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Choruspondencevirginia Lynn Vann, Editor the Memphis Symphony Chorus
FALL 2011 ChoruspondenceVirginia Lynn Vann, Editor The Memphis Symphony Chorus Hello Everyone! Letter From the Editor My name is Ginny and I am the new editor of Choruspondence! It was an honor to have been asked by Lisa to take over Choruspondence. I also want to thank Martha for her dedication to this Newsletter for the past two seasons, and showing me the ropes as well! I just I thought since I am new to this, I would take the time to introduce myself! I am 29 years old and I was born and raised right here in Memphis. I graduated from Ridgeway High School in 2000 and attended The University of Tennessee, Knoxville (Go Vols!). I came back to Memphis in March 0f 2009 to help my mother who was diagnosed with Ovarian Cancer. I have always loved to sing even as a young child and missed it after not singing anywhere for over a year. When I found out about the Memphis Symphony Chorus, my mother was the first person to encourage me to audition. This is my third season with this great organization and I have loved meeting new people and singing fabulous songs. When my mother passed in the summer of 2010, I couldn’t wait to get back to rehearsals with the chorus and the chorus is one of the reasons I was able to make it this past year. I really don’t know what I would have done without the incredible people in the chorus and I thank each and every one of you for a wonderful two years so far! I want to welcome all the new people to the Memphis Symphony Chorus and I hope your first season in the chorus will be as amazing as my first season was for me! If you are finding it difficult to keep up, don’t get discouraged. -
Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski SYMPHONIA DOMESTICA & DIE TAGESZEITEN Richard Strauss
Richard Strauss SYMPHONIA DOMESTICA & DIE TAGESZEITEN Rundfunk-Sinfonieorchester Berlin Rundfunkchor Berlin Marek Janowski Richard Strauss (1864-1949) Symphonia statement (if meant sincerely) does not the Frenchman recommended the reference to the (outdated) traditional necessarily win you friends... work be performed only without the genre, in order to subsequently Symphonia Domestica, Op. 53 Domestica, Op. 53 accompanying programme, as it would demolish the internal musical structure 1 Bewegt 5. 03 In fact, the content of the Symphonia certainly distract the listener and and compositional content with 2 Scherzo 12. 46 Richard Strauss was a master at domestica does seem rather trivial, as misrepresent the character of the work. powerful irony. After all, one would 3 Adagio 11. 22 creating double entendres in his the composer places his own, deeply To which Strauss responded: “For me, surely elect a completely diff erent 4 Mäßig langsam. Bewegter 15. 43 music. Nothing is as it seems at fi rst bourgeois family idyll in the spotlight of the poetic programme is no more than genre to accompany the private glance. One should always keep this the musical scene. His original working a means of expressing and developing area of a domestic idyll: an art song, Die Tageszeiten, Op. 76 in mind when dealing with such a title for the work was: “My home. A my perception in a purely musical perhaps, a sonata – but certainly not (Poems by Joseph von Eichendorff ) controversial work as his Symphonia symphonic portrait of myself and my manner; not, as you think, merely a a symphony written for the concert For Male Chorus and Orchestra domestica, Op. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
University Band Symphonic Band
Illinois State University ISU ReD: Research and eData School of Music Programs Music Spring 4-25-2019 University Band Symphonic Band Marykatheryne E. Kuhne, Conductor Illinois State University Zachary A. Taylor, Conductor Illinois State University Doug Morin, Conductor Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Kuhne,, Marykatheryne E. Conductor; Taylor,, Zachary A. Conductor; and Morin,, Doug Conductor, "University Band Symphonic Band" (2019). School of Music Programs. 3891. https://ir.library.illinoisstate.edu/somp/3891 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. THANKYOU Illinois State University College of Fine Arts Illinois State University College of Fine Ans School of Music J can i\ lillcr, dttm Sara Semonis, asso,iat, dttm of m,arch a11d plm111i1t~ Janet Tulley, assista11t d,,111 oft1cadm1ic programs ,md sfl1dmt affi1irs Nick Benson, coordi11ator, Center for Performing Arts i\lolly i\lcDonal<l, dimtor of d,v,lop111t11/ Steve Parsons, dimtor, School of Music Janet \XliJson, dirrctor, School of Theatre an<l Dance .; l\lichacl Wille, dimtor, School of Art ,\arnn Paolucci, dirrffor, ,\ rts Technolob'Y l'rob,ram • Kendra Paitz, dimtor a11d chief mmtor, University Galleries Stephanie Kohl Ringle, business co111111u11imtio11s associate Eric Y cager, dirrctor, Cf'1\ 1T Ilh"nois State University School ofMusic A. Oforiwaa Aduonum, Eth11on111sicology i\lnric Labonville, M111icolo!!J Allison ,\!corn, Afosicolo!!J Katherine J. -
PROGRAM SHORELINE SYMPHONIC WINDS Greg Flores—Conductor
PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES PROGRAM SHORELINE SYMPHONIC WINDS Greg Flores—conductor Mars, the Bringer of War from The Planets, Op. 32 (1914) ...............................................................................................................................................................................Gustav Holst (1874-1934) trans. Merlin Patterson Danse Macabre, Op. 40 (1847)................................................................................................................................................................................................................................................................................ Camille Saint-Saëns (1835-1921) trans. L. P. Laurendeau Shannon O’Neill—guest conductor The Imperial March (1980) ..................................................................................................................................................................................................................................................................................................................................John Williams (b. 1932) (Darth Vader’s Theme) trans. Donald Hunsberger Highlights from The Phantom Of The Opera (1986) ..............................................................................................................................................................................Andrew Lloyd Webber (b. 1948) arr. Johan DeMeij INTERMISSION CONCERT BAND Jermie S. Arnold—conductor Inferno .............................................................................................................................................................................................................................................................................................................................................................................................................. -
CHAN 10425X Booklet.Indd
Gerald Finzi Classics Violin and Cello Concertos Tasmin Little violin Raphael Wallfi sch cello City of London Sinfonia Richard Hickox Royal Liverpool Philharmonic Orchestra Vernon Handley CHAN 10425 X Gerald Finzi (1901–1956) Cello Concerto, Op. 40 39:10 in A minor • in a-Moll • en la mineur Lebrecht Music & Arts Photo Library 1 I Allegro moderato 15:53 2 II Andante quieto 13:34 3 III Rondo: Adagio – Allegro giocoso 9:44 Raphael Wallfi sch cello Royal Liverpool Philharmonic Orchestra Malcolm Stewart leader Vernon Handley Gerald Finzi 3 Finzi: Cello Concerto and Violin Concerto Finzi completed his Cello Concerto for the reaches out to a major sixth, so swinging the 4 Prelude, Op. 25 5:00 Cheltenham Festival of 1955. He had long harmony round in its second bar to a major for string orchestra had a cello concerto in mind, and some of it chord; with this reaching out, and the fi erce Adagio espressivo – Poco più mosso – Tempo primo already composed, when Sir John Barbirolli trills, scotch-snap rhythms, and up-thrusting asked him for a major work; so the fi rst shape, the theme sets up a restless energy. performance was given by Christopher The second subject is a gentler cantabile, but 5 Romance, Op. 11 7:52 Bunting and The Hallé Orchestra under the movement ends stormily, gathered into a for string orchestra Barbirolli on 19 July 1955. cadenza and then despatched with four great Andante espressivo – Più mosso – Tempo primo Those who know Finzi only from his more hammer-blows. lyrical songs, perhaps even from his Clarinet The slow movement opens in a mood of † Concerto as well, may be surprised at the shy rapture, the song-melody beautifully Concerto for Small Orchestra and Solo Violin 20:05 breadth and power of this work. -
Publicity Book
JORY VINIKOUR conductor, harpsichordist Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world!s most important festivals and concert halls as recital and concerto soloist, partner to several of today!s finest singers, and increasingly as a conductor. Born in Chicago, Jory Vinikour came to Paris on a scholarship from the Fulbright Foundation to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public!s attention, and he has since appeared in festivals and concert series such as Besançon Festival, Deauville, Nantes, Monaco, Cleveland Museum of Art, Miami Bach Festival, Indianapolis Early Music Festival, etc. A concerto soloist with a repertoire ranging from Bach to Nyman, passing by Poulenc!s Concert Champêtre, Jory Vinikour has performed as soloist with leading orchestras including Rotterdam Philharmonic, Flanders Opera Orchestra, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, and Moscow Chamber Orchestra with conductors such as Armin Jordan, Marc Minkowski, Marek Janowski, Constantine Orbelian, John Nelson, and Fabio Luisi. He recorded Frank Martin!s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005), and also performed the Harpsichord Concerto by the same composer with the Symphony Orchestra of the MDR in Leipzig!s Gewandhaus under the direction of Martin Haselböck in January of 2003. A complete musician, Mr. Vinikour is gaining a reputation as a conductor (studies with Vladimir Kin and Denise Ham) and music director. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
Marek Janowski Alpine Symphony Op.64
Richard Strauss Alpine Symphony Op.64 (Eine Alpensinfonie) Macbeth, Symphonic poem Op.23 Marek Janowski HY BRID MU LTICHANNEL Richard Strauss (1864-1949) 1 Macbeth (Sinfonische Dichtung, Symphonic poem) Op. 23 19. 17 Eine Alpensinfonie (Alpine Symphony), Op. 64 2 Nacht (Night) 3. 29 3 Sonnenaufgang (Sunrise) 1. 30 4 Der Anstieg (The ascent) 2. 26 5 Eintritt in den Wald (Entry into the forest) 5. 46 6 Am Wasserfall (At the waterfall) 0. 15 7 Erscheinung (Apparition) 0. 45 8 Auf blumigen Wiesen (On flowering meadows) 0. 50 9 Auf der Alm (On the mountain pasture) 2. 03 10 Durch Dickicht und Gestrüpp auf Irrwegen 1. 21 (Lost in thicket and undergrowth) 11 Auf dem Gletscher (On the glacier) 1. 03 12 Gefahrvolle Augenblicke (Dangerous moments) 1. 21 13 Auf dem Gipfel (On the summit) 4. 21 14 Vision (Vision) 4. 02 15 Nebel steigen auf (The mist rises) 0. 22 16 Die Sonne verdüstert sich allmählich (The sun is gradually obscured) 0. 53 17 Elegie (Elegy) 2. 23 18 Stille vor dem Sturm (Calm before the storm) 2. 48 19 Gewitter und Sturm, Abstieg (Thunder and tempest, Descent) 3. 23 20 Sonnenuntergang (Sunset) 2. 22 21 Ausklang (Epilogue) 6. 16 22 Nacht (Night) 2. 03 Pittsburgh Symphony Orchestra Leader: Andrés Cárdenas Conducted by: Marek Janowski Executive Producer: Job Maarse Recording Producer: Job Maarse Balance Engineer: Mark Donahue (Soundmirror, Boston) Recording Engineers: Dirk Sobotka (Soundmirror, Boston) Ray Clover (Heinz Hall, Pittsburgh) Editing: Dirk Sobotka Recorded live at Heinz Hall Pittsburgh, October/November 2008 Made possible by a generous grant from BNY Mellon total playing time; 69.13 Biographien auf Deutsch und Französisch finden Sie auf unserer Webseite. -
Andreas Schager Tenor
Silvana Sintow Classicalia International Promotions & Management Schleibingerstrasse 8 - 81669 München - Germany • Tel: + 49-89- 44 21 89 00 [email protected] • www.classicalia-international.com • Fax: + 49-89- 44 21 89 03 Andreas Schager Tenor Andreas Schager studied at the Universität für Musik Vienna with Prof. Walter Moore. Whilst still studying he made his opera debut as Ferrando/ Così fan tutte at the Schlosstheater Schönbrunn. In the following years he sang in a large number of theatres and festivals, for example Frankfurt, Vienna (Festwochen), Bologna, Amsterdam, Gent, Antwerp, Cologne and Toronto (Canada). In summer 2009 Schager made a very significant step in his carrier, moving to a more dramatic repertoire. He made his highly regarded debut at the Tiroler Festspiele Erl as David in Richard Wagner’s “Die Meistersinger von Nürnberg” and was engaged as well as Florestan in Ludwig van Beethoven’s “Fidelio” and as Erik in Wagner’s “Der fliegende Holländer”. Since then he appeared as Florestan/ Fidelio, Max/ Der Freischütz, Rienzi/ Rienzi, in the part of Siegfried in both Siegfried and Götterdämmerung, Tristan / Tristan und Isolde at renowned opera houses such as Deutsche Oper and Staatsoper Berlin, Teatro Real Madrid, Hamburgische Staatsoper, Teatro dell’Opera Rome and Teatro alla Scala Milan. In concert, he sang the tenor parts in Mahler‘s Das Lied von der Erde (Hamburg NDR) and Beethoven’s 9th Symphony in Bolzano and Ravenna. His appearances as Siegfried/ Götterdämmerung at Staatsoper Berlin, BBC Proms 2013 in London and at the Teatro alla Scala this with Daniel Barenboim, were highly acclaimed by press and audience. -
3. Außerordentliches Konzert T Dresden N Group BMW a 0 51 (03 Fax 012 99 Str
Progr/3.AK_6.12.2003 24.11.2003 17:39 Uhr Seite 1 (HKS 18 B Spielzeit 2003/2004 3. Außerordentliches Konzert Progr/3.AK_6.12.2003 24.11.2003 17:39 Uhr Seite 2 (Schwarz/ Auch Sie können die erste Geige spielen. Verbinden Sie auf ideale Weise die Liebe zur Musik mit der Freude am Fahren. Mit den Modellen der BMW Group steht Ihnen ein in aller Welt geschätztes Ensemble zur Verfügung, das auch bei Virtuosen große Resonanz findet. Und optimaler Service gehört bei uns mit zum guten Ton. BMW Group Niederlassung Dresden Dohnaer Str. 99 01219 Dresden Tel. (03 51)28525-0 www.heimrich-hannot.de Fax (03 51)28525 92 www.bmwdresden.de Freude am Fahren Progr/3.AK_6.12.2003 24.11.2003 17:39 Uhr Seite 3 (Schwarz/ Sonnabend 6. Dezember 2003 19.30 Uhr Festsaal des Kulturpalastes 3. Außerordentliches Konzert www.heimrich-hannot.de Dirigent Alan Buribayev Solist Peter Rösel Klavier Moderator Holk Freytag WIR DANKEN DEM FÖRDERVEREIN DER DRESDNER PHILHARMONIE, DER DIE BLUMENSTRÄUSSE FÜR DIE KÜNSTLER ZUR VERFÜGUNG STELLT. 3 Progr/3.AK_6.12.2003 24.11.2003 17:39 Uhr Seite 4 (Schwarz/ Zeichnung von ihm stehend und F. G. Waldmüller (1827), singend Johann Michael Franz Schubert am Vogel, Schuberts Klavier sitzend, hinter erster Liedinterpret. 4 Progr/3.AK_6.12.2003 24.11.2003 17:39 Uhr Seite 5 (Schwarz/ Programm Hector Berlioz (1803 —1869) Ouvertüre zur Oper „Benvenuto Cellini“ op. 23 (einsätzig) Allegro deciso con impeto – Larghetto – Tempo I Franz Schubert (1797—1828) „Wandererfantasie“ – Sinfonisch bearbeitet für Klavier und Orchester von Franz Liszt Allegro con fuoco, ma non troppo – Adagio – Presto – Allegro PAUSE Johannes Brahms (1833 —1897) Sinfonie Nr. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre