Progress Overview Update 35

Total Page:16

File Type:pdf, Size:1020Kb

Progress Overview Update 35 Progress overview of the upcoming book Update 35: February 3, 2014 The book will contain scientifically based background information about the list of deities below, including many citations from ancient sources like documents from Classical Antiquity, inscriptions on votive altar stones, the two Eddas and other written sources from the Norse peoples and other sources from the Middle Ages and subsequent centuries. Very many photographs and some drawings from votive stones are included. That is GardenStone's part of the book. The second pillar of the book offers for a selection of 100 deities a short and ‘sketchy’ fictive story and a few ballads, all with a touch of history. They tell about all day situations of what perhaps could have been happened in real life in those heathen times. These stories are written by Lucy. For many deities beautiful paintings are contributed, made by Pollyanna. Those paintings express a bit the sphere of competence of those divine beings or how people could have seen or experienced them. That is the third pillar. All together, text and illustrations, should give for each god and each goddess a kind of ‘vivid profile’…… At least, that is the aim of this book. Prior to the presentation of the deities below, a short Foreword and a longer Introduction chapter is added. The subchapters of that introduction which provide background information and commentaries, meant both to inform and to reflect, are called: • A matter of evidence • Germanic Deities from sources from Classical Antiquity • Celtic-Germanic • Matrones • Deities from Viking mythology • Old Norse translations • Backprojecting Norse deities to the Roman era • Underlying aims of Classical and Norse medieval works • Heathen deities from Christian-medieval or later sources • Religious Practice • Culture-crossing equalization of deities • Etymology • Archetypes, personifications, neutral powers or conscious entities Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone Female 1st 2nd Male draft draft 1 Abiamarca (Matrones Abiamarcae) √ √ √ 2 Ægir, Eagor, Ägir, Oegir, Oegier √ √ √ 3 Aflia (Matrones Afliae) √ √ √ - √ 4 Alabuandes, Alabuandiz (Hercules √ √ √ - √ Alabuandes) 5 Alaferhuvia (Matrones? Alaferhuvia) √ √ √ - √ 6 Alateivia, Alatevia √ √ √ - √ 7 Alatervia, Alaterva (Matrones Alateviae, √ √ √ - √ Alatervae) 8 Albiahena (Matrones Albihenae) √ √ √ - √ 9 Alcis √ √ √ √ - 10 Almavia, Almaviahena (Matrones Almaviahenae) 11 Alusneiha (Matrones Alusneihae) √ √ √ - √ 12 Ambiamarca (Ambiamarcae) √ √ √ - √ 13 Ambioreneses √ √ √ 14 Amfratnina (Matrones Amfratninae, √ √ - √ Amratninae) 15 Andrimmer, Andhrimnir √ √ √ √ - 16 Andrusteihia, Candrusteihia (matronae √ √ √ √ Andrusteihiae) 17 Angeyja, Angeia √ √ √ 18 Annaneptia, Annanepta (Matribus √ √ √ Annaneptis) 19 Arcanua √ √ √ - √ 20 Arvagast (Arvagastis, Arvagastiae) √ √ √ - √ 21 Arvolecia √ √ √ - √ 22 Aserecinehae, Asericinehae √ √ √ - √ 23 Astrild √ √ √ √ 24 Atla √ √ √ 25 Atufrafineha (Atufrafinehae) √ √ √ - √ Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 26 Audrineha (Matrones Audrinehae, √ √ √ - √ Authrinehae) 27 Aueha (Aveha, Avehae, Avejo) √ √ √ - √ 28 Aufania (Matrones Aufaniae) √ √ - √ 29 Aumenahena (Matrones Aumenahenae) √ √ - √ 30 Aurvandil √ √ 31 Austriahena (matronae Austriahenae) √ √ - √ 32 Axsingineha, Matrones Axsinginehae) √ √ - √ 33 Bacurdus √ √ √ - √ 34 Baduhenna √ √ √ (G) - √ 35 Badumna √ √ √ 36 Baldr, Balder, Baldur, Bealdor √ √ √ 37 Baldruus √ √ √ 38 Baudihillia √ √ √ - √ 39 Beda √ √ √ - √ 40 Ben √ √ √ √ - 41 Berguiahena, Berguihena (matronae √ √ √ - √ Berguiahenae, Berguihenae) 42 Beyla √ √ √ 43 Biel √ √ √ 44 Bil √ √ √ 45 Blakylle, Blakullur √ √ √ 46 Bloðughadda, Blödughadda √ √ √ 47 Borvoboendoa √ √ 48 Bous, Boe, Bo, Búi √ √ 49 Bragi, Braga, Bragur √ √ 50 Brond, Brand, Brono √ √ 51 Búri, Buri √ √ 52 Burorina, Burorine √ √ - √ 53 Byggvir, Beygwer, Bryggvyr √ √ √ - 54 Byleistr, Byleiptr, Byleiftr √ √ 55 Bylgia (Bylgja) √ √ 56 Celapauthara (Celapautharae) √ √ - √ 57 Chamaveha, Hamaveha Matrones √ √ - √ Hamavehae, Matres Hamavehae) Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 58 Channina (Matrones Channinae) √ √ 59 Channo, channin(i)us (Mercurius √ √ √ Channini) 60 Cimbrianus, Cimbrius (Mercurius √ √ √ - √ Cimbranus or Cimbrius) 61 Cisa, Cisara, Ciza √ √ √ √ - 62 Cobba (Cobbae) √ √ √ 63 Coventina 64 Cucheneha (Matronae Cuchenehae) √ √ - √ 65 Dagr, Dagur, Dagaz √ √ √ - 66 Delling (Dellingr, Dogling) √ √ √ 67 Deusoniensis, Hercules Deusoniensis √ √ - √ 68 Donar, Thunar, Thunaer, Thunor, þunor . √ √ √ - 69 Dröfn, Dröfn, Dröbna, Bára √ √ √ √ - 70 Dúfa, Dufa √ √ 71 Eir, Eira √ √ √ 72 Eldir, Elder √ √ √ 73 Elli √ √ 74 Erce √ √ 75 Ethrahena, (matrones Ethrahenae) √ √ - √ 76 Exomna √ √ - √ 77 Fimafeng, Fimafenger √ √ 78 Fimmilena √ √ 79 Fiorgyn, Fjorgyn √ √ 80 Firdi, Fera, Ferda, Freda √ √ √ (G) 81 Fjölnir √ √ 82 Fjorgynn √ √ 83 Forseti √ √ 84 Fosite √ √ 85 Fosta √ √ 86 Freyr, Frey, Frei, Fro, Frø √ √ 87 Freyja, Freia, Freya √ √ √ 88 Friagabis √ √ - √ 89 Friausius √ √ - √ 90 Fricco, Frikko √ √ Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 91 Frigg, Frigga, Fria, Frija √ √ 92 Frisava (Frisavae, Trisava) √ √ √ (G) 93 Fulla, Volla, Phol √ √ 94 Gamaleda √ √ - √ 95 Garmangabis, Garmangabi √ √ - √ 96 Gavadja, Gawadja(n) (Matrones Gavadiabus) 97 Gefjon, Gefjun, Gefion √ √ 98 Gerd, Gerðr, Gerda, Gerdur, Gerd, Gerth √ √ 99 Gersimi, Gersemi, Gørsemi, Gerseme √ √ 100 Gesahena, Matronae Gesahenae √ √ - √ 101 Gná, Gna √ √ 102 Graticha, (Matronae Gratichae √ √ Gratichiae) 103 Gullveig, Gulliveig, Gullweig, Heidr, √ √ Heiðr, Heith, Heid 104 Halamardus √ √ - √ 105 Hama, Hamoys √ √ 106 Hananefta, (Matres Hananeftae) √ √ √ √ 107 Hariasa, Hariansa √ √ √ 108 Harigast √ √ √ - √ 109 Harimella √ √ √ - √ 110 Hæva, Hava, Hævae, Hava, Hafva √ √ √ 111 Hefring, Heffrig √ √ √ 112 Heimdall, Heimdallr √ √ √ √ 113 Hel, Hella √ √ √ 114 Helith √ √ √ √ - 115 Hellivesa √ √ √ - √ 116 Hermod, Hermóðr, Hermodur √ √ √ 117 Hiheraiae √ √ - √ 118 Hjuki, Hjúki, Hiuke √ √ √ √ 119 Hlín, Hlin, Hilin, Lun √ √ √ 120 Hlóra √ √ √ 121 Hludana √ √ √ 122 Hnoss, Hinoss, Nossa √ √ √ Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 123 Hodr, Hoder, Hod, Höðr, Hotherus √ √ √ 124 Holle, Holda, Hulda, Hludana, Perchta √ √ √ (G) 125 Honir, Hœnir, Hönir √ √ √ 126 Hranno (Mercurius Hranno, Hrannoni) √ √ √ - √ 127 Hretha, Rheda, Hrêðe Hrêð, Hrethe, √ √ √ Hreda 128 Hurstrga, Hursterga, Hurstarga √ √ - - √ 129 Hylo √ √ 130 Idban, Idbans, Idbausae, Idbangabia √ √ 131 Idunn, Iðunn, Idunna, Idun √ √ 132 Ifles √ √ - √ 133 Ineae, Udrovarinea √ √ 134 Ing, Inguz, Yngvi √ √ √ √ - 135 Irmin √ √ √ √ - 136 Irpa √ √ √ - 137 Isenbucaega, Isenburcaga, Bucaga, √ √ Isenbucæga 138 Iulineihia (Matrones Iulineihiae) √ √ - √ 139 Jarnsaxe, Járnsaxa, Jarnsaxa √ √ √ - 140 Jecha √ √ 141 Jodute, Tjoduthe, Tyodute, Thyoduthe √ √ 142 Jord, Jörð , Jorth, Jarð √ √ √ √ - 143 Kölga, Kolga √ √ √ - 144 Kolna √ √ √ - 145 Krodo, Crodo, Satar √ √ √ - √ 146 Krutzmann, Kero, Krutzmanna, √ √ √ Chruzmann, Gruosmann, Grozzo 147 Kvasir, Kwasir, Kwaser √ √ 148 Lanehia (matrones Lanehiae) √ √ 149 Lahra, Lohra, Lara, Laura √ √ - √ 150 Laufey, Nál √ √ √ √ - 151 Leudina (Matronae Leudinehae, √ √ √ - √ Leudinehiae) 152 Lobbonnus √ √ 153 Lodur, Lóðurr, Lódur √ √ 154 Lofn, Lofun, Löbna, Löffa √ √ Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 155 Loki, Loke, Loptr √ √ √ - 156 Loll, Lollo, Lollus, Loell √ √ √ (G) 157 Lubica (Matrones Lubicae) √ √ - √ 158 Lytir √ √ 159 Magni, Magne √ √ 160 Magusanus, Magusjaz, Magsjaz √ √ √ (G) 161 Mahalineha (Matronae Mahalineae) √ √ √ - √ 162 Malvisa (Malvisae, Deabus Malvisis) √ √ √ - √ 163 Mani, Máni, Mone, Maane √ √ √ 164 Mannus √ √ √ √ 165 Marsaca (Matres/Matrones Marsacae √ √ √ 166 Masana (Matrones Masanae) √ √ √ - √ 167 Mathamod √ √ √ 168 Meditauteha (Matres Meditautehae) √ √ √ 169 Meda, Mede √ √ √ √ 170 Meili √ √ √ 171 Menglöð, Menglad, Menglada √ √ √ 172 Mimir, Mímir, Mimr, Mimer √ √ √ 173 Mimring √ √ √ 174 Mithotin, Mythotin, Mithodin √ √ √ 175 Modgud, Móðguðr Modgudr √ √ √ 176 Modi Móði, Módi, Mothi √ √ √ 177 Mopates √ √ √ - √ 178 Naitiena (Matrones Naitienae) √ √ √ - √ 179 Narfi, Nari √ √ √ 180 Nanna √ √ √ 181 Nehalennia, Nechalennia √ √ √ (G) 182 Nepr, Nep √ √ √ 183 Nersihena (Matrones Nersihenae) √ √ √ - √ 184 Nerthus, Hertha, Hretha √ √ √ (G) 185 Nervina (Matrones Nervinae) √ √ √ - √ 186 Njord, Njörðr, Niord, Njorth √ √ 187 Njörun, Niorun, Nieörn √ √ √ 188 Nótt √ √ √ Deity names Scientific Story Painting Photo- background by Lucy by Polly graph GardenStone 189 Odin, Óðinn √ √ √ √ 190 Odr, Óðr, Odur, Od √ √ √ 191 Ostara, Ôstara, Ēostre, Ostar, Austro, √ √ √ Éostre 192 Ran, Rán, Rana √ √ √ √ - 193 Ratheihia (matronae Ratheihiae) √ √ √ 194 Renahena (matronae Renahenae) √ √ √ - √ 195 Requalivahanus √ √ 196 Ricagambeda, Ricamgubeda √ √ - √ 197 Rindr, Rinda √ √ 198 Rumaneha (matrones Rumanehae) √ √ - √ 199 Rura √ √ √ (G) - √ 200 Sæmingr √ √ 201 Saga √ √ 202 Saitchamia, Saitchamima (matrones √ √ √ - Saitchamiae) 203 Sandraudiga √ √ 204 Saxanus (Hercules Saxanus, Saxetanus) √ √ - √ 205 Saxnôt, Saxnot, Seaxnōat √ √ 206 Seneucaega, Iseneucaega, Seneucaga √ √ 207 Setuahanus √ √ 208 Sibulca √ √ - √ 209 Sif √ √ 210 Sigi √ √ 211 Sigyn, Sygni, Sygun √ √ 212 Sinthgunt √ √ 213 Sjofn, Sjofun, Siofna, Sione √ √ 214 Skadi, Skaði, Skade √ √ 215 Skirnir, Skirner √ √ 216 Skjöldr, Skjöld, Skjold √ √ 217 Snotra √ √ 218
Recommended publications
  • The Prose Edda
    THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc.,
    [Show full text]
  • September 2017 N°17
    ISSN 2499-1341 EXPRESSION quarterly e-journal of atelier in cooperation with uispp-cisenp. international scientific commission on the intellectual and spiritual expressions of non-literate peoples N°17 September 2017 CULT SITES AND ART Anthropomorphic face on the entrance slab of a circular ceremonial structure from Har Karkom, Negev desert, Israel (Pre-pottery Neolithic site BK 608). EDITORIAL NOTES accompany them. What echoes accompanied CULT SITES the paintings in the prehistoric caves? What performances, if any, were taking place in front AND ART of the decorated rock surfaces? The visual art stresses myths, mythical beings Walking along a narrow trail, on the edge of and/or historical facts, which are related to the a steep valley in the middle of a deep forest, cult and to the sanctity of the site. It is the visual we suddenly heard noises of human presen- memory that justifes the function of the site. ce, voices that were neither speeches nor son- Was it the same in prehistoric times? In front of gs, something in between. We reached a cave where a number of people were assembled in rock art sites, in the Camonica Valley, Italy, or a corner and an old bearded man was standing in Kakadu in Arnhem Land, Australia, or in the on an upper step of the rock talking ... perhaps Drakensberg caves, South Africa, or in the Al- talking, perhaps declaiming, perhaps singing, tamira cave, Spain, the presence of prehistoric but not to the people below. He was talking or art awakens a sense of sacredness, we feel that performing or praying in front of a white rock these were and are special places but ..
    [Show full text]
  • Norse Mythology
    ^^^m,'^^^' Section .tP 231922 NORSE OB, THE RELIGION OF OUR FOREFATHERS, CONTAINING ALL THE MYTHS OF THE EDDAS, SYSTEMATIZED AND INTEEPEETED. AN INTRODUCTION, VOCABULARY AND INDEX. By E. B. ANDERSON, A.M., PROFESSOR OF THE SCANDINAVIAN LANGUAGES IN THE UNIVERSITY OP WISCONSIN, AUTHOR OP "AMERICA NOT DISCOVERED BY COLUMBUS," "den NORSKE MAALSAG," ETC. CHICAGO: S. C. GKIGGS AND COMPANY. LONDON. TRUBNER & CO. 1875. COPTKIGHT 1875. By 8. C, GRIGGS AND COMPANY. I KMIGHT St LEONARD I ELECTROTYPED BY A. ZEESE <tl CO. TO HENRY WADSWORTH LONGFELLOW, THE AMERICAN POET, WHO HAS NOT ONLY REFRESHED HIMSELF AT THE CASTALIAN FOUNTAIN, BUT ALSO COMMUNED WITH BRAGE, AND TAKEN DEEP DRAUGHTS FROM THE WELLS OF URD AND MIMER, THIS VOLUME IS DEDICATED, WITH THE GRATEFUl. REVERENCE OF THE AUTHOR. I think Scandinavian Paganism, to us here, is more interesting than any other. It is, for one thing, the latest ; it continued in these regions of Europe till the eleventh century : eight hundred years ago the Norwegians were still worshipers of Odin. It is interesting also as the creed of our fathers ; the men whose blood still runs in our veins, whom doubtless we still resemble in so many ways. Strange : they did believe that, while we believe so differently. Let us look a little at this poor Norse creed, for many reasons. We have tolerable means to do it ; for there is another point of interest in these Scandinavian mythologies : that they have been preserved so well. Neither is there no use in knowing something about this old Paganism of our fathers. Unconsciously, and combined with higher things, it is in us yet, that old faith withal.
    [Show full text]
  • Gylfaginning Codex Regius, F
    Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text .......................................................................................................
    [Show full text]
  • Staða Barna Og Unglinga Með ADHD Í Grunnskólum Á Íslandi Mikilvægi Seiglu
    BA ritgerð Félagsráðgjöf Staða barna og unglinga með ADHD í grunnskólum á Íslandi Mikilvægi seiglu Hulda Sigurðardóttir Sigrún Harðardóttir Júní 2020 Staða barna og unglinga með ADHD í grunnskólum á Íslandi Mikilvægi seiglu Hulda Sigurðardóttir 300987-2229 Lokaverkefni til BA-gráðu í félagsráðgjöf Leiðbeinandi: Sigrún Harðardóttir Stærð ritgerðar í ECTS einingum: 12 einingar Félagsráðgjafardeild Félagsvísindasvið Háskóla Íslands Júní 2020 Staða barna og unglinga með ADHD í grunnskólum á Íslandi Mikilvægi seiglu Ritgerð þessi er lokaverkefni til BA gráðu í félagsráðgjöf og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Hulda Sigurðardóttir, 2020 Reykjavík, Ísland, 2020 Útdráttur Miklar breytingar hafa orðið í samfélaginu og er félagsmótunarhlutverk skóla orðið viðameira en áður var. Kennarar taka oft fyrst eftir því ef grípa þarf inn í hjá barni og mikilvægt er að beita heildarsýn í vinnu með börnum. Einungis eru starfandi tólf félagsráðgjafar í íslenskum grunnskólum í dag og því afar mikilvægt að fjölga þeim. Eitt af markmiðum félagsráðgjafa er að meta og greina þá þætti sem mögulega hafa áhrif á námsframvindu og almenna líðan nemenda. Grunnskólinn gegnir mikilvægu hlutverki á mótunarskeiði barna en hlutverk hans er að; „gefa nemendum tækifæri til að tileinka sér þekkingu, leikni og hæfni sem býr þá undir nám að loknum grunnskóla og ævilangt“ (Mennta- og menningarmálaráðuneytið, 2019). Markmið þessarar ritgerðar er að varpa ljósi á stöðu barna og unglinga með ADHD í grunnskólum og mikilvægi þess að þau hafi tækifæri og tíma til að þróa með sér seiglu. Til þess þurfa þau stuðning frá kennurum og fjölskyldu. Niðurstöður ritgerðarinnar sýna að innleiðing skólastefnunnar um skóla án aðgreiningar hefur ekki náðst að fullu.
    [Show full text]
  • The Editing of Eddic Poetry Judy Quinn
    A HANDBOOK TO EDDIC POETRY This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture, and society. Dramatically recreating the voices of the legendary past, eddic poems distil moments of high emotion as human heroes and supernatural beings alike grapple with betrayal, loyalty, mortality, and love. These poems relate the most famous deeds of gods such as Óðinn and Þórr with their adversaries the giants; they bring to life the often fraught interactions between kings, queens, and heroes as well as their encounters with valkyries, elves, dragons, and dwarfs. Written by leading international scholars, the chapters in this volume showcase the poetic riches of the eddic corpus and reveal its relevance to the history of poetics, gender studies, pre-Christian religions, art history, and archaeology. carolyne larrington is Official Fellow and Tutor at St John’s College, University of Oxford. judy quinn is Reader in Old Norse Literature in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. brittany schorn is a Research Associate in the Department of Anglo-Saxon, Norse and Celtic at the University of Cambridge. A HANDBOOK TO EDDIC POETRY Myths and Legends of Early Scandinavia CAROLYNE LARRINGTON University of Oxford JUDY QUINN University of Cambridge BRITTANY SCHORN University of Cambridge University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence.
    [Show full text]
  • Skaldskaparmal.1.Unicode.Pdf
    Snorri Sturluson Edda Skáldskaparmál 1 Snorri Sturluson Edda Skáldskaparmál 1. Introduction, Text and Notes Edited by ANTHONY FAULKES VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 1998 © Anthony Faulkes 1998 First published by Viking Society for Northern Research 1998 Reprinted with minor corrections 2007 ISBN: 978 0 903521 36 9 Volume 1 978 0 903521 38 3 Volume 2 Printed by Short Run Press Limited, Exeter Contents of Volume 1 Introduction ............................................................................. vii Title ....................................................................................... vii Synopsis...............................................................................viii The composition of the work ............................................... x Date and authorship.............................................................. xi The verse quotations ..........................................................xiii The þulur .............................................................................. xv The dialogue frame...........................................................xviii The prose narratives ..........................................................xxii The analysis of poetic diction.......................................... xxv Purpose............................................................................xxxvii Manuscripts .....................................................................xxxix This edition ...........................................................................
    [Show full text]
  • Kristnisaga : Thattr Thorcalds Ens Vithforla; Thattr Isleifs Biskups Gizurarsonar; Hungrvaka
    ALTNOEDISCHE SAGA-BIBLIOTHEK HERAUSGEGEBEN VON GUSTAF CEDERSCHIÖLD HUGO GERING und EUGEN MOGK HEFT 11 KRISTNISAGA — pÁTTR pORVALDS ENS VÍÐFORLA PÁTTR ÍSLEIFS BISKUPS GIZURARSONAR — HUNGRVAKA HALLE a. d. S. VERLAG VON MAX NIEMEYER 1905 KEISTIISAGA ÞÁTTE ÞOEVALDS MS VÍBEOELA ÞÁTTE ÍSLEITS BISKUPS GIZUEAESOIAE IUIGEVAKA HERAUSGEGEBEN VON B. KAHLE HALLE a. d. S. VERLAG VON MAX NIEMEYER 1905 Inhaltsverzeichnis. Einleitungen. Seite I. Kristnisaga. § 1. Inhalt der saga V § 2. Koinposition, stil, verfasscr V § 3. Quellen der saga XII § 4. Alter der saga, handschrift, ausgaben .... XIV II. þáttr þorvalds ens víðforla. § 1. Inhalt des þáttr XV § 2. Komposition und stil. Der verfasser und seine tendenz. Abfassungszeit XVI § 3. Handschriften, ausgaben XIX III. páttr Isleifs biskups Gizurarsonar. • -Inhalt, handschriften, ausgaben XXII IV. Hungrvaka. § 1. Inhalt der saga \ \ XXIII § 2. Komposition, stil, verfasser. Der hauptgewahrs- mann . \ . \ XXIII § 3. Alter der saga XXVIII § 4. Handschriften, ausgaben XXIX Berichtigungen XXXV Texte. I. Kristnisaga. • • cap.l. Der dentsche bischof Friðrekr kommt mit porvaldr Koðránsson nach Island 1 „ 2. Bekehrung Koðráns. Tötnng zweier berserker. Erfolglose bekehrungsversuche im westviertel, gunstigere ergebnisse im nordviertel 6 „ 3. Errichtnng der ersten kirche in Áss durch þorvarðr. Vergebliche versuche der heiden, sie zu verbrennen 10 , 4. porvaldr verkiindet das christentum auf dem all- ding. Achtnng des bischofs und seiner anhanger • . • nnd feindseligkeiten gegen sie. Der bischof ver- lafst Island 11 „ 5. Vorleben pangbrands. Seine erste begegnung mit könig Óláfr Tryggvason, dessen gefolgschafts- prieeter er spiiter wird 14 II Inhaltsverzeichnis. Seite cap. 6. König Óláfr Tryggvason bemachtigt sich Norwegens und ernennt pangbrandr zum priester der ersten kirche in Mostr. Stefnir porgilssons versuch, das christentum auf Island zu verbreiten.
    [Show full text]
  • The Myth of Baldr's Death and the Vedic Wounded Sun: Old Norse
    “Indo-European Religion and Poetics – A Comparative Approach: Myth, Ritual and Language” October 11–12, 2019, University of Copenhagen The Myth of Baldr’s Death and the Vedic Wounded Sun: Old Norse Religion and Poetics from a Comparative Indo-European Perspective Riccardo Ginevra (Center for Hellenic Studies, Harvard University) [email protected] A1. The myth of Baldr’s love for Nanna and death at the hands of Loki and Hǫðr 1 Main sources: Vǫluspá (31–3), Baldrs draumar (passim); Lokasenna (27–8); Gylfaginning (49). • The god Baldr, son of the supreme deities Odin and Frigg, is so bright that light shines from him. • His wife is Nanna Nepsdóttir ‘daughter of Nepr/Nefr’. • While playing a game with the other gods, Baldr is unintentionally killed with a mistletoe twig by the blind god Hǫðr, who is maneuvered like a puppet by the mischievous god Loki. • After Baldr’s death, all the gods are confused and perplexed. • Later, they send the god Hermóðr to search for Baldr. He finds him in the Realm of the Dead. • In order to bring Baldr back to life, every creature of the world has to weep for his death. When this fails, Baldr is forced to stay among the dead until the end of time. Latin (pseudo-historical) version of Balderus’ death in Saxo Grammaticus’ Gesta Danorum (3.1–4):2 • The demigod Balderus (Baldr), son of Othinus (Odin), falls in love with the maiden Nanna, daughter of Gevarus, after spying on her while she bathes. • Balderus woos Nanna. She refuses him, as she loves her adoptive brother Høtherus (Hǫðr), who loves her back and decides to kill Balderus.
    [Show full text]
  • The Impact of Ancient Armenian Traditions
    THE IMPACT OF ANCIENT ARMENIAN TRADITIONS AND WORLDVIEW ON THE COGNITIVE CORE OF NORDIC CULTURE Professor Vahanyan G.A., PhD in Art History Vahanyan V.G., PhD student at the Chair of Linguistics and Intercultural Communications Baghdasaryan V.F. Contents Introduction Methodology The Armenian Origins of Norse Toponyms and the Yngling Dynasty Linguistic Affinity The Armenian Patriarchs and Sages – the Heroes in Norse Myths and the Forefathers of Konungs The Armenian Rock Art and the Nordic Runes The Armenian Rock Art, Vishapakars and Nordic Dragon- and Cross-Stones The Armenian Rock Art and the Signs of Cultures of Old Europe (Starcevo and Vinca) The Tree of Life and the Tree of the Knowledge of Good and Evil Ships, Seagoing Vessels and Boats, Skíðblaðnir Transgression of the Caspian Sea Mountains and Kurgans/Tumuli Mythological Motifs, Agriculture and Hunting Scenes, Animal Species (Horses, Snakes/Serpents, Fish), Weapons, Astronomical Symbols and Observatories Conclusion References Key words: worldview, cognitive core of civilization, rock art, Armenian and Norse mythological and historical heroes, the Aesir and the Vanir, Runes, dragon stones, cross-stones, konungs, the Ynglings, cultural and linguistic picture of the world. Introduction The historians refer to the records on the origin or genesis of the world civilizations, analyzing individually the given archaeological data, the processes and language of the indigenous population. More frequently, the data is incomplete and wide open to criticism. Human thought formation is based not only on the categories and units of a particular language, but rather on the universal content structures of logical and figurative thinking in their constant interaction and reciprocal influence.
    [Show full text]
  • Old Norse Nanna Nepsdóttir ‘Maiden Sky-Daughter’ and Hǫðr ‘Darkness’ Riccardo Ginevra Universität Zu Köln
    Philological Society Early Career Researcher Forum (Wolfson College, Oxford, 8-9/3/2019) Baldr’s Love and Death in the Light of Indo-European Studies: Old Norse Nanna Nepsdóttir ‘Maiden Sky-Daughter’ and Hǫðr ‘Darkness’ Riccardo Ginevra Universität zu Köln A. The myth of Baldr’s love for Nanna and death at the hands of Loki and Hǫðr Main sources: Vǫluspá (31–3), Baldrs draumar (passim); Lokasenna (27–8); Gylfaginning (49).1 1. Current etymology Nanna: ON nanna ‘maiden, woman’ (Liberman 2004:25; 47), originally a Lallwort (Henning 1908:478–9; de Vries 1962, s.v.) or reflex of *nanþ-ō- ‘brave’ (Vries 1956–7:II,222–3). Nepsdóttir: ‘daughter of Nepr/Nefr’; gen. sg. Neps, nom. sg. Nepr or Nefr (both attested, cf. Lind 1905–15), etymologically unclear (de Vries 1962, s.v.). Hǫðr: derivative of ON f. subst. hǫð ‘battle’ (mostly in PNs, Hǫð-broddr), reflex of PGmc *haþu- ‘id.’ (OE Heaðo°) and PIE *ḱó/á/Htu- ‘hostility’ (Hitt. kattu- ‘id.’, OIr. cath ‘battle’) BUT the semantics find no support in the texts. 2. Proposal Data from comparative historical linguistics and poetics, both from a Germanic and an IE perspective: new formal analyses and semantic interpretations for Nanna, Nepsdóttir, and Hǫðr. The proposed interpretations find further support in comparative IE mythology. B1. ON Nanna Nepsdóttir 1. Nanna Formation: identical to ON nanna ‘maiden, woman’, Lallwort (cf. Dial. Sw. nanna ‘mother’, Lat. nonna, It. mamma). Semantics: from a synchronic perspective, clearly means ‘maiden’, cf. Vsp. 309–12. Phraseology: Nanna characterized as virgo ‘maiden’ and puella ‘id.’ in Saxo’s Gesta Danorum.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMl films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMl a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMl directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMl' THE STRANGER IN THE CITY: GENRE AND PLACE IN THE WORKS OF NIKOLAI GOGOL AND LIUDMILA PETRUSHEVSKAIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University B y Kristin Anne Peterson, M.A. * * * * The Ohio State University 2000 Dissertation Committee: Approved by Professor Angela Brintlinger, Adviser Adviser, Department of Slavic and East European Languages^d Literatures, Graduate Program Professor Sabra Webber.
    [Show full text]