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Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
A Holy Nation: Bible Study the Fifth Episcopal District of the African Methodist Episcopal Church
A Holy Nation: Bible Study The Fifth Episcopal District of the African Methodist Episcopal Church Year Three - Pentecost Rev. Francine A. Brookins, Esq. and Rev. Jennifer S. Leath, Ph.D., Editors 1st Edition Introduction to a Holy Nation: Bible Study ........9 Contributors ....................................................................................................................10 An Holy, Loving, and “Democratic” Spirit: What Pentecost Reveals about God .............................11 Rev. M. JoDavid Sales, Ph.D. Pastor, Bethel AMEC (Marysville, CA) Go and Make Students: Holistic or Emaciated Evangelism .........................................................14 Rev. M. JoDavid Sales, Ph. D. Pastor, Bethel AMEC (Marysville, CA) Amazing Grace ...................................................17 Mrs. Mary Mayo Mayberry President, 5th Episcopal District Women’s Missionary Society Your Kingdom Come .........................................20 Rev. Mary S. Minor, D. Min. Pastor, Brookins-Kirkland Community AMEC (Los Angeles, CA) Come, Holy Spirit ..............................................22 Ms. Pamela Williams President, Missouri Conference Lay Organization Who Do We Say We Are? ..................................24 Rev. Mark Whitlock, Jr., M.Div., MSSE Pastor, Christ Our Redeemer AMEC (Irvine, CA) !2 Experiencing Spiritual Renewal: Take Off The Masks! ................................................................26 Rev. Mark Whitlock, Jr., M.Div., MSSE Pastor, Christ Our Redeemer AMEC (Irvine, CA) Pregnant With Praise ........................................28 -
Mike Green P= Producer, W= Writ Er, M= Mixer, E=Eng, A= Arranger
MIKE GREEN P= PRODUCER, W= WRIT ER, M= MIXER, E=ENG, A= ARRANGER ARTIST PROJECT RECORD CO JOB Set It Off Upcoming Album Equal Vision CW/P/M With Confidence Upcoming Album Hopeless CW/P/M Real Friends Upcoming Release Fearless CW/P Hands like Houses Upcoming Release Hopeless P/CW/M The Aces When My Heart Felt Volcanic Red Bull CW/P State Champs Living Proof Fearless CW/CP Tim Schou “Nirvana” BMG CW/P/M The Aces “Holiday” Red Bull P “Ground Control,” “Vampire Shift,” All Time Low Atlantic CW “Chemistry” Neck Deep The Peace and the Panic Hopeless CW/P/M “Come Undone,” “If I Ever See You Greyscale Fearless CW/P Again” ARTIST PROJECT RECORD CO JOB Sum 41 “War,” “Breaking the Chain” Hopeless CW State Champs “Stitches” Fearless M Axel Muniz “Siempre Tu” Warner Latin CP Seaway Vacation Pure Noise Ent CW/CP Icon for Hire You Can’t Kill Us Indie P/M As It Is okay. Fearless CW/P/M Gwen Stefani “Getting Warmer” Interscope CP/CW Leslie Grace “3 Little Words” Sony Latin CW/P Set it Off “Tug of War” Equal Vision CW/P Martina Stoessel “Finders Keepers” Disney CP Seaforth “Undo” Universal CW/P Hands Like Houses “Colourblind,” “Division Symbols” Rise CW/CP The Mowgli’s Kids in Love Photofinish P/M 5 Seconds of Summer Sounds Good Feels Good Capitol CW/P ARTIST PROJECT RECORD CO JOB Hopeless All Time Low Future Hearts P/CW Records Fearless The Color Morale Hold On Pain Ends P Records MC Yogi Only Love is Real Indie P Columbia Lea Michele “Cannonball” P/M Records Redzone Semi Precious Weapons Aviation P/M/CW Records Wind-Up Genevieve Show Your Colors P/CW Records Fueled By Ghost Town The After Party P/M/CW Ramen Republic Cassadee Pope “Frame By Frame” CW Nashville “You Wear a Crown But You’re No Fearless Blessthefall CW King” Records Icon For Hire Icon For Hire Tooth and Nail CP Forever The Sickest Fearless J.A.C.K. -
D3.2 – Predictive Analytics and Recommendation Framework V2
D3.2 – Predictive analytics and recommendation framework v2 Αugust 31st, 2019 Authors: Thomas Lidy (MMAP), Adrian Lecoutre (MMAP), Khalil Boulkenafet (MMAP), Manos Schinas (CERTH), Christos Koutlis (CERTH), Symeon Papadopoulos (CERTH) Contributor/s: Vasiliki Gkatziaki (CERTH), Emmanouil Krasanakis (CERTH), Polychronis Charitidis (CERTH) Deliverable Lead Beneficiary: MMAP This project has been co-funded by the HORIZON 2020 Programme of the European Union. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use, which may be made of the information contained therein. Multimodal Predictive Analytics and Recommendation Services for the Music Industry 2 Deliverable number or D3.2 Predictive analytics and recommendation framework supporting document title Type Report Dissemination level Public Publication date 31-08-2019 Author(s) Thomas Lidy (MMAP), Adrian Lecoutre (MMAP), Khalil Boulkenafet (MMAP), Manos Schinas (CERTH), Christos Koutlis (CERTH), Symeon Papadopoulos (CERTH) Contributor(s) Emmanouil Krasanakis (CERTH), Vasiliki Gkatziaki (CERTH), Polychronis Charitidis (CERTH) Reviewer(s) Rémi Mignot (IRCAM) Keywords Track popularity, artist popularity, music genre popularity, track recognition estimation, emerging artist discovery, popularity forecasting Website www.futurepulse.eu CHANGE LOG Version Date Description of change Responsible V0.1 25/06/2019 First deliverable draft version, table of contents Thomas Lidy (MMAP) V0.2 18/07/2019 Main contribution on track recognition estimation -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Upfront and Extremely Personal
z z u b DIIV Upfront and Extremely Personal PHOTO BY COLEY BROWN by Katherine Yeske Taylor because the lyrics have never been [sic] “#soberville #day12 #killme thanks where it’s like, if I picked up a guitar Caulfield says it was an easy decision During a call from Los Angeles, where important in the past—I think people to everyone for all the support. send and started playing “Human” [from to work on songs this way, due to DIIV’s the members of DIIV all live, zone out and listen along musically. your #soberstories to me they're so Oshin ] right now, I would think of a special nature. “There is something singer/guitarist Zachary Cole Smith, But this is a vocal-driven record, where inspiring.” Then, in August, he posted, festival we playe d in Europe—the songs really specific about this band, guitarist Andrew Bailey, and bassist the core of every song is like a singer- “6 months clean/sober --- time (doesn't) remind me of the experiences that I’ve especially live, where we can play the Colin Caulfield, are open and honest songwriter type [of] song, rather than fly but in all reality my life is so much shared with them, rather than what same song for the two-thousandth time about the potentially sensitive subject just guitar layers or cool effects.” better for it.” they’re actually about.” and still, there’s something there that matter on their third album, Deceiver , This upfront approach is in keeping Through it all, Smith’s bandmates As the one band member who can’t feels new. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
True Black Metal: Authenticity, Nostalgia, and Transgression in The
1 True Black Metal: Authenticity, Nostalgia, and Transgression in the Black Metal Scene Joel Skadiang 430018518 A treatise submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) Department of Gender and Cultural Studies The University of Sydney June 2017 This thesis has not been submitted for examination at this or any other university 2 Table of Contents Page List of Figures 3 Abstract 4 Introduction 6 History of Black Metal 10 Aesthetics of the Second Wave 31 Subcultural Capital, Kvltness, and Authentic Participation 40 Virtual Ethnography 53 Conclusion 66 Bibliography 69 3 List of Figures Page Figure 1 Venom (Teamrock 2005) 14 Figure 2 Mayhem (The Quietus 2014) 17 Figure 3 Immortal Norwegian Arts 2015 17 Figure 4 Black Metal Logo from Helvete Basement (Wikipedia: Date Unknown) 25 Figure 5 Bathory’s (1985) and Venom’s (1981) Album Covers 25 Figure 6 Post on R/BlackMetal (Reddit 2016) 49 Figure 7 Post and Comment Karma of Reddit User (Reddit 2016) 49 Figure 8 Rules of R/BlackMetal (Reddit 2016) 58 Figure 9 Policing of Boundaries in R/BlackMetal (Reddit 2016) 59 Figure 10 Parody of Black Metal Aesthetic on R/MetalMemes (Reddit 2017) 59 Figure 11 Parody of Black Metal Fans and Response (Reddit 2017) 61 4 Abstract Black metal as a distinct genre of popular music is characterized by a general yearning for authenticity. This authenticity can be expressed through production values, musical techniques adopted, and style of dress and presentation among members of the scene. In this context, members of the scene are presented with a dilemma given the demand to both showcase individuality in their taste and style while also conforming to what it means to be “true” or authentic within the scene. -
Album Review: Deafheaven – New Bermuda | Nouse
Nouse Web Archives Album Review: Deafheaven – New Bermuda Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › News Features Reviews Playlists Album Review: Deafheaven – New Bermuda San Fran alt-metal outfit ramp up the experimentation on their sophomore and pull it off with more than a little style, says Ant Noonan Wednesday 7 October 2015 ★★★★☆ Metal was my gateway drug and I’m sure it was the same for thousands of other wannabe hipsters who now sit in their student flats with their Nike windbreakers skanking to an ‘ard Wiley remix, pretending they were never an angry eleven year old kid with a fringe and a can of Relentless. The love metal and I shared for so many years began to wilt when I started getting into more ‘independent’ music in my mid- teens and the genre never really grabbed me by the balls like it used to. This was until I came across the San Francisco based Post-Metal, Blackgaze band, Deafheaven. All I can say is metal wanted me back, and with Deafheaven it found me again. http://nouse.co.uk/2015/10/07/album-review-deafheaven-new-bermuda Archived 11 Dec 2018 10:22:00 Nouse Web Archives Album Review: Deafheaven – New Bermuda Page 2 of 3 Deafheaven’s 2013 release Sunbather blew the modern metal genre out of the water. For so long metal was music’s uncool older brother who lived in its parent’s basement, but with the emergence of Deafheaven’s sophomore release metal became cool again.