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point. -
Worksite Products
Worksite Products www.irwin.com Worksite Products Rigs / Aprons / Pouches Gear for the Tradesman IRWIN® provides a wide selection of worksite products to fit the needs of tradesmen. Every day on the jobsite, this gear delivers an easy, organized and efficient way to carry key tools and hardware while providing protection from the rigors of the trade. ArmorMAX™ 6-Piece Polyester Suede Leather 10-Pocket Lightweight Cotton Construction Rig Carpenter’s Apron 2-Pocket Nail Apron 4031049 4031003 4031051 • Large capacity design with easy • Oversized center pocket for fasteners or tape • Machine washable access pockets • Dual hammer holders • Includes adjustable belt, hammer and tape holders • Reinforced points of wear for greater durability • Puncture and tear resistant • Includes integrated nylon belt Lightweight Cotton Machinist’s Apron 2" Full Grain Saddle Leather Belt Oil Tanned Leather Electrician’s Pouch • Fits all standard pouches • 10-pocket customized design and belt accessories for easy vertical tool access • “Bib" style provides • Made of saddle leather for • Includes tape holder, key full body protection added durability fastener, and accessory chain • 5-pocket design WORKSITE PRODUCTS • Machine washable 4031025 4031007 4031052 Description Item # ArmorMAX™ 6-pc. Polyester Construction Rig 4031049 10-Pocket Suede Carpenter’s Apron 4031003 2-Pocket Cotton Nail Apron 4031051 5-Pocket Cotton Machinist's Apron 4031052 2" Full Grain Saddle Leather Belt 4031025 Oil Tanned Leather Electrician’s Pouch 4031007 228 www.irwin.com Worksite Products -
Phonological Awareness.Pub
Phonological Awareness Literacy Oral ge Langua Numeracy Challenging Behaviors ©Project REEL: Sandefur, Gamble, Warren, and Hicks (2006) 1 Phonological Awareness to remember about young children’s learning: 1. Children learn best in a social setting. Therefore, avoid independent seat work. 2. Children learn best through play. Therefore, immerse them in a richly active play and avoid worksheets. 3. Children learn best when they are allowed to approximate adult behaviors. Therefore, demonstrate adult practices and accept children’s attempts at those adult practices as if they were already conventional efforts. 4. Children learn best in an atmosphere of respect where their dignity is protected. Therefore, establish appropriately high expectations for children, focusing on positive guidance instead of punishment. 5. Children learn best when they have daily opportunities to use diverse social, language, literacy, and numeracy practices and receive extensive feedback from the caring adults in their classroom. Therefore, offer children time to use new ideas and respond to them in ways that enriches their understandings. ©Project REEL: Sandefur, Gamble, Warren, and Hicks (2006) 2 Phonological Awareness Project REEL: Workshop 3 A FOCUS ON PHONOLOGICAL AWARENESS “Learning to talk is just a start. When a child learns to talk, she has to combine the separate sounds, or phonemes, that make up words to pronounce them. But she’s not conscious of what she’s doing when she says a word. Reading requires that the child become conscious of the fact that written words are made up pieces of sound (phonemes). It requires a deeper level of awareness of language—phonological aware- ness” (Hirsh-Pasek & Golinkoff, 2003, p. -
Scissors [680
Sales office: +39 015 40 1935 - [email protected] www.tessilmarket.it Scissors TESSILMARKET srl CODE TBFL0110 TBFL0113 DESCRIPTION SEWING SCISSORS SEWING SCISSORS Blades = nickel plated steel with steel handles Blades = nickel plated steel with steel handles FEATURES Lenght = tot. 10 cm. (4”) Lenght = tot. 13 cm. (5”) Blades = 3,5 cm. (1,35”) Blades = 5 cm. (2”) WEIGHT 30 gr. 42 gr. CODE TBFL0115 TBFL0213 DESCRIPTION SEWING SCISSORS DRAPER SCISSORS Blades = nickel plated steel with steel handles Blades = nickel plated steel with pla- stic handles FEATURES Lenght = tot. 15 cm. (6”) Lenght = tot. 13 cm. (5”) Blades = 6 cm. (2,5”) Blades = 5 cm. (2”) WEIGHT 60 gr. 45 gr. CODE TBFL0218 TBFL0315 DESCRIPTION DRAPER SCISSORS DRAPER SCISSORS Blades = nickel plated steel with plastic Blades = inox plated steel ASI420 with handles nylon handles FEATURES Lenght = tot. 18 cm. (7”) Lenght = tot. 15 cm. (6”) Blades = 7,5 cm. (3”) Blades = 6,5 cm. (2,5”) WEIGHT 75 gr. 45 gr. Sales office: +39 015 40 1935 - [email protected] www.tessilmarket.it Scissors TESSILMARKET srl CODE TBFM0110 TBFM0113 DRAPER SCISSORS DESCRIPTION DRAPER SCISSORS Blades = with rounded tips in nickel plated steel with plastic Blades = with rounded tips in nickel plated steel handles and steel handles FEATURES Lenght = tot. 10 cm. (4”) Lenght = tot. 13 cm. (5”) Blades = 4 cm. (1,6”) Blades = 5 cm. (2”) WEIGHT 25 gr. 42 gr. CODE TBFM0216 TBFR0110 DESCRIPTION DRAPER SCISSORS EMBROIDERY SCISSORS Blades = with rounded tips in nickel plated steel with plastic Blades = sharp tips in nickel plated steel handles and steel handles FEATURES Lenght = tot. -
80739083.Pdf
3-~"'81 8-1355 ~.(O~ All About ... • Pattern Selection • Fabric Selection • Contemporary Techniques • Fusible Interfacings • Finishing Tips CONTENTS Page Pattern Selection. ............................................... .. 3 Fabric Selection ................................................ .. 3 Notions. ....................................................... .. 3 Pressing Points ................................................. .. 4 Inner Fabrics. .................................................. .. 4 Underlining. ................................................. .. 4 Interfacing. .................................................. .. 4 Lining. ..................................................... .. 5 Preparation ............................................ .. 5 Fabric. ...................................................... .. 5 Pattern Fit. .................................................. .. 5 Cutting and Marking. ......................................... .. 5 Comparison of Custom and Contemporary Tailoring Techniques. ...... .. 5 Front and Back Interfacing. ...................................... .. 5 Fusible Method-Front. ...................................... .. 5 onfusible Method-Back Reinforcement. ....................... .. 6 One-Piece Method. ........................................ .. 6 Two-Piece Method ......................................... .. 6 Applying Back Reinforcement .................................. .. 7 Lapel and Roll Line ............................................. .. 7 Marking the Roll Line , 8 Taping the