I Remember Mama
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April 07Cal.Pmd
April ’07 EXHIBITS In the Main Gallery 4 WEDNESDAY 11 WEDNESDAY 17 TUESDAY 24 TUESDAY JUDITH HUTTNER: Inner Sanctum, water- A BIRTHDAY TRIBUTE TO BETTE DAVIS: A BIRTHDAY TRIBUTE TO BETTE COOKING WITH GRANNY OR GRAMPY: SHAKESPEARE, PART I: Aspects of Love. colors, through April 26. Sponsored by the William Wyler’s Jezebel (1938-103 min.). A DAVIS: What Ever Happened to Baby Jane Register beginning April 17 for a workshop This literary dash through several of the Art Advisory Council. Southern belle (Bette, winning her second (1962-133 min.). Aging, demented child on Saturday, May 12 at 11 a.m. You don’t Bard’s plays will explore the many splen- In the Photography Gallery Oscar) goes too far to make her fiancé star Baby Jane Hudson (Davis) torments have to be a grandparent to attend this fun, dors, as well as the many frustrations, in- (Henry Fonda) jealous. Clements Ripley, her sister Blanche (Joan Crawford), a hands-on “cooking” workshop with the spe- herent in male/female relationships. Join MARK BERGHASH: I’s Closed I’s Open: Abem Finkel and John Huston scripted, from former movie actress crippled in an auto ac- cial child or children in your life. Chef Frank Shakespeare scholar John Broza, retired The Inner Self, through April 30. Look for the play by Owen Davis, Sr. Max Steiner cident. Lukas Heller scripted this suspense Miale will show how to make classic no-bake Schreiber English Department Chairman, a slide talk with Mark Berghash on Mon- composed the score. 12 noon. classic, from Henry Farrell’s novel, for pro- snacks such as Rice Krispie Treats, s’mores for an enthusiastic and authoritative explo- day, April 16 at 7:30 p.m. -
CABARET SYNOPSIS the Scene Is a Sleazy Nightclub in Berlin As The
CABARET SYNOPSIS The scene is a sleazy nightclub in Berlin as the 1920s are drawing to a close. Cliff Bradshaw, a young American writer, and Ernst Ludwig, a German, strike up a friendship on a train. Ernst gives Cliff an address in Berlin where he will find a room. Cliff takes this advice and Fräulein Schneider, a vivacious 60 year old, lets him have a room very cheaply. Cliff, at the Kit Kat Club, meets an English girl, Sally Bowles, who is working there as a singer and hostess. Next day, as Cliff is giving Ernst an English lesson, Sally arrives with all her luggage and moves in. Ernst comes to ask Cliff to collect something for him from Paris; he will pay well for the service. Cliff knows that this will involve smuggling currency, but agrees to go. Ernst's fee will be useful now that Cliff and Sally are to be married. Fraulein Schneider and her admirer, a Jewish greengrocer named Herr Schultz, also decide to become engaged and a celebration party is held in Herr Schultz shop. In the middle of the festivities Ernst arrives wearing a Nazi armband. Cliff realizes that his Paris errand was on behalf of the Nazi party and refuses Ernst's payment, but Sally accepts it. At Cliff's flat Sally gets ready to go back to work at the Kit Kat Klub. Cliff determines that they will leave for America but that evening he calls at the Klub and finds Sally there. He is furious, and when Ernst approaches him to perform another errand Cliff knocks him down. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Radar Fails in Bermuda, Flight Slated Tomorrow
i- «A6B BKim m i MONDAY, MAY 18, 1968 A re n g e DaUj Net Ptms Run ............ .... |i ■' jiancIiPBtpr Ewfaittg For ttia Week Ended The Weather AprU 20, IMS Foreenet of I). R Waothet BmreM The Holy Family Mothers Circle Th* m iancheater Registered will meet Wednesday a t 8 p.m. at Nuine'a Association will meet to Blue Lodge Night Fair and mild tonight. Low 41 About Town the home of Mrs. Ekiward O'Brien, morrow at 7:30 p.m. in Manches 13,974 268 Autumn St. Mrs. J. F. Squires ter Memorial H o ^ ta l board roonu Set by Omar Qub Member of the Audit to 60. Wednesdag partly eiooRy Tha executiva board o t St. will be co-hostess. Future chsmges In the organiza . Ihirenu ot OreidaUoa and ralM. High liear 10. Bridget's parteh will meat tonight tion will be discussed, and final Manchester-— A City of FiUage Charm at 7:30 In Parish Hall. St. Margarets Circle. Daughters plans made for an annual dinner. Friday night will be Blue Iiodge of Isabella, will meet tomorrow at Night when Omar Shrine Club The Women's Fellowship of the 7:46 , p.m. at the K of C Home. The Past Matrons of Temple meets at the Country Club^ VOL. LXXXU, NO. 191 ■ I Presbyterian Church will not meet (SIXl'EEN PACES) MANCHESTER, CONN., TUESDAY, MAY 14,1963 (daeatfied Adverttslng on Pago 14) PRICE SEVEN CENTS Members are reminded to oring Chapter, Order of Eastern Star AH members of the Masonic tonight. playing cards. -
Did Hollywood Take Theatre "By Hook Or by Crook?"" (2018)
BearWorks MSU Graduate Theses Fall 2018 AsDid with Hollywood any intellectual T prakoject,e Theatr the contente "b andy Hook views expr oressed by Cr inook?" this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been Catherine S. Wright Missourijudged t oState hav eUniv academicersity, Catherine845@liv value by the student’e.missouristate.edus thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Acting Commons, Applied Ethics Commons, Art Education Commons, Business and Corporate Communications Commons, Business Law, Public Responsibility, and Ethics Commons, Collective Bargaining Commons, Comparative Philosophy Commons, Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, E-Commerce Commons, Ethics and Political Philosophy Commons, History of Philosophy Commons, Intellectual History Commons, International and Comparative Labor Relations Commons, Legal Commons, Metaphysics Commons, Other Business Commons, Other Classics Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, Performance Management Commons, Philosophy of Science Commons, Playwriting Commons, Public History Commons, Screenwriting Commons, Social and Behavioral Sciences Commons, Social History Commons, Technical and Professional Writing Commons, Television Commons, Theatre History Commons, Unions Commons, and the United States History Commons Recommended Citation Wright, Catherine S., "Did Hollywood Take Theatre "by Hook or by Crook?"" (2018). MSU Graduate Theses. 3320. https://bearworks.missouristate.edu/theses/3320 This article or document was made available through BearWorks, the institutional repository of Missouri State University. -
Volume 6, Issue 10 // June 6-July 17, 2019 YOUR LOCAL, NON-PROFIT, INDEPENDENT NEWSPAPER
YOUR LOCAL, NON-PROFIT, INDEPENDENT NEWSPAPER Volume 6, Issue 10 // June 6-July 17, 2019 2 / WWW.ROGUEVALLEYMESSENGER.COM JUNE 6 - JULY 17 , 2019 / THE ROGUE VALLEY MESSENGER / 3 The Rogue Valley Messenger PO Box 8069 | Medford, OR 97501 CONTENTS 541-708-5688 roguevalleymessenger.com page [email protected] SOUND Porchfest originated in THE BUSINESS END OF THINGS Ithaca, New York, and now See you in six is held annually in 127 cities 16 WEB MASTER Tammy Wilder weeks! It’s our nationwide. With musicians OUR FINANCIAL WIZARD Sara Louton, summer vacation. Advanced Books performing in the streets DISTRIBUTION Coleman Antonucci and on porches, it is a Back in mid-July throwback—and the only ADVERTISING MANAGER Sasha Armstrong with our weed Porchfest in Oregon is in OUR WORDSMITHS, ETC. Grants Pass on June 15. issue. PUBLISHER & EDITOR Phil Busse MANAGING EDITOR Sara Jane Wiltermood PRODUCTION MANAGER Donna Brosh CALENDAR EDITOR CULTURE page DRINK page Jordan Marie McCaw Thinking about the political COLUMNISTS Rob Brezsny, Dr. Dan Smith, LOCAL and sexual constraints of the Medford Beer Week is Dr. Cory Tichauer, Dr. Margaret Philhower and era, in 1950, John Van Druten 19 19 Tanya Shelander June 6 - 16. You’ll notice wrote the play, Bell, Book, FREELANCERS Catherine Kelley, Heather Metz, that’s more than a week, Nick Blakeslee, Vanessa Newman, Josh Stirm, and and Candle, which was later but does anyone actually Noah Lee Margetts adapted as a movie in 1955 want to complain about GET IN TOUCH starring Kim Novak and Jimmy more beer related events? Stewart, and a likely precursor MAIL [email protected] Our beer reviewer Nick to the beloved TV show Blakeslee shares a few MUSIC [email protected] “Bewitched.” The play returns highlights from the EVENTS [email protected] to life at Barnstormers Theatre “week.” ADVERTISE [email protected] in Grants Pass. -
Breakfast at the Prater: Christopher Isherwood, His Women and Men
Breakfast at the Prater: Christopher Isherwood, His Women and Men Gian Piero Piretto My intention is to analyze Christopher Isherwood’s novel Prater Violet1 in connection with a group of books, plays and films that, despite their distance in genre, time and space, provide a basis for an interactive investigation of Isherwood’s novel.2 In Berlin Stories, imagining her own destiny and that of her friend Chris, a fictionalized version of the author, Sally Bowles tells Chris: “We two old tramps are going to be the most marvelous novelist and the greatest actress in the world”.3 Nobody, at the moment of her remark, would have agreed with her, and no-one would have been inclined to confirm her optimistic view. Still, Chris and Sally are determined to face both life and a world turning Nazi and showing very little promise. The political situation notwithstanding, and with all her weakness, unfocused passion and lack of common sense, Sally has great expectations for the future, just like the two tramps who, in Chaplin’s 1936 movie Modern Times, walk towards the horizon, uncertain yet indomitable, showing their backs to the spectators.4 The female character is fundamental in this story. Chris is a shy, insecure, and presumably gay young Englishman living in the gaudy atmosphere of Berlin in the Weimar years, who is at once attracted and bewildered by Sally’s unprompted vitality and bravery, just the opposite of his own attitude toward life. Chris depends on Sally: he has left England to get acquainted with the rest of the world, to put a distance between himself and his middle-class family, and to enjoy the sexual freedom of the most exciting European city. -
Truman Capote – a Popular Author at a Turning Point in His Life
Table of Contents The Play p. 2 The Playwright p. 3-4 The History p. 5 Big Ideas p. 5-6 La Côte Basque p. 7-8 Solo Plays p. 9 Further Reading p. 10 Especially for p. 11 Students Learning Connections & Standards p. 12 Director Lynette Barkley Producers The John Noffo Kahn & December 2, 2016 – January 1, 2017 Mark Addison Foundation Dramaguide written by Gary Cadwallader Dramaguide The Play Character Truman Capote – a popular author at a turning point in his life The Setting Capote's apartment at 870 United Nations Plaza, New York City, a week before Christmas: 1975 The Story “The truth is, I’m very good news for all those women. Those beautiful, intelligent, privileged, lonely women. They are absolutely crazy about me, and that’s a fact. Why? Because damn it, I like them. I pay attention to them. I listen. I understand their problems. I make them laugh. I tell them how to dress, what makeup to wear, what to read and who to love. When they’re miserable, I tuck them into bed and tell them bedtime stories…What they like best is something horrendous about someone impeccable. (beat) Don’t we all.” Jay Presson Allen, Tru Truman Capote’s “La Côte Basque, 1965,” a chapter from his latest book, Answered Prayers, was recently published in Esquire magazine, and his closest friends are no longer speaking to him. Capote is surprised and astonished at their silence. Alone during the holidays when his social calendar is typically busy, the consequences of his actions become clear and he calms himself with alcohol and drugs, and reminisces about his life, interesting friends, and holidays past. -
CAROUSEL Audience Guide3.Pdf
AUDIENCE INSIGHTS Goodspeed’s Audience Insights is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED The Max Showalter Center for Education in Musical Theatre CAROUSEL Goodspeed Opera House July 13 -Sept 23, 2012 _________ MUSIC BY RICHARD RODGERS BOOK AND LYRICS BY Audience Insights OSCAR HAMMERSTEIN II TABLE OF CONTENTS BASED ON THE PLAY LILIOM BY FERENC MOLNÁR AS ADAPTED BY BENJAMIN F. GLAZIER Show Synopsis........................................................................................................3 Character Summary............................……….……………………………………...4 ORIGINAL DANCES BY AGNES DE MILLE Meet the Writers...............................................………...………………………..…..5 Behind the Scenes: Carving the Carousel Horse..............................................7 LIGHTING DESIGN BY JOHN LASITER The Theatre: New Musical in Manhattan............................................................9 The Importance of Carousel..............................................................................11 COSTUME DESIGN BY ALEJO VIETTI Social Class During the Guilded Age.......………...…………....……………..…13 Resources..................................................………...…………....……………..…14 SCENIC DESIGN BY MICHAEL SCHWEIKARDT CHOREOGRAPHED BY PARKER ESSE DIRECTED BY ROB RUGGIERO PRODUCED FOR GOODSPEED MUSICALS BY MICHAEL P. PRICE Goodspeed’s Audience Insights can be found on our website: www.goodspeed.org/pages/guides Audience Insights for Carousel was prepared by Joshua S. Ritter, M.F.A, Education & Library -
Carousel (1971) San Jose State University, Theatre Arts
San Jose State University SJSU ScholarWorks Productions 1970-1979 Theatre Productions Spring 5-12-1971 Carousel (1971) San Jose State University, Theatre Arts Follow this and additional works at: https://scholarworks.sjsu.edu/productions_1970s Part of the Theatre and Performance Studies Commons Recommended Citation San Jose State University, Theatre Arts, "Carousel (1971)" (1971). Productions 1970-1979. 20. https://scholarworks.sjsu.edu/productions_1970s/20 This Book is brought to you for free and open access by the Theatre Productions at SJSU ScholarWorks. It has been accepted for inclusion in Productions 1970-1979 by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. ANNOUNCEMENTS PRODUCTION STAFF CAROUSEL is the final production of the 1971-72 Drama Stage Managers ....... .. ..... Laurie Fialkowski, Season. An exciting subscription season is being planned for Randall Pybas, Val Lawrence Scholm 1972-73. An announcement and order form are enclosed. Assistant to the Scenic Designer . ...... joseph Salomone Subscribe now to assure choice reserved seats, and save Assistant Lighting Designer . .. .. ..... janet Musson money. Assistant to Carol Haws .. ......... janet Van Swoll Makeup under the supervision of ·.. ......Barbara Rose The JOHN F. KERR Scholarship is awarded annually to an Scenic Artist . _ . .. .. _ . .... .... .. Sandra Silva outstanding senior or graduate student. The WENDELL Stage Carpenter _ ..... .. .. ... ...... Daniel Leigh JOHNSON DESIGN AWARD is made annually on the basis Assistant to the Stage Carpenter .......Stephen Bickford of a competition. The DOROTHY KAUCHER ORAL Scenery Construction .... Stephen Bickford, joan Buffa, INTERPRETATION CONTEST prize is awarded each Timothy Dexter, Alfred Gonzales, james Lioi semester. Donations to these Scholarship Funds are Painting Crew .. -
2020 Jimmy Awards Qualifying Roles
2020 Jimmy Awards Qualifying Roles SHOWS FOR WHICH MORE THAN 6 ROLES ARE ELIGIBLE DUE TO THE ENSEMBLE NATURE OF THE MATERIAL Show Name Actor Actress Olive Ostrovsky, Logainne 25th Annual Putnam County Spelling Leaf Coneybear, Chip Tolentino, William Barfee Shwartzandgrubenierre, Marcy Park, Rona Bee, The Lisa Peretti Gomez Addams, Uncle Fester, Pugsley Morticia Addams, Wednesday Addams, Addams Family, The Addams, Lucas Beineke, Mal Beineke Alice Beineke Woman 1, Woman 2, Woman 3 (cast may Man 1, Man 2, Man 3 (cast may be expanded As Thousands Cheer be expanded to include as many roles as to include as many roles as desired) desired) Kate Monster, Christmas Eve, Gary Avenue Q Princeton, Brian, Rod, Nicky Coleman Michael, Feargal, Billy, Corey Junior, Corey Tiffany, Cyndi, Eileen, Laura, Debbie, Miss Back to the 80's Senior, Mr. Cocker, Featured Male Brannigan Nun, Prioress, The Sweetheart, Wife of Canterbury Tales Chaucer, Clerk, Host, Miller, Squire, Steward Bath Children's Letters to God Ensemble Cast Ensemble Cast First Date Aaron, Man 1, Man 2, Man 3 Casey, Woman 1, Woman 2 Edna Turnblad, Link Larken, Seaweed, Corny Hairspray Tracy Turnblad, Velma, Motormouth Collins Norma Valverde, Heather Stovall, Kelli Hands on a Hardbody JD Drew, Benny Perkins, Greg Wilhote Mangrum In the Heights Usnavi, Benny, Kevin Rosario Vanessa, Nina, Camila, Abuela Claudia Into the Woods Baker, Jack, The Wolf/Cinderella's Prince Baker's Wife, Witch, Cinderella, Little Red Is There Life After High School? Ensemble Ensemble Les Misérables Jean Valjean, Javert, Marius, Thenardier Fantine, Eponine, Cosette Frederick Egerman, Carl Magnus, Henrik Desiree Armfeldt, Madame Armfeldt, Little Night Music, A Egerman Charlotte, Anne Egerman, Petra The Queen Aggravain, Princess Winnifred, Once Upon a Mattress Prince Dauntless, Sir Harry, The Jester, Minstrel Lady Larkin Prom, The Barry Glickman, Trent Oliver, Mr.