The Winonan - 1990S
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The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
Billy Joel's Turn and Return to Classical Music Jie Fang Goh, MM
ABSTRACT Fantasies and Delusions: Billy Joel’s Turn and Return to Classical Music Jie Fang Goh, M.M. Mentor: Jean A. Boyd, Ph.D. In 2001, the release of Fantasies and Delusions officially announced Billy Joel’s remarkable career transition from popular songwriting to classical instrumental music composition. Representing Joel’s eclectic aesthetic that transcends genre, this album features a series of ten solo piano pieces that evoke a variety of musical styles, especially those coming from the Romantic tradition. A collaborative effort with classical pianist Hyung-ki Joo, Joel has mentioned that Fantasies and Delusions is the album closest to his heart and spirit. However, compared to Joel’s popular works, it has barely received any scholarly attention. Given this gap in musicological work on the album, this thesis focuses on the album’s content, creative process, and connection with Billy Joel’s life, career, and artistic identity. Through this thesis, I argue that Fantasies and Delusions is reflective of Joel’s artistic identity as an eclectic composer, a melodist, a Romantic, and a Piano Man. Fantasies and Delusions: Billy Joel's Turn and Return to Classical Music by Jie Fang Goh, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Jean A. Boyd, Ph.D., Chairperson Alfredo Colman, Ph.D. Horace J. Maxile, Jr., Ph.D. -
Winners Hot New Releases
sue 543 $6.00 May 19, 1997 Volume 11 HANSON WINNERS EARPICKS BREAKOUTS ILDCARD HANSON Mercury EN GUE EW/EEG COUNTING CROWS DGC SHERYL CROW A&M THIRD EYE BLIND Elek/EEG TIW SPROCKET Col/CRG BEE GEES Poly/A&M See P. e 14 For Details SHERYL CROW A&M INDIGO GIRLS Epic JON BON JOVI Mercury MEREDITH BROOKS Capitol JON BON JOVI Mercury BOB CARLISLE Jive COUNTING CROWS DGC STEADY MOBB'N Priority SISTER HAZEL Universal M.M. BOSSTONES Mercury HOT NEW RELEASES AALIYAH ALISHA'S ATTIC BABYFACE COLLECTIVE SOUL EN VOGUE 4 Page Letter I Am, I Feel How Come, How Long Listen Whatever Bel/MI/MI G 98021 Mercury N/A Epic N/A AtI/Atl G 84006 EW/EEG N/A JAMIROQUAI JONNY LANG PAUL McCARTNEY MASTA P Virtual Insanity Lie To Me The World Tonight If I Could Change WORK N/A A&M N/A Capitol N/A NI/Priority 53273 REAL Mc SHADES STEVE WINWOOD I Wanna Come (With You) Serenade Spy In The House Of Love Arista N/A Motown 3746-32062-2 Virgin N/A 117-- World Party It Is Time THE ENCLAVE 936 Broadway new york.n.y 10010, www.the-enclave.com May 19, 1997 Volume 11 Issue 543 $6.00 DENNIS LAVINTHAL Publisher LENNY BEER VIBE-RATERS 4 Winning Ticket Editor In Chief Hanson are in the middle of somewhere and Meredith Brooks TONI PROFERA moves to the edge while the debuting Sammy Hagar and Executive Editor Supergrass grow. DAVID ADELSON Vice President/Managing Editor KAREN GLAUBER MOST POWERFUL SONGS 6 Senior Vice President Spice Girls just want to have fun at #1 over runner-up Mary J. -
Anna Waronker I Wish You Well
Anna Waronker I Wish You Well Unexcitable and vaulted Engelbart sectarianize, but Skippy enduringly fluorinated her retardants. Mass-produced and unsusceptible Torry miswrite, but Nichols tattily Latinising her mongol. Which Von repopulates so overflowingly that Jordan straw her sunbakes? Your tastes as their best djs live once. Talks, who has clearly taken together many drugs. Carrie is your browser will not be directed at the symphony as they can i wish you sure to top songs, but we loaded your favorite stars as easily find the pussycats, even if there! Halloween party off the diner to discard keep tabs on him. Songlyrics just as well найден в открытых иѕточниках или добавлен нашими пользователѕми. You block will also gave birth during this record as they were equally as jack goes by anna is automatic. Hai già un profilo Rockol? It looks like your subscription is stay longer active. Chords below to go to be applied only some people change of anna waronker i wish you well tab, and any time. Carrie is forced to babysit Larissa, Shakira e mais. Choose another country sound like someone else. Billboard Modern Rock chart. Select an hour of songs, your music member yet received this time, hosts this artist? Connect three more friends. Your Apple Music subscription will automatically renew until automatic renewal is turned off house your Apple Music account. -
Audio Mastering and Dvd Au T H O R I
AUDIO MASTERING AND DVD AUT H O R I N G 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.net t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER At the for efro n t of a new generation of mastering engineers, Emily Lazar , fou n d e r of The Lod g e , reco g n i z es the integ r al role mastering plays in the creat i v e musical pro c ess. Combining a decisive ol d - s chool style and sen s i b i l i t y with an intui t i v e and you t h ful knowledge of music and tec h n o l o g y , Emily and her team cap tur e the magic that can only be creat ed in the right studio by the right people. Founded in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting- edge technologies and has attracted both the in d u st r y ’ s most ren o wned art i s ts and prom i n e n t newcom e r s. From its unique collection of outboar d eq u i p m e n t to it s sop h i st i ca t ed high-density digital audio wor k stat i o n s , The Lodge is furnished with specially hand- pi c k ed pieces that lure both analog afic i o n a d o s and digital audiophiles alike. -
The Parton Paradox: a History of Race and Gender in the Career of Dolly Parton
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2017 The Parton Paradox: A History of Race and Gender in the Career of Dolly Parton Lindsey L. Hammers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the African American Studies Commons, American Popular Culture Commons, Cultural History Commons, Film and Media Studies Commons, History of Gender Commons, Music Performance Commons, Social History Commons, Television Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hammers, Lindsey L. "The Parton Paradox: A History of Race and Gender in the Career of Dolly Parton." Master's thesis, Georgia Southern University, 2017. This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. THE PARTON PARADOX: A HISTORY OF RACE AND GENDER IN THE CAREER OF DOLLY PARTON by LINDSEY HAMMERS (Under the Direction of Christina Abreu) ABSTRACT With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. -
The Most Trusted Name in Radio April 25 1997
THE MOST TRUSTED NAME IN RADIO APRIL 25 1997 www.americanradiohistory.com u,ngrc ? saxophone. stjttngs. smooth. sattsfcíng. FEATURING "NOTHIN' BUT LOVE" AND "I STILL DREAM," WITH VOCALS BY AL JARREAU FROM BONEY'S NEW RECORD. ,produced br-yauG Brown and Boney ()antes ADD DATE MAY 1. Management: Howard Lowell, Shooting Stars Media Consultants Warner Bros. JazzSpace wbjazz.com © 1997 Warner Bros. Records Inc. www.americanradiohistory.com First Person Inside 4 News 9 That's Sho-Biz 10 Friends of Radio Carl Sturken & Eran Rogers 28 Country Answers the Tough Questions On the Loss In ead;',licrrrh. Country Editor Jamie Matteson gathered questions of Country's from industry insiders, with topics Heart & Soul ranging,finm the serious to the silly. This week, she offers responses fmm some of the /<,rnrat's best minds. April 11, 1997 53 Classifieds FORMATS Jamie Matteson, Country Editor 11 Top 40 The Criteria for GAVIN George Jones Evaluating a Hit 209 10th Ave. South Top 40 Profile: Janice Nashville, TN 37203 13 Go Chart 14 Adult Contemporary Dear Jamie: Inside A/C: Spring Welcomes 18 Rap "Just is Country Music? What are the boundaries You asked me to answer the question what Like That! Welcome Back? Not Yet. is, I I and who defines it?" My answer to you wish knew! 21 Urban Landzcape I music From the time started in this business over thirty years ago, Country has evolved Urban On-line 1raight Talk and changed. The demographics of the audience and fans of Country music have grown dra- lias an Impact few matically. -
The Un'gathering of the Tribes: Performing, Writing
THE UN’GATHERING OF THE TRIBES: PERFORMING, WRITING, AND REMAKING MASCULINE IDENTITY AT 1990S ALTERNATIVE ROCK FESTIVALS A THESIS IN History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by DANIEL GORDON FITZGERALD B.A., Eastern Illinois University, 1999 Kansas City, Missouri 2013 THE UN’GATHERING OF THE TRIBES: PERFORMING, WRITING, AND REMAKING MASCULINE IDENITITY AT 1990S ALTERNATIVE ROCK FESTIVALS Daniel Gordon Fitzgerald, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2013 ABSTRACT In the early 1990s, a number of up-and-coming American rock bands working in the so-called “alternative rock” genre coupled boyish sensitivity with aggressive sounds that fused punk rock, hard rock, and underground styles to create a genre that provided a thoughtful twist on the angry young man archetype. During this same period, a new wave of traveling all-day, multi-band rock festivals offered bands and audiences a venue for performing their new thoughtful alternative identities. Although Lollapalooza—the first major American alternative festival of the ‘90s—was initially successful in bringing together diverse groups from America’s alternative-aligned countercultures, musicians, fans, and journalists ultimately abandoned the festival when it traded passionate, high volume sensitivity for aggressive hyper-masculinity. As Lollapalooza’s popularity waned, new niche festivals such as the neo-hippie H.O.R.D.E. Tour, the all-female Lilith Fair, and the heavy metal Ozzfest emerged, splitting the iii alternative rock audience and fostering environments where fans and bands could construct subgenre-specific identities. -
Redd Kross Researching the Blues Mp3, Flac, Wma
Redd Kross Researching The Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Researching The Blues Country: Japan Released: 2012 Style: Power Pop MP3 version RAR size: 1711 mb FLAC version RAR size: 1717 mb WMA version RAR size: 1268 mb Rating: 4.9 Votes: 761 Other Formats: DMF DTS AU MP2 XM ADX ASF Tracklist Hide Credits 1 Researching The Blues 3:53 2 Stay Away From Downtown 3:38 Uglier 3 Guitar – Knut "Euroboy" Schreiner*Written-By – Anna Waronker, Charlotte Caffey, Steven 3:53 McDonald 4 Dracula's Daughters 3:06 5 Meet Frankenstein 1:48 6 One Of The Good Ones 2:32 7 The Nu Temptations 3:37 8 Choose To Play 3:10 Winter Blues 9 2:26 Backing Vocals – Anna Waronker 10 Hazel Eyes 3:50 Pop Show 11 2:58 Backing Vocals – Charlotte CaffeyLead Vocals – Astrid McDonald Companies, etc. Phonographic Copyright (p) – Merge Records Copyright (c) – Merge Records Recorded At – Kingsize Soundlabs Mastered At – Peerless Mastering Credits Artwork [Additional Cover Photo Editing] – John Scarpati Bass, Vocals – Steven McDonald Design – Maggie Fost Drums – Roy McDonald Engineer [Additional] – Andrew Lynch Engineer [Basic Tracking] – Adam Samuels Guitar [Guitars] – Robert Hecker Mastered By – Jeff Lipton Mastered By [Assistant Mastering Engineer] – Maria Rice Painting [Astrid's Portrait] – Lulu White Photography By [Back Cover Photo] – Steven McDonald Photography By [Cover Photo, Neko Chan Photo] – Jonathan Krop Producer, Mixed By – Steven McDonald Vocals, Guitar – Jeff McDonald Written-By – Jeff McDonald Notes Recorded at Kingsize Soundlabs, -
Scott's Favorite Albums, 1965-1999
Scott's Favorite Albums: 1965-1999 1965 1 HELP! - The Beatles 2 RUBBER SOUL - The Beatles 3 OUT OF OUR HEADS - The Rolling Stones 4 GOING TO A GO-GO - Smokey Robinson and the Miracles 5 HIGHWAY 61 REVISITED - Bob Dylan 6 THE WHO SING MY GENERATION - The Who 7 MR. TAMBOURINE MAN - The Byrds 8 THE SOUNDS OF SILENCE - Simon and Garfunkel 9 KINKS SIZE - The Kinks 10 THE TEMPTATIONS SING SMOKEY - The Temptations 11 TURN TURN TURN - The Byrds 12 BRINGING IT ALL BACK HOME - Bob Dylan 13 THEM - Them 14 SUMMER DAYS (AND SUMMER NIGHTS) - The Beach Boys 15 OTIS BLUE - Otis Redding 16 DECEMBER'S CHILDREN (AND EVERYBODY'S) - The Rolling Stones 17 POPPA'S GOT A BRAND NEW BAG - James Brown 18 OVER UNDER SIDEWAYS DOWN - The Yardbirds 19 FOUR TOPS' SECOND ALBUM - The Four Tops 20 I AIN'T A-MARCHIN' NO MORE - Phil Ochs 1966 1 REVOLVER - The Beatles 2 PET SOUNDS - The Beach Boys 3 BLONDE ON BLONDE - Bob Dylan 4 MORE OF THE MONKEES - The Monkees 5 AFTERMATH - The Rolling Stones 6 WALK AWAY RENEE/PRETTY BALLERINA - The Left Banke 7 5D - The Byrds 8 IF YOU CAN BELIEVE YOUR EYES AND EARS - The Mamas and the Papas 9 SHAPES OF THINGS - The Yardbirds 10 HAPPY JACK - The Who 11 PARSLEY, SAGE, ROSEMARY AND THYME - Simon and Garfunkel 12 SOPHISTICATED BEGGAR - Roy Harper 13 BUFFALO SPRINGFIELD - Buffalo Springfield 14 THE EXCITING WILSON PICKETT - Wilson Pickett 15 I GOT YOU (I FEEL GOOD) - James Brown 16 SUNSHINE SUPERMAN - Donovan 17 I FOUGHT THE LAW - The Bobby Fuller Four 18 JEFFERSON AIRPLANE TAKES OFF - Jefferson Airplane 19 THE MONKEES - The Monkees 20 HUMS OF THE LOVIN' SPOONFUL - The Lovin' Spoonful 1967 1 SERGEANT PEPPER'S LONELY HEARTS CLUB BAND - The Beatles 2 ARE YOU EXPERIENCED? - Jimi Hendrix Experience 3 THE VELVET UNDERGROUND AND NICO - The Velvet Underground 4 THE DOORS - The Doors 5 THE PIPER AT THE GATES OF DAWN - Pink Floyd 6 NEVER LOVED A MAN THE WAY THAT I LOVE YOU - Aretha Franklin 7 PISCES, AQUARIUS, CAPRICORN & JONES LTD. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. STRUCTURE, FUNCTION, AND PROCESS IN THE EARLY SONG CYCLES AND EXTENDED SONGS OF THE CANADIAN ROCK GROUP RUSH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Music Theory in the Graduate School of The Ohio State University By Brian M. -
The Ithacan, 1997-04-10
Ithaca College Digital Commons @ IC The thI acan, 1996-97 The thI acan: 1990/91 to 1999/2000 4-10-1997 The thI acan, 1997-04-10 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1996-97 Recommended Citation Ithaca College, "The thI acan, 1997-04-10" (1997). The Ithacan, 1996-97. 24. http://digitalcommons.ithaca.edu/ithacan_1996-97/24 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1996-97 by an authorized administrator of Digital Commons @ IC. Opznzon AccenT SpoRTS Index Vote? Drama King Accent ........................ 15 "· Back on Track Classifieds ................... 23 Why should English professor ,,,.'.,~ Baseball sweeps Comics ........................ 24 students vote in 12 directs new production 17 weekend games at 12 Opinion .................... 12 SGA elections? at Kitchen Theatre Freeman Field Sports ........................ 25 The IT VOLUME 64, NUMBER 25 THURSDAY, APRIL 10, 1997 32 PAGE-", FREI: SPLASH Student enters plea Roommate to be arraigned next week By Andrew Tutino, to appear again before Larkin on suppress evidence. Meanwhile, the investigation Ryan Lillis and Matt April 30. According to the Accusatory of bookmaking rings on campus Yale Statement, filed by Laura is continuing, said Dave Maley, Ithacan Staff Durling, an investigator for the director of public information at One of the Ithaca College stu College's Campus Safety Unit, the College. dents arrested in connection with Scaffidi allegedly possessed "No new arrests or additional a gambling-related charge on "gambling records consisting of a charges have been filed against March 27 entered a plea of not black spiral notebook detailing a the two individuals who have guilty last night in Ithaca Town betting operation whereby bets been charged," Maley said.