DOCSLIB.ORG

Newsletter the Society of Architectural Historians

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Newsletter the Society of Architectural Historians NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS DECEMBER 1975 VOL. XIX NO . 6 PUBLISHED BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 Walnut Street, Philadelphia, Pennsylvania 19103 • Spiro K. Kostof, President • Editor: Thomas M. Slade, 3901 Connecticut Avenue, N.W., Washington, D.C. 20008 • Assistant Editor: Elisabeth W. Potter, 22927 Edmonds Way, Edmonds, Washington 98020 • Assistant Editor: Richard Guy Wilson, 804 Gaskill Drive, Ames, Iowa 50010. SAH NOTICES STUDENT SCHOLARSHIPS-1976 ANNUAL TOUR 1976 Bicentennial Annual Meeting, Philadelphia (May 19- Lexington, Kentucky and Vicinity 24).'Marian C. Donnelly, general chairman; Charles E. Peter­ October 6-10, 1976 son, FAIA, honorary local chairman; and R. Damon Childs, local chairman. Beginning with the 1976 annual tour, the Society will hold yearly The preliminary announcement (containing full informa­ competitions for student scholarships to enable outstanding tion on sessions and tours), the preregistration form and students to participate on domestic tours. The 10% surcharge hotel reservation cards will reach the membership by Jan­ on non-student participants' registrations will be applied to­ uary 15, 1976. ward two or three tour scholarships, which will defray wholly or in large part the cost of the tour itself, the hotel accommoda­ 1977 Annual Meeting, Los Angeles (with College Art Asso­ tions and air or train fare (depending upon the travel distance ciation)-February 2-7. Adolf K. Placzek, Columbia involved). University, is general chairman of the meeting. DavidS. Geb­ To be eligible, a student must be engaged in graduate hard, University of California, Santa Barbara, will act as work in architecture or architectural history, city planning or local chairman. The call for papers appeared in the June News­ urban history, landscape or the history of landscape design. letter. Students interested in being considered for a scholarship should write the SAH central office (Room 716, 1700 Walnut Street, 1976 Foreign Tour-Malta (May 31-June 16). Richard Philadelphia, Pa. 19103) for an application blank. The appli­ England, Malta architect and designer, is chairman of the tour. cation should be completed (attaching a vita and one or more departmental recommendations) and returned to the SAH office 1976 Annual Tour-Lexington, Kentucky (and vicinity)­ by March 1, 1976. A scholarship committee will be appointed by October 6-10. Eric S. McCready, Elvehjem Art Center, Uni­ the President of SAH to make the awards. Notification will be versity of Wisconsin, Madison, and James P. Noffsinger, Col­ sent to all applicants by May I, 1976. lege of Architecture, University of Kentucky, will serve as co-chairmen. Announcement of the tour will be sent to the SAH membership by May 1, 1976. Members abroad who wish to have the announcement sent airmail should notify the SAH applications is February 6, 1976. Any SAH member is eligible. office (1700 Walnut Street, Room 716, Philadelphia, Pa. The School will convene for three weeks on July 7 at Hawks tone 19103). (near Shrewsbury, Shropshire). The final week before the July 27 dispersal will be spent in study of selected sites in the Melton 1977 Special Tour-Newfoundland (July 24-30). DouglasS. Mowbray area, the School residing at nearby Brooksby in Richardson will act as chairman; he will be assisted by Shane Leicestershire. O'Dea and George T. Kapelos. SAH Placement Service Bulletin. The next Bulletin will ap­ pear with the February 1976 issue of the Newsletter. Dead­ line: position-available and member-applicant listings must NEWS OF MEMBERS reach the SAH central office (1700 Walnut Street, Room 716, Philadelphia, Pa. 19103) no later than January 15, 1976. We JAMES S. ACKERMAN and GEORGE L. HERSEY partici­ urge prospective employers to submit listings of positions pated in the New England Renaissance Conference at Boston open (under categories of Academic, Business and Pro­ University ... GIORGIO CAVAGLIERI has been appointed a fessions, Government, and Other), which will be published member of the 1976 AlA Honor Awards Jury for Extended Use free of charge. .. JEAN R. FRANCE has accepted a position teaching Ameri­ can architecture at the University of Rochester ... PETER L. American Friends of Attingham, Inc. A tuition-scholarship GOSS, Graduate School of Architecture, University of Utah, will be awarded to an SAH member for the 1976 Attingham Sum­ has been appointed to the Governor's Historic and Cultural Sites mer School for the study of English Country Houses and Their Review Committee of Utah and to the Board of Trustees of the Contents. Enrollment details and brochures on the 1976 course Utah Heritage Foundation . RICHARD H. HOWLAND, may be obtained from the American Friends of Attingham Sum­ Special Assistant to the Secretary, Smithsonian Institution, has mer School, Miss Anne Sharkey, Executive Secretary, 41 East been reappointed to a four-year term on the Consulting Commit­ 65th Street, New York, N.Y. 10021. Closing date for completed tee for the National Survey of Historic Sites and Buildings. He was also redesignated chairman of the committee ... The 1975 ORGANIZATIONS Louis Sullivan Award for Architecture has been awarded to PHILIP JOHNSON ... ALFONZ LENGYEL, Northern Ken­ Historic Charleston Foundation. Over eighty-five private tucky State College, has been elected a member of Consultative houses and gardens will be open during the Twenty-Ninth An­ Committee of UNESCO Carthage Project in the status of ob­ nual Festival of Houses from March 18 through April 17. The server member ... ERIC S. McCREADY, University of Wis­ distinguished dwelling houses which will be shown only during consin, has been judged recipient of the James L. Sellers Memo­ this event cover more than two centuries of our country's most rial Award for his article "The Nebraska State Capitol: Its De­ exciting period of architectural development. All profits go to sign, Background, and Influence," which appeared in Nebraska Historic Charleston Foundation's Revolving Fund for preserva­ History, Vol. 55, no. 3 (1974) ... ROBERT J. MULLEN has tion. Write to Alice W. Rudolf, Tours Director, Historic Charles­ accepted a position teaching Latin American art and architec­ ton Foundation, 51 Meeting Street, Charleston, South Carolina tural history at the University of Texas at San Antonio ... 29401. DEBRA PINCUS, Sarah Lawrence College, has been awarded a post-doctoral research grant by the American Council of National Endowment for the Arts. The NEA is seeking to Learned Societies for: "An iconographical investigation of An­ establish a list of individuals and organizations with known ex­ tonio Rizzo's tomb for Doge Nicolo Tron in the Frari, Venice" perience and research capabilities in the arts. Those interested in ... WILLARD B. ROBINSON was recently named acting di­ the project are requested to send summaries of their back­ rector and curator of historical architecture for the Ranching ground, resource, research and management capabilities to: Heritage Center ... MYRA N. ROSENFELD, Montreal Research Division, National Endowment for the Arts, Museum of Fine Arts, has also been awarded a grant by the Washington, D.C. 20506. ACLS for research on the subject of Sebastiana Serlio' s Chateau of Ancy-le-Franc ... ANATOLE SENKEVITCH, JR. served as faculty advisor to a student team from the School of Architec­ ture, University of Maryland, which received a special award from the Committee on Historic Resources of the Washington COURSES Metropolitan Chapter of the AlA, chaired by NICHOLAS A. PAPPAS. The project, "Old Anacostia Preservation Study," Advisory Council on Historic Preservation. The International was funded by a City Options Grant from the National Endow­ Centre for the Study of the Preservation and Restoration of ment for the Arts ... FREDERICK A. STAHL was the reci­ Cultural Property, Rome, Italy, is offering three training courses pient of an award from the General Services Administration for in conservation and restoration. Designed for architects, art and the firm's work in the recycling of the historic Old Federal Courts architectural historians, archaeologists, engineers and planners, Building in St. Paul, Minnesota ... CHRISTOPHER TUN­ the three courses cover architectural conservation, conservation NARD has announced that he is now professor emeritus of of mural paintings and fundamental principles of conservation. city planning at Yale University ... KATHERINE VAUX, Applications received by January 15, 1976 will be considered for president, Philadelphia Chapter of SAH and HUGH J. 1977 courses. Write to: Executive Secretary, International McCAULEY, Chapter Preservation Officer, were married Centre Committee, 1522 K Street, NW, Suite 1030, Washington, October 11. D.C. 20005. Historic Deerfield, Inc. The annual Summer Fellowship pro­ gram in Early American History and the Decorative Arts will CONFERENCES be held from June 15 to August 14, 1976. A limited number of fellowships will be awarded to single men and women of under­ Art Libraries Society of North America. The Fourth Annual graduate status who are interested in careers in the museum field Conference of the ARLIS/NA will be held January 28-February and related professions. The fellowships are designed to provide 1, 1976 at the Palmer House Hotel in Chicago. For information students who are interested in a professional career in the field of contact: Judith A. Hoftberg, ARLIS/NA, P.O. Box 3692, Glen­ preservation or interpretation of early American history and dale, Ca. 91201. culture an opportunity
Load more

Recommended publications
  • Willis Papers INTRODUCTION Working
    Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • British Art Studies November 2019 British Art Studies Issue 14, Published 29 November 2019
    British Art Studies November 2019 British Art Studies Issue 14, published 29 November 2019 Cover image: James Richards, on the side of the disease and not the cure, 2019.. Digital image courtesy of James Richards. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents “The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain, Samuel Bibby “The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain Samuel Bibby Abstract In 1976, the Victoria and Albert Museum staged an exhibition dedicated to the history of art periodicals since their inception at the end of the eighteenth century.
    [Show full text]
  • Press Release 21 October 2014 a Forty Year Fight
    Press release 21 October 2014 A forty year fight to save great historic country houses from decay and demolition is celebrated in SAVE’s latest publication The Destruction of the Country House: Forty Years On. This new book records the enormous impact of the V&A’s landmark exhibition in 1974 and includes illustrations of over 120 major houses lost between 1875 and 1974. The main purpose of the book is to tell the story of SAVE’s many campaigns to restore, revive and reuse endangered country houses. The plight of these houses has been illustrated in successive SAVE reports since 1978, starting with Tomorrow’s Ruins?, a catalogue of some 60 endangered houses. The front cover, and inside front cover of The Destruction of the Country House: Forty Years On, showing the staircase at Eaton Hall, Cheshire, demolished in 1961. Very soon after its foundation in1975 SAVE began to come forward with practical solutions for individual historic houses, working with entrepreneurs and architects to create solutions, including Kit Martin, who has rescued a series of major country houses, including Gunton Hall, Hazells Hall, Cullen House and Burley-on-the-Hill. Memorably in 1981 SAVE bought the derelict Barlaston Hall for £1. It was no bargain as rain was pouring through the roof, bringing down the ceilings and floors and the house was suffering from severe mining subsidence. It took a major fight with the National Coal Board to secure compensation, but SAVE carried out the structural repairs and found a purchaser willing to complete the restoration, including all the wonderful Rococo plasterwork.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STRFFT AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 Revised: July 1985 EXHIBITION FACT SHEET Title: THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons; Their Royal Highnesses The Prince and Princess of Wales Dates: November 3, 1985 through March. 16, 1986. (This exhibition will not travel. Most loans from houses open to view are expected to remain in place until the late suitmer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits: This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration with the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and the Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. British Airways has been designated the official carrier of the exhibition. History of the exhibition; The idea that the National Gallery of Art consider holding a major exhibition devoted to British art evolved in discussions with the British Council in 1979. J. Carter Brown, Director of the National Gallery of Art, proposed an exhibition on the British country house as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • Bibliography Sources for Further Reading May 2011 National Trust Bibliography
    Bibliography Sources for further reading May 2011 National Trust Bibliography Introduction Over many years a great deal has been published about the properties and collections in the care of the National Trust, yet to date no single record of those publications has been established. The following Bibliography is a first attempt to do just that, and provides a starting point for those who want to learn more about the properties and collections in the National Trust’s care. Inevitably this list will have gaps in it. Do please let us know of additional material that you feel might be included, or where you have spotted errors in the existing entries. All feedback to [email protected] would be very welcome. Please note the Bibliography does not include minor references within large reference works, such as the Encyclopaedia Britannica, or to guidebooks published by the National Trust. How to use The Bibliography is arranged by property, and then alphabetically by author. For ease of use, clicking on a hyperlink will take you from a property name listed on the Contents Page to the page for that property. ‘Return to Contents’ hyperlinks will take you back to the contents page. To search by particular terms, such as author or a theme, please make use of the ‘Find’ function, in the ‘Edit’ menu (or use the keyboard shortcut ‘[Ctrl] + [F]’). Locating copies of books, journals or specific articles Most of the books, and some journals and magazines, can of course be found in any good library. For access to rarer titles a visit to one of the country’s copyright libraries may be necessary.
    [Show full text]
  • The V&A, the Destruction of the Country House and the Creation Of
    Museum & Society, 11(1) 1 The V&A, The Destruction of the Country House and the Creation of ‘English Heritage’ Ruth Adams* Abstract This paper considers the role played by the V&A and the exhibition The Destruction of the Country House in the political activities and increasing prominence of the ‘heritage lobby’ in England in the 1970s. It argues that the V&A had a significant role in shaping the discourse and advancing the public awareness and political efficacy of the heritage movement, and that it assisted in reinforcing the association of, and perhaps even conflating, English heritage with the country house. The paper also reflects on changing attitudes and policy relating to heritage in England since the late twentieth century, drawing on a range of relevant critical literature and theoretical approaches. Key Words: V&A, Heritage, Country Houses, Policy, England Introduction In the autumn of 1974, the Victoria & Albert Museum, London (V&A) staged an exhibition called The Destruction of the Country House (hereafter called Destruction). Although not, as the Museum’s then director Roy Strong was later to claim, ‘the first time [...] that a museum exhibition was an exercise in polemic’ (1998: 139), it was a landmark show for the V&A, and a watershed in heritage politics. The exhibition promoted the idea that not only were England’s great country houses under threat, but that if these richly symbolic buildings were lost, so too would be important aspects of English national history, culture and identity. This conflation and the exhibition as a whole are important for an understanding of the recent history of heritage in the UK because the V&A, its policies and personnel, played a key role in shaping the discourse and advancing the public awareness and political efficacy of the heritage movement.
    [Show full text]
  • Situating LGBTQ Voices in National Trust Historic Houses
    Queer activism begins at home: situating LGBTQ voices in National Trust historic houses Sean Curran UCL Institute of Education Supervisors: Professor Pam Meecham & John Reeve I, Sean Curran confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 1 _______________________________________________________________ _______ 2 Abstract Despite a growing body of literature and practical examples of lesbian, gay, bisexual, trans and queer (LGBTQ) interventions in museums, there is a dearth of research in equivalent initiatives in historic houses, specifically in those owned and managed by the National Trust. My research aims to address that gap, by using a creative intervention in the form of an exhibition for LGBT History Month. This queered action research involved curating an intervention, using a crowd-sourced exhibition, at the National Trust’s Sutton House in Hackney, London. The exhibition and the process of curation is the primary case study in my thesis. The exhibition 126, saw 126 LGBTQ identified volunteers submitting smartphone recordings of Shakespeare’s Fair Youth Sonnets and short video portraits of themselves as contributors. These were edited into a film, and exhibited at the first ever ‘Queer Season’ at Sutton House in February and March 2015. While feedback from visitors and contributors was analysed, the video portraits formed the primary data in the thesis. The videos are presented as a means through which LGBTQ people have chosen to represent their queer identities in a National Trust property. The results are noteworthy for the diversity of ways that LGBTQ people choose to visually signify their queer identities when given autonomy to do so.
    [Show full text]
  • 1904 623088 Email: [email protected]
    JANETTE RAY BOOKSELLERS, 8 BOOTHAM, YORK YO30 7BL Telephone: +44 [0]1904 623088 email: [email protected] CATALOGUE 16: GAVIN STAMP Preamble By the time I went to look at the books that remained in Gavin’s flat in Forest Hill, London, after his far too early death, many well-known titles had already been removed by friends and relatives who rightly, at Gavin’s request, had the first choice from his library. I met his wife, Rosemary Hill, at the flat. She had the thankless task of sorting out the slide collection which was to be given to Historic England’s National Monuments Record and, on the day I arrived for a first look, was busy doing that with huge dedication. Whilst she sorted and packed, I scanned the shelves. As many well-known titles had already been removed it soon was possible to see that between the gaps that what remained was arguably the essence of the collection; I mean those smaller books and pamphlets that provide the detail on architects, designers and places that reflecting Gavin Stamp’s interest in every conceivable aspect of architecture and design. In these books were many with notes, photocopies and jottings from friends and academics which illuminate detailed queries he had about this and that and which often exploited in his own writings. Books spilled off the shelves on every imaginable building type including telephone boxes, about which he had run a campaign to encourage saving Giles Gilbert Scott’s design. There were booklets on war memorials, reflecting his enduring interest in memorialisation, on European modernism, on neo-classicism and the gothic.
    [Show full text]
  • Spotlight on Churches
    spotlight oN churches Marcus Binney 2017 marks the 40th anniversary of the Roy Strong as Director of the museum exhibition Change and Decay: The Future of our commissioned two trustees of the newly Churches, at the Victoria and Albert Museum. formed SAVE, Peter Burman and I, to curate Though not as famous as its predecessor the exhibition in succession to the first The Destruction of the Country House, it was exhibition curated by John Harris, Peter extremely influential, and SAVE organised a Thornton and I. large travelling version which toured the Within three weeks of the opening of country for three years, shown at museums Change and Decay in June came the surprise and galleries, and cathedrals too. announcement from the government that 65 spotlight on churches historic buildings grants for outstanding on to the famous Hall of Destruction. Change churches ie Grade I and II* would begin and Decay began with a harrowing large format immediately, increasing substantially in the slide show of demolition followed by the following full financial year. Until then there glories of church art and positive examples had long been a stand-off between Church of rescue and reuse. (ie Church of England) and State on the basis It became apparent at quite a late stage that of no control, no grants. the real crisis was the accelerating number of The Church of England had its own system churches (especially Anglican) standing empty of faculty jurisdiction and had fiercely argued or facing imminent closure. In too many cases in the debate on the first Ancient Monuments this led to precipitate demolition as the Church Bill in Parliament in 1913 against any Commissioners’ Advisory Board for Redundant additional controls over their church buildings Churches could fast track demolition if they from central government.
    [Show full text]
  • Newsletter - Winter 2014
    The Newbolds have opened Wentworth to the public offering guided tours and an increasing number of events. But despite considerable expenditure on repairs the fabric of the house has deteriorated, following what Arups, their advisers, state is a new bout of mining-related subsidence. Whatever the cause it is grave enough for English Heritage engineers to have sounded the alert to a possible collapse of the exquisite plasterwork in the ceiling of the great portico. Newsletter - Winter 2014 We open our winter newsletter with a call for support for our campaign to save Wentworth Woodhouse, the most important historic building at serious risk in Britain today. For two years SAVE has been working behind the scenes on this project, and we are now at a pivotal moment in the campaign. Marcus Binney, SAVE’s Executive President, explains the campaign in detail below, and details of how you can help can be found at the end of Marcus’s article. Autumn saw SAVE busy with several events, including a joint exhibition at the V&A Museum celebrating 40 years since the Destruction of the Country House exhibition. To our delight it proved so popular that its stay at the museum was twice extended. Two seminars were also held at the V&A, focussing on SAVE’s work and the 1974 exhibition, the latter of which Above and below: The two faces of Wentworth Woodhouse. reunited Sir Roy Strong, John Harris, and Marcus Binney for a The Palladian east front and the Baroque west front. lively discussion. Country Life We continue to campaign for Smithfield General Market following our summer triumph, and an evening seminar in October brought together the inquiry witnesses to discuss the implications of the decision.
    [Show full text]
  • The Future of the Country House
    Burghley House, Lincolnshire The Attingham Trust 60th Anniversary Looking Ahead: The Future of the Country House Conference Papers 12 & 13th OCTOBER 2012 ROYAL GEOGRAPHICAL SOCIETY, LONDON Edited by Giles Waterfield and Rebecca Parker Transcribed by Mia Jackson - Contents - Foreword John Lewis, Chairman, The Attingham Trust Friday 12 October Page Welcome and Introduction Annabel Westman, Executive Director, The Attingham Trust 6 Confessions of a Country House Snooper: Tim Knox interviews John Harris Tim Knox, Director, The Sir John Soane’s Museum; John Harris, Architectural Historian 8 Session One: Changing Perceptions of the Country House in Britain Chair: Martin Postle, Assistant Director, Paul Mellon Centre for Studies in British Art Studying the Country House: Views from the Academy Giles Waterfield, The Attingham Trust 18 The Country House in The Buildings of England 1951-2011 Charles O’Brien, Series Editor, Pevsner Architectural Guides 25 Country House Collections: What Do They Mean Today? Dr. Christopher Ridgway, Curator, Castle Howard 33 Session Two: New Visions for Old Houses: The Private Perspective Chair: Edward Harley, President of the Historic Houses Association (2008-2012) Introduction Edward Harley, President of the Historic Houses Association 44 The Buccleuch Estates The Duke of Buccleuch and Queensberry 48 Burghley House in the Twenty-First Century Miranda Rock, Burghley House 57 Perspectives on the Historic House: Giles Waterfield interviews Julian Fellowes Lord Fellowes of West Stafford, Writer, Actor and Broadcaster;
    [Show full text]