DOCSLIB.ORG

Für Sonntag, 21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Für Sonntag, 21 InfoMail 30.09.14: DEUTSCHES Buch BRIAN EPSTEIN - DER FÜNFTE BEATLE ERZÄHLT /// MANY YEARS AGO Angebot gilt meistens längere Zeit aber nicht auf Dauer. Die InfoMails archivieren wir auf Dauer auf unserer Internetseite. Dienstag, 30. September 2014 Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900, Fax: 0345-2903900; Email: [email protected]; Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Hallo M.B.M.! Hallo BEATLES-Fan! BRIAN EPSTEIN-Buch nun auf Deutsch Weitere Info und/oder bestellen: Einfach Abbildung anklicken Oktober 2014: BEATLES-Buch DER FÜNFTE BEATLE ERZÄHLT - DIE AUTOBIOGRAFIE. 19,99 € Autor: BRIAN EPSTEIN. Verlag: Hannibal Verlag, Österreich. Gebundene Ausgabe; Hochformat 24,0 cm x 16,0 cm; 192 Seiten; deutschsprachig.. Pressetext: Über die BEATLES ist viel geschrieben worden. Auch von BRIAN EPSTEIN, dem legendären Entdecker, Manager und Förderer der FAB FOUR. Ende 1964, als die BEATLES den ersten Höhepunkt ihrer atemberaubenden Weltkarriere erreicht hatten, als sie die Beatlemania in die USA exportierten, mehrfach bei ED SULLIVAN auftraten und die ersten sechs Plätze der amerikanischen Single-Charts belegten, da nahm BRIAN EPSTEIN dies zum Anlass, um kurz innezuhalten und mit seinem Assistenten DEREK TAYLOR möglichst viel zu dokumentieren. "Natürlich werde ich gefragt, wie es kommt, dass ich mitten in meinem geschäftigen Berufsleben, kaum dreißig Jahre alt, meine Autobiografie verfasse. Ich wollte einfach nur einen möglichst akkuraten Bericht schreiben über den Erfolgsweg der BEATLES und anderer meiner Künstler, meine Sicht der Dinge. Schließlich wurde schon so viel erzählt, berichtet, erfunden oder inakkurat wiedergegeben, dass vieles falsch interpretiert werden kann. Ich möchte möglichst viele Details aufschreiben und hoffe natürlich, dass dies von öffentlichem Interesse ist." PAUL McCARTNEY: "BRIAN EPSTEIN ist wahrhaftig der fünfte BEATLE." (PAUL McCARTNEY) BRIAN SAMUEL EPSTEIN wurde am 19. September 1934 in Liverpool geboren. Das Möbelgeschäft seiner Eltern hatte eine Schallplattenabteilung, NRTHERN END MUSIC STORES (NEMS). Am 9. November 1961 besuchte er ein BEATLES-Konzert im CAVERN CLUB und nahm die Band unter Vertrag. Er wurde Manager weiterer Gruppen aus Liverpool wie GERRY & THE PACEMAKERS, THE BIG THREE, BILLY J. KRAMER & THE DAKOTAS, THE FOURMOST, THE REMO FOUR sowie der Solisten TOMMY QUICKLY und CILLA BLACK. Zusammen mit seinem Bruder CLIVE EPSTEIN gründete er 1962 eine Managementgesellschaft, NEMS ENTERPRISES. BRIAN EPSTEIN starb am 27. August 1967 in London an einer Überdosis Schlaftabletten. Im Original hat dieses autobiografische Buch den Titel A CELLARFUL OF NOISE, in Anspielung auf den CAVERN CLUB, wo BRIAN EPSTEIN die BEATLES erstmals live erlebte. Die Nachfrage nach einer Single hatte ihn neugierig gemacht, dazu - für den Inhaber eines Plattenladens in Liverpool obligatorisch - sein untrüglicher Instinkt für Hits angetrieben. Von der ersten Begegnung mit den BEATLES erzählt er natürlich sehr ausführlich. Dazu auch die Geschichte, wie RINGO STARR den ersten BEATLES-Drummer PETE BEST ersetzte, und viele andere Details, die bislang wenig oder gar nicht bekannt sind, über die vielen Stars, die er als Manager berühmt machte. BRIAN EPSTEINs Lebensgeschichte - das ist natürlich auch die Geschichte der BEATLES, der größten Band des 20. Jahrhunderts. EPSTEIN managte die FAB FOUR bis zu seinem Tod 1967 und ebnete ihnen den Weg an die Weltspitze des Pop - aber was war sein Geheimnis? Wie gelang es ihm, vier Teddyboys aus Liverpool derartig berühmt zu machen? Das alles schildert BRIAN EPSTEIN in diesem Buch. Dabei spricht er auch ganz offen über seine Schwächen und seine Fehler - schließlich war er kein ausgebuffter Profi, sondern zu Anfang in erster Linie ein begeisterter Fan, der alles daransetzte, die Musik, die er selbst liebte, einem größeren Publikum zugänglich zu machen. Und als dann die Beatlemania ausbrach, war niemand näher dran als EPSTEIN. Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin und Rainer Bestellungen auch telefonisch möglich (Di. - So. tagsüber): 0345-2903900 Wenn Bestellwert 50 Euro und mehr, übernehmen wir die Portokosten Angebote freibleibend und so lange der Vorrat reicht. Fehler vorbehalten. Nun auch bequemes und sicheres Lastschriftverfahren in fast alle europäischen Ländern möglich. 30. September - IT WAS MANY YEARS AGO TODAY: Samstag, 30. September 1961: JOHN LENNON und PAUL McCARTNEY trampen nach Paris. Montag, 30. September 1963: BEATLES-Manager BRIAN EPSTEIN gründet Firma BILLY J. KRAMER LTD. Montag, 30. September 1968: Buch THE BEATLES - THE AUTORISED BIOGRAPHY von HUNTER DAVIES in England. Freitag, 30. September 1977: RINGO STARR-LP RINGO THE 4TH in England. Mittwoch, 30. September 1981: YOKO ONO-Single GOODBYE SADNESS in USA. Montag, 30. September 1991: PAUL McCARTNEY-MC & -CD COBA B CCCP in England; ursporünglich exclusive LP in UdSSR. Freitag, 30. September 1988: "Walk Of Fame"-Star für JOHN LENNON in Hollywood. Donnerstag, 30. September 2010: JOHN LENNON-Museum in Japan geschlossen. .
Load more

Recommended publications
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Für Sonntag, 21
    InfoMail 08.07.16: Musikgeschicht, auch die der BEATLES in Buchform: KRAMER, STORM, KLEIN /// MANY YEARS AGO Weitere Info und/oder bestellen: Einfach Abbildung anklicken InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken an [email protected] WhatsApp für MegaKurzInfo: Bitte eine WhatsApp senden: 01578-0866047 (Nummer speziell für WhatsApp geschaltet.) Hallo M.B.M.! Hallo BEATLES-Fan! Im Beatles Museum erhältlich: Musikgeschicht auch die der BEATLES in Buchform Dienstag, 3. Mai 2016: BILLY J. KRAMER: Buch DO YOU WANT TO KNOW A SECRET? - THE AUTOBIOGRAPHY OF BILLY J. KRAMER. 27,90 € Autoren: BILLY J. KRAMER mit Alyn Shipton. Verlag: Equinox Publishing, Großbritannien. Gebundenes Buch; Format: 23,4 cm x 15,6 cm; 200 Seiten; 30 Schwatzweiß-Fotos; englischsprachig. Inhalt: Acknowledgement; Forword; Chapter 1 - Little Children - 1943-1958; Chapter 2 - I'll Be On My Way - 1958-1962; Chapter 3 - Silver Dream - 1963-1964; Chapter 4 - It's Gotta Last Forever - 1964-1967; Chapter 5 - Twilight Time - 1967-1970: Chapter 6 - Gone Away - 1970-1971; Chapter 7 - You Can't Live On Memories - 1972-983; Chapter 8 - I Won The Fight - 1984-2006. Chapter 9 - To Liverpool With Love - from 2006; Notes; Recordings List; Index. Pressetext: RINGO STARR: "He was the most handsome man on stage, and well-dressed too." PETER FRAMPTON: "BILLY J. KRAMER and his band THE DAKOTAS have always been an inspiration to me." When BILLY J. KRAMER's Do You Want To Know A Secret? by LENNON and McCARTNEY topped the charts in 1963, he was the first singer in the world to have a number one hit with a BEATLES song, apart from the FAB FOUR themselves.
    [Show full text]
  • LSUG March 24Th II 2013
    Playlist March 24th 2013 The Beatles…The Songs They Gave Away Hour #1 “One And One Is Two” – The Strangers w/Mike Shannon: Released as a Phillips single on May 8, 1964 in the U.K. only. The Beatles demo of this song from January 1964 was recorded live in a hotel room in Paris. It has surfaCed on some bootlegs and can also be heard in a BROW that was posted baCk in 2008. “From A Window” – Billy J. Kramer & The Dakotas: Released on a Parlophone single on July 17, 1964 in the U.K. and an Imperial single in the U.S. on August 12, 1964. The song was produCed by George Martin. John Lennon and Paul MCCartney attended the session on May 29, 1964 and although no Beatle-performed demos of this traCk have surfaCed, Paul MCCartney Can be heard singing the high G note at the end of the song himself (“…niiiight”) right on the record because Billy J. Kramer had trouble hitting the note. Nobody I Know” – Peter and Gordon: Released as a U.K. Parlophone single on May 29, 1964 and on Capitol in the U.S. on June 15, 1964. ReCorded by Peter and Gordon on January 21, 1964. The Beatles never reCorded this song. Paul likely just demoed it live and Peter and Gordon took it from there. “Like Dreamers Do” – The Applejacks: Released as a DeCCa U.K. single on June 5, 1964 and in the U.S. on the London label on June 6 ,1964. The most well-known Beatles demo of this was reCorded at their unsuCCessful New Year’s Day 1962 DeCCa audition.
    [Show full text]
  • Beatles Tagebuch PT.1 (1964-1) HHB1 BEATLES-1964-01 Beatles Tagebuch PT.1 (1964-1) HHB1 BEATLES-1964-01
    Beatles Tagebuch PT.1 (1964-1) HHB1_BEATLES-1964-01 Beatles Tagebuch PT.1 (1964-1) HHB1_BEATLES-1964-01 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 I WANT TO HOLD YOUR HAND (BEATLES) CAPITOL 5112 1964 03 I WANT TO HOLD YOUR HAND (BEATLES) 1964- - 1 1 1 05 I'LL LET YOU HOLD MY HAND (BOOTLES) GNP 311 1964 05 I'LL LET YOU HOLD MY HAND (BOOTLES) 1964- - - - - C 07 YES YOU CAN HOLD MY HAND (TEEN BUGS) BLUE RIVER 208 1964 07 YES YOU CAN HOLD MY HAND (TEEN BUGS) 1964- - - - - D 09 I WANT TO HOLD YOUR HAIR (N) (BAGELS) WB 5489 1964 09 I WANT TO HOLD YOUR HAIR (N) (BAGELS) 1964- - - - - 11 I WANT TO BITE YOUR HAND (N) (GENE MOSS) RCA 47-8438 1964 11 I WANT TO BITE YOUR HAND (N) (GENE MOSS) 1964- - - - - - 13 I WANT TO HOLD YOUR HAND (HOMER & JETHRO) RCA 47-8345 1964 13 I WANT TO HOLD YOUR HAND (HOMER & JETHRO) 1964- - - - - L 15 KOMM GIB MIR DEINE HAND (I WANT TO HOLD YOUR HAND) ODEON 22671 1964 15 KOMM GIB MIR DEINE HAND (I WANT TO HOLD YOUR HAND)* (F) (B 1964- - - - 5 a 17 SEI MIR TREU WIE GOLD (TELL ME WHY)* (F) (DIDI & DIE AB TELEFUNKEN LP 14340 1964 17 SEI MIR TREU WIE GOLD (TELL ME WHY)* (F) (DIDI & DIE ABC BOY 1964- - - - - y 19 TOI L'AMI (ALL MY LOVING)* (F) (RICHARD ANTHONY) COLUMBIA (FRA) EP 2168 1964 19 TOI L'AMI (ALL MY LOVING)* (F) (RICHARD ANTHONY) 1964- - - - - o 21 LITTLE CHILDREN (BILLY J.
    [Show full text]
  • KLOS March10th 2013
    PLAYLIST MARCH 10, 2013 8AM? NO It’s 9AM! The Beatles - I’m So Tired - The Beatles (Lennon-McCartney) Lead vocal: John John Lennon’s “I’m So Tired” was started and finished in 14 takes on October 8, 1968. No overdubs were added. The session was a marathon 16-hour session which started at 4 p.m. on the 8th and finished at 8 a.m. on October 9 (John’s 28th birthday), and saw the completion of two Lennon compositions (“I’m So Tired” and “The Continuing Story Of Bungalow Bill”) and work on George Harrison’s “Long Long Long.” Written in India while the Beatles were studying Transcendental Meditation under Maharishi Mahesh Yogi, the all-day regime in Rishikesh, India, prevented John from sleeping at night, so he decided to write A song about it. The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound.
    [Show full text]
  • PLAYLIST APRIL 7Th 2013
    1 PLAYLIST APRIL 7th 2013 9AM9AM9AM9AM9AM The Beatles - I Saw Her Standing There – Please Please Me (McCartney-Lennon) FLYING NUN SPOT TO > Lead vocal: Paul Recorded February 11, 1963. A Paul McCartney original, the song was written in one day in September 1962 in the front parlor of 20 Forthlin Road, Allerton (the McCartney family from 1955 to 1964), with John Lennon helping with some of the lyrics. It was recorded under its working title, “Seventeen,” at the marathon recording session that produced the majority of songs for the Beatles’ debut album. A fan favorite, the Beatles recorded “I Saw Her Standing There” eleven times for BBC Radio between March 1963 and May 1964. McCartney has said that his bass line was lifted almost note for note from the obscure Chuck Berry song “I’m Talking About You,” released by Berry in February 1961. The Beatles 1 2 performed “I’m Talking About You” at some of their club shows in 1962 and 1963. It is included on the “Live! At The Star Club” CD. Specially selected by Capitol Records staff members to be the B-side of the American “I Want to Hold Your Hand” single on Capitol in the U.S., replacing “This Boy” for the honor. The first song on the first Beatles LP. On U.S. albums: Introducing… The Beatles (with “1, 2, 3” inexplicably missing from Paul’s count-in) - Vee-Jay LP Meet the Beatles! - Capitol LP The Beatles - It Won’t Be Long – With The Beatles (Lennon-McCartney) Lead vocal: John The first original song recorded for their second album, “With The Beatles.” Composed primarily by John in July 1963 with the intention of writing a follow- up single to the as yet unreleased “She Loves You.” The lyrical similarity to the chorus of “She Loves You” (both songs contain the phrase “yeah, yeah, yeah”) was no accident.
    [Show full text]
  • Entertainment Memorabilia Wednesday 18 December 2013 Knightsbridge, London
    Entertainment Memorabilia Wednesday 18 December 2013 Knightsbridge, London Entertainment Memorabilia Wednesday 18 December 2013 at 12noon Knightsbridge, London Bonhams Enquiries Customer Services The following symbol is used Montpelier Street Director Monday to Friday 8.30am to 6pm to denote that VAT is due on the hammer price and buyer’s Knightsbridge Stephanie Connell +44 (0) 20 7447 7447 premium London SW7 1HH +44 (0) 20 7393 3844 www.bonhams.com [email protected] Please see back of catalogue † VAT 20% on hammer price for important notice to bidders and buyer’s premium Viewing Senior Specialist Sunday 15 December Katherine Schofield née Williams Illustrations * VAT on imported items at 11am to 3pm +44 (0) 20 7393 3871 Front cover: Everett Collection/ a preferential rate of 5% on Monday 16 December [email protected] Rex Features, Dr. Who and the hammer price and the prevailing 9am to 4.30pm Daleks, 1965 rate on buyer’s premium Consultant Specialist Back cover: Lot 331 Tuesday 17 December W These lots will be removed to Stephen Maycock Inside front cover: Lot 360 9am to 4.30pm Bonhams Park Royal Warehouse Wednesday 18 December +44 (0) 20 7393 3844 Inside back cover: Lot 94 after the sale. Please read the 9am to 10am [email protected] sale information page for more details. Bids Sale Number: 20772 +44 (0) 20 7447 7448 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax Catalogue: £15 regulations, please read the To bid via the internet please visit information in the back of the catalogue.
    [Show full text]
  • A Life in Pop Management-- the Beatles, Brian Epstein and Elton John
    Inside front cover I Should Have Known Better A life in pop management – The Beatles, Brian Epstein and Elton John Geoffrey Ellis Thorogood Publishing Ltd 10-12 Rivington Street London EC2A 3DU Telephone: 020 7749 4748 Fax: 020 7729 6110 Email: [email protected] Web: www.thorogood.ws © Geoffrey Ellis 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, photocopying, recording or otherwise, without the prior permission of the publisher. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than in which it is published and without a similar condition including this condition being imposed upon the subsequent purchaser. No responsibility for loss occasioned to any person acting or refraining from action as a result of any material in this publication can be accepted by the author or publisher. Every effort has been made to trace the owners of the various photographs included in this book. Unfortunately, it has not been possible to identify the owners in all cases. If further information should become available then attribution will be given, or the material removed, in subsequent editions. A CIP catalogue record for this book is available from the British Library. ISBN 1 85418 342 7 Book designed and typeset by Driftdesign. Printed in Great Britain by Marston Digital Press.
    [Show full text]
  • A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle Upon Tyne, 1956-1965 Jona
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link ‘Beats Apart’: A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle upon Tyne, 1956-1965 Jonathan Paul Watson PhD 2009 1 ‘Beats Apart’: A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle upon Tyne, 1956-1965 Jonathan Paul Watson A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the School of Arts and Social Sciences December 2009 2 Abstract This study explores the themes of continuity and change in twentieth-century British cultural history, particularities of place and regional identity in the North of England, and the cultural transfer of North American popular music in Britain between 1956 and 1965. By means of a comparative historical investigation of youth culture and popular music in Liverpool and Newcastle upon Tyne, the work engages with existing debate among historians surrounding the nature and extent of cultural change for the period usually referred to as „The Sixties‟, and whether or not it is possible to speak of a „Cultural Revolution‟. Spanning the years between the initial impact of rock „n‟ roll and the immediate aftermath of the Beat Boom of 1963-64, a phenomenon described by one commentator as representing „perhaps the North‟s greatest single cultural „putsch‟‟, the thesis examines the role of urban and regional identity in the process of cultural production, reproduction, and consumption. Theoretical insights derived from the associated disciplines of sociology and cultural studies are employed which offer an opportunity for a novel and dynamic analysis and interpretation of the empirical historical evidence.
    [Show full text]
  • BWTB March 19Th 2017
    1 Today’s March 19th 2017 Playlist Guests Jim Berkenstadt & Alex Orbison/ talk the legend of Jimmy Nicol! 9AM The Beatles – Johnny B. Goode – as we remember the true KING of Rock’n’Roll Carol also recorded by Rollin Stones Memphis, Tennessee Berry "Saturday Club" - 5th October 1963 I'm Talking About You POP GO The Beatles! 2 The Beatles - Roll Over Beethoven – With The Beatles (Berry) Lead vocal: George Chuck Berry’s rock and roll standard was released as a single in May 1956 on Chess Records. It peaking at #29. A staple of The Beatles’ live show from the earliest days, Beatles fans will be surprised to learn that John Lennon was the lead singer of the song in those very early club days. In 1961 George Harrison took over lead vocals. “Roll Over Beethoven” was the opening song at The Beatles’ first concert in America, February 11, 1964 in Washington D.C., and opens Capitol’s “The Beatles’ Second Album,” released on April 10, 1964. On U.S. album: The Beatles’ Second Album - Capitol LP Live at the Hollywood Bowl Live on the BBC, Vol. 1 (live) Too Much Monkey Business Berry "Pop Go The Beatles" - 10th September 1963 I Got To Find My Baby / Pop Go The Beatles" - 11th June 1963 The Beatles - Rock and Roll Music - Beatles For Sale (Berry) Lead vocal: John Incredibly, this stunning cover version of Chuck Berry’s classic hit from 1957 featuring John Lennon on lead vocal was captured in just one take on October 18, 1964. Like 3 “Twist and Shout” and “Money (That’s What I Want)” before it, “Rock and Roll Music” is a prime example of Lennon making a previously known hit his own.
    [Show full text]
  • IN SEINER EIGENEN SCHREIBE. 49,90 € Autor: JOHN LENNON
    Montag, 30. Juli 2012 Seit einigen Jahren ist das Beatles Museum auch im September geöffnet. 30. JULI - IT WAS MANY YEARS AGO TODAY: Dienstag, 30. Juli 1963: TOMMY QUICKLY-Single TIP OF MY TONGUE (JOHN LENNON/PAUL McCARTNEY-Komposition) in England. Sonntag, 30. Juli 1967: BEATLES-Managerfirma NEMS dementiert, dass BEATLES eine grieschiche Insel kaufen. Dienstag, 30. Juli 1968: Mitarbeitern der BEATLES-Boutique APPLE wird gesagt, sie können alles verschenken. Die APPLE-Boutique wird am nächsten Tag wegen Verlusten geschlossen. Freitag, 30. Juli 1970: GEORGE HARRISON-Single BANGLA DESH in England. Freitag, 30. Juli 1976: BEATLES-Doppel- LP THE BEATLES TAPES FROM THE DAVID WIGG INTERVIEWS in England. Montag, 30. Juli 1979: JOHN LENNON und YOKO ONO beginnen Sommerurlaub in Japan. Montag, 30. Juli 1979: PAUL McCARTNEY-Song Haven't We Met Somewhere Before (ursprünglich für Film "Heaven Can Wait" wird im Film ROCK 'N' ROLL HIGH SCHOOL veröffentlich.. Freitag, 30. Juli 2010: PAUL McCARTNEY leitete Abschlussfeier am LIVERPOOL INSTITUTE FOR PERFORMING ARTS (LIPA) in Liverpool. Hallo M.B.M., hallo BEATLES-Fan! Mittwochnachmittags gibt es Raritäten und Einzelstücke. Wenn Du magst, ruf' mich Mittwochnachmittag an: 0345-2903900 Viele Grüße sendet Dir Rainer, Beatles Museum Vorab eines der Einzelstücke: ca. Juni 1964: JOHN LENNON: BUCH IN SEINER EIGENEN SCHREIBE. 49,90 € Autor: JOHN LENNON. Helmut Kossodo Verlag, Genf, Schweiz & Hamburg, Deutschland. Buch, gebundene Erstausgabe, Format 19,5 cm x 13,5 cm, ca. 110 Seiten, viele Schwarzweiß-Zeichnungen
    [Show full text]
  • It S Fab Here's Where to Find What You Want
    IT S FAB HERE'S WHERE TO FIND WHAT YOU WANT. FROM THE DESK OF GERIiRD yARSDffiI ESQ.- GERRY MARSDEN claim. rMalWaawea GeValCkl aaatULLWt EDITOR OF FAHlIIALiS FOR THIS WERE HI FAB BY GERRY/STARGAZING WITH JOHN LEYTON Papa 2/3 MY SMILING MATE TOMMY QUICKLY. Page 4 FAB PIN-UP: TOMMY QUICKLY Page 5 wn-wets TOUGH BUT TENDER that's DAVE CLARK Page 6 FAB PIN-UP: DAVE CLARK FIVE Page 7 RC s— THERE IS A CAVERN IN THE TOWN by FAB'S JUNE Pages 819 FAB PIN-UP. HELEN SHAPIRO Page 10 oaeYwu BILL eMNGs BETWEEN YOU AND ME (CILLA BLACK & HELEN SHAPIRO TALK) Page 11 FAB PIN-UP: CLIFF RICHARD AND THE Page 12 SHADOWS_ _ FAB PIN-UPE GERRY AND THE PACEMAKERS Pages 14115 a OFF THE RECORD (CILLA BLACK ON PERSONAL CHARM) Page 16 FAB PIN-UP: CILLA BLACK Page 17 a Cilia and in conference ih FAG'S Keith and Sylvia- FAB PIN-UPRBENE- KING Page 19 Gerry ANYONE WHO HAD A HEART (CILLA BLACK'S FASHION CHOICE) Pages 20121 FAB PIN-UP: THE FOURMOST Page 22 N GERRY GABS WITH FAB Page 25 GERRY TAKES OVER THE GANG FAB Pae 26 GOSSIP THIS WEEK PIN-UP:THECH_ANTS g CAROL'S LETTER BOX/WHO'S WHO/ KEITH'S RECORD TIME Page 27 FAB PIN-UP: THE BEATLES Page 28 © sias•an e tier, fail lis great to goo r with geode Ban scuttled down [ha gangway to the Ike Ben E. Kim who was on the bill of door with his wide-eyed Guitarist in [ow.
    [Show full text]