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National Register of Historic Places Inventory
Form No. 10-306 (Rev. 10-74) UNITED STATES DEPARTMENT OF THt INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM FOR FEDERAL PROPERTIES SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME i / \Statuary\ American Revolution , traf flc ~±slan3s an<t .arretttKi public buildings within the District of Columbia _NOT FOR PUB LI CATION CITY. TOWN CONGRESSIONAL DISTRICT U»g-fcOtt. VICINITY OF STATE COUNTY District of Columbia OWNERSHIP STATUS PRESENT USE —XPUBLIC —OCCUPIED —AGRICULTURE: —MUSEUM —PRIVATE —UNOCCUPIED —COMMERCIAL 1LPARK —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT -.RELIGIOUS _IN PROCESS —YES: RESTRICTED GOVERNMENT SCIENTIFIC _BEING CONSIDERED X-YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION NO —MILITARY —OTHER: I AGENCY REGIONAL HEADQUARTERS: (ifapplicable) National Capital Region, National Park Service -__________;______Department of the- Inferior- /|J ' -•-•-••>--..,______ STREET & NUMBER 110Q' Ohio' Drive. • g.W.-''________________________' ; ; •-.-;- -^____ CITY. TOWN STATE Washington VICINITY OF District of Columbia LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS,ETC. National Capital Region STREET & NUMBER 1100 Ohio Drive, S.W. CITY. TOWN STATE ivnstnn Pis trio t- of Colnmh-fa 1 REPRESENTATION IN EXISTING SURVEYS T^!Y<an•l^^•^ J\ro 1 1 DATE ^-FEDERAL —STATE —COUNTY —LOCAL National Capital Region CITY. TOWN STATF. -Wa gin -i r> o t- r\-a- District of Columbia CHECK ONE CHECK ONE X-EXCELLENT —DETERIORATED XJJNALTERED X_ORIGINAL SITE —GOOD _RUINS —ALTERED —MOVED DATE. _FAIR _UNEXPOSED This nomination includes outdoor statues commemorating figures of the American Revolutionary War period which are standing throughout the City of Washington and owned by the National Park Service. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Index to Academy Oral Histories Ronald Neame
Index to Academy Oral Histories Ronald Neame Ronald Neame (Director) Call number: OH159 Abbott, John, 906 Academy Award nominations, 314, 321, 511, 517, 935, 969, 971 Academy Awards, 314, 511, 950-951, 1002 Academy of Motion Picture Arts and Science, 20, 27, 44, 76, 110, 241, 328, 333, 339, 400, 444, 476, 482-483, 495, 498, 517, 552-556, 559, 624, 686, 709, 733-734, 951, 1019, 1055-1056, 1083-1084, 1086 Academy Board of Governors, 1083 ADAM BEDE, 37 ADAM’S APPLE, 79-80, 100, 103, 135 AGAINST THE TIDE, 184, 225-227, 229 Aimee, Anouk, 611-612, 959 Alcott, Arthur, 648, 674, 725, 784 Allen, Irwin, 391, 508, 986-990, 997, 1002, 1006-1007, 1009, 1012, 1013 Allen, Jay Presson, 925, 927 Allenberg, Bert, 713 Allgood, Sara, 239 Alwyn, William, 692 Amalgamated Studios, 209 Ambiphone, 126-127 Ambler, Eric, 166, 201, 525, 577, 588, 595, 598, 602, 604, 626, 635, 645, 709 Ambler, Joss, 265 American Film Institute, 95, 766, 1019, 1084 American Society of Cinematogaphers (ASC), 118, 481 Ames, Gerald, 37 Anderson, Mickey, 366 Anderson, Robin, 893 Anderson, Rona, 929 Angel, Heather, 193 Ankers, Evelyn, 261-263 anti-Semitism, 562, 572-574, 576 Arnold, Malcolm, 773, 864, 876, 907 Arnold, Norman, 88 Arnold, Wilfred, 88 Asher, Irving, 1026 Asquith, Anthony, 127, 292, 404 Associated British Cinemas, 108, 152, 857 Associated British Pictures, 150 Association of Cine-Technicians (ACT), 90-92, 105, 107, 109, 111-112, 115-118, 164-166, 180, 200, 209-210, 272, 469-470 Attenborough, Richard, 277, 340, 353, 387, 554, 632 Aylmer, Felix, 185, 271, 278 Bagnold, Edin, 862 Baker, Carroll, 680, 883-884 Balchin, Nigel, 683, 684 Balcon, Michael, 127, 198, 212-214, 238, 240, 243-244, 251, 265-266, 275, 281-282, 285, 451-453, 456, 552, 637, 767, 855, 878 Balcon, S. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4 -
Architecture Program Report
MARCH 2013 REVISED JULY 2013 ARCHITECTURE PROGRAM REPORT NAAB VISIT FOR AccreDitation Patricia Seitz Master of Architecture Program Head / Program Coordinator Professor of Architecture Email: [email protected] Phone: 617.879.7677 Paul Hajian Chair - Architecture Department Professor of Architecture Email: [email protected] Phone: 617.879.7652 Jenny Gibbs Associate Dean of Graduate Programs Email: [email protected] Phone: 617.879.7181 Maureen Kelly Senior Vice President for Academic Affairs Email: [email protected] Phone: 617.879.7365 Dawn Barrett President Email: [email protected] Phone: 617.879.7100 MASSachuSETTS COLLege OF Art AND DESIGN ARCHITECTURE PROGRAM REPORT 2013 ARCHITECTURE PROGRAM Report 2013 MASSACHUSETTS COLLEGE OF ART AND DESIGN / ARCHITECTURE / MARCH 2013 TABLE OF CONTENTS Part ONE (I) - INSTITUTIONAL Support AND COMMITMENT to CONTINUOUS Improvement 4 Section 1: Identity and Self-Assessment 4 I.1.1 History and Mission 4 I.1.2 Learning Culture and Social Equity 18 I.1.3 Responses to the Five Perspectives 22 I.1.4 Long Range Planning 28 I.1.5 Self-Assessment Procedures 40 Section 2: Resources 48 I.2.1 Human Resources and Resource Development 48 I.2.2 Administrative Structure and Governance 69 I.2.3 Physical Resources 74 I.2.4 Financial Resources 92 I.2.5 Information Resources 95 Section 3: Institutional and Program Characteristics 101 I.3.1 Statistical Reports 101 I.3.2 Financial Reports 106 I.3.3 Faculty Credentials 107 Section 4: Policy Review 112 Part TWO (II) - EDucationaL OutcomeS -
Commemorative Works Catalog
DRAFT Commemorative Works by Proposed Theme for Public Comment February 18, 2010 Note: This database is part of a joint study, Washington as Commemoration, by the National Capital Planning Commission and the National Park Service. Contact Lucy Kempf (NCPC) for more information: 202-482-7257 or [email protected]. CURRENT DATABASE This DRAFT working database includes major and many minor statues, monuments, memorials, plaques, landscapes, and gardens located on federal land in Washington, DC. Most are located on National Park Service lands and were established by separate acts of Congress. The authorization law is available upon request. The database can be mapped in GIS for spatial analysis. Many other works contribute to the capital's commemorative landscape. A Supplementary Database, found at the end of this list, includes selected works: -- Within interior courtyards of federal buildings; -- On federal land in the National Capital Region; -- Within cemeteries; -- On District of Columbia lands, private land, and land outside of embassies; -- On land belonging to universities and religious institutions -- That were authorized but never built Explanation of Database Fields: A. Lists the subject of commemoration (person, event, group, concept, etc.) and the title of the work. Alphabetized by Major Themes ("Achievement…", "America…," etc.). B. Provides address or other location information, such as building or park name. C. Descriptions of subject may include details surrounding the commemorated event or the contributions of the group or individual being commemorated. The purpose may include information about why the commemoration was established, such as a symbolic gesture or event. D. Identifies the type of land where the commemoration is located such as public, private, religious, academic; federal/local; and management agency. -
Αφηγηση Και Εστιαση Στισ Επικιν∆Υνεσ Σχεσεισ Του Choderlos De Laclos Kai Τισ Τεσσερισ Κινηματογραφικεσ Μεταφορεσ Του Μυθιστορηματοσ
ΑΦΗΓΗΣΗ ΚΑΙ ΕΣΤΙΑΣΗ ΣΤΙΣ ΕΠΙΚΙΝ∆ΥΝΕΣ ΣΧΕΣΕΙΣ ΤΟΥ CHODERLOS DE LACLOS KAI ΤΙΣ ΤΕΣΣΕΡΙΣ ΚΙΝΗΜΑΤΟΓΡΑΦΙΚΕΣ ΜΕΤΑΦΟΡΕΣ ΤΟΥ ΜΥΘΙΣΤΟΡΗΜΑΤΟΣ Της ∆έσποινας Κακλαµανίδου ∆ιδακτορική διατριβή που υποβλήθηκε στο Τµήµα Αγγλικής Γλώσσας και Φιλολογίας, της Φιλοσοφικής Σχολής του Αριστοτελείου Πανεπιστηµίου Θεσσαλονίκης, Ελλάδα Η διατριβή ολοκληρώθηκε σύµφωνα µε τις απαιτήσεις του διπλώµατος του ∆ιδάκτορα Φιλοσοφίας 2005 2 ΠΕΡΙΕΧΟΜΕΝΑ ΠΡΟΛΟΓΟΣ ......1 1. ΜΕΤΑΦΟΡΑ ΜΥΘΙΣΤΟΡΗΜΑΤΩΝ ΣΤΟΝ ΚΙΝΗΜΑΤΟΓΡΑΦΟ 1.1. Εισαγωγή ......6 1.2. Σχέσεις µεταξύ κινηµατογράφου-λογοτεχνίας ......12 1.2.1. ∆ιαφορές µεταξύ κινηµατογράφου-λογοτεχνίας ......13 1.2.2. Οπτική γωνία ......28 1.3. Σύντοµη ιστορική αναδροµή µεταφοράς µυθιστορηµάτων στον κινηµατογράφο ......30 1.4. Μεταφορά µυθιστορηµάτων στον κινηµατογράφο ......33 1.5. Σοβαρή και µαζική τέχνη ......40 2. ΑΦΗΓΗΣΗ – ΕΣΤΙΑΣΗ: ΠΟΙΟΣ ΜΙΛΑ (ΑΦΗΓΗΤΗΣ) – ΠΟΙΟΣ ΒΛΕΠΕΙ (ΕΣΤΙΑΣΤΗΣ); 2.1. Εισαγωγή ......43 2.2. Η αφηγηµατολογική προσέγγιση των Greimas και Genette ......45 2.3. Αφηγητής και εστιαστής στη λογοτεχνία ......50 2.4. Αφήγηση και εστίαση στον κινηµατογράφο ......59 2.5. Επιλογή θεωρητικού εργαλείου ......67 3. ΕΠΙΛΟΓΗ ΚΕΙΜΕΝΩΝ 3.1. Εισαγωγή ......70 3.2. Παρατηρήσεις µε βάση το corpus ......72 3.3. Κριτήρια επιλογής του έργου του Laclos ......79 4. ΟΙ ΕΠΙΚΙΝ∆ΥΝΕΣ ΣΧΕΣΕΙΣ: ΤΟ ΜΥΘΙΣΤΟΡΗΜΑ 4.1. Choderlos de Laclos (1741-1803) και η γαλλική κοινωνία του . 18ου αιώνα .....86 4.2. Η πορεία των Επικίνδυνων Σχέσεων ......90 4.3. Σύντοµη περίληψη των Επικίνδυνων Σχέσεων ......95 4.4. Η χρήση των επιστολών ......96 4.5. Ανάλυση της Γραµµατικής των Επικίνδυνων Σχέσεων: ......101 Πρόσωπα ......107 4.5.1. Συνταγµατική ανάλυση των Επικίνδυνων Σχέσεων . 4.5.2. Τα αφηγηµατικά προγράµµατα των πρωταγωνιστών των .....125 Επικίνδυνων Σχέσεων ......129 4. 6. Αφήγηση και εστίαση στις Επικίνδυνες Σχέσεις ......133 ......144 4.6.1. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
St. S House, Boston
«lIly.e OI.ommonfu.ea:Jtly of ~55UlyuUtt5 Massachusetts Art Commission State House Room 10 Boston, MA 02133 tel. (617) 727-2607, ext. 517 fax (617) 727-5400 Peter L Walsh ANNUAL REPORT Chairman Bonita A. Rood YEAR ENDING JUNE 30, 1996 Arlene E. Friedberg Paula M. Kozol Katherine B. Winter The Massachusetts Art Commission respectfully submits the Annual Report for the year ending June 30, 1996. The Art Commission is charged under General Laws chapter 6, sections 19 and 20 with "the care and custody oj all historical relics in the State House, and oj all works oj art." As the appointed curators, it is the responsibility of the Art Commission to insure that this growing museum quality collection is professionally handled, properly maintained and appropriately displayed. The Commission receives annual legislative appropriations for its programs, distributed through the Bureau of State Office Buildings. We are pleased to report on another busy and successful year of activities. ART CONSERVATION PROGRAMS I. Paintings and frames, August-December 1995. The Art Commission continued its program of conservation and preservation of the State House art collection with the cleaning and professional treatment of several portraits and their frames. Contracts were issued in August to Carmichael Conservation, Methuen, and Gianfranco Pocobene, Malden, for treatment of eleven easel paintings which exhibited a variety of conservation conditions including discolored varnish, grime, stains, and abrasion. Contracts were also awarded to Susan Jackson, Harvard, and Trefler & Sons, Needham, to address ten frames which had experienced chipping and other damage to plaster and gesso decoration, abrasion, loss of gold leaf, and discolored over-painting. -
National Capital Parks and Is Not Field for the Nature Student
NATIONAL CAPITAL t PARKS UNITED STATES Page National DEPARTMENT OF THE Rock Creek Park .8 INTERIOR Anacostia and Fort Dupont OPEN Capital Parks J. A. Krug, Secretary Parks 8 ALL YEAR WASHINGTON Meridian Hill Park 9 19 49 Prince William Forest Park THE MALL and Catoctin Park . 9 FROM THE CAPITOL NATIONAL PARK SERVICE Chesapeake & Ohio Canal Newton B. Drury, Director Parkway 9 C 0?iT EDIT S Mount Vernon Memorial HE PARKS of the National ated on the remaining reservations Highway 9 Capital embrace 750 reser from time to time, the most impor The Washington Monument vations totaling approxi tant being Lafayette, Judiciary, (Cover) T Roaches Run Waterfowl mately 42,000 acres of land in the Franklin, and Garfield Parks. Sanctuary 10 District of Columbia and its environs, The original areas donated for Page including the Chesapeake & Ohio streets were exceedingly wide and Early History 3 Kenilworth Aquatic Canal, which extends from Washing permitted the establishment of parks, ton to Cumberland, Md. The park circles, and triangles at intersections. Gardens 10 The Mall 4 system was established under author From such areas came Lincoln, Smaller Parks 10 ization of act of July 16, 1790, and Stanton, Farragut, McPherson, Mar The Washington has remained under continuous Fed ion, and Mount Vernon Parks; Famous Circles 11 eral control for a period of 159 years. Washington, Dupont, Scott, Thomas, Monument 4 On August 10, 1933, it became a unit and Logan Circles; and many small The White House ... 5 Additional Units of the of the National Park Service. reservations. As the Capital grew in size and The President's Park 5 System 12 EARLY HISTORY importance, additional park areas were acquired including East and The Lincoln Memorial 6 Historic Structures . -
The Bearing in Tbe Above-Entitled Matter Was Reconvened Pursuant
I COPYRIGHT ROYALTY TRIBUNAL lXL UI I 1 I I In the Matter og ~ CABLE COPYRIGHT ROYALTY CRT 85-4-84CD DISTRIBUTION PHASE II (This volume contains page 646 through 733) 10 llll 20th Street, Northwest Room 458 Washington, D. C. 12 Friday, October 31, 1986 13 The bearing in tbe above-entitled matter was reconvened pursuant. to adjournment, at 9:30 a.m. BEFORE EDWARD.W. RAY Chairman 20 MARI 0 F . AGUERO Commissioner 21 J. C. ARGETSINGER Commissioner 23 ROBERT CASSLER General Counsel 24 HEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVENUE, IW.W. {202) 234-4433 WASHINGTON, D.C. 20005 {202) 232-6600 647 APPEARANCES: 2 On beha'lf of MPAA: DENNIS LANE, ESQ. Wilner R Scheiner Suite 300 1200 New Hampshire Avenue, Northwest Washington, D. C. 20036 6 On behalf of NAB: JOHN STEWART, ESQ. ALEXANDRA WILSON, ESQ. Crowell S Moring 1100 Connecticut Avenue, Northwest Washington, D. C. 20036 On behalf of Warner Communicate.ons: ROBERT GARRETT, ESQ. Arnold a Porter 1200 New Hampshire Avenue, Northwest Washington, D. C. 20036 13 On behalf of Multimedia Entertainment: ARNOLD P. LUTZKER, ESQ. 15 Dow, Lohnes a Albertson. 1255 23rd Street, Northwest. Washington, D. C. 20037 On bahalf of ASCAP: I, FRED KOENIGSBERG, ESQ. Senior Attorney, OGC One Lincoln Plaza New York, New York 10023 20 22 23 24 HEAL R. GROSS COURT REPORTERS AND TRANSCRI8ERS I323 RHODE ISLAND AVENUE, N.W. (202) 234-4433 WASHINGTON, D.C. 20005 (202) 232-6600 648 CONTENTS WITNESS DIRECT 'CROSS VOIR 'DI'RE TR'QBUNAL 3 , ALLEN R. COOPER 649,664 By Ms.